1. ANON (Eighteenth-Century)‘A View of Richmond Green by Twylight’.Pen, ink and watercolour. 1770. Inscribed and dated to the verso of the original wash line mount. The verso of the watercolour addressed… ‘For / George Knapton Esq / att John Knapton Esq / Richmond Green’. Ex. Collection: George Knapton (1698-1778); […] Edward Croft-Murray (1907-1980).7.25×6 inches.
£1,750
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2. ANON (Nineteenth-Century)PAIR; Italian Capricci.Pencil and watercolour. c.1840.2.5×4 inches.Framed: 10×11 inches.
£375
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3. ANON (Nineteenth-Century)Ferns and foliage.Pencil and watercolour. c.1870. Ex. Collection: Cyril Fry.5×4.5 inches.
9. Burney, Edward Francis (1760 – 1848)Study for Laocoön and his Sons.Pen, ink and monochrome wash. c.1800. Related to the vignette by Burney of the same subject in the Brooklyn Museum. Provenance: Sabin Galleries.7.5×4.75 inches.
£375
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10. Cliffe, Henry (1919 – 1983)Abstract composition.Pencil. c.1960. Provenance: a collection of sheets by Cliffe from the ’50s and ’60s, many signed.6.5×8 inches.Framed: 11×12.5 inches.
17. Gertler, Mark (1891 – 1939)Life drawing.Pencil. c.1938. Provenance: Vivian Meynell (of Offord & Meynell) for whom the drawing was made.10.5×5 inches.Framed: 17×10 inches.
£875
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18. Gault, Cameron (born 1964)‘Portrait’; a study for ‘Pain and Love’.Charcoal, watercolour and gouache. 1991. Exhibited: Julian Hartnoll; Houldsworth Fine Art.24.5×17.5 inches.Framed: 36×28.5 inches.
£1,250
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19. Gipin Family? (Eighteenth Century)A landscape capriccio.Pen, ink, monochrome wash and gouache. Previously attributed to Sawrey Gilpin R.A. (1733-1807). Ex. Collection: Arnold Fellows.9×12 inches.
£75
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20. Graham, Fergus (1900 – 1968)‘Serpentine No.3’.Watercolour. Signed with monogram. Signed and title to an artist’s label on the verso of the original frame.9×16 inches.
£175
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21. Hearne, Thomas (1744 – 1817)Hertfordshire; ‘At St Hippolita’s / near Hitchin’.Pencil and watercolour. Signed. Inscribed verso.5×7.5 inches.
23. Hogarth, William (1697 – 1764)SET: ‘A Harlot’s Progress’ (Paulson 121-126).Engraving. 1732. 4th state with cross printed to the border. Very good late life-time or early Mrs Hogarth impressions on Auvergne Paper. Ex. Collection. Sir William Augustus Fraser Bart. Exhibited: Andrew Edmunds. Beautifully framed by the later Justin Skrebowski.12.5×15.5 inches.Framed: 20.5×24.75 inches.
£4,500
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24. Holloway, Edgar (1914 – 2008)‘Self Portrait No.6’.Etching. 1932. Printers proof to the 1993 edition. Signed, titled and dated.9×6.5 inches.
26. John O.M. R.A., Augustus (1878 – 1961)‘Self Portrait in an Oval’ (CD9).Etching. 1901/02 (published 1906). Signed. State III. Editioned 25/25 under the mount.5×4 inches.Framed: 14×11.25 inches.
£3,000
27. Hurry, Leslie (1908 – 1978)Wagner; Götterdämmerung, Scene II.Pen, ink and watercolour. Signed and dated, 1954.18.5×23 inches.
£450
28. Joyce, Peter (born 1964)Dorset; ‘Kimmeridge Cliffs’.Mixed media on card. 1990. Signed and dated verso. Signed, titled and dated to the old backboard. Exhibited: Anthony Hepworth.18.25×15 inches.Framed: 24.5×21.5 inches.
£1,950
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29. Landseer R.A., Charles (1799 – 1879)Byron; ‘The Maid of Athens’ / ‘The Greek Girl’.Oil on board. 1845. Exhibited: Royal Academy, 1845, No.144.10×8 inches.Framed: 15.5×13.5 inches.
£15,000
30. McFadyen R.A., Jock (born 1950)‘ECR’.Lithograph. Signed, inscribed and editioned, 37/50. From the suite ‘Five Etchings and Five Lithographs’, published 1991.25×17.25 inches.
32. Menpes R.E. R.I., Mortimer (1855 – 1938)Elizabeth Robins (1862-1952); an illustrated letter from the artist to the great American actress.Pen, ink, pencil and watercolour. Postmarked 1902 and address to ‘Miss Elizabeth Robins / C/o Miss Hutchison / 46 Price’s Gate / S.W.’.5×8 inches.Framed: 6.5×9.25 inches.
£500
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33. Nattes (c.1765-1839), Jean-ClaudePAIR: Italy; Florence mills, ‘Ponte alle Grazie … presa della parte del mulino della Zecca’ and ‘Mulino sull arno presa della Casa Bruck’.Pencil, pen and ink. Both inscribed and dated, September 1820.9×13.5 inches.
£575
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34. Payne, William (1760 – 1830)Orestone, near Plymouth.Watercolour. Signed with initials.8.25×11.25 inches.Framed: 17×19.5 inches.
£2,750
35. RC (Eighteenth-Century)‘Mars’.Watercolour and gouache on card. Signed ‘RC’ and dated, ‘January 18, 1793 verso. Titled and numbered 3 verso, so presumably one of a series.11.5×6.25 inches.
39. Sandby R.A., Paul (1731 – 1809)A Capriccio Landscape.Pencil and watercolour. Exhibited: Palser Gallery.10×12 inches.Framed: 15.25×17 inches.
£4,750
40. Sergeant, Carolyn (born 1937)May Oaks and Hedgerow.Oil on card. Signed and dated, 1990. Signed and dated, May 1990 verso. Provenance: Artist’s Estate.10×12 inches.
£150
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41. Slater (c.1780-1847), JosiahPortrait of a woman.Pencil and watercolour. c.1800. Signed with initial. Exhibited: Miles Wynn Cato.10×8 inches.Framed: 14.25×12.25 inches.
47. Varley O.W.S., John (1778 – 1842)London; ‘View of London Bridge – Slanting Shadows thrown across it / Strong lights catching on the buildings. Sky Silver Grey / with warm Grey Clouds’.Pencil. Inscribed. Ex. Collection: Edward Croft-Murray.3.5×7 inches.
£375
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48. Underwood, Leon (1890 – 1975)‘Tree of Life’ / ‘This is a Fair World’.Wood-engraving. 1926. Proof. For James Branch Cabell, ‘Music from Behind the Moon’, Publ. John Day, New York, 1926.6×4 inches.Framed: 14×11.25 inches.
51. ANON (Eighteenth-Century)A house and parkland.Pen, ink and watercolour. c.1790. Presumably by someone who had taken lessons from Sandby.13.75×19.5 inches.
£250
52. ANON (Nineteenth-Century)A bank of dock leaves and grasses.Pencil and watercolour. c.1820. Probably by an artist of the Norwich School.10.5×15 inches.
55. Bone N.E.A.C., Stephen (1904 – 1958)London; Havistock Hill in the snow.Oil on panel. c.1945. Provenance: the Artist’s Estate.9.75×14 inches.Framed: 14.75×19 inches.
£600
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56. Buckland-Wright, John (1897 – 1954)‘Venus: From Hymn to Prosperine’.Wood-engraving. Signed and dated 1943. For the collection of poems by Swinburne published by the Golden Cockerel Press, 1944.5.75×4.5 inches.
£375
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57. Callow R.W.S., William (1812 – 1908)An Italian(?) coastal scene with rock castle.Pencil and watercolour. Monogrammed.7.25×14.25 inches.Framed: 15×21.25 inches.
62. Drury, Paul (1903 – 1987)‘Evening’ (G16).Etching. Signed and dated, 1925. State 3. Edition of 60. Numbered ‘No.36’ and titled under the mount.3×4 inches.
£1,750
63. Eldridge R.W.S., Mildred (1909 – 1991)‘Telling the Bees’ / ‘Music’; the artist’s RCA mural painting examination piece.Oil on canvas. 1933. Signed. Inscribed verso. Later worked into the first panel of her great mural cycle ‘The Dance of Life’ (1956), made for the Orthopaedic Hospital at Gobowen and now at Glyndŵr University, Wrexham.62.5×65.5 inches.
65. Finney, Hubert Arthur (1905 – 1991)A WWII ambulance nurse.Pen, ink and crayon. Inscribed verso, ‘Brush drawing of a Nurse in the Ambulance Service’. Provenance: Duncan Cambell, Hubert Arthur Finney Studio Sale, 2007.20.5×15.5 inches.
69. Girtin (After), Thomas (1775 – 1802)‘Rainbow. A Scene on the River Exe’.Engraving by Charles Turner after Thomas Girtin. Published by W.B. Cooke in 1823.7×10.25 inches.
72. Greenham R.O.I., Peter (1906 – 1976)Royal Academy Schools Life Drawing.Charcoal. 1960/62. Provenance: John Sergeant (1937-2010). The drawings in a folder inscribed by Sergeant, ‘ … by Peter Greenam / drawn for me at / Royal Academy Schools 1960/61’.6.5×14.5 inches.
£75
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73. Haggis, John (1897 – 1968)Spain; ‘Almeria’.Chalks. Signed. Titled and dated, 1957, verso.9.5×13.5 inches.Framed: 11.5×15.25 inches.
75. Hardie R.E., Martin (1875 – 1952)France; ‘The Sunny South’, Martigues.Etching. 1924. Edition of 70. From a pencil drawing made at Martigues in 1921.5.5×8.25 inches.
£175
76. Hart, Barry (1894 – 1954)Art deco ceiling design.Pencil, watercolour and gouache. Circa 1935. Provenance: Artist’s Estate.32×19 inches.
£150
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77. Hastings (Early Nineteenth-Century)East Sussex; a view of Hastings from East Hill looking north over All Saints Church.Pencil and monochrome wash. Early nineteenth-century. Inscribed recto, left to right .. ‘All Saints Church / Halton Church / London Road / Barrack Field / St Mary’s Terrace’.9×20.5 inches.
£1,500
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78. Hills O.W.S., Robert (1769 – 1844)‘Hastings’; a study of trees and farm buildings.Pencil and monochrome wash. Signed. Inscribed verso.6.75×9.75 inches.
84. Mabbutt, Mary (born 1951)‘Gina Shoes 2’.Oil on canvas. Signed and dated, 1998 verso. Exhibited: Martin Tinney Gallery.12×12 inches.
£450
85. Maitland, Paul (1863 – 1909)The Thames; ‘Leaden Skies’.Oil on canvas. 1908. Exhibited: Michael Franklin.15.5×11.5 inches.Framed: 21×17 inches.
£7,500
86. Manessier, Alfred (1911 – 1993)Abstract Figures.Wood-engraving. Signed and dated, 1943 in the plate. Signed with initials in pencil.9.5×7.5 inches.
88. Nash, Eustace (1886 – 1969)Four Designs for ‘White Horse’ Bleach Board Drip MatsWatercolour and gouache. c.1950. Signed to a label recto.10.25×10 inches.
£125
89. Norris (Nineteenth Century), FRichmond Hill and Petersham Meadow.Watercolour and white heightening. c.1840. Ex. Collection: Edward Croft-Murray (1907-1980).6.5×10.25 inches.
£225
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90. Payne, William (1760 – 1830)A fisherman and his wife mending their net.Pencil and watercolour. c.1810. Ex. Collection: Arnold Fellows.2.25×5 inches.
£125
91. Quinlan, Eve (1880 – 1955)‘Magnolias’.Oil on canvas. 1942. By the Suffolk artist who demonstrably spent some time with Cedric Morris at Benton End (she exhibited a view of the Garden at Benton End at the Ipswich Art Club). Artist’s label verso. Exhibited: RBA29.5×23.5 inches.Framed: 37×31 inches.
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
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