Eldridge R.W.S., Mildred (1909 – 1991)Rose, ‘Agatha’.Pencil and watercolour. Inscribed by the artist. Dated, 1961 Provenance: Artist’s Estate.15×11 inches.
£775
Sold
Eldridge R.W.S., Mildred (1909 – 1991)Rose, ‘Belle de Crecy’.Pencil and watercolour. Inscribed by the artist. Signed and dated, 1962. Provenance: Artist’s Estate.15×11 inches.
£675
Sold
Eldridge R.W.S., Mildred (1909 – 1991)Rose, ‘Cottage Maid’.Pencil and watercolour. Inscribed by the artist. Dated, 1961. Provenance: Artist’s Estate.15×11 inches.
£875
Sold
Eldridge R.W.S., Mildred (1909 – 1991)Rose, ‘Fantin Latour’.Pencil and watercolour. Inscribed by the artist. Signed and dated, 1961. Provenance: Artist’s Estate.15×11 inches.
£875
Sold
Eldridge R.W.S., Mildred (1909 – 1991)Rose, ‘Frau Dagmar Hastrup’ I.Pencil and watercolour. Inscribed by the artist. Dated, 1969. Provenance: Artist’s Estate.15×11 inches.
£975
Sold
Eldridge R.W.S., Mildred (1909 – 1991)Rose, ‘Frau Dagmar’ II.Pencil and watercolour. Inscribed by the artist and dated, 1969. Provenance: Artist’s Estate.15×11 inches.
£875
Sold
Eldridge R.W.S., Mildred (1909 – 1991)Rose, ‘Perle des Panchees’.Pencil and watercolour. Inscribed by the artist. Singed and dated, 1963. Provenance: Artist’s Estate.15×11 inches.
£675
Sold
Eldridge R.W.S., Mildred (1909 – 1991)Rose, ‘Tour de Malakoff’.Pencil and watercolour. Inscribed by the artist. Provenance: Artist’s Estate.15×11 inches.
£675
Sold
Eldridge R.W.S., Mildred (1909 – 1991)Rose, ‘William Lobb’ I.Pencil and watercolour. Inscribed by the artist. Dated, 1962. Provenance: Artist’s Estate.15×11 inches.
£775
Sold
Eldridge R.W.S., Mildred (1909 – 1991)Rose, ‘William Lobb’ II.Pencil and watercolour. Inscribed by the artist. Dated, 1962. Provenance: Artist’s Estate.15×11 inches.
£875
Sold
GROUP VII
DEBORA GREGER
Hand-Stitched Collage
My collages begin in piles of paper – people, windows, planets, snakes, bugs – snipped from illustrated books. I use embroidery scissors made in Germany, found in my quest for a very fine, sharp point and blade. The idea for a collage begins in the images, which suggest possibilities I didn’t expect. When I took up collage after art school, I glued though not as well as I cut. Glue showed, paper buckled, so I started sewing down the scraps with monofilament nylon thread, lighter gauge than fishing line. The colored stitching on some collages is cotton embroidery floss. When I was six or seven, my mother taught me to sew. After her children were grown, she turned to making fabric kites and writing books about kite-making, which became best-sellers. In ways I could not have foreseen, I have become my mother’s daughter.
Debora Greger (Cambridge, 2019)
These work are sold framed in a slim oak moulding.
Greger, Debora‘Materia Poetica White’.Collage hand stitched onto black paper. Signed.12×8 inches.
£775
Greger, Debora‘After Eden Came Male Finery’.Collage hand stitched onto black paper. Signed.12×8 inches.
£775
Greger, Debora‘In the Batrams Garden’.Collage hand stitched onto black paper. Signed.12×8 inches.
£775
Greger, Debora‘Late Night in the Kitchen’.Collage hand stitched onto black paper. Signed.12×8 inches.
£775
Greger, Debora‘To Mrs Delaney’.Collage hand stitched onto black paper. Signed.12×8 inches.
£775
Greger, Debora‘After Eden Eve’.Collage hand stitched onto black paper. Signed.12×8 inches.
£775
ANNE DESMET
Italian Linocuts
These work are sold unframed and unmounted.
Desmet R.A., Anne (born 1964)‘Excavations, Afternoon’.Linocut. 2000. Signed, titled and editioned 18/40.24×8 inches.
Leigh Cooke is a Surface Pattern Designer best known and admired for his scarf designs. He designed for Salvatore Ferragamo from 1998 to 2003, and has designed for Hermès since 2001.
Cooke (Contemporary), LeighArrangement with Shells and Pottery I.Pencil and watercolour. Provenance: from the Artist’s Studio.13.75×11 inches.Framed: 17×14.5 inches.
£375
Sold
Cooke (Contemporary), LeighArrangement with match sticks and puzzle pieces.Pencil and watercolour. A silk scarf design for Hermes. Provenance: from the Artist’s Studio.16.5×23 inches.Framed: 20×26.5 inches.
£475
Cooke (Contemporary), LeighArrangement with Shells and Pottery II.Pencil and watercolour. Provenance: from the Artist’s Studio.20.5×16 inches.Framed: 24×19 inches.
£475
Sold
Cooke (Contemporary), LeighArrangement of brushes.Pencil and watercolour. Provenance: from the Artist’s Studio.33×23.5 inches.Framed: 36.5×27 inches.
£875
Cooke (Contemporary), LeighArrangement with marbles and match sticks.Pencil and watercolour. Signed and dated, 2010. Provenance: from the Artist’s Studio.8.5×10 inches.Framed: 11.75×13.4 inches.
£275
Cooke (Contemporary), LeighArrangement with brushes and match sticks.Pencil and watercolour. Provenance: from the Artist’s Studio.30×21 inches.Framed: 33×24.5 inches.
£875
Cooke (Contemporary), LeighBlossom.Pencil and watercolour. Signed and dated, 2010. Provenance: from the Artist’s Studio.19.5×22 inches.Framed: 33×25.5 inches.
£675
Cooke (Contemporary), LeighSprings sprigs and snow drop.Pencil and watercolour. Provenance: from the Artist’s Studio.23.25×16.5 inches.Framed: 26.5×20 inches.
£575
Cooke (Contemporary), LeighSprings sprigs.Pencil and watercolour. Provenance: from the Artist’s Studio.23×16.5 inches.Framed: 26.5×20 inches.
£575
GROUP V
TOR FALCON
– SMALL MOONS –
“These small moons are rapid, cut to the chase, aide-memoire drawings. I did so many of these, sometimes several a night, that they became a sort of installation in my studio. A lifetime of them would never capture in full the beautiful shape shifting moon seen through our endlessly moving atmosphere – the different permutations are infinite.” (Tor Falcon)
McMinn (fl.1890-1920), F. A.‘Corbiere Lighthouse. Jersey’.Pencil. c.1895. Verso, ‘Martello Tower No 4. Grouville Bay. E, coast of Jersey’.7×9.75 inches.
£275
Sold
McMinn (fl.1890-1920), F. A.‘In the Valley of Ferns, or Waterworks Valley, Jersey’.Pencil. c.1915-17.7×9.75 inches.
McMinn (fl.1890-1920), F. A.‘Rocks in St Clements Bay, East Coast of Jersey’.Pencil. c.1895. Verso: ‘Rocks at Pt Le Croc. E. Coast of Jersy’ [sic].7×9.75 inches.
Abstract Designs for the Piper Building, London SW6.
These are preliminary designs for the large fibreglass panels that adorn the ‘Piper Building’ in Peterborough Road, Fulham. The building was designed and built for the North Thames Gas Board in the late 1950s (completed 1961). It was redeveloped in the 1990s and is now a combination of flats and commmercial spaces.
Piper C.H., John (1903 – 1992)Abstract design for the panels of the Piper Building, Fulham I.Watercolour and gouache on paper. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection.5×4 inches.Framed: 10×9 inches.
£1,250
Sold
Piper C.H., John (1903 – 1992)Abstract design for the panels of the Piper Building, Fulham II.Mixed media of paint and collage on panel. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection.7×6 inches.Framed: 12×10.5 inches.
£1,500
Sold
Piper C.H., John (1903 – 1992)Abstract design for the panels of the Piper Building, Fulham III.Watercolour and gouache on paper. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection.5×4 inches.Framed: 10×9 inches.
£1,250
Sold
Piper C.H., John (1903 – 1992)Abstract design for the panels of the Piper Building, Fulham IV.Mixed media of paint and collage on paper. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection.6×5 inches.Framed: 11×10 inches.
£1,500
Sold
Piper C.H., John (1903 – 1992)Abstract design for the panels of the Piper Building, Fulham V.Mixed media of paint and collage on panel. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection.7×5 inches.Framed: 12×10.5 inches.
£1,750
Sold
Piper C.H., John (1903 – 1992)Abstract design for the panels of the Piper Building, Fulham VI.Mixed media of paint and collage on paper. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection.6×5 inches.Framed: 11×10 inches.
£1,500
Sold
Piper C.H., John (1903 – 1992)Abstract design for the panels of the Piper Building, Fulham VII.Mixed media of paint and collage on board. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection.7.5×6.5 inches.Framed: 12.5×11.5 inches.
£1,750
Sold
DUNCAN GRANT (1885-1978)
Drawings from a sketchbook dating to 1923/25.
Grant L.G., Duncan (1885 – 1978)Cafe Scene.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.4×6 inches.Framed: 11.5×13.5 inches.
£1,250
Sold
Grant L.G., Duncan (1885 – 1978)Acrobat and Ball.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.6×4 inches.Framed: 14×11 inches.
£975
Sold
Grant L.G., Duncan (1885 – 1978)Acrobat.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.4×6 inches.Framed: 11.5×13.5 inches.
£775
Sold
Grant L.G., Duncan (1885 – 1978)Design for a table top II.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.6×4 inches.Framed: 14×11 inches.
£675
Grant L.G., Duncan (1885 – 1978)Dancer.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.6×4 inches.Framed: 14×11 inches.
£975
Sold
Grant L.G., Duncan (1885 – 1978)Design for a table top II.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.6×4 inches.Framed: 14×11 inches.
£875
Grant L.G., Duncan (1885 – 1978)Profile.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.4×6 inches.Framed: 11.5×13.5 inches.
£775
Sold
Grant L.G., Duncan (1885 – 1978)Reclining Figure.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.4×6 inches.Framed: 11.5×13.5 inches.
£1,500
Sold
Grant L.G., Duncan (1885 – 1978)Head studies.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.4×6 inches.Framed: 11.5×13.5 inches.
£675
Grant L.G., Duncan (1885 – 1978)Musician.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.6×4 inches.Framed: 14×11 inches.
£975
Sold
Grant L.G., Duncan (1885 – 1978)Venus.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.6×4 inches.Framed: 14×11 inches.
£975
Sold
GROUP 1
PRINTS FROM THE COLLECTIONOF
DAVID PAISEY (1933-2023)
5pm Tuesday 3rd December
David Paisey worked at the British Library from 1959-1993 and was responsble for German books. On his retirement he began volunteering at the British Museum’s Department of Prints and Drawings where he contributed to the cataloguing of their collection; first German illustrated books, then broadsides, then German portrait prints and finally printed ephemera. He was also a collector of pictures and ceramics, and a generous benefactor to the British Museum and the National Museum of Wales. The number of works he gave to the British Musuem’s Department of Prints and Drawingsstands at over 380. The majority of the works he donated were contemporary prints such as those below. The volume and breadth of this collection stands as a testament to his support of (often young) artists.
NOTE: These prints are all sold unframed and unmounted. Consequently they are not on general view at the gallery. If you would like to come and see any, please let us know in advance.
Dimensions given are plate / image sizes.
Allen, Tim (born 1950)‘Inishowen’.Lithograph. Signed and editioned 3/25. Exhibited: R.A., 2016.11×15.5 inches.
Boast (Contemporary), Liz‘Man with a Bean on his Head’.Etching. 2012. 2/5. Signed and titled. Exhibited: Royal Society of Painter-Printmakers.7.75×8 inches.
Danielis (Contemporary), Massimo‘Situazioni’.Etching and aquatint. 2014/15. Signed and editioned 14/35. See further examples of the artist’s works, donated by David Paisey, in the British Museum.9.75×7.75 inches.
£150
Sold
Danielis (Contemporary), MassimoPAIR: ‘Wintermärchen’.Etching. Signed and editioned 6/15. See further examples of the artist’s works, donated by David Paisey, in the British Museum.10×8 inches.
Franklin (Contemporay), Malcolm‘Embrace – 5’.Lithograph. 2011. Signed, titled and editioned 2/12. See further examples of the artist’s works, donated by David Paisey, in the British Museum.13×11 inches.
£250
Franklin (Contemporay), Malcolm‘Insomnia – I’.Lithograph. 2012. Signed and editioned 4/10. See further examples of the artist’s works, donated by David Paisey, in the British Museum.5.75×8 inches.
£175
Sold
Galapon (Contemporary), Melvin‘Tracking 12’.Monotype and pencil. 2009. Signed and editioned 1/1. See further examples of the artist’s works, donated by David Paisey, in the British Museum.10×13.25 inches.
£150
Galapon (Contemporary), Melvin‘Tracking 15’.Monotype and pencil. 2009. Signed and editioned 1/1. See further examples of the artist’s works, donated by David Paisey, in the British Museum.10×13.25 inches.
Hawdon R.E. (Contemporary), Paul‘Il Duomo – Orvieto’.Etching and aquatint. 2009. Signed, titled and editioned 9/40. Exhibited: Discerning Eye.10×7 inches.
£150
Hawdon R.E. (Contemporary), Paul‘Police Poles’.Etching. Signed and editioned 1/1. This work relates to an oil painting by the artist in the MET, New York.19.5×26 inches.
Lewis, Ann (born 1962)‘Rhyng y Greigiau Gwyrdd’.Linocut. 2010. Signed, titled and editioned 5/24. Exhibited: Oriel Tegfryn Gallery, Anglesey.7.25×5.5 inches.
£125
Sold
Lewis, Eurfryn (born 1976)‘Swn y Gwynt Sy’n Chwythu’ / ‘Sound of the Wind Blowing’.Etching. 2010. Signed and editioned, 18/20. Exhibited: Martin Tinney, Cardiff.3.5×9 inches.
Marinkov S.W.E., Sasa‘Morning Riverside’.Linocut. Exhibited: Bankside Gallery, 2005. See further examples of the artist’s works, donated by David Paisey, in the British Museum.8×12 inches.
£125
Marinkov S.W.E., Sasa‘Up and Up’.Linocut. Signed and editioned 2/40. See further examples of the artist’s works, donated by David Paisey, in the British Museum.11.5×8 inches.
Mathias (Contemporary), David‘Threshold’.Laser wood-cut. 2009. Signed, titled and editioned 1/25. See further examples of the artist’s works, donated by David Paisey, in the British Museum.13.25×8.75 inches.
£80
Sold
Meckel, Christoph (1935 – 2020)TRIPTYCH: ‘Potemkin-City’.Etching and aquatint. 1973. Signed, titled and editioned 23/25. See further examples of the artist’s works, donated by David Paisey, in the British Museum.12×10 inches.
Montgomery (Contemporary), Etsuko‘Forest Haze’.Monotype. 2000. Signed and titled. See further examples of the artist’s works, donated by David Paisey, in the British Museum.15.5×21.5 inches.
£175
Sold
Montgomery (Contemporary), Etsuko‘Iroha’.Lithograph. 2000. Signed, titled and editioned 2/4. See further examples of the artist’s works, donated by David Paisey, in the British Museum.18×13.25 inches.
Perrin R.E. (Contemporary), Brian‘Forest’.Etching. Artist’s proof. Signed. Exhibited: R.E. Members Exhibition, Bankside Gallery. See further examples of the artist’s works, donated by David Paisey, in the British Museum.16.5×21 inches.
£150
Perrin R.E. (Contemporary), Brian‘Indigo Wood’.Etching. Artist’s proof. Signed. Exhibited: Bankside Gallery. See further examples of the artist’s works, donated by David Paisey, in the British Museum.21.5×16.5 inches.
£150
Sold
Perrin R.E. (Contemporary), Brian‘Park Piece II’.Etching. 2010s. Signed and editioned 2/50. See further examples of the artist’s works, donated by David Paisey, in the British Museum.15×19.5 inches.
£150
Phillips (Contemporary), Tooney‘Esquinas Pequenas IV’.Soft and hard ground etching. 2010. Signed and editioned 1/1.5.5×9 inches.
£200
Phillips (Contemporary), Tooney‘Excavation I’.‘Paper litho mono-print’. With hand colouring in ink and gouache. 2017. Signed.7.25×7.5 inches.
Unwin P.P.R.E. (Contemporary), Bren‘Chiasmus’.Etching. 2005. Signed and editioned 1/1. See further examples of the artist’s works, donated by David Paisey, in the British Museum.5×7.5 inches.
£175
Sold
Unwin P.P.R.E. (Contemporary), Bren‘Fieldwork 13’. CHECK MARKMixed media monotype. 2012. Signed, titled and editioned 1/1. ExhibIted: Royal Society of Printer Printmakers. See further examples of the artist’s works, donated by David Paisey, in the British Museum.6.25×5.5 inches.
£175
Unwin P.P.R.E. (Contemporary), BrenChiasmus: quillet series 11th state, reverse relief’.Woodcut. Signed and editioned 2/10. See further examples of the artist’s works, donated by David Paisey, in the British Museum.15.5×15.75 inches.
Zaharia, Mādālina (born 1985)‘We Demand Games with Great Gravity’.Photo lithograph and blind relief. 2012. Signed, dated and editioned 28/40 verso.12×10 inches.
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat enquiries about List pictures in strict order of receipt.
Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.
Approval Service: We are happy to send works on approval, but this is subject to discussion.
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