LIST 554

DECEMBER 2024

CHRISTMAS SPECIAL!


GROUP VIII … and FINAL!


MILDRED ELDRIDGE R.W.S. (1909-1991)

Botanical Watercolours

Works from this group bought before 5pm on Wednesday 18th December can be delivered to UK addresses for Christmas.


GROUP VII


DEBORA GREGER

Hand-Stitched Collage

My collages begin in piles of paper – people, windows, planets, snakes, bugs – snipped from illustrated books. I use embroidery scissors made in Germany, found in my quest for a very fine, sharp point and blade. The idea for a collage begins in the images, which suggest possibilities I didn’t expect. When I took up collage after art school, I glued though not as well as I cut. Glue showed, paper buckled, so I started sewing down the scraps with monofilament nylon thread, lighter gauge than fishing line. The colored stitching on some collages is cotton embroidery floss. When I was six or seven, my mother taught me to sew. After her children were grown, she turned to making fabric kites and writing books about kite-making, which became best-sellers.  In ways I could not have foreseen, I have become my mother’s daughter.

Debora Greger (Cambridge, 2019)

These work are sold framed in a slim oak moulding.

  • Greger, Debora
    ‘Materia Poetica White’. Collage hand stitched onto black paper. Signed. 12×8 inches.
    £775
  • Greger, Debora
    ‘After Eden Came Male Finery’. Collage hand stitched onto black paper. Signed. 12×8 inches.
    £775
  • Greger, Debora
    ‘In the Batrams Garden’. Collage hand stitched onto black paper. Signed. 12×8 inches.
    £775
  • Greger, Debora
    ‘Late Night in the Kitchen’. Collage hand stitched onto black paper. Signed. 12×8 inches.
    £775
  • Greger, Debora
    ‘To Mrs Delaney’. Collage hand stitched onto black paper. Signed. 12×8 inches.
    £775
  • Greger, Debora
    ‘After Eden Eve’. Collage hand stitched onto black paper. Signed. 12×8 inches.
    £775

ANNE DESMET

Italian Linocuts

These work are sold unframed and unmounted.


GROUP VI

LEIGH COOKE

Leigh Cooke is a Surface Pattern Designer best known and admired for his scarf designs. He designed for Salvatore Ferragamo from 1998 to 2003, and has designed for Hermès since 2001.

Online 6pm 14th December

If you like these, you can view more of Leigh Cooke’s work HERE.

  • Cooke (Contemporary), Leigh
    Arrangement with Shells and Pottery I. Pencil and watercolour. Provenance: from the Artist’s Studio. 13.75×11 inches. Framed: 17×14.5 inches.
    £375
    Sold
  • Cooke (Contemporary), Leigh
    Arrangement with match sticks and puzzle pieces. Pencil and watercolour. A silk scarf design for Hermes. Provenance: from the Artist’s Studio. 16.5×23 inches. Framed: 20×26.5 inches.
    £475
  • Cooke (Contemporary), Leigh
    Arrangement with Shells and Pottery II. Pencil and watercolour. Provenance: from the Artist’s Studio. 20.5×16 inches. Framed: 24×19 inches.
    £475
    Sold
  • Cooke (Contemporary), Leigh
    Arrangement of brushes. Pencil and watercolour. Provenance: from the Artist’s Studio. 33×23.5 inches. Framed: 36.5×27 inches.
    £875
  • Cooke (Contemporary), Leigh
    Arrangement with marbles and match sticks. Pencil and watercolour. Signed and dated, 2010. Provenance: from the Artist’s Studio. 8.5×10 inches. Framed: 11.75×13.4 inches.
    £275
  • Cooke (Contemporary), Leigh
    Arrangement with brushes and match sticks. Pencil and watercolour. Provenance: from the Artist’s Studio. 30×21 inches. Framed: 33×24.5 inches.
    £875
  • Cooke (Contemporary), Leigh
    Blossom. Pencil and watercolour. Signed and dated, 2010. Provenance: from the Artist’s Studio. 19.5×22 inches. Framed: 33×25.5 inches.
    £675
  • Cooke (Contemporary), Leigh
    Springs sprigs and snow drop. Pencil and watercolour. Provenance: from the Artist’s Studio. 23.25×16.5 inches. Framed: 26.5×20 inches.
    £575
  • Cooke (Contemporary), Leigh
    Springs sprigs. Pencil and watercolour. Provenance: from the Artist’s Studio. 23×16.5 inches. Framed: 26.5×20 inches.
    £575

GROUP V

TOR FALCON

– SMALL MOONS –

“These small moons are rapid, cut to the chase, aide-memoire drawings. I did so many of these, sometimes several a night, that they became a sort of installation in my studio. A lifetime of them would never capture in full the beautiful shape shifting moon seen through our endlessly moving atmosphere – the different permutations are infinite.” (Tor Falcon)

CLICK HERE



GROUP IV


PHIL GREENWOOD R.E. (b.1943)

Etching and aquatints.


GROUP III

These drawings are from two sketchbooks dating to c.1895 and c.1915-17.
McMinn was, apparently, a Norfolk architect.


JERSEY

THE EAST ANGLIAN COAST

SOUTHWOLD – WALBERSWICK – YARMOUTH


GROUP II


JOHN PIPER (1903-1992)

Abstract Designs for the Piper Building, London SW6.

These are preliminary designs for the large fibreglass panels that adorn the ‘Piper Building’ in Peterborough Road, Fulham. The building was designed and built for the North Thames Gas Board in the late 1950s (completed 1961). It was redeveloped in the 1990s and is now a combination of flats and commmercial spaces.

  • Piper C.H., John (1903 – 1992)
    Abstract design for the panels of the Piper Building, Fulham I. Watercolour and gouache on paper. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection. 5×4 inches. Framed: 10×9 inches.
    £1,250
    Sold
  • Piper C.H., John (1903 – 1992)
    Abstract design for the panels of the Piper Building, Fulham II. Mixed media of paint and collage on panel. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection. 7×6 inches. Framed: 12×10.5 inches.
    £1,500
    Sold
  • Piper C.H., John (1903 – 1992)
    Abstract design for the panels of the Piper Building, Fulham III. Watercolour and gouache on paper. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection. 5×4 inches. Framed: 10×9 inches.
    £1,250
    Sold
  • Piper C.H., John (1903 – 1992)
    Abstract design for the panels of the Piper Building, Fulham IV. Mixed media of paint and collage on paper. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection. 6×5 inches. Framed: 11×10 inches.
    £1,500
    Sold
  • Piper C.H., John (1903 – 1992)
    Abstract design for the panels of the Piper Building, Fulham V. Mixed media of paint and collage on panel. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection. 7×5 inches. Framed: 12×10.5 inches.
    £1,750
    Sold
  • Piper C.H., John (1903 – 1992)
    Abstract design for the panels of the Piper Building, Fulham VI. Mixed media of paint and collage on paper. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection. 6×5 inches. Framed: 11×10 inches.
    £1,500
    Sold
  • Piper C.H., John (1903 – 1992)
    Abstract design for the panels of the Piper Building, Fulham VII. Mixed media of paint and collage on board. c.1961. Provenance: Tony Manzaroli of Gillespies Engineers who were responsible for manufacturing the Piper Building panels; Private Collection. 7.5×6.5 inches. Framed: 12.5×11.5 inches.
    £1,750
    Sold

DUNCAN GRANT (1885-1978)

Drawings from a sketchbook dating to 1923/25.

  • Grant L.G., Duncan (1885 – 1978)
    Cafe Scene. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 4×6 inches. Framed: 11.5×13.5 inches.
    £1,250
    Sold
  • Grant L.G., Duncan (1885 – 1978)
    Acrobat and Ball. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 6×4 inches. Framed: 14×11 inches.
    £975
    Sold
  • Grant L.G., Duncan (1885 – 1978)
    Acrobat. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 4×6 inches. Framed: 11.5×13.5 inches.
    £775
    Sold
  • Grant L.G., Duncan (1885 – 1978)
    Design for a table top II. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 6×4 inches. Framed: 14×11 inches.
    £675
  • Grant L.G., Duncan (1885 – 1978)
    Dancer. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 6×4 inches. Framed: 14×11 inches.
    £975
    Sold
  • Grant L.G., Duncan (1885 – 1978)
    Design for a table top II. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 6×4 inches. Framed: 14×11 inches.
    £875
  • Grant L.G., Duncan (1885 – 1978)
    Profile. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 4×6 inches. Framed: 11.5×13.5 inches.
    £775
    Sold
  • Grant L.G., Duncan (1885 – 1978)
    Reclining Figure. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 4×6 inches. Framed: 11.5×13.5 inches.
    £1,500
    Sold
  • Grant L.G., Duncan (1885 – 1978)
    Head studies. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 4×6 inches. Framed: 11.5×13.5 inches.
    £675
  • Grant L.G., Duncan (1885 – 1978)
    Musician. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 6×4 inches. Framed: 14×11 inches.
    £975
    Sold
  • Grant L.G., Duncan (1885 – 1978)
    Venus. Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner. 6×4 inches. Framed: 14×11 inches.
    £975
    Sold


GROUP 1

PRINTS FROM THE COLLECTION OF

DAVID PAISEY (1933-2023)

5pm Tuesday 3rd December

David Paisey worked at the British Library from 1959-1993 and was responsble for German books. On his retirement he began volunteering at the British Museum’s Department of Prints and Drawings where he contributed to the cataloguing of their collection; first German illustrated books, then broadsides, then German portrait prints and finally printed ephemera. He was also a collector of pictures and ceramics, and a generous benefactor to the British Museum and the National Museum of Wales. The number of works he gave to the British Musuem’s Department of Prints and Drawings stands at over 380. The majority of the works he donated were contemporary prints such as those below. The volume and breadth of this collection stands as a testament to his support of (often young) artists.

Dimensions given are plate / image sizes.


AND MORE IDEAS FOR CHRISTMAS FROM OUR STOCK …


GIFT CARDS

We now offer a gift card service via our wesbite!

CLICK HERE


MARY HEADLAM (1874-1959)

An Artist Rediscovered

Continues until 23rd December

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JAMES GILLRAY!

SATIRICAL PRINTS

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MONICA POOLE (1921-2003)

WOOD-ENGRAVINGS

CLICK HERE


STANLEY ANDERSON

COUNTRY CRAFTS PRINTS

CLICK HERE


CHARLES TUNNICLIFFE

Etchings 1925-1928

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HOW ‘THE LIST’ WORKS

Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.

They are usually published in two halves, in the first and third weeks of the month. We treat enquiries about List pictures in strict order of receipt.

Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.

Images: These are intended as an indication of the work – please telephone or email  if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.

Approval Service: We are happy to send works on approval, but this is subject to discussion.

 

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