LIST 528

JULY 2022


PART I

Issued 5pm 5th July

– THE LONDON ART WEEK SPECIAL –




LIST 528

PART II

Issued 5pm 19th July


  • Atkins, Samuel (1787 – 1808)
    Shipping of the coast. Watercolour. c.1790. Exhibited: Agnews (Stock no. 28078). 5×7 inches. Framed: 10.5×12.25 inches.
  • Beaton, Sir Cecil (1904 – 1980)
    Exotic Landscape. Pen and ink. Provenance: The Estate of Eileen Hose, Beaton’s secretary, Christies, 21.6.1988. 11×9 inches. Framed: 18.5×16 inches.
  • Bowyer R.A., William (1926 – 2015)
    London; ‘Strand Shadows’, Strand on the Green, Chiswick. Oil on canvas. Signed. Exhibited: The New Academy Gallery. 27.5×31.5 inches. Framed: 34.5×38.5 inches.
  • ANON (Nineteenth-Century)
    PAIR: Wiltshire; Stonehenge. Pencil and monochrome wash. Early nineteenth-century. Possibly by Thomas Watson. 14×19 inches.
  • Brangwyn R.A. R.W.S., Frank (1867 – 1956)
    Venice; Santa Maria della Salute (Gaunt 108). Etching. 1907. Edition of 150. Signed. 10.75×14.25 inches.
  • Cameron, Katherine (1874 – 1965)
    Scotland; ‘Castle Stalker’. Etching. Signed. Titled under the mount. 7×10.75 inches.
  • Clouting, Josephine
    ‘Design for Work Bag / Embroidered on Linen’. Watercolour. Circa 1900 whilst a student at the South Kensington Schools of Design. 17×10.5 inches.
  • Cotman, John Sell (1782 – 1842)
    Norfolk; South Burlingham Church, the tower seen from the North. Pencil. Signed. With circulation number. Provenance: Bonhams, 24/10/18, lot 247. Exhibited: Walker’s Galleries, 1926, No.13. Ex. Collection: Robert Hawthorn Kitson (1873-1947). 9.5×7.75 inches. Framed: 17.5×15.25 inches.
  • ANON (Eighteenth-Century)
    ‘Mr Vavrrattipan[?] of St Paul’s Churchyard’. Pen, brush and ink. Inscribed. Previously attributed to John Boyne (c.1750-1819). 12×7.75 inches. Framed: 14×9.5 inches.
  • Cox O.W.S., David (1783 – 1859)
    Girl on a Welsh bridge. Charcoal and watercolour. c.1840. 6.5×10 inches.
  • ANON (Nineteenth-Century)
    Head of a Woman. Possibly by an Italian Hand. Circa 1860. Oil on card. Collection label ‘C. Cuneo, Torino’ verso. 5×5 inches. Framed: 11.5×9.5 inches.
    £1,250
  • Davis, Arthur Fuller (1863 – 1953)
    ‘The Parlor Stove’. Oil on canvas laid on panel. Signed. Titled to an old exhibition label verso. Provenance: the artist (his name and Acton, Massachusetts address on the exhibition label verso); Sarah R Barlett of Concord Massachusetts; Miriam Miller. Exhibited: Charles Plante. 8.5×11.75 inches. Framed: 13.75×17 inches.
  • Dayes, Edward (1763 – 1804)
    London; Whitehall, William Kent’s Treasury Building (Designed 1733). Pen, ink and watercolour. Signed and dated, 1780. Ex. Collection: Cyril Fry. 3.5×4.5 inches.
  • Deedes (Mid-Twentieth Century), C
    ‘Mountain Stonghold’. Linocut. Signed, titled and editioned 6/30. 9×10.75 inches.
  • Denaro, Melita (born 1950)
    ‘How much I owe to the great masters: Claude, Turner, Cuyp, Gainsborough, Van Gogh in the National Gallery – Bliss’. Oil on panel. 2011. Exhibited: John Martin. 4.75×6.25 inches. Framed: 6.5×8 inches.
  • Eldridge R.W.S., Mildred (1909 – 1991)
    Lily. Pencil and watercolour. Signed and inscribed. Provenance: Artist’s Estate. 18×11 inches.
  • Ghezzi, Pier Leone (1674 – 1755)
    Character Study Pen and ink. c.1745. Exhibited: Christopher Powney. Ex. Collection: Edward Croft-Murray (1907-1980). 12×8.75 inches.
    £2,750
  • ANON (Twentieth-Century)
    Study of architectural detailing. Charcoal. A South Kensignton Schools examination piece. With the ‘ESK’ blind stamp. 20×14.5 inches. Framed: 25×19 inches.
  • Epstein, Sir Jacob (1880 – 1959)
    Epping Forest. Gouache. Signed. 18.5×23.5 inches. Framed: 25×30 inches.
  • Firlet (Contemporary), Marta
    Virginia Woolf. Bronze. Edition of 6. Provenance: Bloomsbury Workshop. 7×4.25xD2.75 inches.
  • Goodwin R.W.S., Albert (1845 – 1932)
    Sicily; ‘Palermo’. Watercolour and gouache. Signed and inscribed. 8×10.5 inches.
  • Glover O.W.S., John (1767 – 1849)
    Wales; Valle Crucis Abbey. Ink and watercolour, faded but beautifully drawn. 9.75×14 inches.
  • Gore, Charles (1729 – 1807)
    Germany; ‘near Aix la Chapelle’ / Aachen. Pencil and monochrome wash. Inscribed. Ex. Collection: Cornish Torbock. Provenance: ‘from a collection of Gore drawings belonging to Earl Cowper, Panshanger Park’ (Twentieth Century inscription verso). 9.5×14.75 inches.
    £475
  • Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)
    ‘Maur’s Farm’ (Comstock 2). Etching. 7th state of 8. 1913. Signed. Bearing the Dover’s House press stamp recto. Exhibited: Fine Art Society, 1999. 4×6.75 inches. Framed: 11.5×13.75 inches.
  • Guthrie, Robin (1902 – 1971)
    Refectory; study for a composition. Pen, ink and white heightening. Exhibited: A and H 2001. 8×10 inches. Framed: 10×12.5 inches.
  • Hills O.W.S., Robert (1769 – 1844)
    Hay barn, cattle, sheep and farmhouse. Watercolour. Circa 1820. 15.25×19 inches. Framed: 23×26.5 inches.
    £1,500
  • Hoyton, Edward Bouverie (1900 – 1988)
    Cornwall; ‘The Girl Renée of St Ives’. Etching with hand colouring. Signed and titled. 11.75×17.75 inches.
  • Haddon, Arthur Trevor (1864 – 1941)
    Portrait of Herman Finck (1872-1939) composer and conductor. Most famously Finck conducted the 1909 performance of Tchaikovsky’s ‘Nutcracker’, the first ever record album and his composition ‘In the Shadows’ is believed to be one of the last pieces of music to be played by the Titanic’s dance band. Pastel. Signed. Exhibited: The Pastel Society. 21×15 inches.
  • Hislop, Andrew Healey (1887 – 1954)
    Anemones Still Life. Oil on panel. Signed. 17.5"x13.75" inches. Framed: 20.75"x16.75" inches.
  • Hoare of Bath R.A., William (1707 – 1792)
    Study of a seated girl. Red chalk. c.1780. Exhibited: Charles Plante at Mallet, New York, 2011. 5.25×3.25 inches. Framed: 8.75×6.75 inches.
  • John O.M. R.A., Augustus (1878 – 1961)
    ‘The Woman in the Arbour’ (CD. 106) Etching. 14/25. 1906. Signed. 5.5×3.75 inches.
  • Kempster, William (1914 – 1976)
    Figure with arms raised. Pen, brush, ink, watercolour and white emulsion. c.1955. Provenance: a collection of works by Kempster with A and H in 2011. 12.5×20 inches.
  • Knight R.A. R.W.S., Dame Laura (1877 – 1970)
    ‘Little Sister’ (B&W14). Etching. Signed. Editioned ‘Print 4’. 4.75×3.75 inches.
  • Kratochwil, Marian (1906 – 1997)
    Plein air sketch. Oil on paper laid on panel. Ex. Collection: Robert Knight (the artist’s pupil and framer). 7×8 inches.
  • Lack R.E., Henry Martyn (1909 – 1979)
    London; Lamplight outside the Victoria and Albert Museum. Etching. Proof. c.1939. 4×4.75 inches. Framed: 6.5×7.25 inches.
  • Lindsay, Sir Lionel Arthur (1874 – 1961)
    Ireland; ‘Bringing in the turf, Mallaranny’. Drypoint etching. Signed and indistinctly numbered ‘100’. 5.25×6.75 inches.
  • Mackley MBE, George (1900 – 1983)
    Holland; ‘The Drawbridge’. Wood-engraving. 1962. Signed, titled and editioned ’21/75′. Dedicated ‘For Malcolm Fry’. 5×6 inches. Framed: 7×8 inches.
  • Sergeant, Carolyn (born 1937)
    ‘Geranium and Snowdrops’. Oil on board. Signed with initials. Exhibited: Maas Gallery. 4×6 inches.
  • Malet, Guy Seymour (1900 – 1973)
    Farm, possibly on Sark. Wood-engraving. Circa 1935. Proof. Outside the edition of 30. Provenance: Malet Studio Sale, Christies, c.1980. 7×9.5 inches.
    £225
  • McFadyen R.A., Jock (born 1950)
    Germany; Berlin Booth. Watercolour and gouache. Signed, inscribed and dated, ’91. 29.5×22.5 inches.
  • Meyrick, Robert (born 1958)
    Wales; ‘Promenade’, Aberystwyth. Linocut. Signed and editioned, 45/50. 15×10.5 inches.
  • Osborne R.A. P.R.E., Malcolm (1880 – 1963)
    Scotland; ‘Terrace Garden, Stirling’ (S.44). Dryppoint etching. 1913. Edition of 100. 8×5 inches.
  • Nash R.A., John (1893 – 1977)
    Essex; ‘Boxted Mill Pool’. Pencil. Signed. c.1953. An oil painting of this composition, exhibited at the RA in 1967, was sold at Christies, 13/11/87, lot 38. 10×14.5 inches.
  • Stokes, Adrian (1854 – 1935)
    Sand dunes, probably at Skagen in Denmark. Oil on panel. Painted en plein air. Signed. 7×10.5 inches. Framed: 11×14.5 inches.
  • Rowlandson, Thomas (1756 – 1827)
    London; a Thames Riverside Pub. Probably at Wapping, or Rotherhithe on the opposite bank. Pencil, pen, ink and watercolour. c.1810. Exhibited: Spink. 4.25×7 inches. Framed: 12×14 inches.
  • ANON (Nineteenth-Century)
    ‘Figure study at Whitby’. Watercolour and gouache. c.1850. Exhibited: Fry Gallery (where given this title) Ex. Collection: Sir John Witt (1907-1982). 4.75×3 inches.
  • Seymour, Colonel James (1658 – 1739)
    Head of a child, possibly ‘W E Hamilton’. Pen and ink. Original backing inscribed ‘W E Hamilton’. Exhibited: Christopher Powney. Provenance: Christies, 3/7/2003, lot 22 (part) (to Christoper Powney who sold the lead sheet to the Fogg Art Museum, Harvard). The provenance given by Christies as follows, although it is unclear whether this applies to all parts of the lot … Christies 5/3/1974, lot 67 (to Morton Morris); Christie’s, 18/3/1980, lot 4 (to Sanders). 5×3 inches.
  • Tavener R.E., Robert (1920 – 2004)
    Sussex; Evening Downscape. Linocut. Signed, titled and editioned, 12/25. 14.5×22 inches.
  • Walcot R.E., William (1874 – 1943)
    London; St Mary le Strand, Somerset House and Bush House under construction. Etching. c.1930. Signed. 4.25×7 inches.

STILL LIFES

These two Groups are on view to celebrate London Art Week. They will hang together throughout the month.


DRAWINGS

BY JOHN SERGEANT (1937-2010)

CLICK HERE


PAINTINGS

BY ALEXANDER PEMBERTON (b.1957)
Until 3rd August

CLICK HERE


LIST 529

Will be issued here at
5pm on Tuesday 6th September


 

HOW ‘THE LIST’ WORKS

Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.

They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.

Images: These are intended as an indication of the work – please telephone or email  if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.

Approval Service: We are happy to send works on approval, but this is subject to discussion.

 

JOIN THE MAILING LIST

If you would like to receive Email Alerts when ‘Lists’ of new stock and Exhibitions are published online, please Click Here. We NEVER share your information – see our Personal Data Policy.

Item added to cart.
0 items - £0