Barret Jnr, George (1767 – 1842)A Claudian Capriccio.Watercolour. Signed and dated, May 1831.16×22.5 inches.Framed: 24×30 inches.Sold
ANON (Nineteenth-Century)Obelisk and Basin; an architectural capriccio.Chalks. c.1810.19×12 inches.Sold
Aylmer, Thomas Brabazon (1806 – 1858)Italy; ‘Lake Albano’.Pencil, watercolour and white heightening. Signed. Exhibited: Agnews (Stock no. DB3174).4×6.25 inches.Framed: 11.5×13.25 inches.Sold
Beer, Richard (1928 – 2017)‘Campanile’.Etching and aquatint. 1966. Signed, titled and editioned 61/100. From the ‘Mediterranean Suite’.23.75×17.5 inches.Sold
Brill, Reginald (1902 – 1974)Head of a Cowman.Pen, brush, ink and white heightening. Exhibited: ‘Fantasy in the Country’, Phoenix Gallery, Lavenham, 1977, No.13 (as ‘Workman’s Head I’). Ex. Collection: Mr and Mrs D. White.11×8 inches.Framed: 19.75×16.5 inches.Sold
Daniell (Traditionally Attributed to), Samuel (1775 – 1811)An Indian figure.Pencil and watercolour. Provenance: Cornish Torbock, acquired with a number of other drawings by the Daniells from the Squire Gallery in the 1950s.8.25×6.75 inches.Sold
Count D’Orsay, Alfred (1801 – 1852)‘Ey al Sulaim[an]’; An Ottoman diplomat or Ambassador at Gore House, London.Pencil and watercolour. Signed ‘d’Orsay fecit’, inscribed ‘Gore House’ and dated, ’17th Juin 1846′.9.75×7 inches.Sold
Buhler R.A., Robert (1916 – 1969)Portrait of a fellow art student.Oil on canvas. Stretcher stamped: ‘This board is the property of St Martin’s Art School’. Circa 1935. Signed.24×20 inches.Sold
Dodd R.A., Francis (1874 – 1949)Italy; ‘Verona, View of the Piazza delle Erbe’ (S96).Etching and drypoint. 1914. Signed.10.25×8 inches.Sold
Hall, Clifford (1904 – 1973)‘Emie Lying on the Bed’.Etching. 1960s. Based on an oil painting of 1942. Signed and editioned, ‘1/20’.5.75×7.75 inches.Sold
Forbes, Vivian (1891 – 1937)Handsome Antique.Watercolour. Signed with monogram and dated, 1935.17.5×13.5 inches.Framed: 12×8 inches.Sold
Harding O.W.S., James Duffield (1797 – 1863)France; Pont du Chateau, Puy-de-Dome.Pencil with white heightening. Titled and dated, ‘Oct 10th 1832’. Engraved by A. F. Freebairn for ‘The Tourist in France’ (London, 1834)9.5×13.5 inches.Sold
Hanley, Liam (1933 – 2019)Blue Flowers.Oil on board. Signed and dated, 1966.18.5×13.25 inches.Framed: 23×18 inches.Sold
Kay, Bernard (1927 – 2012)France; ‘Interior Poitiers’.Etching and aquatint. Signed, titled and editioned ’86/100′.13×18.75 inches.Sold
Hesse, Alexandre-Jean-Baptiste (1806 – 1879)A study for ‘The Consecration of Saint Genevieve’ (1850-1852) for the chapel of Saint Genevieve in Saint Séverin, Paris.Chalks. c.1850.12×8 inches.Framed: 20.5×16 inches.Sold
Gaudier-Brzeska, Henri (1890 – 1915)Standing Nude.Pen and ink. Inscribed ‘GB’ and numbered 46, probably by Jim Ede. Exhibited: Mercury Gallery, 1968.15×9.5 inches.Framed: 22×15 inches.Sold
Inlander, Henry (1925 – 1983)Italy; ‘Anticoli landscape No.2’.Gouache. 1977. Signed. Exhibited: The New Art Centre.9.25×10.75 inches.Framed: 17×18 inches.Sold
Hills O.W.S., Robert (1769 – 1844)Surrey; ‘Sandhole Farm near Chiddingfold’.Pencil and watercolour. Inscribed. Exhibited: Agnews (stock no.1756).7.25×9 inches.Framed: 13.25×15 inches.Sold
Lowe, Mauritius (1746 – 1793)Figure study and Urn.Pencil, brush, ink and monochrome wash. Ex. Collections: Iolo Williams; Stanhope Shelton; Cornish Torbock.11×8.25 inches.
£575
Kirkpatrick, Joseph (1872 – 1936)London; WWI, Search Lights over Trafalgar Square.Mezzotint. Signed.8.75×5.5 inches.Framed: 15.25×11.75 inches.Sold
Kneller (After), Sir Godfrey (1646 – 1723)Kit-Cat Club; Godfrey Kneller’s portrait of ‘Evelyn Pierpoint [sic], Duke of Kingston’ (1709, NPG).Monochrome wash. Inscribed and dated(?), 1726. Related to John Faber the Younger’s (1684-1756) mezzotint (1733) from his series of engravings after the Kit-Cat Club portraits.13×9 inches.Sold
Lancaster O.B.E., Sir Osbert (1908 – 1986)A ‘Pocket cartoon’ for the Daily Express;‘Mark my Words Daphne this time next year we’ll be nationalised with a government appointed MFH drawing £3000 a year plus expenses and free stabling and we’ll not catch sight of a fox all the season’. Pencil, pen, brush and ink.9.5×15 inches.Sold
Lear, Edward (1812 – 1888)Eygpt; ‘Karnak’.Pen, ink and watercolour. Signed, inscribed and dated, ‘Feb 15 1854’. Provenance: Sir Eric Maclagan and by descent; A and H, 2013; a private collection.6×19.5 inches.Framed: 27.5×14.5 inches.Sold
ANON (Nineteenth-Century)Italy; Parma, the Teatro Regio.Pencil and watercolour. c.1830.5.5×7.5 inches.Sold
Maclise A.R.A., Daniel (1806 – 1870)Shakespeare; Romeo and Juliet, ‘Tybalt awaiting Romeo’.Pen and ink. Signed and dated, ‘Dec 1837’.9.5×6.5 inches.Framed: 18×14.5 inches.Sold
Nash R.A., John (1893 – 1977)‘Winter’, probably the artist’s house in Wormingford, Essex.Oil on canvas. Signed and dated, 1969. Signed and titled to a label verso.22×28 inches.Framed: 25.75×31.75 inches.Sold
Procktor R.A., Patrick (1936 – 2003)‘Couples falling onto beds. Drunk. Run at one another with windmill arms’.Pen, brush and ink. Signed and dated, 1967. An illustration to Stephen Spender’s ‘To Become a Dumb Thing’. Illustrated: ‘The Transatlantic Review’, Autumn 1967, p.2610×7 inches.Sold
Nixon, John (1755 – 1818)An elegant picnic.probably in the grounds of Benham Park, Berkshire, home of the Lady Craven (then Margravine of Brandenburg-Ansbach) whose Theatrical Group Nixon was a member of. Watercolour. c.1800.5.25×7.5 inches.Sold
Minton, John (1917 – 1957)Jerusalem; ‘The Old City’.Pencil, pen, brush and ink. Signed and dated, 1950. Exhibited: Christopher Kingzett, 2017.5.75×15 inches.Framed: 8×17 inches.Sold
Rushbury R.A. R.E., Sir Henry (1889 – 1968)France; Paris, ‘Notre Dame from the Quai des Grands Augustins (JR86).Drypoint. 1948. Signed. Edition size unknown.9.25×12.75 inches.Sold
Sandby R.A., Paul (1731 – 1809)A craftsman at work. Perhaps making cheese or kneading clay / making bricks?Chalks. Ex. Collection: Cyril Fry.3×3 inches.Sold
Salter P.R.A., Rebecca (born 1955)‘Untitled J5’.Acrylic on canvas. Signed, titles and dated 1994, verso. Exhibited: Jill George Gallery.8×8 inches.
£1,250
Tabner, Len (born 1946)‘Roxby Church, Dusk, Ridge Lane’.Watercolour, gouache, graphite and pastel. Signed, inscribed and dated, November 1985.15.5×22 inches.Framed: 27×32 inches.Sold
Swanwick R.A. R.W.S., Betty (1915 – 1989)Life drawing.Pencil. Provenance: Betty Swanwick Studio Sale, Bonhams 1990. Exhibited: A and H.16.5×11.5 inches.Framed: 26×20 inches.Sold
Walcot R.E., William (1874 – 1943)France; Paris, ‘L’Arc de Triomphe’.Etching and aquating. 1917. Edition of 65.21.5×17.5 inches.Framed: 36.5×31 inches.Sold
Washington A.R.E., William (1885 – 1956)Still Life; a South Kensington Schools examination piece.Pencil and sepia wash. Stamped ‘Work Accepted for Certificate’. The original label dated, 1906. Provenance: the artist’s Estate.18×24 inches.Sold
Webb, Joseph (1908 – 1962)Wales; ‘The Great Bridge’ (G20), previously ‘Pembroke’ / ‘The Great Keep’.Etching and drypoint. 1929. Signed.9.5×13.75 inches.Sold
Wolf, Joseph (1820 – 1899)Mother and child.Watercolour and white heightening. A study for one of Wolf’s illustrations for the anatomist Richard Owen’s article on gorillas in ‘Transactions of the Zoological Society of London’, vol. 5, 1866.9.25×11.75 inches.
£475
LIST 528
PART II
Issued 5pm 19th July
Atkins, Samuel (1787 – 1808)Shipping of the coast.Watercolour. c.1790. Exhibited: Agnews (Stock no. 28078).5×7 inches.Framed: 10.5×12.25 inches.Sold
Beaton, Sir Cecil (1904 – 1980)Exotic Landscape.Pen and ink. Provenance: The Estate of Eileen Hose, Beaton’s secretary, Christies, 21.6.1988.11×9 inches.Framed: 18.5×16 inches.Sold
Bowyer R.A., William (1926 – 2015)London; ‘Strand Shadows’, Strand on the Green, Chiswick.Oil on canvas. Signed. Exhibited: The New Academy Gallery.27.5×31.5 inches.Framed: 34.5×38.5 inches.Sold
ANON (Nineteenth-Century)PAIR: Wiltshire; Stonehenge.Pencil and monochrome wash. Early nineteenth-century. Possibly by Thomas Watson.14×19 inches.Sold
Clouting, Josephine‘Design for Work Bag / Embroidered on Linen’.Watercolour. Circa 1900 whilst a student at the South Kensington Schools of Design.17×10.5 inches.Sold
Cotman, John Sell (1782 – 1842)Norfolk; South Burlingham Church, the tower seen from the North.Pencil. Signed. With circulation number. Provenance: Bonhams, 24/10/18, lot 247. Exhibited: Walker’s Galleries, 1926, No.13. Ex. Collection: Robert Hawthorn Kitson (1873-1947).9.5×7.75 inches.Framed: 17.5×15.25 inches.Sold
ANON (Eighteenth-Century)‘Mr Vavrrattipan[?] of St Paul’s Churchyard’.Pen, brush and ink. Inscribed. Previously attributed to John Boyne (c.1750-1819).12×7.75 inches.Framed: 14×9.5 inches.Sold
ANON (Nineteenth-Century)Head of a Woman.Possibly by an Italian Hand. Circa 1860. Oil on card. Collection label 'C. Cuneo, Torino' verso.5"x5" inches.Framed: 11.5"x9.5" inches.Sold
Davis, Arthur Fuller (1863 – 1953)‘The Parlor Stove’.Oil on canvas laid on panel. Signed. Titled to an old exhibition label verso. Provenance: the artist (his name and Acton, Massachusetts address on the exhibition label verso); Sarah R Barlett of Concord Massachusetts; Miriam Miller. Exhibited: Charles Plante.8.5×11.75 inches.Framed: 13.75×17 inches.Sold
Dayes, Edward (1763 – 1804)London; Whitehall, William Kent’s Treasury Building (Designed 1733).Pen, ink and watercolour. Signed and dated, 1780. Ex. Collection: Cyril Fry.3.5×4.5 inches.Sold
Denaro, Melita (born 1950)‘How much I owe to the great masters: Claude, Turner, Cuyp, Gainsborough, Van Gogh in the National Gallery – Bliss’.Oil on panel. 2011. Exhibited: John Martin.4.75×6.25 inches.Framed: 6.5×8 inches.Sold
Ghezzi, Pier Leone (1674 – 1755)Character StudyPen and ink. c.1745. Exhibited: Christopher Powney. Ex. Collection: Edward Croft-Murray (1907-1980).12×8.75 inches.
£2,750
ANON (Twentieth-Century)Study of architectural detailing.Charcoal. A South Kensignton Schools examination piece. With the ‘ESK’ blind stamp.20×14.5 inches.Framed: 25×19 inches.Sold
Gore, Charles (1729 – 1807)Germany; ‘near Aix la Chapelle’ / Aachen.Pencil and monochrome wash. Inscribed. Ex. Collection: Cornish Torbock. Provenance: ‘from a collection of Gore drawings belonging to Earl Cowper, Panshanger Park’ (Twentieth Century inscription verso).9.5×14.75 inches.
£475
Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)‘Maur’s Farm’ (Comstock 2).Etching. 7th state of 8. 1913. Signed. Bearing the Dover’s House press stamp recto. Exhibited: Fine Art Society, 1999.4×6.75 inches.Framed: 11.5×13.75 inches.Sold
Guthrie, Robin (1902 – 1971)Refectory; study for a composition.Pen, ink and white heightening. Exhibited: A and H 2001.8×10 inches.Framed: 10×12.5 inches.Sold
Hills O.W.S., Robert (1769 – 1844)Hay barn, cattle, sheep and farmhouse.Watercolour. Circa 1820.15.25×19 inches.Framed: 23×26.5 inches.Sold
Haddon, Arthur Trevor (1864 – 1941)Portrait of Herman Finck (1872-1939) composer and conductor.Most famously Finck conducted the 1909 performance of Tchaikovsky’s ‘Nutcracker’, the first ever record album and his composition ‘In the Shadows’ is believed to be one of the last pieces of music to be played by the Titanic’s dance band. Pastel. Signed. Exhibited: The Pastel Society.21×15 inches.Sold
Hoare of Bath R.A., William (1707 – 1792)Study of a seated girl.Red chalk. c.1780. Exhibited: Charles Plante at Mallet, New York, 2011.5.25×3.25 inches.Framed: 8.75×6.75 inches.Sold
Kempster, William (1914 – 1976)Figure with arms raised.Pen, brush, ink, watercolour and white emulsion. c.1955. Provenance: a collection of works by Kempster with A and H in 2011.12.5×20 inches.Sold
Kratochwil, Marian (1906 – 1997)Plein air sketch.Oil on paper laid on panel. Ex. Collection: Robert Knight (the artist’s pupil and framer).7×8 inches.Sold
Lack R.E., Henry Martyn (1909 – 1979)London; Lamplight outside the Victoria and Albert Museum.Etching. Proof. c.1939.4×4.75 inches.Framed: 6.5×7.25 inches.Sold
Lindsay, Sir Lionel Arthur (1874 – 1961)Ireland; ‘Bringing in the turf, Mallaranny’.Drypoint etching. Signed and indistinctly numbered ‘100’.5.25×6.75 inches.Sold
Sergeant, Carolyn (born 1937)‘Geranium and Snowdrops’.Oil on board. Signed with initials. Exhibited: Maas Gallery.4×6 inches.Sold
Malet, Guy Seymour (1900 – 1973)Farm, possibly on Sark.Wood-engraving. Circa 1935. Proof. Outside the edition of 30. Provenance: Malet Studio Sale, Christies, c.1980.7×9.5 inches.
£225
McFadyen R.A., Jock (born 1950)Germany; Berlin Booth.Watercolour and gouache. Signed, inscribed and dated, ’91.29.5×22.5 inches.Sold
Meyrick, Robert (born 1958)Wales; ‘Promenade’, Aberystwyth.Linocut. Signed and editioned, 45/50.15×10.5 inches.Sold
Nash R.A., John (1893 – 1977)Essex; ‘Boxted Mill Pool’.Pencil. Signed. c.1953. An oil painting of this composition, exhibited at the RA in 1967, was sold at Christies, 13/11/87, lot 38.10×14.5 inches.Sold
Stokes, Adrian (1854 – 1935)Sand dunes, probably at Skagen in Denmark.Oil on panel. Painted en plein air. Signed.7×10.5 inches.Framed: 11×14.5 inches.Sold
Rowlandson, Thomas (1756 – 1827)London; a Thames Riverside Pub. Probably at Wapping, or Rotherhithe on the opposite bank.Pencil, pen, ink and watercolour. c.1810. Exhibited: Spink.4.25×7 inches.Framed: 12×14 inches.Sold
ANON (Nineteenth-Century)‘Figure study at Whitby’.Watercolour and gouache. c.1850. Exhibited: Fry Gallery (where given this title) Ex. Collection: Sir John Witt (1907-1982).4.75×3 inches.Sold
Seymour, Colonel James (1658 – 1739)Head of a child, possibly ‘W E Hamilton’.Pen and ink. Original backing inscribed ‘W E Hamilton’. Exhibited: Christopher Powney. Provenance: Christies, 3/7/2003, lot 22 (part) (to Christoper Powney who sold the lead sheet to the Fogg Art Museum, Harvard). The provenance given by Christies as follows, although it is unclear whether this applies to all parts of the lot … Christies 5/3/1974, lot 67 (to Morton Morris); Christie’s, 18/3/1980, lot 4 (to Sanders).5×3 inches.Sold
Walcot R.E., William (1874 – 1943)London; St Mary le Strand, Somerset House and Bush House under construction.Etching. c.1930. Signed.4.25×7 inches.Sold
STILL LIFES
These two Groups are on view to celebrate London Art Week. They will hang together throughout the month.
Will be issued here at 5pm on Tuesday 6th September
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
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