3. Aylmer, Thomas Brabazon (1806 – 1858)Italy; ‘Lake Albano’.Pencil, watercolour and white heightening. Signed. Exhibited: Agnews (Stock no. DB3174).4×6.25 inches.Framed: 11.5×13.25 inches.●
4. Beer, Richard (1928 – 2017)‘Campanile’.Etching and aquatint. 1966. Signed, titled and editioned 61/100. From the ‘Mediterranean Suite’.23.75×17.5 inches.●
6. Brill, Reginald (1902 – 1974)Head of a Cowman.Pen, brush, ink and white heightening. Exhibited: ‘Fantasy in the Country’, Phoenix Gallery, Lavenham, 1977, No.13 (as ‘Workman’s Head I’). Ex. Collection: Mr and Mrs D. White.11×8 inches.Framed: 19.75×16.5 inches.
8. Count D’Orsay, Alfred (1801 – 1852)‘Ey al Sulaim[an]’; An Ottoman diplomat or Ambassador at Gore House, London.Pencil and watercolour. Signed ‘d’Orsay fecit’, inscribed ‘Gore House’ and dated, ’17th Juin 1846′.9.75×7 inches.●
9. Buhler R.A., Robert (1916 – 1969)Portrait of a fellow art student.Oil on canvas. Stretcher stamped: ‘This board is the property of St Martin’s Art School’. Circa 1935. Signed.24×20 inches.●
13. Hall, Clifford (1904 – 1973)‘Emie Lying on the Bed’.Etching. 1960s. Based on an oil painting of 1942. Signed and editioned, ‘1/20’.5.75×7.75 inches.●
14. Forbes, Vivian (1891 – 1937)Handsome Antique.Watercolour. Signed with monogram and dated, 1935.17.5×13.5 inches.Framed: 12×8 inches.●
16. Harding O.W.S., James Duffield (1797 – 1863)France; Pont du Chateau, Puy-de-Dome.Pencil with white heightening. Titled and dated, ‘Oct 10th 1832’. Engraved by A. F. Freebairn for ‘The Tourist in France’ (London, 1834)9.5×13.5 inches.●
20. Hesse, Alexandre-Jean-Baptiste (1806 – 1879)A study for ‘The Consecration of Saint Genevieve’ (1850-1852) for the chapel of Saint Genevieve in Saint Séverin, Paris.Chalks. c.1850.12×8 inches.Framed: 20.5×16 inches.●
21. Gaudier-Brzeska, Henri (1890 – 1915)Standing Nude.Pen and ink. Inscribed ‘GB’ and numbered 46, probably by Jim Ede. Exhibited: Mercury Gallery, 1968.15×9.5 inches.Framed: 22×15 inches.
£2,250
22. Inlander, Henry (1925 – 1983)Italy; ‘Anticoli landscape No.2’.Gouache. 1977. Signed. Exhibited: The New Art Centre.9.25×10.75 inches.Framed: 17×18 inches.
£975
23. Hills O.W.S., Robert (1769 – 1844)Surrey; ‘Sandhole Farm near Chiddingfold’.Pencil and watercolour. Inscribed. Exhibited: Agnews (stock no.1756).7.25×9 inches.Framed: 13.25×15 inches.●
25. Lowe, Mauritius (1746 – 1793)Figure study and Urn.Pencil, brush, ink and monochrome wash. Ex. Collections: Iolo Williams; Stanhope Shelton; Cornish Torbock.11×8.25 inches.
£575
26. Kirkpatrick, Joseph (1872 – 1936)London; WWI, Search Lights over Trafalgar Square.Mezzotint. Signed.8.75×5.5 inches.Framed: 15.25×11.75 inches.●
27. Kneller (After), Sir Godfrey (1646 – 1723)Kit-Cat Club; Godfrey Kneller’s portrait of ‘Evelyn Pierpoint [sic], Duke of Kingston’ (1709, NPG).Monochrome wash. Inscribed and dated(?), 1726. Related to John Faber the Younger’s (1684-1756) mezzotint (1733) from his series of engravings after the Kit-Cat Club portraits.13×9 inches.●
28. Lancaster O.B.E., Sir Osbert (1908 – 1986)A ‘Pocket cartoon’ for the Daily Express;‘Mark my Words Daphne this time next year we’ll be nationalised with a government appointed MFH drawing £3000 a year plus expenses and free stabling and we’ll not catch sight of a fox all the season’. Pencil, pen, brush and ink.9.5×15 inches.●
29. Lear, Edward (1812 – 1888)Eygpt; ‘Karnak’.Pen, ink and watercolour. Signed, inscribed and dated, ‘Feb 15 1854’. Provenance: Sir Eric Maclagan and by descent; A and H, 2013; a private collection.6×19.5 inches.Framed: 27.5×14.5 inches.●
31. Maclise A.R.A., Daniel (1806 – 1870)Shakespeare; Romeo and Juliet, ‘Tybalt awaiting Romeo’.Pen and ink. Signed and dated, ‘Dec 1837’.9.5×6.5 inches.Framed: 18×14.5 inches.●
32. Nash R.A., John (1893 – 1977)‘Winter’, probably the artist’s house in Wormingford, Essex.Oil on canvas. Signed and dated, 1969. Signed and titled to a label verso.22×28 inches.Framed: 25.75×31.75 inches.●
33. Procktor R.A., Patrick (1936 – 2003)‘Couples falling onto beds. Drunk. Run at one another with windmill arms’.Pen, brush and ink. Signed and dated, 1967. An illustration to Stephen Spender’s ‘To Become a Dumb Thing’. Illustrated: ‘The Transatlantic Review’, Autumn 1967, p.2610×7 inches.●
34. Nixon, John (1755 – 1818)An elegant picnic.probably in the grounds of Benham Park, Berkshire, home of the Lady Craven (then Margravine of Brandenburg-Ansbach) whose Theatrical Group Nixon was a member of. Watercolour. c.1800.5.25×7.5 inches.●
35. Minton, John (1917 – 1957)Jerusalem; ‘The Old City’.Pencil, pen, brush and ink. Signed and dated, 1950. Exhibited: Christopher Kingzett, 2017.5.75×15 inches.Framed: 8×17 inches.●
40. Sandby R.A., Paul (1731 – 1809)A craftsman at work. Perhaps making cheese or kneading clay / making bricks?Chalks. Ex. Collection: Cyril Fry.3×3 inches.●
43. Tabner, Len (born 1946)‘Roxby Church, Dusk, Ridge Lane’.Watercolour, gouache, graphite and pastel. Signed, inscribed and dated, November 1985.15.5×22 inches.Framed: 27×32 inches.●
46. Walcot R.E., William (1874 – 1943)France; Paris, ‘L’Arc de Triomphe’.Etching and aquating. 1917. Edition of 65.21.5×17.5 inches.Framed: 36.5×31 inches.
£975
47. Washington A.R.E., William (1885 – 1956)Still Life; a South Kensington Schools examination piece.Pencil and sepia wash. Stamped ‘Work Accepted for Certificate’. The original label dated, 1906. Provenance: the artist’s Estate.18×24 inches.●
49. Webb, Joseph (1908 – 1962)Wales; ‘The Great Bridge’ (G20), previously ‘Pembroke’ / ‘The Great Keep’.Etching and drypoint. 1929. Signed.9.5×13.75 inches.●
50. Wolf, Joseph (1820 – 1899)Mother and child.Watercolour and white heightening. A study for one of Wolf’s illustrations for the anatomist Richard Owen’s article on gorillas in ‘Transactions of the Zoological Society of London’, vol. 5, 1866.9.25×11.75 inches.
£1,500
LIST 528
PART II
Issued 5pm 19th July
51. Atkins, Samuel (1787 – 1808)Shipping of the coast.Watercolour. c.1790. Exhibited: Agnews (Stock no. 28078).5×7 inches.Framed: 10.5×12.25 inches.●
52. Beaton, Sir Cecil (1904 – 1980)Exotic Landscape.Pen and ink. Provenance: The Estate of Eileen Hose, Beaton’s secretary, Christies, 21.6.1988.11×9 inches.Framed: 18.5×16 inches.●
53. Bowyer R.A., William (1926 – 2015)London; ‘Strand Shadows’, Strand on the Green, Chiswick.Oil on canvas. Signed. Exhibited: The New Academy Gallery.27.5×31.5 inches.Framed: 34.5×38.5 inches.
£1,750
54. ANON (Nineteenth-Century)PAIR: Wiltshire; Stonehenge.Pencil and monochrome wash. Early nineteenth-century. Possibly by Thomas Watson.14×19 inches.●
57. Clouting, Josephine‘Design for Work Bag / Embroidered on Linen’.Watercolour. Circa 1900 whilst a student at the South Kensington Schools of Design.17×10.5 inches.●
58. Cotman, John Sell (1782 – 1842)Norfolk; South Burlingham Church, the tower seen from the North.Pencil. Signed. With circulation number. Provenance: Bonhams, 24/10/18, lot 247. Exhibited: Walker’s Galleries, 1926, No.13. Ex. Collection: Robert Hawthorn Kitson (1873-1947).9.5×7.75 inches.Framed: 17.5×15.25 inches.●
59. ANON (Eighteenth-Century)‘Mr Vavrrattipan[?] of St Paul’s Churchyard’.Pen, brush and ink. Inscribed. Previously attributed to John Boyne (c.1750-1819).12×7.75 inches.Framed: 14×9.5 inches.●
61. ANON (Nineteenth-Century)Head of a Woman.Possibly by an Italian Hand. Circa 1860. Oil on card. Collection label ‘C. Cuneo, Torino’ verso.5×5 inches.Framed: 11.5×9.5 inches.
£1,250
62. Davis, Arthur Fuller (1863 – 1953)‘The Parlor Stove’.Oil on canvas laid on panel. Signed. Titled to an old exhibition label verso. Provenance: the artist (his name and Acton, Massachusetts address on the exhibition label verso); Sarah R Barlett of Concord Massachusetts; Miriam Miller. Exhibited: Charles Plante.8.5×11.75 inches.Framed: 13.75×17 inches.●
63. Dayes, Edward (1763 – 1804)London; Whitehall, William Kent’s Treasury Building (Designed 1733).Pen, ink and watercolour. Signed and dated, 1780. Ex. Collection: Cyril Fry.3.5×4.5 inches.●
65. Denaro, Melita (born 1950)‘How much I owe to the great masters: Claude, Turner, Cuyp, Gainsborough, Van Gogh in the National Gallery – Bliss’.Oil on panel. 2011. Exhibited: John Martin.4.75×6.25 inches.Framed: 6.5×8 inches.●
67. Ghezzi, Pier Leone (1674 – 1755)Character StudyPen and ink. c.1745. Exhibited: Christopher Powney. Ex. Collection: Edward Croft-Murray (1907-1980).12×8.75 inches.
£2,750
68. ANON (Twentieth-Century)Study of architectural detailing.Charcoal. A South Kensignton Schools examination piece. With the ‘ESK’ blind stamp.20×14.5 inches.Framed: 25×19 inches.●
73. Gore, Charles (1729 – 1807)Germany; ‘near Aix la Chapelle’ / Aachen.Pencil and monochrome wash. Inscribed. Ex. Collection: Cornish Torbock. Provenance: ‘from a collection of Gore drawings belonging to Earl Cowper, Panshanger Park’ (Twentieth Century inscription verso).9.5×14.75 inches.
£475
74. Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)‘Maur’s Farm’ (Comstock 2).Etching. 7th state of 8. 1913. Signed. Bearing the Dover’s House press stamp recto. Exhibited: Fine Art Society, 1999.4×6.75 inches.Framed: 11.5×13.75 inches.●
75. Guthrie, Robin (1902 – 1971)Refectory; study for a composition.Pen, ink and white heightening. Exhibited: A and H 2001.8×10 inches.Framed: 10×12.5 inches.●
78. Haddon, Arthur Trevor (1864 – 1941)Portrait of Herman Finck (1872-1939) composer and conductor.Most famously Finck conducted the 1909 performance of Tchaikovsky’s ‘Nutcracker’, the first ever record album and his composition ‘In the Shadows’ is believed to be one of the last pieces of music to be played by the Titanic’s dance band. Pastel. Signed. Exhibited: The Pastel Society.21×15 inches.
80. Hoare of Bath R.A., William (1707 – 1792)Study of a seated girl.Red chalk. c.1780. Exhibited: Charles Plante at Mallet, New York, 2011.5.25×3.25 inches.Framed: 8.75×6.75 inches.●
82. Kempster, William (1914 – 1976)Figure with arms raised.Pen, brush, ink, watercolour and white emulsion. c.1955. Provenance: a collection of works by Kempster with A and H in 2011.12.5×20 inches.
84. Kratochwil, Marian (1906 – 1997)Plein air sketch.Oil on paper laid on panel. Ex. Collection: Robert Knight (the artist’s pupil and framer).7×8 inches.●
89. Malet, Guy Seymour (1900 – 1973)Farm, possibly on Sark.Wood-engraving. Circa 1935. Proof. Outside the edition of 30. Provenance: Malet Studio Sale, Christies, c.1980.7×9.5 inches.
93. Nash R.A., John (1893 – 1977)Essex; ‘Boxted Mill Pool’.Pencil. Signed. c.1953. An oil painting of this composition, exhibited at the RA in 1967, was sold at Christies, 13/11/87, lot 38.10×14.5 inches.●
94. Stokes, Adrian (1854 – 1935)Sand dunes, probably at Skagen in Denmark.Oil on panel. Painted en plein air. Signed.7×10.5 inches.Framed: 11×14.5 inches.●
95. Rowlandson, Thomas (1756 – 1827)London; a Thames Riverside Pub. Probably at Wapping, or Rotherhithe on the opposite bank.Pencil, pen, ink and watercolour. c.1810. Exhibited: Spink.4.25×7 inches.Framed: 12×14 inches.●
96. ANON (Nineteenth-Century)‘Figure study at Whitby’.Watercolour and gouache. c.1850. Exhibited: Fry Gallery (where given this title) Ex. Collection: Sir John Witt (1907-1982).4.75×3 inches.●
97. Seymour, Colonel James (1658 – 1739)Head of a child, possibly ‘W E Hamilton’.Pen and ink. Original backing inscribed ‘W E Hamilton’. Exhibited: Christopher Powney. Provenance: Christies, 3/7/2003, lot 22 (part) (to Christoper Powney who sold the lead sheet to the Fogg Art Museum, Harvard). The provenance given by Christies as follows, although it is unclear whether this applies to all parts of the lot … Christies 5/3/1974, lot 67 (to Morton Morris); Christie’s, 18/3/1980, lot 4 (to Sanders).5×3 inches.●
99. Walcot R.E., William (1874 – 1943)London; St Mary le Strand, Somerset House and Bush House under construction.Etching. c.1930. Signed.4.25×7 inches.●
STILL LIFES
These two Groups are on view to celebrate London Art Week. They will hang together throughout the month.
Will be issued here at 5pm on Tuesday 6th September
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
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