3. Abbott, John White (1763 – 1851)Devon; ‘Fordland’.Pencil, pen and ink. Signed and dated, May 13th 1845. Exhibited: Squire Gallery.9.5×11.75 inches.●
4. Beaton, Sir Cecil (1904 – 1980)A mountain landscape.Pen and ink. Provenance: The Estate of Eileen Hose, Beaton’s secretary, Christies, 21.6.1988.11×8.75 inches.Framed: 18.5×16 inches.●
6. Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956)Italy; Venice, ‘Canal & Bridge of SS. Apostoli’.Drypoint. 1916. Signed. Inscribed and numbered XX. Exhibited: Craddock & Barnard, 1972.12.75×8.75 inches.
£1,500
7. Clark (Nineteenth Century), HA lakeside view.Watercolour. Inscribed verso, ‘October 1818 / H.C. Jan 11 1819’. Provenance: a group of works by ‘H. Clark’ at Sotheby’s 11/2/1996.7.5×11.5 inches.Framed: 14.5×17.75 inches.●
11. Cox O.W.S., David (1783 – 1859)Wales; Harlech Castle from the other side of the bay.Watercolour. Exhibited: Andrew Wyld, 2007.4.25×4.5 inches.Framed: 12×10.25 inches.
13. Cromek, Thomas Hartley (1809 – 1873)Italy; Rome, a study of a priest and his Chasuble.Pencil, watercolour and gouache. Signed, inscribed ‘Rome’ and dated, 1838.10.25×6.5 inches.Framed: 19×14.75 inches.●
14. Clarke Hall, Edna (1879 – 1979)Mr Earnshaw, Heathcliffe, Hindley and Cathy at the Hearth; a study for Wuthering Heights.Pen and ink. c.1902. Provenance: Dennis Clarke Hall.11×7.5 inches.Framed: 19.25×15 inches.
17. von Dillis, Johann George (1759 – 1841)Trees with a view to a lake.Pen, brush and ink. Exhibited: Katrin Bellinger, 2010. Provenance: Bernard Funk, Munich (not in Lugt); Stiftung Ratjen Foundation, Vaduz.7.25×6 inches.Framed: 12×10 inches.
£4,750
18. Drury, Paul (1903 – 1987)‘Nicol’s Farm’ (G18).Etching. Signed and dated, 1925. Edition of 80. Ref Walker 17 iv/v: Garton v/vi. 04.II.2010.4.25×7.5 inches.Framed: 9×11.5 inches.●
19. Farthing R.A., Stephen (born 1950)‘Study for The Shelley Memorial’, University College, Oxford.Oil on canvas. Signed, inscribed and dated, 1994, verso.16×22 inches.●
22. Fleming, Ian (1906 – 1994)The Breakfast Table.Oil on canvas. Signed and dated, 1940. Exhibited: Agnews.40×30 inches.Framed: 45×35 inches.●
23. Glennie, Arthur (1803 – 1890)Italy; a Neopolitan Capriccio.Watercolour. Signed. Glennie was in Naples in the 1840s and then from the 1850s-1890. Provenance: S. Prout / S. G. Prout / Calara Alberta Allen and by descent.6×4.5 inches.Framed: 13.75×11.75 inches.●
26. Lear, Edward (1812 – 1888)Egypt; near Mount Sinai.Pencil, pen and ink. Inscribed and dated, ’21 January 1849 / 5pm’.12×19.75 inches.●
27. Holloway, Edgar (1914 – 2008)‘Self Portrait No 7’ (M106).Etching. 1936. Signed and editioned ’35/50′. Exhibited: Michael Parkin.10×12 inches.●
28. MacBryde, Robert (1913 – 1966)‘Still Life I’.Lithograph. 1960. Numbered ‘3’. From an edition of 30. Printed at the Curwen Press. Exhibited: Fine Art Society.13.5×19.5 inches.Framed: 34×25 inches.●
29. Malet, Guy Seymour (1900 – 1973)Italy; Piedmont, ‘Varallo’.Watercolour. Circa 1935. Inscribed. Studio Stamped. Provenance: Malet Studio Sale, Christies, c.1980.9×6.25 inches.●
30. Meyrick, Robert (born 1958)Wales; Aberystwyth Old College, the ‘Great Stair Case’.Linocut. c.1980. Signed and titled.30.25×19.75 inches.●
32. Nash, Paul (1889 – 1946)Flint and Eggs.Pencil, pen, ink and watercolour. 1932/34. Signed with initials and inscribed ‘Mon ami Mesens, from Paul Nash’. Provenance: Meson family; R. A. Gekoski Books and Manuscripts. Exhibited: R. A. Gekoski Books and Manuscripts, Galen Place, London WC1, Cat No. 26, item No. 95; Piano Nobile, New York, 2019.5.5×9 inches.Framed: 17×22.5 inches.●
33. Odle, Alan (1888 – 1948)Voltaire; a study for ‘Candide’.Pencil. Related to Odle’s illustrations for ‘Candide’, published 1922.
Ex. Collection: Victor Arwas.12×17.25 inches.Framed: 24×28 inches.●
38. Richards, Ceri (1903 – 1971)Lion Hunt.Study for the ‘Lion Hunt’ series. Gouache. Signed and dated, 1962. Inscribed ‘to Noel’ (Noel Barber).7.5×10.75 inches.Framed: 20×23 inches.●
39. Redman, Henry (AKA Harry) Victor (1920 – 1994)GROUP: Kent, the Lighthouse at Margate?Etching and aquatint from the artist’s ‘Isle of Thanet’ Series. Along with two studies for the print. Provenance: The artist’s Estate.●
41. Shotter Boys, Thomas (1803 – 1874)France; ‘Tour de Remi, Dieppe’.Pencli and watercolour. Related to Shotter Boys’ 1839 lithograph of the same subject (for an example see BM1870,0813.189). Exhibited: Covent Garden Gallery.14.25×10.5 inches.Framed: 21×17 inches.●
42. Sandby R.A., Paul (1731 – 1809)Castle Capriccio.Pen, ink and watercolour. c.1800. Exhibited: Covent Garden Gallery.9.5×13.75 inches.Framed: 17.25×21.5 inches.●
43. Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)London; ‘Maple Street’ (RB212).Etching. c.1923. Signed in pencil. The second state, with title, published by the Carfax Gallery in an edition of c.100.7.5×5 inches.●
44. Sillince R.W.S. R.B.A., William Augustus (1906 – 1974)‘So I said: “Surely nothing said by little me can be of the slightest use to the enemy!”‘.Crayon. Signed. For ‘Punch’, 17/2/1941. Literature: W. A. Sillince, ‘We’re Still All In It’, 1942, p.22.6.25×7.5 inches.Framed: 14×14.5 inches.●
These watercolours were painted in the Herbarium of the Botanical Gardens in Mont Juic, Barcelona. Some of the work Dylan made there was acquired by the Hunt Institute of Botanical Documentation at Carnegie Mellon University. He went on to make drawings in the Herbarium of the The Brooklyn Botanical Gardens.
56. ANON (Nineteenth-Century)Portrait of a Collector; a version of Stothard’s ‘Pilgrimage to Canterbury’ behind him.Pencil and watercolour. c.1840.16×11.75 inches.Framed: 20.5×16.5 inches.●
57. Thys, Gaston (1863 – 1893)Hercules and the Bull.Oil on canvas. Inscribed ‘St Cecil and dated 1882. Signed / dedicated: ‘Le Pentre au Musicien’ / ‘Thys à Deven’.10×12 inches.Framed: 18×20 inches.
£3,750
58. Bianchini Ferier (fl.1888-c.1995)Fabric Design.Gouache. 1930s. Provenance: The Bianchini Ferrier Archive Sale, 2001.15.5×12.25 inches.Framed: 24.5×21.25 inches.●
59. Burney, Edward Francis (1760 – 1848)A young woman writing.Pencil. Provenance: a sketchbook of drawings by Burney with the Covent Garden Gallery.6×4 inches.●
60. Cooper Jnr, Richard (1740 – 1822)Italy; Radicofani, Tuscany.Pen, ink and monochrome wash. c.1770. Inscribed. Ex. Collection: Paul Sandby (his stamp recto); Bill Drummond.10.5×7 inches.●
63. Elwyn, John (1916 – 1997)Welsh Landscape.Oil on canvas. Signed. Signed verso.16×20 inches.Framed: 20×24 inches.●
64. Etty R.A., William (1787 – 1849)Figure Studies.Pen and ink. On a letter of invitation to ‘Mr William Etty’ for dinner on Christmas Day, 1837.8.75×7 inches.Framed: 16×15 inches.
£375
65. Girtin, Thomas (1775 – 1802)Kent; ‘A Sandpit, near Loggs Hill, Widmore’.Pencil and watercolour. 1798/99. Provenance: Sotheby’s 11th April 1991, lot 53. Literature: Greg Smith, ‘Thomas Girtin (1775-1802): An Online Catalogue, Archive and Introduction to the Artist’, Cat no. TG1422.10.5×16.25 inches.●
67. Halliwell, Albert Edward (1905 – 1987)‘Rare Wines’; a Poster Design.Pencil and gouache. c.1930. Stamped ‘A. E. Halliwell’. Provenance: the Artist’s Estate.26.5×17.5 inches.●
70. Keene, Charles (1823 – 1891)‘Ploughing the Main’.‘British Farmer (who has suffered from the rolling): – “This Cap’n doesn’t understand his bis’ness, you know – why don’t he keep in the furrows!”.’ Pen and ink. Inscribed. Exhibited: Arts Council. Provenance: Cyril Bird CBE (Fougasse) (1887-1965); Major Tom Bird DSC MC (1918-2017).5.5×7 inches.
£475
71. Laporte, John (1761 – 1839)‘A View on the Mersey, Lancashire’.Oil on canvas. Signed and indistinctly dated. Signed and titled to a label verso.9.5×13 inches.Framed: 15.5×19.5 inches.
£1,500
72. Malet, Guy Seymour (1900 – 1973)Austria; ‘Nonnberg, Salzburg’.Watercolour. Circa 1935. Inscribed. Studio Stamp. Provenance: Malet Studio Sale, Christies, c.1980.19×12 inches.●
73. Nicolle, Victor Jean (1754 – 1826)Italy; Tome, Santissimo Nome de Maria al Foro Traiano.‘Vue dela rue de la Pataccia ( … ) des Coupoles de Notre Dame de Lorete / du nom Marie et de la Colonna Treyanne a Rome’ (sic). Pen, brush and ink. Indistinctly inscribed by the artist. Provenance: Album of drawings by Nicolle with A and H c.1978.4×6 inches.Framed: 12.5×14 inches.●
74. Owens, Ned (1918 – 1990)‘Girl seated on Bed’.Oil on paper. c.1950. Signed. Inscribed verso.8.5×8 inches.Framed: 19×17 inches.●
78. Rowlandson, Thomas (1756 – 1827)Fete Champetre.Pencil, pen, ink and watercolour. Signed and dated, 1797. Ex. Collection: L. G. Duke (D3717).6.5×11 inches.Framed: 13.5×17.5 inches.●
81. Rowe, Ernest Arthur (1863 – 1922)Herefordshire; Ledbury, Peonies at Coddington.Pencil and watercolour. Signed. Inscribed verso. Exhibited: Christopher Wood.12.5×9 inches.Framed: 20.5×16.5 inches.●
82. Sandby R.A., Paul (1731 – 1809)Wales; ‘Pont Aber Glasllin’ (sic. Pont Aberglaslyn).Etching and aquatint. 1777. From Sandby’s third series of ‘Twelve Views in Wales’.9.25×12.25 inches.●
83. Shannon R.A., Charles Haslewood (1863 – 1937)‘Caresses’ (R21).Lithograph. 1894. Edition of 55. Signed and dedicated ‘In Memory of Xmas Day 1907 – Kathleen CS’. Ex. Collection: Paul Delaney, author of ‘The Lithographs of Paul Shannon’.8.5×6.25 inches.●
86. Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)‘Church Time’.Chalk, pen and ink. Signed and inscribed. Exhibited: Agnews, ‘Centenary Exhibition of Etchings and Drawings by Sickert’, 1960, Cat No. 227.12.25×10.25 inches.Framed: 20×17.5 inches.
89. Temple, Vere Lucy (1898 – 1981)Tabby Cat.Pencil and crayon. Provenance: the Artist’s Estate Sale, Woolley and Wallis, 1/11/2000.11×9 inches.Framed: 19×16.5 inches.●
93. Ward C.B.E., John (1917 – 2007)Italy; Venice, the Traghetto landing at Ca’ d’Oro from the Fish Market.Pencil and watercolour. Signed and dated, 1974.6.5×9.5 inches.●
94. Ward R.A., James (1769 – 1859)A lake or estuary. Pobably Wales.Pencil and monochrome wash. Exhibited: Andrew Wyld, ‘Drawings by James Ward (1769-1859): On the Occasion of the 150th Anniversary of the Artist’s Death’, 2009, Cat No.40.2.5×3.5 inches.●
99. Wood, John (1801 – 1870)A young woman reading.Pencil and sepia wash. 1830s. Provenance: an album of drawings by John Wood compiled in 1884 and with A and H in 1994. Acquired by us at Sotheby’s that year.9.75×8 inches.Framed: 16.25×14 inches.●
MATTHIJS MARIS (1839-1917)
The Hauge artist Matthijs Maris came to London in 1877. His Symbolist pictures were greatly admired here and he stayed for the rest of his life. These prints were pulled in 1919 before the plates were presented to the British Musuem and V&A.
100. Maris, Matthijs (1839 – 1917)‘Bride’.Etching. c.1886/88. Signed in the plate. From the limited edition published by Goupil & Co. in 1919 before the plates were presented to the British Museum and V&A.4.5×3 inches.●
101. Maris, Matthijs (1839 – 1917)‘Girl with Distaff’ / ‘The Lady of Shallot’.Etching. Etching. c.1886/88. From the limited edition published by Goupil & Co. in 1919 before the plates were presented to the British Museum and V&A.6.25×4.5 inches.●
102. Maris, Matthijs (1839 – 1917)‘Romantic Landscape’ / ‘Landscape with goat’.Etching. c.1886/88. Signed in the plate. From the limited edition published by Goupil & Co. in 1919 before the plates were presented to the British Museum and V&A.4.75×6.25 inches.●
103. Maris, Matthijs (1839 – 1917)‘The Enchanted Castle’.Etching. c.1886/88. From the limited edition published by Goupil & Co. in 1919 before the plates were presented to the British Museum and V&A.4.5×6.25 inches.●
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
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