Abbott, John White (1763 – 1851)Devon; ‘Fordland’.Pencil, pen and ink. Signed and dated, May 13th 1845. Exhibited: Squire Gallery.9.5×11.75 inches.Sold
Beaton, Sir Cecil (1904 – 1980)A mountain landscape.Pen and ink. Provenance: The Estate of Eileen Hose, Beaton’s secretary, Christies, 21.6.1988.11×8.75 inches.Framed: 18.5×16 inches.Sold
Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956)Italy; Venice, ‘Canal & Bridge of SS. Apostoli’.Drypoint. 1916. Signed. Inscribed and numbered XX. Exhibited: Craddock & Barnard, 1972.12.75×8.75 inches.Sold
Clark (Nineteenth Century), HA lakeside view.Watercolour. Inscribed verso, ‘October 1818 / H.C. Jan 11 1819’. Provenance: a group of works by ‘H. Clark’ at Sotheby’s 11/2/1996.7.5×11.5 inches.Framed: 14.5×17.75 inches.Sold
Brill, Reginald (1902 – 1974)A Lord Mayor’s Speech.Oil on canvas. Signed. c.1960.20×24 inches.Framed: 25×29 inches.Sold
Cox O.W.S., David (1783 – 1859)Wales; Harlech Castle from the other side of the bay.Watercolour. Exhibited: Andrew Wyld, 2007.4.25×4.5 inches.Framed: 12×10.25 inches.
Cromek, Thomas Hartley (1809 – 1873)Italy; Rome, a study of a priest and his Chasuble.Pencil, watercolour and gouache. Signed, inscribed ‘Rome’ and dated, 1838.10.25×6.5 inches.Framed: 19×14.75 inches.Sold
Clarke Hall, Edna (1879 – 1979)Mr Earnshaw, Heathcliffe, Hindley and Cathy at the Hearth; a study for Wuthering Heights.Pen and ink. c.1902. Provenance: Dennis Clarke Hall.11×7.5 inches.Framed: 19.25×15 inches.
Deykin, Lieutenant Henry Cotterill (1905 – 1989)‘Information Room / H.Q ‘S’ Marshalling Area / 14th May (19)44 / Boat loads from Tilbury’.Pen, ink and crayon. Inscribed and dated.9.5×12 inches.Sold
von Dillis, Johann George (1759 – 1841)Trees with a view to a lake.Pen, brush and ink. Exhibited: Katrin Bellinger, 2010. Provenance: Bernard Funk, Munich (not in Lugt); Stiftung Ratjen Foundation, Vaduz.7.25×6 inches.Framed: 12×10 inches.
£4,750
Drury, Paul (1903 – 1987)‘Nicol’s Farm’ (G18).Etching. Signed and dated, 1925. Edition of 80. Ref Walker 17 iv/v: Garton v/vi. 04.II.2010.4.25×7.5 inches.Framed: 9×11.5 inches.Sold
Farthing R.A., Stephen (born 1950)‘Study for The Shelley Memorial’, University College, Oxford.Oil on canvas. Signed, inscribed and dated, 1994, verso.16×22 inches.Sold
Fleming, Ian (1906 – 1994)The Breakfast Table.Oil on canvas. Signed and dated, 1940. Exhibited: Agnews.40×30 inches.Framed: 45×35 inches.Sold
Glennie, Arthur (1803 – 1890)Italy; a Neopolitan Capriccio.Watercolour. Signed. Glennie was in Naples in the 1840s and then from the 1850s-1890. Provenance: S. Prout / S. G. Prout / Calara Alberta Allen and by descent.6×4.5 inches.Framed: 13.75×11.75 inches.Sold
Hoare of Bath R.A., William (1707 – 1792)A seated woman.Red chalk. c.1780. Exhibited: Charles Plante at Mallet, New York, 2011.6.5×4 inches.Framed: 10×7.5 inches.Sold
Le Cave (c.1769-1806), PeterA meeting on a lakeside lane.Oil on metal. Original frame.7×5.25 inches.Framed: 9×11 inches.Sold
Lear, Edward (1812 – 1888)Egypt; near Mount Sinai.Pencil, pen and ink. Inscribed and dated, ’21 January 1849 / 5pm’.12×19.75 inches.Sold
Holloway, Edgar (1914 – 2008)‘Self Portrait No 7’ (M106).Etching. 1936. Signed and editioned ’35/50′. Exhibited: Michael Parkin.10×12 inches.Sold
MacBryde, Robert (1913 – 1966)‘Still Life I’.Lithograph. 1960. Numbered ‘3’. From an edition of 30. Printed at the Curwen Press. Exhibited: Fine Art Society.13.5×19.5 inches.Framed: 34×25 inches.Sold
Malet, Guy Seymour (1900 – 1973)Italy; Piedmont, ‘Varallo’.Watercolour. Circa 1935. Inscribed. Studio Stamped. Provenance: Malet Studio Sale, Christies, c.1980.9×6.25 inches.Sold
Meyrick, Robert (born 1958)Wales; Aberystwyth Old College, the ‘Great Stair Case’.Linocut. c.1980. Signed and titled.30.25×19.75 inches.Sold
Lowson (Nineteenth Century), L. I.The Antique Collection.Pencil and watercolour. Signed and dated, 1885.20×26 inches.Framed: 23×29 inches.Sold
Nash, Paul (1889 – 1946)Flint and Eggs.Pencil, pen, ink and watercolour. 1932/34. Signed with initials and inscribed ‘Mon ami Mesens, from Paul Nash’. Provenance: Meson family; R. A. Gekoski Books and Manuscripts. Exhibited: R. A. Gekoski Books and Manuscripts, Galen Place, London WC1, Cat No. 26, item No. 95; Piano Nobile, New York, 2019.5.5×9 inches.Framed: 17×22.5 inches.Sold
Odle, Alan (1888 – 1948)Voltaire; a study for ‘Candide’.Pencil. Related to Odle’s illustrations for ‘Candide’, published 1922.
Ex. Collection: Victor Arwas.12×17.25 inches.Framed: 24×28 inches.Sold
Richards, Ceri (1903 – 1971)Lion Hunt.Study for the ‘Lion Hunt’ series. Gouache. Signed and dated, 1962. Inscribed ‘to Noel’ (Noel Barber).7.5×10.75 inches.Framed: 20×23 inches.Sold
Redman, Henry (AKA Harry) Victor (1920 – 1994)GROUP: Kent, the Lighthouse at Margate?Etching and aquatint from the artist’s ‘Isle of Thanet’ Series. Along with two studies for the print. Provenance: The artist’s Estate.Sold
Shotter Boys, Thomas (1803 – 1874)France; ‘Tour de Remi, Dieppe’.Pencli and watercolour. Related to Shotter Boys’ 1839 lithograph of the same subject (for an example see BM1870,0813.189). Exhibited: Covent Garden Gallery.14.25×10.5 inches.Framed: 21×17 inches.Sold
Sandby R.A., Paul (1731 – 1809)Castle Capriccio.Pen, ink and watercolour. c.1800. Exhibited: Covent Garden Gallery.9.5×13.75 inches.Framed: 17.25×21.5 inches.Sold
Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)London; ‘Maple Street’ (RB212).Etching. c.1923. Signed in pencil. The second state, with title, published by the Carfax Gallery in an edition of c.100.7.5×5 inches.Sold
Sillince R.W.S. R.B.A., William Augustus (1906 – 1974)‘So I said: “Surely nothing said by little me can be of the slightest use to the enemy!”‘.Crayon. Signed. For ‘Punch’, 17/2/1941. Literature: W. A. Sillince, ‘We’re Still All In It’, 1942, p.22.6.25×7.5 inches.Framed: 14×14.5 inches.Sold
Trevelyan R.A., Julian (1910 – 1988)‘Oxford’.Etching and aquatint. 1969. From the Thames Suite. Signed, titled and editioned ‘5/75’.13.75×18.25 inches.
Varley F.R.S.A., Cornelius (1781 – 1873)‘Ireland’; a study of trees.Pencil. Signed with initials, inscribed and dated, 1808. Ex. Collection: Sir John Witt.9×12 inches.Sold
DYLAN JONAS STONE
These watercolours were painted in the Herbarium of the Botanical Gardens in Mont Juic, Barcelona. Some of the work Dylan made there was acquired by the Hunt Institute of Botanical Documentation at Carnegie Mellon University. He went on to make drawings in the Herbarium of the The Brooklyn Botanical Gardens.
ANON (Nineteenth-Century)Portrait of a Collector; a version of Stothard’s ‘Pilgrimage to Canterbury’ behind him.Pencil and watercolour. c.1840.16×11.75 inches.Framed: 20.5×16.5 inches.Sold
Thys, Gaston (1863 – 1893)Hercules and the Bull.Oil on canvas. Inscribed ‘St Cecil and dated 1882. Signed / dedicated: ‘Le Pentre au Musicien’ / ‘Thys à Deven’.10×12 inches.Framed: 18×20 inches.Sold
Bianchini Ferier (fl.1888-c.1995)Fabric Design.Gouache. 1930s. Provenance: The Bianchini Ferrier Archive Sale, 2001.15.5×12.25 inches.Framed: 24.5×21.25 inches.Sold
Burney, Edward Francis (1760 – 1848)A young woman writing.Pencil. Provenance: a sketchbook of drawings by Burney with the Covent Garden Gallery.6×4 inches.Sold
Cooper Jnr, Richard (1740 – 1822)Italy; Radicofani, Tuscany.Pen, ink and monochrome wash. c.1770. Inscribed. Ex. Collection: Paul Sandby (his stamp recto); Bill Drummond.10.5×7 inches.Sold
Dodd R.A., Francis (1874 – 1949)Italy; ‘Parma’.Drypoint. Signed. 1915. Inscribed ‘Parma / 42 imps in 1st State / Imp 2’.8×10 inches.
£575
Elwyn, John (1916 – 1997)Welsh Landscape.Oil on canvas. Signed. Signed verso.16×20 inches.Framed: 20×24 inches.Sold
Etty R.A., William (1787 – 1849)Figure Studies.Pen and ink. On a letter of invitation to ‘Mr William Etty’ for dinner on Christmas Day, 1837.8.75×7 inches.Framed: 16×15 inches.Sold
Girtin, Thomas (1775 – 1802)Kent; ‘A Sandpit, near Loggs Hill, Widmore’.Pencil and watercolour. 1798/99. Provenance: Sotheby’s 11th April 1991, lot 53. Literature: Greg Smith, ‘Thomas Girtin (1775-1802): An Online Catalogue, Archive and Introduction to the Artist’, Cat no. TG1422.10.5×16.25 inches.Sold
Halliwell, Albert Edward (1905 – 1987)‘Rare Wines’; a Poster Design.Pencil and gouache. c.1930. Stamped ‘A. E. Halliwell’. Provenance: the Artist’s Estate.26.5×17.5 inches.Sold
Jonzen, Basil (1913 – 1967)Still Life.Gouache. Signed and dated, 1945.18.5×13.4 inches.Framed: 21×16.5 inches.Sold
Keene, Charles (1823 – 1891)‘Ploughing the Main’.‘British Farmer (who has suffered from the rolling): – “This Cap’n doesn’t understand his bis’ness, you know – why don’t he keep in the furrows!”.’ Pen and ink. Inscribed. Exhibited: Arts Council. Provenance: Cyril Bird CBE (Fougasse) (1887-1965); Major Tom Bird DSC MC (1918-2017).5.5×7 inches.Sold
Laporte, John (1761 – 1839)‘A View on the Mersey, Lancashire’.Oil on canvas. Signed and indistinctly dated. Signed and titled to a label verso.9.5×13 inches.Framed: 15.5×19.5 inches.Sold
Malet, Guy Seymour (1900 – 1973)Austria; ‘Nonnberg, Salzburg’.Watercolour. Circa 1935. Inscribed. Studio Stamp. Provenance: Malet Studio Sale, Christies, c.1980.19×12 inches.Sold
Nicolle, Victor Jean (1754 – 1826)Italy; Tome, Santissimo Nome de Maria al Foro Traiano.‘Vue dela rue de la Pataccia ( … ) des Coupoles de Notre Dame de Lorete / du nom Marie et de la Colonna Treyanne a Rome’ (sic). Pen, brush and ink. Indistinctly inscribed by the artist. Provenance: Album of drawings by Nicolle with A and H c.1978.4×6 inches.Framed: 12.5×14 inches.Sold
Owens, Ned (1918 – 1990)‘Girl seated on Bed’.Oil on paper. c.1950. Signed. Inscribed verso.8.5×8 inches.Framed: 19×17 inches.Sold
Rice, Bernard (1900 – 1998)Bosnia; Travnik.Wood-cut. Signed, titled and editioned ’11/35′.16×14.25 inches.Sold
Rowlandson, Thomas (1756 – 1827)Fete Champetre.Pencil, pen, ink and watercolour. Signed and dated, 1797. Ex. Collection: L. G. Duke (D3717).6.5×11 inches.Framed: 13.5×17.5 inches.Sold
Redman, Henry (AKA Harry) Victor (1920 – 1994)Kent; pier buildings.Hand touched etching and aquatint. For the artist’s ‘Isle of Thanet’ series. Provenance: The artist’s Estate.5×3 inches.Sold
Rosoman R.A, Leonard (1913 – 2012)Crete; Studies at Knossos.Pen,. ink watercolour and gouache. Signed.12×9.5 inches.Framed: 20×16.75 inches.Sold
Rowe, Ernest Arthur (1863 – 1922)Herefordshire; Ledbury, Peonies at Coddington.Pencil and watercolour. Signed. Inscribed verso. Exhibited: Christopher Wood.12.5×9 inches.Framed: 20.5×16.5 inches.Sold
Sandby R.A., Paul (1731 – 1809)Wales; ‘Pont Aber Glasllin’ (sic. Pont Aberglaslyn).Etching and aquatint. 1777. From Sandby’s third series of ‘Twelve Views in Wales’.9.25×12.25 inches.Sold
Shannon R.A., Charles Haslewood (1863 – 1937)‘Caresses’ (R21).Lithograph. 1894. Edition of 55. Signed and dedicated ‘In Memory of Xmas Day 1907 – Kathleen CS’. Ex. Collection: Paul Delaney, author of ‘The Lithographs of Paul Shannon’.8.5×6.25 inches.Sold
Sergeant, Carolyn (born 1937)Dover Castle.Oil on card. Provenance: Artist’s Estate.6.5×11 inches.Framed: 11.5×16 inches.Sold
Boys, Thomas Shotter (1803 – 1874)River Scene.Pencil and sepia wash. c.1830. Exhibited: Folio Society.5×8.25 inches.Framed: 7×10.5 inches.
£675
Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)‘Church Time’.Chalk, pen and ink. Signed and inscribed. Exhibited: Agnews, ‘Centenary Exhibition of Etchings and Drawings by Sickert’, 1960, Cat No. 227.12.25×10.25 inches.Framed: 20×17.5 inches.Sold
Smith, John Rubens (1775 – 1849)New terraces on a harbour.Pencil. c.1800. Signed with initals.10.5×28.25 inches.Framed: 18.75×36 inches.Sold
Temple, Vere Lucy (1898 – 1981)Tabby Cat.Pencil and crayon. Provenance: the Artist’s Estate Sale, Woolley and Wallis, 1/11/2000.11×9 inches.Framed: 19×16.5 inches.Sold
Swanwick R.I. R.O.I., Harold (1866 – 1928)Eventide.Watercolour. Signed and dated, 1893. Provenance: Christies 14/9/2000; to A and H.5×6.5 inches.Framed: 12.75×13.5 inches.
£575
Valette, Pierre Adolph (1876 – 1942)Still Life with Chrysanthemums and Grapes.Oil on canvas. Signed and dated, 1915.20×27 inches.Framed: 27.5×35.5 inches.Sold
Ward C.B.E., John (1917 – 2007)Italy; Venice, the Traghetto landing at Ca’ d’Oro from the Fish Market.Pencil and watercolour. Signed and dated, 1974.6.5×9.5 inches.Sold
Ward R.A., James (1769 – 1859)A lake or estuary. Pobably Wales.Pencil and monochrome wash. Exhibited: Andrew Wyld, ‘Drawings by James Ward (1769-1859): On the Occasion of the 150th Anniversary of the Artist’s Death’, 2009, Cat No.40.2.5×3.5 inches.Sold
Wood, Christopher (1901 – 1930)Seated Dancer, Paris.Pencil. Circa 1926. Provenance: Redfern Gallery.23×18 inches.Framed: 25×20 inches.Sold
Wood, John (1801 – 1870)A young woman reading.Pencil and sepia wash. 1830s. Provenance: an album of drawings by John Wood compiled in 1884 and with A and H in 1994. Acquired by us at Sotheby’s that year.9.75×8 inches.Framed: 16.25×14 inches.Sold
MATTHIJS MARIS (1839-1917)
The Hauge artist Matthijs Maris came to London in 1877. His Symbolist pictures were greatly admired here and he stayed for the rest of his life. These prints were pulled in 1919 before the plates were presented to the British Musuem and V&A.
Maris, Matthijs (1839 – 1917)‘Bride’.Etching. c.1886/88. Signed in the plate. From the limited edition published by Goupil & Co. in 1919 before the plates were presented to the British Museum and V&A.4.5×3 inches.Sold
Maris, Matthijs (1839 – 1917)‘Girl with Distaff’ / ‘The Lady of Shallot’.Etching. Etching. c.1886/88. From the limited edition published by Goupil & Co. in 1919 before the plates were presented to the British Museum and V&A.6.25×4.5 inches.Sold
Maris, Matthijs (1839 – 1917)‘Romantic Landscape’ / ‘Landscape with goat’.Etching. c.1886/88. Signed in the plate. From the limited edition published by Goupil & Co. in 1919 before the plates were presented to the British Museum and V&A.4.75×6.25 inches.Sold
Maris, Matthijs (1839 – 1917)‘The Enchanted Castle’.Etching. c.1886/88. From the limited edition published by Goupil & Co. in 1919 before the plates were presented to the British Museum and V&A.4.5×6.25 inches.Sold
Maris, Matthijs (1839 – 1917)Silvery Leaves.Drypoint. c.1886/88. After Alfred Douglas Peppercorn (1847-1926).5.5×3.5 inches.Sold
LIST 536
APRIL 2023
Will be published at 5pm on Tuesday 11th April
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
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