Anderson (Twentieth Century), David‘White Wall’.Oil on canvas. 1978. Exhibited: Piccadilly Gallery; Waddington Gallery, Toronto. Provenance: Christie’s, 2/3/1989; to A and H.7×4.5 inches.Framed: 11.25×8.75 inches.Sold
ANON (Eighteenth-Century)A wig and a turban.Pen and ink. c.1750. Inscribed ‘Hogarth’. Ex. Collection: Ronald Searle.4.75×3.5 inches.Sold
ANON (Nineteenth-Century)GROUP: A trio of barber scenes.Pen, ink and watercolour. c.1820.7.5×5 inches.Sold
Bramham, Christopher (born 1952)London; ‘Pond in Richmond Park’.Chalk and pastel. Signed and dated, 1988. Exhibited: Fine Art Society, 1989.7×5.75 inches.Framed: 15.25×13.5 inches.
Burne-Jones Bt. A.R.A, Sir Edward Coley (1833 – 1898)Horse and rider.Pencil. c.1889. Inscribed to the backing ‘Study for Sir Galahad’, but possibly a study for Sir Gawaine in the Morris & Co. tapestry ‘The Failure of Sir Gawaine’ made for Stanmore Hall. See the drawing for that subject from the Ralph Holland collection sold at Sotheby’s 5/7/2013 (lot 366).9×12 inches.Sold
Cliffe, Henry (1919 – 1983)Standing Figure.Lithograph. Signed and dated, 1960. Provenance: artist’s estate. Exhibited: artHester.8.75×5.75 inches.Framed: 15.5×12 inches.Sold
Conrade, Alfred Charles (1863 – 1955)France; Paris, Louvre, the Salle des Caryatides.Watercolour and gouache. c.1920. Signed. Inscribed to an old backing (lost).19.75×26.5 inches.Framed: 28×34.5 inches.Sold
Cox O.W.S., David (1783 – 1859)Wales; A farmhouse at Llanberis, North Wales.Watercolour. Circa 1806. Exhibited: Agnews and according to Andrew Wyld’s cataloguing inscribed in pencil by the artist on the back of the mount ‘In Lanberris’ (sic).8×11 inches.Framed: 16×18.25 inches.Sold
Crawford R.S.A., Hugh Adam (1898 – 1982)Bathers.Pen, ink, watercolour and gouache. c.1930. Provenance: John Cumming Watson (1904-1977), architect and Senior Partner ‘Watson,Salmon & Grey’. Watson was the Glasgow winner of the Prix de Rome in the mid-Twenties. Crawford was runner up in 1926.15.25×13.25 inches.Framed: 26.5×23.25 inches.Sold
Currey, Esme (1881 – 1973)WWII London; bomb damage in the City, St Mary Somerset and St Nicholas Cole Abbey.Etching. Signed and dated, 1944.5×7 inches.Sold
Dudley, Robert Charles (1826 – 1900)Alexandra of Denmark (1844-1925); ‘The Landau in which the Princess Alexandra passed through London, March 7th/63’.Pencil, watercolour and gouache. Signed, inscribed and dated. Princess Alexandra arrived in England three days before her wedding to Albert Edward, Prince of Wales (Edward VII) on 10 March 1863. She processed through London to Windsor, where the wedding took place. Further drawings by Dudley recording the events surrounding the Royal marriage are in the Royal Collection.5.5×9 inches.Sold
Farleigh R.E., John (1900 – 1965)‘The Creation of Eve’.Wood-engraving. 1933. Signed, titled, dated 1933 and editioned ’19/50′.14.5×10.5 inches.Framed: 22.5×17.5 inches.Sold
Goff R.E., Robert (1837 – 1922)London; Hungerford Bridge, the Lion Brewery and South Bank from the north side of the river Thames.Etching. c.1905. Signed.10×7 inches.Framed: 17×13.75 inches.Sold
Graham, Rigby (1931 – 2015)Ireland; ‘Kilronan – Inishmore’.Pen, ink, watercolour, chalk and gouache. Signed and dated, 1971.8.25×11.5 inches.Framed: 15.5×18.75 inches.Sold
Granville, Jean Ignace Isidore Gérard (1803 – 1847)A foreman wearing a cockade overseeing the work of a stone mason.Pencil and monochrome wash. c.1830. Ex. Collection: Arthur Louis Sellier (1889-1967), his stamp (L.142a) verso.4×4.75 inches.Sold
Haig OBE RSA, Earl (1918 – 2009)‘Ochre and Blue Grey’.Oil on canvas. Exhibited: Leicester Galleries, ‘Exhibition of works by Earl Haig’, 1960, No.20.17.5×13.5 inches.Framed: 24.5×20.5 inches.Sold
Henderson, Elsie (1880 – 1967)‘The Downs in Summer’.Oil on board. c.1948. Exhibited: Sally Hunter, 2004.19.5×23.5 inches.Framed: 26.5×31 inches.Sold
Hepworth (Twentieth Century), E G‘The Cherry Jug’.Oil on board. Signed and titled, verso. Exhibited: Bloomsbury Workshop.19.5×15.75 inches.Framed: 23×19 inches.Sold
Holmes, Kenneth (1902 – 1994)The Flight into Egypt.Etching. 1927. Signed. The artist’s Prix de Rome winning print.7×9 inches.Framed: 13.5×15 inches.Sold
Home, Robert (1752 – 1834)Portrait of an Anglo-Indian woman.Oil on canvas. c.1810. Painted while the artist was living and working in Calcutta. Thank you to Charles Greig for confirming this attribution and for his help in cataloguing the picture.29×25 inches.Framed: 35×31 inches.Sold
James, Louis (1920 – 1996)‘The Port 3’.Oil on board. 1960, while this Australian artist was living in London. Signed and dated. Titled and dated, verso.9.5×6.25 inches.Framed: 12×8.5 inches.Sold
Kemp, Arthur Charles (1906 – 1968)Fishermen mending nets.Pencil and watercolour. Studio number verso.10.5×14.5 inches.Framed: 20.5×27 inches.
£500
Loutherbourg, Philip James de (1740 – 1812)Figure study of a young boy.Pen, ink and watercolour. Similar to the figure drawings Gillray made for de Loutherbourg in the 1790s. Dated, ‘Jan 9 1803’. Ex. Collection: L. G. Duke (D3108).6×4.5 inches.Framed: 9×7 inches.Sold
Murray, Charles (1894 – 1954)‘The Spirit’.Gouache. Signed. Exhibited: British Council, ‘Modern British Pictures for Europe’, 1947-48, No.25; Scarborough Art Gallery, ‘Yorkshire Artists’, (no date given), No.3.21.25×12.5 inches.Framed: 33×22.75 inches.Sold
Nicolle, Victor Jean (1754 – 1826)Italy; Venice, ‘Vue de la jette ou Cale de la Douanne de Mer; a Venise’.Pen and ink. Inscribed to the old backing. Provenance: An album of Nicolle drawings with A and H in 1974.3.25×4.75 inches.Sold
Procktor R.A., Patrick (1936 – 2003)‘Queen Mary’s Rose Garden, Regent’s Park, in November 1971’.Etching and aquatint. 1971. Signed and editioned ‘AP’. Provenance: Bear Stearns.21.5×27 inches.Framed: 33×38.75 inches.Sold
Pyne, George (1800 – 1884)Oxford; Worcester College.Waterclour. Signed and dated, 1854.9×13 inches.Framed: 17×20.5 inches.Sold
Raverat S.W.E., Gwen (1885 – 1957)‘Night Nursery at Down’ (SN569). Down House, the home of Charles Darwin.Wood engraving. 1950. A working proof with collaged elements.6×4 inches.Framed: 10.75×10.75 inches.Sold
Sandby R.A., Paul (1731 – 1809)A capriccio landscape.Pen, ink, watercolour and white heightening. c.1780. Ex. Collection: Sir William Beechey R.A. (1753-1839)11×18 inches.Framed: 18.75×25.25 inches.Sold
Sergeant, John (1937 – 2010)‘Chapter One / She was a little tabby cat …’.Pen, ink and watercolour. Signed and dated, 1976. A sample illustration for Rumer Godden. Exhibited: Jeremy Maas.10×16.25 inches.Sold
Shephard R.S.P.P., Rupert (1909 – 1992)London; ‘A Paddington Church’ (Holy Trinity, demolished 1984).Linocut. 1975. For ‘The London Scene’. Signed, titled and editioned ’48/60′.10.75×13 inches.Sold
Siopsis, Penny (born 1953)‘Subject’.Hand coloured etching by the famous South African artist. Signed, titled, editioned ‘2/30’ and dated, 1990.5.75×4.75 inches.Framed: 14×11.25 inches.
£475
Stott A.R.A. N.E.A.C., Edward (1858 – 1918)A study for ‘Washing Day’ (Two versions, Watts Gallery and Private Collection).Chalks. c.1900. Studio stamped.12×12.25 inches.Sold
Strang R.A. R.E., William (1859 – 1921)‘Ae Day as to the Well’.Mezzotint. 1888-1894. Signed. For ‘Death and the Ploughmans Wife: a Ballad / made and etched by William Strang’ (1894).8×6.75 inches.Sold
ANON (Eighteenth-Century)Italy; Rome, St Peter’s from outside the walls.Pencil and watercolour. c.1790.7.5×10.5 inches.Sold
ANON (Nineteenth-Century)‘Returning from the Fair; a sketch in Connemara Ireland’.Oil on canvas. c.1860. Inscribed to the stretcher. The canvas bears the stamp of J Spender, who was trading at the address given in John St from 1850-1867.11.25×13.25 inches.Framed: 17.25×19.5 inches.Sold
ANON (Nineteenth-Century)London; ‘In the grounds at […] Hill’.Pencil and watercolour. Inscribed and dated, August 14th 1807. Sketch verso inscribed, ‘from Mr Munro’s dining room widow Hampstead heath, August 28’.5×7.5 inches.Sold
Armfield, Maxwell Ashby (1882 – 1972)Tulips.Pencil and crayons. 1967. Dated and inscribed ‘All left white deepest scarlet’. Provenance: Alexander Ballard and by descent; A and H; Private Collection.8.5×6.5 inches.Framed: 16×13.5 inches.Sold
Brangwyn R.A. R.W.S., Frank (1867 – 1956)London; Fleet Street looking towards Ludgate Hill and St Paul’s.Lithograph. c.1900. Signed and dedicated to C. R. Benton in 1913.16×22 inches.Sold
Brodsky, Horace (1885 – 1969)‘View from the Studio’.Etching. 1930. Printed for London Graphic Arts, 1967.6×4 inches.
£375
Brooke, William Henry (1772 – 1860)Design for a frontispiece to ‘Croker’s Researches in the South of Ireland’.Pencil, pen and ink. Inscribed by the artist. Brooke’s project to etch illustrations for this text are discussed in a letter from Brooke to Croker’s son in the National Library of Ireland.7.5×5.5 inches.Sold
De Morgan, William (1839 – 1917)The Angel Standing on Sea and Land (Revelation).Pencil and white heightening. Provenance: Christies 21.10 1975: a sketchbook of (approx. 80) De Morgan studies, bought by Abbott and Holder.3×2 inches.Sold
Eldershaw, John (1892 – 1973)London; ‘Down Wapping Way’.Lithograph. c.1926/29. Signed and titled.12.5×9.5 inches.Sold
Eldridge R.W.S., Mildred (1909 – 1991)Olive Harvest.Oil on canvas board. c.1935. Painted in Italy while on her Prix de Rome scholarship. Provenance: Artist’s Estate.17×19 inches.Framed: 20×21.5 inches.Sold
Fulleylove, John (1845 – 1908)Rome; the Temple of Saturn and the Forum.Pencil and watercolour. c.1875. Monogrammed and inscribed.2.5×7 inches.Sold
Gibbs, Evelyn (1905 – 1991)Cliff.Etching and aquatint. 1965. Signed, dated and editioned ‘1/30’.21.5×16 inches.Sold
Green (Nee Lister), Harriet (1753 – 1821)County Durham; ‘Above Greta Bridge’.Watercolour. Inscribed beneath the mount, ‘on the left lies East Wood, the right is a part of Brignal Banks’.8.5×12.5 inches.Framed: 20×25 inches.Sold
Hocken, Marion (1922 – 1987)‘Flowers by my Studio Window’.Oil on canvas. Signed.19.5×23.25 inches.Framed: 25.5×29.25 inches.Sold
Holt, Lilian (1898 – 1983)London; Simpsons Tavern. Now sadly under forced closure.Charcoal. Signed and dated, 1968.13×9.5 inches.Framed: 20×15.5 inches.
Lenaghan R.S.W., Brenda (born 1941)‘Still Life with Doll’.Oil on canvas. Signed and dated, 1981. Exhibited: Macaulay Gallery.29.5×29.25 inches.Framed: 33.5×33.25 inches.Sold
Maclise A.R.A., Daniel (1806 – 1870)Liverpool; the Canning Half-Tide Dock built by Jesse Hartley in 1842-4.The dome and pediment in the background belong to the Custom House built by John Foster junior in 1828-39 and bombed during WWII. Pencil. c.1850.3.5×6 inches.Sold
Piper C.H., John (1903 – 1992)‘The Glyders’.Screen printed fabric. 1960. Commissioned by Sanderson Fabrics to celebrate their centenary in 1960.19×14 inches.Framed: 32.5×25 inches.Sold
Pyne, George (1800 – 1884)Italy; ‘Baveno, Il Lago Maggiore’.Pencil. c.1870. Inscribed.12.5×19.5 inches.Sold
Raverat S.W.E., Gwen (1885 – 1957)‘The Wild Swans No.2’ (SN138).Wood-engraving. Signed and inscribed. Edition of 60.3×4 inches.Framed: 11.5×11.75 inches.Sold
Sheringham, George (1884 – 1937)Nasturtiums.Gouache. c.1900. Signed. Exhibited: The Fine Art Society, 5/4/37, No.30.14.5×20.5 inches.Framed: 20×26 inches.Sold
Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)‘The New Bedford’ (The Small Plate) (B.161).Etching. 1915. Third, final stat as published. Dedicated ‘To Rose Taylor, 1927’ beneath the mount.10×3 inches.Sold
Smallwood, William Frome (1806 – 1834)France; Cathédrale Saint-Pierre, Beauvais.Pencil and watercolour. Signed, inscribed and dated, 1833.19×12.5 inches.Sold
Stevens (Attributed to), Alfred George (1817 – 1875)Study of a group of figures after Masaccio.Pencil. c.1840. Ex. Collection: John Russell-Taylor. For a similar sheet see Gorringes, 10th September 2024, lot 42.12.75×10 inches.Sold
Sunderland, Thomas (1744 – 1828)Lake District; Glenridding House, Ullswater.Pen, brush and blue/grey washes. Ex. Collection: Lt. Colonel Curzon Howe Hewick, Clifton Castle, Bedale. Thomas, Lord Townhead, Settle. Robert Clough P.R.B.A.9×16.5 inches.
£500
Sutton R.A., Philip (born 1928)‘Glitter and Sunlight and Love (From Sappho)’.Oil on canvas. 1968. Signed, titled and dated, verso. Exhibited: Roland Browse and Delbanco.40×40 inches.Framed: 43×43 inches.Sold
Taylor R.E., Eric (1909 – 1999)London; ‘Steam at Victoria Station’.Etching. 1934. Signed, inscribed, dated and editioned ’11/25′.6.5×10.5 inches.Sold
Trench, Marianne Lucy (1888 – 1939)Rome; St Peters and Ponte Sant’Angelo.Oil on canvas. c.1920. Signed.11.5×15 inches.Framed: 16.5×20 inches.Sold
Tunnicliffe R.A. R.E., Charles Frederick (1901 – 1978)‘Sowing Winter Wheat’.Scraper board with pen and ink. Titled and inscribed ‘Chapter 7’. For Sidney Rogerson, ‘Both Sides of the Road: A Book about Farming’, Collins, 1947.3×6 inches.Sold
Wilson, Scottie (1888 – 1972)Fantasy Bird.Pen, ink and watercolour. Provenance: Bought directly from the artist by Tina Carlile and Pearl King.20.75×17.5 inches.
£1,250
WILFRED STANLEY HAINES (1905-1944)
Haine’s, whose father was a tapestry restorer, made textile designs for Morris & Co. He served in the AFS during WWII and made paintings recording the Blitz. He was killed in the blast from a V1 on the night of 19th June 1944.
Haines, Wilfred Stanley (1905 – 1944)‘Design for a Needlework Chair Seat / in the “Chinoiserie” manner of the XVIII century […]’.Gouache. Signed and dated, March 1941.10.5×7.25 inches.Sold
Haines, Wilfred Stanley (1905 – 1944)‘Design for a Needlework Chair Seat / in the “Chinoiserie” manner of the XVIII century […]’.Gouache. Signed and dated, March 1941.10.5×7.25 inches.Sold
FORTHCOMING
PETER STILWELL
An exhibition of recent work
ONLINE 5pm Wednesday 30th October
On View in the Gallery 31st October – 16th November
LIST 553
NOVEMBER 2024
PART I Online 5pm Tuesday 5th
PART II Online 5pm Tuesday 19th
MARY HEADLAM (1874-1959)
An Artist Rediscovered
PRIVATE VIEW 6-8pm Thursday 28th November
The exhibition will continue until Monday 23rd December
LIST 554
DECEMBER 2024
PART I Online 5pm Tuesday 3rd
With groups of works, composed with Christmas in mind, released throughout the month.
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat enquiries about List pictures in strict order of receipt.
Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
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