2. Bampfylde (Attributed to), Coplestone Warre (1720 – 1791)Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance. The Gothick folly on St Michael’s Hill previously unrecorded.Oil on canvas. c.1755 before the building of St Michael’s Hill Tower in 1760.18.75×24.5 inches.●
3. Bell, Vanessa (1879 – 1961)Basket of Flowers.Linocut. Printed from the original block in 1999 by The Bloomsbury Workshop.10×7.5 inches.●
4. Banks R.I.B.A., Robert (1911 – 2000)Italy; Pugliese Sunset.Watercolour and ink. Signed and numbered, 615. Exhibited: Trafford Gallery.27×18 inches.Framed: 37×27.5 inches.●
5. Brown N.E.A.C., Prof Frederick (1851 – 1941)Still-life: a dining table.Watercolour. Signed and dated, 1919. Cf. No 6 on this List for a portrait of Fred Brown.8.75×12.75 inches.Framed: 16.5×20 inches.●
6. Dodd R.A., Francis (1874 – 1949)Frederick Brown (1851-1941), Slade Professor of Art 1893-1918.Chalks. Signed, dated 1920 and dedicated to the sitter ‘A lui’. Cf. No 5 on this List for a painting by Fred Brown.14.5×10.5 inches.●
11. de Wit, Jacob (1695 – 1754)Sculpture.Oil on panel. Signed and dated, 1735. No doubt from a series of panels representing Allegories of the Arts.10.25×9 inches.●
12. Cox O.W.S., David (1783 – 1859)Farm Carts Crossing Lancaster Sands.Black chalk / charcoal. Inscribed in the artist’s hand ‘Lancaster Sands’. Exhibited: Andrew Wyld, 2009.6.5×10 inches.Framed: 10×13.25 inches.●
13. Cotman, John Sell (1782 – 1842)Boats ashore.Pencil. Exhibited: Walker’s Galleries, 1935 as a leaf from one of the artist’s sketchbooks.5×7 inches.Framed: 11×13 inches.●
14. Desmet R.A., Anne (born 1964)‘Colosseum’.Wood-engraving. 1991. Signed, titled and editioned ’37/40′.3.25×4 inches.Framed: 12.75×12.5 inches.
£500
15. Gilpin, Rev. William (1724 – 1804)A Picturesque View; possibly towards The Needles, Isle of Wight.Ink and watercolour. Signed and dated, March 24th 1781, verso.5.5×8.5 inches.
17. Halliwell, Albert Edward (1905 – 1987)‘A New Line’; design for a poster advertising the artist’s own work.Signed, inscribed ‘Self Adert’ and dated ‘April 3rd 1929’. Provenance: the Artist’s Estate.20.5×12.75 inches.Framed: 26×18 inches.●
20. Hardie R.E., Martin (1875 – 1952)France; ‘The Valley of the Seine, Chateau Gallaird’ (H63).Dry-point etching. From a sketch made in May 1914. 24 printed by Goulding in 1915 and 48 by Strang 1919/1920. Plate destroyed August 1920.9×10.75 inches.●
21. Heilbuth, Ferdinand (1826 – 1889)Head of a Young Man.Watercolour and gouache. Stamped signature. Exhibited: Hazlitt,
Gooden and Fox, ‘Nineteenth Century French Drawings’, June/July
1978, No.55.8.5×6.5 inches.Framed: 14.5×12 inches.●
23. John O.M. R.A., Augustus (1878 – 1961)A Bearded Gypsy.Graphite. c.1915-20. Exhibited: Piccadilly Gallery in association with Max Rutherston, ‘Augustus John, A Collection of Oils, Drawings and Etchings’, with introductions by Vivien John and Rebecca John, 1991, Cat. No.32.9.75×7 inches.Framed: 17.75×14.25 inches.●
26. Keene, Charles (1823 – 1891)‘Seasoned!’: Lady Tourist “Are the sheets well aired?”. Irish Chambermaid “Troth and they are, Ma’am; for the Season is three months begun, and they’ve been well used since!”.Pen, ink and watercolour. Signed. For ‘Punch’, September 27th, 1879.6.5×10 inches.●
27. King, William Gunning (1859 – 1940)‘Flowers from my Garden’, Petersfield, Hampshire.Oil on canvas. Signed and dated, 1924. Titled to the artist’s label verso. Exhibited: Royal Academy, 1926.22×16 inches.Framed: 27×21 inches.●
28. Leighton, Clare (1898 – 1989)Gardening; ‘And dared to call the earth my own’.Wood-engraving. c.1941. Signed, titled and editioned ’11/15′. An illustration for Elsie Symington, ‘By Light of Sun’, publ. 1941.6×4 inches.●
30. Luttich, Mila von (1872 – 1929)Wood sprites.Pencil and pastel. Signed. Circa 1900. For ‘Meggendorfer-Blatter’ (stamped verso).14.25×10.25 inches.●
31. Müller, William James (1812 – 1845)Bristol; ‘Old House Black Friars Nr Le[wins Mead]’.Pencil and monochrome wash. Monogrammed and dated, 1830. Inscribed, dated ‘Nov 8 1830’, and initialled verso.5.25×4 inches.
36. Roussel, Theodore Casimir (1847 – 1926)Monaco; ‘The Terrace, Monte Carlo, End of Afternoon, April 1905’ (H62).Dry-point etching. Signed. About 20 impressions in this, the final State.6.5×9.25 inches.
£750
37. Rowlandson, Thomas (1756 – 1827)GROUP: ‘Side Box Sketches’.Etching and aquatint with hand colouring. 1786. The prints made and published by Samuel Alken (1756-1815). Originally issued as a single sheet, these had been divided and are sold mounted individually.5.75×7.5 inches.
39. Runciman, Alexander (1736 – 1785)Ossian; Finigal Encounters Conban-Cargla.Etching. 1773. The sheet trimmed within the plate marks and to the image.6×9.5 inches.
41. Spencer, Pamela (1924 – 2012)The pianist ‘William G Spencer’; Stanley Spencer’s eldest brother and Pamela’s uncle. He was Professor of Music at Berne Musci Institute.Pencil. Signed and dated, 1952. Provenance: Artist’s Estate.13.5×9.5 inches.
43. Springs, John (born 1962)‘Shaw and Holroyd’.Black and coloured inks. Signed. Inscribed verso: ‘Times / Saturday Review’.13.5×11.5 inches.●
44. Topolski R.A., Feliks (1907 – 1989)WWII; ‘East End / Salvation Army’.Pen, brush and ink. Signed and dated, September 1940. Exhibited: ‘Contemporary British Illustrators’, Art Exhibitions Bureau, Albermarle Street. Provenance: Artist’s Estate.12×15.5 inches.●
45. Taylor L.G., Walter (1860 – 1943)Brighton Houses.Pencil and watercolour. c.1910-1920. Signed. Exhibited: Michael Parkin.17.25×13.25 inches.Framed: 24×19.75 inches.●
46. Trevelyan R.A., Julian (1910 – 1988)London; ‘Kew Gardens’.Etching and aquatint from the ‘London Parks’ Suite. Signed, titled and numbered ’54/75′.13.75×18.75 inches.
57. Bainbridge, Dame Beryl (1932 – 2010)‘One Hell of an Afternoon in Charleston’.Oil on board. 1993. Signed and titled. Exhibited: Francis Kyle.7×6 inches.Framed: 12.5×11.25 inches.●
58. Barker, Kit (1916 – 1988)Abstract composition.Collage and gouache. Signed and dated, 1954.18.75×14 inches.Framed: 28×22 inches.●
59. Battersby, Martin (1914 – 1982)‘Monsieur’.Oil on card. Exhibited: Arthur Jeffress (his label). Framed by K J Bredon, Brighton.19×22 inches.Framed: 21.75×19.75 inches.●
60. Bray, Phyllis (1911 – 1991)CUNARD SHIPPING LINE (GROUP): Three designs for formica table tops, commissioned by Cunard. Pegasus / Apollo and Clytie / A Unicorn.Pastels. c.1955. Studio sale stamped.13×12.5 inches.●
65. Crotch, Dr William (1775 – 1847)Yorkshire; Ripon Cathedral from the River Skell.Pen, ink and watercolour. Ex. Collection: Cyril Fry.3.5×5.5 inches.●
67. De Wint O.W.S., Peter (1784 – 1849)A (Lincoln?) Gateway.Pencil and watercolour. Provenance: the artist’s wife; to her daughter Mrs Tatlock; to her daughter, Miss Tatlock; to her (lifelong companion, Miss Bostock; from whom acquired by Geoffrey Harmsworth; presented to J. H. Holman Sutcliffe in 1939. Exhibited: Lowell Libson.7.5×9.25 inches.Framed: 15.5×14.5 inches.●
70. Fraser, Claud Lovat (1890 – 1921)‘Doux Propos de Guerre’ / ‘Sweet Words of War’.‘Mon Vieux fucanor, si j’avais su que tu ne pouvais pas lire, je ne t’aurais pas choisi comme aide-de-campe’ (My old fucanor, if I had known that you could not read, I would not have chosen you as aide-de-camp). Pen, ink and watercolour. Signed, inscribed and dated, 1917.14.5×8.75 inches.●
73. Gross C.B.E. R.A., Anthony (1905 – 1984)‘Pierrette, or Ennui’ (H7303).Etching. Second state. 1970. Signed, inscribed and editioned, 6/70. Intended to illustrate ‘The Very Rich Hours of Le Boulve’ 10×13.5 inches.
76. Haydon, Benjamin Robert (1786 – 1846)ROMANTIC; Portrait of Nathaniel Howard (c.1780-1832)Plymouth friend of Haydon’s who was a Poet (‘Bickleigh Vale with other poems’, 1804), Translator (Dante’s Inferno, 1807), Teacher and writer of language text books (‘A Vocabulary English and Greek’, 1808; ‘Introductory Latin Exercises’, 1814). Oil on canvas. Signed and dated 1807 verso. Provenance: John Arscott Lethbridge (1787-1854), Secretary of Greenwich Hospital, by whom acquired directly from the artist; his son William Popham Lethbridge (1822-c.1890), Clerk at Greenwich Hospital; […] George Lambert MP (1866-1958) and thence by descent.20×17 inches.Framed: 24.5×21.5 inches.●
77. Hearne, Thomas (1744 – 1817)A party being welcomed ashore at a newly built Colony town.Possibly related to Hearne’s work for Sir Ralph Payne on the Leeward Islands. Pencil, pen, ink and monochrome wash. Ex. Collection: Cyril Fry.3×5.5 inches.●
79. Hiremy-Hirschl, Adolf (1860 – 1933)An interior view.Watercolour and gouache. Acquired by the previous owner from an exhibition of Hiremy-Hirschl’s work in 1984.9.75×6.75 inches.●
80. INDIAN SCHOOLThe Mughal, Emperor Muhammad Shah (1702-1748)Pen and ink, gouache and gold paint on paper laid on text. Circa 1800.6×5 inches.●
81. Lack R.E., Henry Martyn (1909 – 1979)East Sussex; Hastings, A Band Playing on the Beach / A Band Playing on the Promenade.Etching. Proof.10.5×8 inches.Framed: 13.5×10.5 inches.
£150
82. Legros, Alphonse (1837 – 1911)Medal with the head of G F Watts (1817-1904).Metal alloy. c.1895-1900. Signed with initials.3.5×3.5 inches.
£500
83. Maitland, Paul (1863 – 1909)London; ‘Kensington Gardens, Cloudy Day’.Oil on panel. Signed. Exhibited: Leicester Galleries, ‘Exhibition of Works by Paul Maitland’, November 1962, No.37 (bought by ‘Mrs R. Pinto’).4.25×7.75 inches.●
84. Manousso, Paul (1930 – 2022)Studio Still Life.Mixed media on canvas. Signed and dated, ‘Dec 1981’. Provenance: The Artist’s Estate.36×28 inches.Framed: 42×34 inches.
£2,750
85. McBey, James (1883 – 1959)‘April in Kent’ (Sandwich).Etching. 1912. Signed and numbered ‘XX’. Signed and titled in the plate ‘Sandwich / Good Friday 1912’.6×11.25 inches.●
88. Nicholson, Sir William (1872 – 1949)‘Snowscape’.Pencil study drawn on reverse of a photogravure. Inscribed. Accompanied by a note ‘For God’s sake / return this / William Nicholson / 11 Apple Tree Yard / St James’/S.W.’.6.5×8 inches.●
89. Payne, William (1760 – 1830)A town sitting at the mouth of an estuary; surely identifiable!Watercolour. Signed and dated, 1812. Provenance: A group of watercolours and drawings by Payne with Bonhams, 9th March 2004.5.25×8.25 inches.Framed: 12.75×15.25 inches.
£1,100
90. Piper C.H., John (1903 – 1992)‘Brunswick Terrace’.Etching and aquatint for ‘Brighton Aquatints’, one of 200 impressions.8.25×10.75 inches.Framed: 17×19.25 inches.●
91. Prout O.W.S., Samuel (1783 – 1852)Interior of a Gothic church with worshippers, tomb and effigy,Pen, ink, watercolour and gouache. Signed.14×9.75 inches.Framed: 22.5×17.5 inches.●
92. Reed R.W.A., William Dennis (1917 – 1979)‘A Museum of Arts / For a Community Centre in South Ken / Designed by D. W. Reed, Painting School, 1939’: North, South, East and West elevations.Pencil and watercolour. Inscribed by the artist. Provenance: D. W. Reed Studio Sale.27×19.5 inches.●
94. Rowlett, George (born 1941)Kent; ‘Fairfield Church, late afternoon August from […]’.Oil on board. 2003. Signed and titled, verso. Exhibited: Art Space Gallery.8.25×12.25 inches.Framed: 12.25×16.5 inches.●
95. Sergeant, John (1937 – 2010)Still life in a green glazed jug.Oil on card. Signed and dated, 1978.15.5×12.5 inches.Framed: 11.25×8.5 inches.●
96. Shackleton N.E.A.C., William (1872 – 1933)Carving the War Memorial: the stone-yard at Putney Bridge.Oil and gouache on card. Signed and dated, 1923. Inscribed by the artist verso.10×8.75 inches.Framed: 18×16 inches.●
98. Strang R.A. R.E., William (1859 – 1921)Study of Will Hodson.Silverpoint. Circa 1900. Signed. Ex.Collection: Laurence Hodson (1864-1933), and by descent.9.25×9.25 inches.Framed: 9.25×9.25 inches.●
99. Whishaw R.A., Anthony (born 1930)‘Woman with pink shoes’.Etching with watercolour. Signed, dated 93/94 and inscribed ‘Unique Variant’.7×12 inches.Framed: 13×17 inches.
£375
100. Wilson, Scottie (1888 – 1972)Blue Foul.Pen, ink and watercolour. Provenance: Bought directly from the artist by Tina Carlile and Pearl King.9.25×6.25 inches.●
FORTHCOMING
We have Lists and Exhibitions planned well into Spring and early Summer 2024. Here is what is happening in the next few months.
SUMMER SELECTION
As is now tradition, in place of an August List we will be highlighting a selection of recent stock. 5pm Tuesday 1st August
SURPRISE SUMMER GROUP
5pm Tuesday 15th August
LIST 540 – SEPTEMBER 2023
PART I
5pm Tuesday 5th September
LEON UNDERWOOD (1890-1975)
An Exhibition of 40 Prints 1920-1950
14th September – 7th October
LIST 540 – SEPTEMBER 2023
PART II
5pm Tuesday 19th September
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.
Approval Service: We are happy to send works on approval, but this is subject to discussion.
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