ANON (Nineteenth-Century)Worcestershire; ‘Little Malvern’.Pencil and watercolour. c.1800. Inscribed verso.10.25×8 inches.Sold
Bampfylde (Attributed to), Coplestone Warre (1720 – 1791)Somerset; a view from the garden of Montacute House with St Michael’s Hill in the foreground and Glastonbury Tor in the distance. The Gothick folly on St Michael’s Hill previously unrecorded.Oil on canvas. c.1755 before the building of St Michael’s Hill Tower in 1760.18.75×24.5 inches.Sold
Bell, Vanessa (1879 – 1961)Basket of Flowers.Linocut. Printed from the original block in 1999 by The Bloomsbury Workshop.10×7.5 inches.Sold
Banks R.I.B.A., Robert (1911 – 2000)Italy; Pugliese Sunset.Watercolour and ink. Signed and numbered, 615. Exhibited: Trafford Gallery.27×18 inches.Framed: 37×27.5 inches.Sold
Brown N.E.A.C., Prof Frederick (1851 – 1941)Still-life: a dining table.Watercolour. Signed and dated, 1919. Cf. No 6 on this List for a portrait of Fred Brown.8.75×12.75 inches.Framed: 16.5×20 inches.Sold
Dodd R.A., Francis (1874 – 1949)Frederick Brown (1851-1941), Slade Professor of Art 1893-1918.Chalks. Signed, dated 1920 and dedicated to the sitter ‘A lui’. Cf. No 5 on this List for a painting by Fred Brown.14.5×10.5 inches.Sold
Bourne, James (1773 – 1854)Kent, ‘The Thames at Greenhithe’.Pencil and watercolour. c.1820.11×16.5 inches.Sold
de Wit, Jacob (1695 – 1754)Sculpture.Oil on panel. Signed and dated, 1735. No doubt from a series of panels representing Allegories of the Arts.10.25×9 inches.Sold
Cox O.W.S., David (1783 – 1859)Farm Carts Crossing Lancaster Sands.Black chalk / charcoal. Inscribed in the artist’s hand ‘Lancaster Sands’. Exhibited: Andrew Wyld, 2009.6.5×10 inches.Framed: 10×13.25 inches.Sold
Cotman, John Sell (1782 – 1842)Boats ashore.Pencil. Exhibited: Walker’s Galleries, 1935 as a leaf from one of the artist’s sketchbooks.5×7 inches.Framed: 11×13 inches.Sold
Desmet R.A., Anne (born 1964)‘Colosseum’.Wood-engraving. 1991. Signed, titled and editioned ’37/40′.3.25×4 inches.Framed: 12.75×12.5 inches.Sold
Gilpin, Rev. William (1724 – 1804)A Picturesque View; possibly towards The Needles, Isle of Wight.Ink and watercolour. Signed and dated, March 24th 1781, verso.5.5×8.5 inches.Sold
Halliwell, Albert Edward (1905 – 1987)‘A New Line’; design for a poster advertising the artist’s own work.Signed, inscribed ‘Self Adert’ and dated ‘April 3rd 1929’. Provenance: the Artist’s Estate.20.5×12.75 inches.Framed: 26×18 inches.Sold
Hayman R.A., Patrick (1915 – 1988)‘Don Quixote’.Mixed media. Signed. Signed, inscribed and dated, 1968 verso.13×10.25 inches.Framed: 17×14 inches.Sold
Hardie R.E., Martin (1875 – 1952)France; ‘The Valley of the Seine, Chateau Gallaird’ (H63).Dry-point etching. From a sketch made in May 1914. 24 printed by Goulding in 1915 and 48 by Strang 1919/1920. Plate destroyed August 1920.9×10.75 inches.Sold
Heilbuth, Ferdinand (1826 – 1889)Head of a Young Man.Watercolour and gouache. Stamped signature. Exhibited: Hazlitt,
Gooden and Fox, ‘Nineteenth Century French Drawings’, June/July
1978, No.55.8.5×6.5 inches.Framed: 14.5×12 inches.Sold
Hoare of Bath R.A., William (1707 – 1792)Seated woman.Red chalks. c.1780. Exhibited: Charles Plante at Mallet, New York, 2011.7×5 inches.Framed: 10.5×8.25 inches.Sold
John O.M. R.A., Augustus (1878 – 1961)A Bearded Gypsy.Graphite. c.1915-20. Exhibited: Piccadilly Gallery in association with Max Rutherston, ‘Augustus John, A Collection of Oils, Drawings and Etchings’, with introductions by Vivien John and Rebecca John, 1991, Cat. No.32.9.75×7 inches.Framed: 17.75×14.25 inches.Sold
Komjati, Julius (1894 – 1958)‘Prayer’.Etching. 1928. Signed and editioned ’63/75′.10×8 inches.Framed: 18×15.25 inches.Sold
Keene, Charles (1823 – 1891)‘Seasoned!’: Lady Tourist “Are the sheets well aired?”. Irish Chambermaid “Troth and they are, Ma’am; for the Season is three months begun, and they’ve been well used since!”.Pen, ink and watercolour. Signed. For ‘Punch’, September 27th, 1879.6.5×10 inches.Sold
King, William Gunning (1859 – 1940)‘Flowers from my Garden’, Petersfield, Hampshire.Oil on canvas. Signed and dated, 1924. Titled to the artist’s label verso. Exhibited: Royal Academy, 1926.22×16 inches.Framed: 27×21 inches.Sold
Leighton, Clare (1898 – 1989)Gardening; ‘And dared to call the earth my own’.Wood-engraving. c.1941. Signed, titled and editioned ’11/15′. An illustration for Elsie Symington, ‘By Light of Sun’, publ. 1941.6×4 inches.Sold
Landells, Ebenezer (1808 – 1860)Coastal Shipping.Pencil and watercolour. Provenance: An album of the artist’s work.4×8 inches.Sold
Luttich, Mila von (1872 – 1929)Wood sprites.Pencil and pastel. Signed. Circa 1900. For ‘Meggendorfer-Blatter’ (stamped verso).14.25×10.25 inches.Sold
Müller, William James (1812 – 1845)Bristol; ‘Old House Black Friars Nr Le[wins Mead]’.Pencil and monochrome wash. Monogrammed and dated, 1830. Inscribed, dated ‘Nov 8 1830’, and initialled verso.5.25×4 inches.Sold
Roussel, Theodore Casimir (1847 – 1926)Monaco; ‘The Terrace, Monte Carlo, End of Afternoon, April 1905’ (H62).Dry-point etching. Signed. About 20 impressions in this, the final State.6.5×9.25 inches.Framed: 14.25×16.5 inches.Sold
Rowlandson, Thomas (1756 – 1827)GROUP: ‘Side Box Sketches’.Etching and aquatint with hand colouring. 1786. The prints made and published by Samuel Alken (1756-1815). Originally issued as a single sheet, these had been divided and are sold mounted individually.5.75×7.5 inches.Sold
Rothenstein R.A., Michael (1908 – 1993)‘The Crazed Moon’ (W.B. Yeats).Woodcut. 1972. Signed. Edition of 75. From the ‘Suns and Moons’ portfolio.20×13.5 inches.Sold
Runciman, Alexander (1736 – 1785)Ossian; Finigal Encounters Conban-Cargla.Etching. 1773. The sheet trimmed within the plate marks and to the image.6×9.5 inches.
Spencer, Pamela (1924 – 2012)The pianist ‘William G Spencer’; Stanley Spencer’s eldest brother and Pamela’s uncle. He was Professor of Music at Berne Musci Institute.Pencil. Signed and dated, 1952. Provenance: Artist’s Estate.13.5×9.5 inches.Sold
Springs, John (born 1962)‘Shaw and Holroyd’.Black and coloured inks. Signed. Inscribed verso: ‘Times / Saturday Review’.13.5×11.5 inches.Sold
Topolski R.A., Feliks (1907 – 1989)WWII; ‘East End / Salvation Army’.Pen, brush and ink. Signed and dated, September 1940. Exhibited: ‘Contemporary British Illustrators’, Art Exhibitions Bureau, Albermarle Street. Provenance: Artist’s Estate.12×15.5 inches.Sold
Taylor L.G., Walter (1860 – 1943)Brighton Houses.Pencil and watercolour. c.1910-1920. Signed. Exhibited: Michael Parkin.17.25×13.25 inches.Framed: 24×19.75 inches.Sold
Trevelyan R.A., Julian (1910 – 1988)London; ‘Kew Gardens’.Etching and aquatint from the ‘London Parks’ Suite. Signed, titled and numbered ’54/75′.13.75×18.75 inches.Sold
ANON (Nineteenth-Century)Studies of a Dog.Pencil and watercolour. Inscribed in German.9.5×13 inches.Framed: 16.25×19.75 inches.
£375
Allinson N.E.A.C., Adrian (1890 – 1959)France; ‘Villeneuve / Near Avignon’.Pencil and crayons. Signed and dated, February 1925.12×17.75 inches.Framed: 25×20.25 inches.Sold
Bainbridge, Dame Beryl (1932 – 2010)‘One Hell of an Afternoon in Charleston’.Oil on board. 1993. Signed and titled. Exhibited: Francis Kyle.7×6 inches.Framed: 12.5×11.25 inches.Sold
Barker, Kit (1916 – 1988)Abstract composition.Collage and gouache. Signed and dated, 1954.18.75×14 inches.Framed: 28×22 inches.Sold
Battersby, Martin (1914 – 1982)‘Monsieur’.Oil on card. Exhibited: Arthur Jeffress (his label). Framed by K J Bredon, Brighton.19×22 inches.Framed: 21.75×19.75 inches.Sold
Bray, Phyllis (1911 – 1991)CUNARD SHIPPING LINE (GROUP): Three designs for formica table tops, commissioned by Cunard. Pegasus / Apollo and Clytie / A Unicorn.Pastels. c.1955. Studio sale stamped.13×12.5 inches.Sold
Crotch, Dr William (1775 – 1847)Yorkshire; Ripon Cathedral from the River Skell.Pen, ink and watercolour. Ex. Collection: Cyril Fry.3.5×5.5 inches.Sold
De Wint O.W.S., Peter (1784 – 1849)A (Lincoln?) Gateway.Pencil and watercolour. Provenance: the artist’s wife; to her daughter Mrs Tatlock; to her daughter, Miss Tatlock; to her (lifelong companion, Miss Bostock; from whom acquired by Geoffrey Harmsworth; presented to J. H. Holman Sutcliffe in 1939. Exhibited: Lowell Libson.7.5×9.25 inches.Framed: 15.5×14.5 inches.Sold
Fraser, Claud Lovat (1890 – 1921)‘Doux Propos de Guerre’ / ‘Sweet Words of War’.‘Mon Vieux fucanor, si j’avais su que tu ne pouvais pas lire, je ne t’aurais pas choisi comme aide-de-campe’ (My old fucanor, if I had known that you could not read, I would not have chosen you as aide-de-camp). Pen, ink and watercolour. Signed, inscribed and dated, 1917.14.5×8.75 inches.Sold
Gross C.B.E. R.A., Anthony (1905 – 1984)‘Pierrette, or Ennui’ (H7303).Etching. Second state. 1970. Signed, inscribed and editioned, 6/70. Intended to illustrate ‘The Very Rich Hours of Le Boulve’ 10×13.5 inches.Sold
Hambling C.B.E., Maggi (born 1945)‘Summer Sea, Diving Cormorant’.Oil on canvas. Signed and dated, 2008.12×16 inches.Framed: 14.5×18.5 inches.Sold
Haydon, Benjamin Robert (1786 – 1846)ROMANTIC; Portrait of Nathaniel Howard (c.1780-1832)Plymouth friend of Haydon’s who was a Poet (‘Bickleigh Vale with other poems’, 1804), Translator (Dante’s Inferno, 1807), Teacher and writer of language text books (‘A Vocabulary English and Greek’, 1808; ‘Introductory Latin Exercises’, 1814). Oil on canvas. Signed and dated 1807 verso. Provenance: John Arscott Lethbridge (1787-1854), Secretary of Greenwich Hospital, by whom acquired directly from the artist; his son William Popham Lethbridge (1822-c.1890), Clerk at Greenwich Hospital; […] George Lambert MP (1866-1958) and thence by descent.20×17 inches.Framed: 24.5×21.5 inches.Sold
Hearne, Thomas (1744 – 1817)A party being welcomed ashore at a newly built Colony town.Possibly related to Hearne’s work for Sir Ralph Payne on the Leeward Islands. Pencil, pen, ink and monochrome wash. Ex. Collection: Cyril Fry.3×5.5 inches.Sold
Hills O.W.S., Robert (1769 – 1844)A sheet of figure studies.Pencil and watercolour. c.1820. Exhibited: Albany Gallery.11×8.5 inches.Sold
Hiremy-Hirschl, Adolf (1860 – 1933)An interior view.Watercolour and gouache. Acquired by the previous owner from an exhibition of Hiremy-Hirschl’s work in 1984.9.75×6.75 inches.Sold
INDIAN SCHOOLThe Mughal, Emperor Muhammad Shah (1702-1748)Pen and ink, gouache and gold paint on paper laid on text. Circa 1800.6×5 inches.Sold
Lack R.E., Henry Martyn (1909 – 1979)East Sussex; Hastings, A Band Playing on the Beach / A Band Playing on the Promenade.Etching. Proof.10.5×8 inches.Framed: 13.5×10.5 inches.Sold
Legros, Alphonse (1837 – 1911)Medal with the head of G F Watts (1817-1904).Metal alloy. c.1895-1900. Signed with initials.3.5×3.5 inches.Sold
Maitland, Paul (1863 – 1909)London; ‘Kensington Gardens, Cloudy Day’.Oil on panel. Signed. Exhibited: Leicester Galleries, ‘Exhibition of Works by Paul Maitland’, November 1962, No.37 (bought by ‘Mrs R. Pinto’).4.25×7.75 inches.Sold
McBey, James (1883 – 1959)‘April in Kent’ (Sandwich).Etching. 1912. Signed and numbered ‘XX’. Signed and titled in the plate ‘Sandwich / Good Friday 1912’.6×11.25 inches.Sold
Nicholson, Sir William (1872 – 1949)‘Snowscape’.Pencil study drawn on reverse of a photogravure. Inscribed. Accompanied by a note ‘For God’s sake / return this / William Nicholson / 11 Apple Tree Yard / St James’/S.W.’.6.5×8 inches.Sold
Payne, William (1760 – 1830)A town sitting at the mouth of an estuary; surely identifiable!Watercolour. Signed and dated, 1812. Provenance: A group of watercolours and drawings by Payne with Bonhams, 9th March 2004.5.25×8.25 inches.Framed: 12.75×15.25 inches.
£1,100
Piper C.H., John (1903 – 1992)‘Brunswick Terrace’.Etching and aquatint for ‘Brighton Aquatints’, one of 200 impressions.8.25×10.75 inches.Framed: 17×19.25 inches.Sold
Prout O.W.S., Samuel (1783 – 1852)Interior of a Gothic church with worshippers, tomb and effigy,Pen, ink, watercolour and gouache. Signed.14×9.75 inches.Framed: 22.5×17.5 inches.Sold
Reed R.W.A., William Dennis (1917 – 1979)‘A Museum of Arts / For a Community Centre in South Ken / Designed by D. W. Reed, Painting School, 1939’: North, South, East and West elevations.Pencil and watercolour. Inscribed by the artist. Provenance: D. W. Reed Studio Sale.27×19.5 inches.Sold
Rowlett, George (born 1941)Kent; ‘Fairfield Church, late afternoon August from […]’.Oil on board. 2003. Signed and titled, verso. Exhibited: Art Space Gallery.8.25×12.25 inches.Framed: 12.25×16.5 inches.Sold
Sergeant, John (1937 – 2010)Still life in a green glazed jug.Oil on card. Signed and dated, 1978.15.5×12.5 inches.Framed: 11.25×8.5 inches.Sold
Shackleton N.E.A.C., William (1872 – 1933)Carving the War Memorial: the stone-yard at Putney Bridge.Oil and gouache on card. Signed and dated, 1923. Inscribed by the artist verso.10×8.75 inches.Framed: 18×16 inches.Sold
Spencer R.A., Gilbert (1892 – 1979)‘W. R. Hornby, 1st XI soccer, Oundle’.Pencil. Signed, inscribed and dated, 1960.13×10 inches.Framed: 20×16 inches.Sold
Strang R.A. R.E., William (1859 – 1921)Study of Will Hodson.Silverpoint. Circa 1900. Signed. Ex.Collection: Laurence Hodson (1864-1933), and by descent.9.25×9.25 inches.Framed: 9.25×9.25 inches.Sold
Whishaw R.A., Anthony (born 1930)‘Woman with pink shoes’.Etching with watercolour. Signed, dated 93/94 and inscribed ‘Unique Variant’.7×12 inches.Framed: 13×17 inches.Sold
Wilson, Scottie (1888 – 1972)Blue Foul.Pen, ink and watercolour. Provenance: Bought directly from the artist by Tina Carlile and Pearl King.9.25×6.25 inches.Sold
FORTHCOMING
We have Lists and Exhibitions planned well into Spring and early Summer 2024. Here is what is happening in the next few months.
SUMMER SELECTION
As is now tradition, in place of an August List we will be highlighting a selection of recent stock. 5pm Tuesday 1st August
SURPRISE SUMMER GROUP
5pm Tuesday 15th August
LIST 540 – SEPTEMBER 2023
PART I
5pm Tuesday 5th September
LEON UNDERWOOD (1890-1975)
An Exhibition of 40 Prints 1920-1950
14th September – 7th October
LIST 540 – SEPTEMBER 2023
PART II
5pm Tuesday 19th September
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.
Approval Service: We are happy to send works on approval, but this is subject to discussion.
JOIN THE MAILING LIST
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