LIST 513

APRIL 2021

PART I

Issued 5pm 6th April

1. Anderson C.B.E. R.A. R.E., Stanley (1884 – 1966) ‘Wind-swept Corn’. Engraving. 1938. Edition of 40. Signed and inscribed. 4×3 inches.
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2. ANON (Eighteenth-Century) A Musician at his desk. Chalks. Probably French. c.1795. 12.5×11 inches. Framed: 20.5×18 inches.
£1,750
3. ANON (Eighteenth-Century) John the Baptist in the Desert. Pencil. c.1800. After Anton Raphael Mengs’ c.1753/54 painting in the Prado, but probably copied from an engraving. Framed: 10.5×14 inches.
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4. ANON (Eighteenth-Century) Roman Antiquities. Pen, ink and wash. Inscribed ‘Roma 1772’. Exhibited: John Manning. 13.75×18.5 inches. Framed: 18.5×23 inches.
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5. ANON (Nineteenth-Century) Wiltshire; ‘The Abbey at Fonthill, 1803’. Watercolour. Inscribed and dated, verso. Framed: 9.5×12.25 inches.
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6. ANON (Twentieth-Century) ‘Agriculture’; harvest Altar and Zodiac. Tempera on a distemper ground. Possibly a design for a Mural. The verso of the frame inscribed, and including the name and address of ‘Doris Wenban’, perhaps the artist? … 15.25×25.75 inches. Framed: 20×31 inches.
£1,250
7. Bell, Quentin (1910 – 1996) Draped figure. Terracotta. 14.5×9.5xD7.5 inches.
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8. Bellingham-Smith, Elinor (1906 – 1988) The Blue Cape. Ink and watercolour. Signed. Provenance: John Moynihan. Exhibited: Twentieth Century Gallery. 13×9 inches. Framed: 19×15 inches.
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9. Bissill, George (1896 – 1963) Window still life. Watercolour. Signed. 15×11 inches. Framed: 19.5×15 inches.
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10. Brealey, William Ramsden (1889 – 1949) ‘September 3rd 1939’, an ARP Warden. Oil on canvas. Signed and titled recto and verso. See Brealey’s portrait of an ARP Warden in the IWM (Art.IWM ART LD 1290). 23.5×19.75 inches. Framed: 28.5×24 inches.
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11. Bulman (Late Eighteenth Century), J Derbyshire; Chee Dale on the Wye. Watercolour. 1790. Signed. Inscribed verso ‘A view of the Gee (or Cheif) Torr on the River Wye / in Miller Dale, 4 miles from Buxton in / the Peake of Derbyshire 1790’. There are more drawings of Derbyshire by Bulman in the British Library. 14×20.5 inches. Framed: 21.5×28 inches.
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12. Butcher, Enid (1902 – 1991) A Swiss peasant; possibly a washerwoman. Pencil. Signed and dated, 1930. Probably a study for an engraving. 5.5×4.75 inches.
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13. Ceria, Edmond (1884 – 1955) France; Honfleur. Oil on canvas. Signed. Titled verso. Exhibted: Leicester Galleries. Ex. Collection: Countess of Latham. 12.5×15.75 inches. Framed: 20×23.5 inches.
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14. Cooke R.A., Jean (1927 – 2008) East Sussex; Birling Gap, ‘The Sea / Warm Sea’; Oil on board. Signed. Titled verso. 16×19.75 inches. Framed: 19.5×23.5 inches.
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15. Clarke Hall, Edna (1879 – 1979) Kathy on the moors; a study for Wuthering Heights. Chalk. c.1920. Provenance: Denis Clarke Hall. 9×14 inches. Framed: 18×22 inches.
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16. Cox O.W.S., David (1783 – 1859) Wales; a Snowdonian landscape. Chalks. Exhibited: Agnews 129th Annual Watercolour Exhibition, 2002. 7.5×10 inches. Framed: 16×18 inches.
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17. de Curzon, Paul Alfred (1820 – 1895) Italy; Rome, a Forum Capriccio. Charcoal. Signed with monogram. 11.5×10 inches.
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18. Edridge A.R.A., Henry (1769 – 1821) Hampshire; Winchester, ‘St Cross from the Meadows’. Pencil. Inscribed and dated, September 12th 1800. Exhibited: Leger Galleries, Dec 1983. 8.25×11.5 inches. Framed: 16×19.25 inches.
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19. Eldridge R.W.S., Mildred (1909 – 1991) Hawfinch. Watercolour. Signed inscribed and dated, ‘29.09.78’. Framed: 13.5×10.5 inches.
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20. Fielding P.O.W.S., Anthony Vandyke Copley Cumberland; Lake District, ‘Helvellyn from Brothers Water’. Watercolour. Signed and dated, 1834. Titled verso and inscribed ‘Mr Hudson / Kulm Lodge / Newton Park / Leeds. 7.5×10.5 inches.
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21. Green, Margaret (1925 – 2003) ‘The Parlour Window’. Oil on canvas laid on board. Signed. Signed and titled verso. 16.75×29.5 inches. Framed: 19.5×32.5 inches.
£2,250
22. Hare, Augustus (1834 – 1903) Verona; The Giusti Gardens. Watercolour. The backing inscribed in a modern hand, ‘November 8th 1869’. 7×10 inches.
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23. Hoare R.A. (Attributed to), William (1707 – 1792) Figure Study. Red chalks. 8.5×6.5 inches.
£175
24. Holmes, Kenneth (1902 – 1994) Italy; ‘Naples’. Etching. Signed. 9×11 inches.
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25. Hughes-Stanton R.A. R.W.S., Sir Herbert (1870 – 1937) Hampshire; Downs landscape, probably near Titchfield. Watercolour. Signed and dated, 1917. 12×17 inches.
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26. Hughes-Stanton, Blair (1902 – 1981) ‘The Maze’. Wood-engraving. 1929. Signed, titled, dated and numbered 4/30. 5.75×4.75 inches.
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27. Hunt O.W.S., William Henry (1790 – 1864) The corner of a cottage, or perhaps a basement interior. Watercolour. Signed. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 3.5×4.5 inches.
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28. Jones, Harold (1904 – 1992) Driving Cattle; a book illustration. Pen, ink and watercolour. 1.5×8 inches.
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29. Keene, Charles (1823 – 1891) ‘Vicissitudes of Families’. Pen and ink. Signed. Dedicated ‘J Crawhall from his friend Charles J Keene, March 12 1889’. Provenance: Joseph Crawhall (1821-1896); Cyril Bird (Fougasse) CBE (1887-1965); Major Tom Bird DSC MC (1918-2017). 5.5×4 inches.
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30. Leitch, William Leighton (1804 – 1883) Tantallon Castle, North Berwick. Pencil. Prov: a large group of drawings by Leitch bought at Christies 13.09.89. 1.75×3.5 inches. Framed: 9×10.5 inches.
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31. Linnell, William (1826-1906) or James (1842-1910) Mountain Landscape, possibly Wales. Chalks. Provenance: Mrs Joan Linnell Burton. 12×22 inches.
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32. Luard, Lowes Dalbiac (1874 – 1944) The Haycart. Oil on board. Exh: Michael Parkin. 4.5×6.5 inches. Framed: 10.5×13 inches.
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33. Mendez, Theo (1934 – 1997) Textile design. Oil on paper. Provenance: Acquired from the artist by the previous owner. 13×7.5 inches. Framed: 16.5×11.5 inches.
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34. Miller, John (1931 – 2002) Italy; Venice, ‘Sun through Haze’. Oil on canvas. Signed. Titled verso. Exhibited: Messums. 19.5×29.5 inches. Framed: 27×37 inches.
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35. Morrison R.S.A. R.S.W., James (born 1932) France; L’Obiou from the Ravine des Achards. Oil on board. Signed and dated, 1980. 36×60 inches. Framed: 41×65 inches.
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36. Osbourne, James T A (1907 – 1979) ‘Sunday Morning’. Wood-engraving. Signed, titled, dated 1948 and editioned ‘2/30’. 5×6 inches.
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37. Pickersgill R.A., Frederick Richard (1820 – 1900) A gallant rescue. Watercolour and pencil. c.1870. 4.25×4.25 inches. Framed: 12×10.5 inches.
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38. Pinotti (Late Nineteenth Century), G Sicily; The Greek Theatre at Taormina, with Etna beyond. Watercolour. Signed and inscribed. 9×15 inches.
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39. Prout O.W.S., Samuel (1783 – 1852) Studies of Ships Pencil. c.1820. Provenance: North Devon Athenaeum. 3×7 inches.
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40. Rushbury R.A. R.E., Sir Henry (1889 – 1968) ‘St Victor, Marseilles’ (JR.38). Drypoint. 1921. Signed. 7.25×4.25 inches.
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41. Romney, George (1734 – 1802) Composition Study. Pencil. c.1792. 5.5×7 inches.
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42. Rust, Graham (born 1942) Parrot Tulip. Watercolour and gouache. Signed and dated, 1994. 7.5×6 inches. Framed: 12×10.5 inches.
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43. Sandby R.A. (Pupil of / Circle of), Paul (1731 – 1809) ‘The Late Mr Thomas Sandby’s / Windsor Great Park’. Watercolour. Inscribed verso. c.1800. Thomas Sandby (1721-1798) was appointed Deputy Ranger of Windsor Park in 1765. He lived at the Deputy Ranger’s lodge from about 1770. 4.5×7 inches. Framed: 13×15 inches.
£975
44. Squirrell R.E. R.W.S., Leonard Russell (1893 – 1979) Suffolk; The Orwell at Ipswich, a view from the Ostrich. Etching. Signed. 4.5×8 inches.
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45. Taylor, Charles William (1878 – 1960) ‘Essex’. Wood-engraving. Signed. Titled beneath the mount. 5.25×7.25 inches.
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46. Tennyson Reed, Edward (1860 – 1933) ‘Josy’ (Chamberlain) and ‘Arthur’ (Balfour) at Downing St. Chamberlain and Balfour await the start of the Bannerman / Asquith Ministry. Pencil, for ‘Punch’. 1905. Monogrammed. Inscribed ‘Josy, “Oh I say, Arthur, what a lark we will have with their windows when they get the shop open. I’ve got my pockets full of chesnuts to shy at ’em!” Arthur, “So have I Josy!”‘. 7.5×10 inches.
£375
47. Thomas, Margaret (1916 – 2016) Still Life with Daisies and Irises. Oil on board. Signed. Artist’s label and dated verso, ‘June ’88’. 23×13 inches. Framed: 28×18 inches.
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48. Varley O.W.S., John (1778 – 1842) Capriccio. Watercolour. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 3.5×5.5 inches.
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49. Washington A.R.E., William (1885 – 1956) On the borders of the Pennines. Aquatint. Signed and titled. 9×11.5 inches.
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50. Wells, Denys George (1881 – 1973) France; WWI, the nave of a damaged Church. Watercolour. Signed. Inscribed and dated, ‘France ’14’. Wells served with the Artist’s Rifles in France during WWI. 12.25×9 inches.
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51. Wyllie R.A. R.E., William Lionel (1851 – 1931) Kent; the Medway. Oil on card. Signed and dated 1870. 3.75×7 inches. Framed: 5.75×9 inches.
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LIST 513

PART II

Issued 5pm 20th April

52. ANON (Eighteenth-Century) Italian capriccio with travellers. Brush, monochrome wash and gouache. Probably Italian. c.1750. Exhibited: Manning Galleries (as Antonio Visentini). 10×15.5 inches. Framed: 20.25×25.5 inches.
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53. ANON (Nineteenth-Century) A Midnight encounter. Oil on card. Monogrammed ‘AS’ and dated, 1884. 5.75×8.75 inches. Framed: 7×10 inches.
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54. ANON (Nineteenth-Century) Egypt; Sunrise over the Pyramids at Giza. Chalks. 1879/1880. 5×8.5 inches.
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55. ANON (Nineteenth-Century) La Maladie des Cathedrales – Resultat d’une visite a Salisbury. Chalk. 1880s. Inscribed. 9.5×11 inches.
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56. ANON (Nineteenth-Century) The Token. Watercolour and gouache. Some spotting. c.1870. 7×6 inches.
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57. ANON (Twentieth-Century) A Midday encounter; possibly India. OIl on card. c.1900. 9.5×20.5 inches. Framed: 18×29 inches.
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58. ANON Portrait of a Scotsman. Oil on canvas. c.1840. 24×20 inches.
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59. Badham (Traditionally Attributed to), Edward Leslie (1873 – 1944) Musical Still life Pen and ink. 1890s. 3.75×3.75 inches.
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60. Barker, Kit (1916 – 1988) Wales; ‘From the Walls of Llanstephan’. Oil on canvas. 1965. Signed, titled and dated verso. Exhibited: Waddington Galleries. 20×40 inches. Framed: 21×41 inches.
£2,750
61. Binder (Lady Elwyn-Jones), Pearl (1904 – 1990) The Green Dress. Lithograph. Proof. Circa 1970. 22×15 inches.
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62. Chalon R.A., Alfred Edward (1780 – 1860) Muses; Painting, Music, Literature and Sculpture. Watercolour. c.1840s. 17×11 inches. Framed: 27×20 inches.
£1,100
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63. Cipriani R.A., Giovanni Battista (1727 – 1785) Studies for putti and a seated girl taken from life. Pencil, brush and ink. Inscribed (possibly signed). Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 8.5×14.25 inches.
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64. Copley P.R.B.A., John (1875 – 1950) Preacher Against the Sin of Science. Lithograph. Signed, titled and dated, 1912. Edition of 19. The Boston Public Library impression is subtitled ‘During the months of the Rosary the Church of Santa Maria Sopra Minerva, Rome’. 23×18 inches.
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65. Clarke R.A., Geoffrey (1924 – 2014) Word. Brass. Provenance: Acquired from the artist by the previous owner. Literature: J Ledgrove, ‘Geoffrey Clarke’, Lund Humphries, 2017, p.289, pl. M73. 3.25×3.5xD.5 inches.
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66. Crouch (fl.1817-1850), William Italy; ‘In the Campagna of Rome’, a Capriccio Watercolour. Titled on the backing sheet. 3.25×5.25 inches.
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67. Dunstan R.A., Bernard (1920 – 2017) Life Study. Chalks. 3.25×3.25 inches. Framed: 8.5×8.5 inches.
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68. Emanuel, John (born 1930) Seated Figure. Pen, ink and watercolour. Signed. 21×14 inches.
£475
69. Emsley, Walter (1860 – 1938) The Old Pier Whitby. Watercolour. Signed and dated, 1910. Exhibited: Agnews. 20.5×14 inches.
£1,100
70. Fare, Arthur Charles (1876 – 1958) ‘High Up’; Bristol from All Saints, Corn Street. Watercolour. Signed. Signed, inscribed and dated on the original backing, ”High Up’, Jan 28 1931 / 2 Hour / (Evening Sketch) / A. C. Fare’. 13.5×9.75 inches.
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71. Goodwin R.W.S., Albert (1845 – 1932) Harvest Field. Watercolour and gouache. Monogrammed. 7×9.5 inches.
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72. Hepworth (AKA Patricia Preece), Dorothy (1898 – 1978) Portrait sitting. Pencil. Provenance: Studio Sale, Christie’s April 2nd 1984; The Bloomsbury Workshop. 17×11.5 inches. Framed: 28×22 inches.
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73. Hereford, Edward Wake (1884 – 1915) Scotland (just); the beach at Burnmouth. Watercolour. Inscribed and dated, Aug 31 1891. Prov: a collection of watercolours by the artists with A and H in 2010, 9.5×19.5 inches.
£275
74. Holland, Dudley (1915 – 1956) Rotting Tree. Pen, ink, watercolour and gouache. Signed and dated, March 1945. Verso: Écorché figure. Pencil and watercolour. Dated, Feb 10 ’33. 13.5×15.5 inches. Framed: 22×23.5 inches.
£675
75. Horsfall, Claude (1907 – 2003) Winter, Yorkshire Landscape Oil on canvas. Signed and dated, 1930. 19.5×26.5 inches. Framed: 26×32.5 inches.
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76. Keene, Charles (1823 – 1891) A study from life. Pen and ink. Provenance; Sir Colin Anderson; Ian Bain. Exhibited: Leicester Galleries; Agnews. 2×3 inches. Framed: 9×9.75 inches.
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77. Lee-Hankey R.W.S. R.E., William (1869 – 1952) River Landscape Watercolour. Signed. 6.5×9 inches.
£375
78. Lewis, Ffiona (born 1964) Still life pears. Oil on board. Signed. 5×7.25 inches. Framed: 14×15.5 inches.
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79. Marchand, Jean Hippolyte (1883 – 1940) ‘Woman with a Pitcher’. Chalks. Signed. 1912. Exhibited: Crane Kalman. 20.5×14 inches. Framed: 29×21.75 inches.
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80. McCannell F.R.S.A. R.B.A., Otway (1883 – 1969) ‘Young Man’. Oil on board. Signed. Exhibited: Woodstock Gallery, 1969. 14.5×10 inches. Framed: 19×14.5 inches.
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81. Monro, Dr Thomas (1759 – 1833) Landscape and church. Charcoal. Exhibited: John Manning. 5.5×7.75 inches.
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82. Nicholson, Kate (1929 – 2019) ‘Green Man’. Oil on board. Signed, titled and dated, 1964 verso. 15.5×9 inches. Framed: 23×16 inches.
£975
83. Osbourne, James T A (1907 – 1979) ‘Red-Breasted and Barnacle Geese’. Linocut printed in colours. Signed, titled and inscribed ‘This is a working state print’. Inscribed beneath the mount ‘This Print is sold out. Therefore this is only a working print. Selected by The Print Collector’;s Club’. Verso: another impression of the same print, inscribed ‘1st Block – being end grain Pear wood’. 21×12 inches.
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84. Pemberton, Christopher (1923 – 2010) ‘At Poppies, Bardwell’. Pencil and watercolour. Signed inscribed and dated, 1993. 15.75×20.5 inches. Framed: 25×30 inches.
£775
85. Piper C.H., John (1903 – 1992) The Arch, Freshwater Cliffs, Isle of Wight. Brush and ink. Inscribed and dated, 1951. Provenace: Bohun Gallery, Henley-on-Thames. 6×9 inches. Framed: 11×13.5 inches.
£2,500
86. Pitchforth R.A. R.W.S., Roland Vivian (1895 – 1982) A River Harbour. Watercolour. Signed. Framed: 19×25 inches.
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87. Procktor R.A., Patrick (1936 – 2003) ‘My Gardenia’; Gervase Griffiths. Lithograph. 1969. Signed, titled and ediitoned 65/100. 13.75×26.25 inches. Framed: 21×29 inches.
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88. Purton, Rev. William (1833 – 1891) ‘Idylls of the King’; a Frontispiece for Tennyson. Pencil, pen, ink and sepia wash. Monogrammed and dated 1864. Exhibited: Chris Beetles, ‘The Illustrators, The British Art of Illustration 1837-2015’, November 2015 – January 2016, No.2. 8×10 inches.
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89. Richmond R.A., George (1809 – 1896) Edward Meyrick Goulborn (1818-1897); Headmaster of Rugby School and later Dean of Norwich. Chalks. Signed and dated, 1861. Provenance: With A and H 1984. Literature: Raymond Lister, ‘George Richmond’, London, 1981, p.158. 22.75×16.5 inches. Framed: 31×24.5 inches.
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90. Shephard R.S.P.P., Rupert (1909 – 1992) Ciskei Women & Sheep. Linocut. Signed and editioned 38/50. Titled under the mount. 12×8 inches. Framed: 19×15 inches.
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91. Silk, Henry (1883 – 1947) Pottery Still Life. Pencil and watercolour. Circa 1930. Provenance: Artist’s Estate. 3.75×5 inches. Framed: 12.5×13.5 inches.
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92. Skeaping R.A., John Rattenbury (1901 – 1980) ‘Mexico’; Three dancing figures in masks. Pen, ink, pastels and gouache. 1950. Signed, titled and dated. Provenance: Mary Milner Dickens (pupil of Skeaping in the early 1950s). 19.25×13 inches. Framed: 24.5×18.5 inches.
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93. Spencer R.A., Sir Stanley (1891 – 1959) Two figures and a mantle piece still life. Pencil. Provenance: Studio Stamp from Christies Sale 5/11/98. 7.75×5 inches.
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94. Suddaby, Rowland (1912 – 1978) Yorkshire landscape. Pen, ink, chalks and watercolour. Signed. Provenance: Artist’s Estate. 16.5×29.5 inches.
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95. Sutcliffe, Berkeley (1918 – 1979) Hungarian Hussar Pen, ink, watercolour and gouache. Costume design for the 1958 Coliseum production of Franz Lehar’s ‘The Land of Smiles’. 14×9.5 inches.
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96. Tindle R.A., David (born 1932) East Haddon Window Tempera on panel. Signed and inscribed verso. 16.5×21.5 inches. Framed: 21×26.5 inches.
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97. Utterson, Edward Vernon (1775 – 1856) Scotland; Sweetheart Abbey. Pencil, by the antiquarian and collector. Inscribed. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 7.5×10.75 inches.
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98. Varley O.W.S., John (1778 – 1842) A timber framed building. Watercolour. Another similar watercolour by Varley, with us last year, was identified as a cottage at Abingdon Abbey. 4.25×9.25 inches. Framed: 10×14.5 inches.
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99. Washington A.R.E., William (1885 – 1956) Tour St Nicolas, La Rochelle Etching. 1929. Signed and titled. 10.25×12.5 inches.
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100. Whishaw R.A., Anthony (born 1930) Sleeping figure. Oil on board. Signed. 48×60 inches.
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101. Worsdell, Guy (1908 – 1978) Lake District; ‘Derwent Water’. Etching and aquatint. Signed, titled and editioned 3/20. 6×8.5 inches.
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102. Young (Nineteenth Century), C B Pines over a wide country road. Watercolour. SIgned and dated, 1836.
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