Bough R.S.A., Sam (1822 – 1878)Scotland; Edinburgh Castle from Bonnington Mills.Watercolour and gouache. Signed and dated 1860. See the similar composition in oils in the collection of the R.S.A.9.5×13.5 inches.Framed: 15×18.5 inches.Sold
Fraser, Eric (1902 – 1984)‘Blood Wedding’.Pen and ink. Signed. An illustration for Federico García Lorca’s tragedy ‘Blood Wedding’, made for the Radio Times, 1/7/1949.5×4 inches.Framed: 12.5×10.5 inches.
£575
Frost, William Edward (1810 – 1877)A young artist sketching.Pencil and watercolour. Exhibited: Colnaghi.4.5×4 inches.Framed: 11×9.5 inches.Sold
Gibbings, Robert (1889 – 1958)‘A Lizard and a Sphinx’.Wood-engraving. 1932. From ‘Fourteen Wood Engravings, from drawings made on Orient Line Cruises’.10×7.5 inches.Sold
Graham, Rigby (1931 – 2015)‘Homage to Cavafy’.Linocut. 1987. Artist’s proof. Signed, dated, titled and editioned ‘AP’.16×18 inches.Sold
Guillou, Alfred (1844 – 1926)France; Sunset over the harbour at Concarneau.Oil on canvas. c.1880. Signed. Priced to include a frame.10.75×13.75 inches.Sold
Hamnett, Nina (1890 – 1956)Head of a boy.Red chalk. Signed and dated, ‘Nov 3rd 1947’.10×6.5 inches.Framed: 18×14 inches.Sold
Hardie R.E., Martin (1875 – 1952)France; ‘Boat-builders, Concarneau’ (H79).Etching. 1920. Signed. Edition of 60.8.5×11.5 inches.Sold
Johnson, Harry John (1826 – 1884)Turkey / Lycia; ‘Valley of Patara, Asia Minor’.Oil on canvas. Signed verso. Titled to the stretcher. Johnson travelled to Asia Minor in 1843 with William James Muller (1826-1884). He exhibited views from the trip throughout the 1840s so this work my well date from then. He was using the address given on the verso of the canvas in 1857.11.5×22.75 inches.Framed: 20×31 inches.Sold
Kirkman (Contemporary), MichaelThe Artist at Work; a self portrait.Pencil. Signed and dated, 2015.21×28 inches.Framed: 28.5×35.5 inches.Sold
Marie-Alix (Twentieth Century), AliceStill life with violin.Oil on canvas. c.1910. Signed. Provenance: a gift from the artist to a friend with whom she had been at the Slade in the 1890s; by descent to the previous owner17.5×21.5 inches.Framed: 22.5×26.5 inches.Sold
Mellor, Oscar (1921 – 2005)Life study.Oil on card. c.1950. Signed verso.14.5×8.5 inches.Framed: 19×13 inches.Sold
Page R.W.A., Dione (1936 – 2021)‘The Willow Pattern Plate’.Watercolour and gouache. Signed, titled and dated, 1995.19.5×26 inches.Framed: 28×34.5 inches.Sold
Procter A.R.A., Ernest (1886 – 1935)WWI; 'Ypres / Cloth Hall, Town Gate / Ruins of Cathedral'.Watercolour and gouache. Painted in October 1918. Signed and inscribed.9.5"x12.5" inches.Sold
Pyne, George (1800 – 1884)Hampshire; Cricket at Winchester College.Watercolour. Signed and dated, 1852.8×11.75 inches.Framed: 16×19.5 inches.Sold
Schmidt-Rottluff, Karl (1884 – 1976)‘Kundung’ (Proclamation).Woodcut. 1921. Signed in the plate. Exhibited: Goldmark.11×9 inches.Framed: 20×17 inches.Sold
Squirrell R.E. R.W.S., Leonard Russell (1893 – 1979)Scotland; ‘Edinburgh from Calton Hill’.Pencil. c.1937. Signed. A study for the artist’s etching of the same subject which formed part of his set of six Scottish prints. Provenance: with the Deben Gallery, Woodbridge, October 1983 according to an inscription verso.7×11 inches.Sold
Town, Norman (1915 – 1987)‘Orchard’.Pen, ink, watercolour and gouache. Signed and dated, 1948. Exhibited: Peter Nahum, 1988.8×10 inches.Framed: 14×16 inches.Sold
Tuke R.A. R.W.S., Henry Scott (1858 – 1929)Sailing; figure studies.Pencil. Provenance: one of Tuke’s sketchbooks dated 1898, Christie’s 3/11/1999; to A and H.4.5×6.5 inches.Framed: 11×13 inches.Sold
Williams (Nineteenth Century), ThomasBARBADOS; Lieutenant Thompson, 81st Regiment of Foot (Loyal Lincoln Volunteers).Oil on canvas. Signed and dated, ‘Barbados Oct / 1840’ verso. Further inscribed to the stretcher with the sitter’s name. The canvas bearing the supplier’s stamp of ‘P Caff[…] / New York’, so the artist perhaps American.10.5×8.5 inches.Framed: 12.5×10.5 inches.Sold
FREDERICK AUSTIN (1902-1990)
Frederick George Austin, younger brother of the great printmaker Robert Sargent Austin (1895-1973), was born in Leicester in 1902. He attended the Leicester College of Art then the Royal College of Art (1924-27). At the RCA he studied under Randolph Schwabe, William Rothenstein and, most significantly, the printmaker and future president of the R.E., Malcolm Osborne. The ‘Print Revival’ was then reaching its peak in Britain, so Austin saw the RCA printmaking department in its heyday, having grown from a mere 5 or 6 students in the 1890s to between 60 and 70 students.
As his brother had done before him, Austin won the Prix de Rome in 1927 for his etching The Flight into Egypt (see an example in our stock archive). He was elected an associate member of the R.E. in 1930, and a fellow in 1952. Although he was a regular exhibitor, his professional life was taken up largely by teaching at London art schools, including Blackheath, Putney, Kingston, Croydon and Epsom.
The etchings in this group all date from early in his career. Many – The Feast in the House of Simon (1926), The Congregation (1927), A Peasant Family (1928) The Baptism (c.1930) – are religious subjects treated with great sensitivity. They depict, in one way or another, acts of faith and belie his own Catholicism. Despite the quality of his work, there is no study of Austin as an artist or a catalogue of his prints. It is high-time he was given the scholarly attention he deserves…
ANON (Eighteenth-Century)Portrait of a musician. Probably Gian Francesco de Majo (1732-1770)Pencil and chalks. c.1760.6.5×5 inches.Framed: 10.5×9 inches.Sold
ANON (Eighteenth-Century)Traveller on a newly cut road.Pencil and watercolour. c.1775.9.5×13 inches.Framed: 16×20 inches.Sold
ANON (Nineteenth-Century)Head of a Woman.Possibly by an Italian Hand. Circa 1860. Oil on card. Collection label 'C. Cuneo, Torino' verso.5"x5" inches.Framed: 11.5"x9.5" inches.Sold
ANON (Twentieth-Century)WWI; ruined French or Belgian town.Oil on board possibly by a Continental hand. c.1916/17?11.5×16.5 inches.Framed: 16×21.5 inches.Sold
Boitard, Louis Phillipe (1712 – 1758)Woman in a pink dress and pearl choker.Pen, ink and watercolour. c.1745. Exhibited: Bill Drummond / Covent Garden Gallery.4.75×7.5 inches.Framed: 12.5×15.25 inches.Sold
Crane, Walter (1845 – 1915)‘Peacocks’; a section of wall paper.Hand printed in colours. c.1890.22.5×50.5 inches.Framed: 23.5×53 inches.Sold
Daintry, Adrian (1902 – 1988)‘The Little Hat’Pencil, pen, brush and ink. Signed. Exhibited: Sally Hunter, ‘Adrian Daintry’, February 1988, No.25.9.5×7 inches.Framed: 17.5×15 inches.Sold
Derain, André (1880 – 1954)Set Design, probably for the Ballets Russes.Pencil. c.1920/30. Studio stamped.8.5×10.5 inches.Framed: 15×17 inches.Sold
Ehrlich, George (1897 – 1966)Mutter und kind.Pen and ink. Signed and dated, 1932.19×13 inches.Framed: 26.5×20 inches.Sold
Finney, Hubert Arthur (1905 – 1991)‘The Three Graces’.Pen, brush and ink. Signed and dated, 1940. Studio stamped to the old backing.15×19.5 inches.Sold
Greenham R.O.I., Peter (1906 – 1976)Wales; Pembrokeshire, ‘Llangranog 3’.Oil on board. Signed with initials. Exhibited: Grafton Galleries, 1979.6.5×11.5 inches.Framed: 11×16 inches.
£1,750
Griffith, Frank (1889 – 1979)Winter Gardens.Oil on canvas. Signed an dated, 1931. Studio stamped verso.20×16 inches.Sold
Hamilton R.A., William (1751 – 1801)‘A Scene in Macbeth’ / ‘Macbeth & Witches’.Chalks. Signed. Signed and titled verso of the original backing. Provenance: Matthew Bloxham (1805-1888); Rugby School; deaccessioned and acquired by the previous owner.9.5×13 inches.Sold
Hare, Augustus (1834 – 1903)Hampshire; A view on the Hamble river.Pencil and watercolour. c.1870. Exhibited: Andrew Wyld.5×13.5 inches.Sold
Henderson, Elsie (1880 – 1967)Forest in the Spring.Pencil and watercolour. Exhibited: Sally Hunter, from the Artist’s Estate.9×11 inches.Framed: 13.5×15.5 inches.Sold
Hennell, Thomas (1903 – 1945)Kent; builders at work near Ridley.Pencil, pen, ink and watercolour. c.1935. Signed.10×14.5 inches.Framed: 18.5×22.5 inches.Sold
Holloway, Edgar (1914 – 2008)WWII; London, bomb damage in Warwick Lane.Pencil, chalk and watercolour. 1943. Inscribed.11×15 inches.Framed: 21×24.5 inches.Sold
Isaac, Bert (1923 – 2006)‘Landscape with Dead Bird’.Pen, ink, watercolour and crayon. Signed, titled and dated, 1949.5.5×7.5 inches.Framed: 12.5×14.5 inches.Sold
Malthouse, Eric (1914 – 1997)Sorting Fish.Lithograph. Signed and editioned ’12/20′.16×20 inches.Framed: 20.5×24.5 inches.Sold
Mulholland, Craig (born 1969)‘Study for Park’.Watercolour and gouache. c.1995. Exhibited: Duncan Miller.22×19.5 inches.Framed: 29×26 inches.Sold
Nash R.A., John (1893 – 1977)Suffolk Stream.Pencil, and watercolour. A simliar study verso. Provenance: The Artist’s Estate, according to a label verso; Private Collection.8.5×11.5 inches.Framed: 16×18.5 inches.Sold
Richards, Ceri (1903 – 1971)Bert Mathews, Pearly King of Hampstead.Pen and ink. Signed and dated, 1939. See the portrait of the same subject in Mel Gooding, ‘Ceri Richards’, p.50. Exhibited: Goldmark.15.5×12.5 inches.Framed: 28.5×25 inches.
Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)‘Hilda Glyder’, the singer (B221).Etching. 1928/29. Signed in the plate. Numbered ‘9/55’ (see Bromberg’s note on the numbering). Exhibited: Folio Society.2.5×5.5 inches.Sold
Spencer, Roy (1918 – 2006)London; ‘Life room / Chelsea’.Pen, ink and watercolour. Signed and titled. Exhibited: Sally Hunter.12×13.5 inches.Framed: 19.5×21.5 inches.Sold
Tavener R.E., Robert (1920 – 2004)London; ‘St Michael’s Paternoster Royal’.Screenprint. For the ‘City Series’. Signed, titled and editioned ’11/50′. Exhibited: Anthony Dawson.21×14 inches.Sold
Thornton, Valerie (1931 – 1991)Berkshire; ‘Eton College Chapel’.Etching and aquatint. Signed, titled and editioned ’58/100′.15×20.5 inches.Sold
Tindle R.A., David (born 1932)‘Open Doors’.Etching and aquatint. Signed, titled and editioned ‘5/75’.12.5×21 inches.Framed: 24×32 inches.Sold
Turnbull, Peter (born 1950)Bedroom Interior.Tempera on board. Sold with a pencil drawing study the composition. Ex. Collection: Anthony Green RA (1939 – 2023)10×3.5 inches.Framed: 9×16 inches.Sold
Varley O.W.S., John (1778 – 1842)Study of sails.Brush and monochrome wash. Exhibited: Colnaghi, where provenance given as Mrs J F S Linnell.2×4 inches.Sold
Vaughan, Keith (1912 – 1977)Head of a man.Pencil. Dated ’16 Sep 75′. Studio stamped.11×8 inches.Framed: 23×20 inches.Sold
Vulliamy, Edward (1876 – 1962)Cambridge; Punts on the Cam.Pencil and watercolour. Signed and dated, 1925 verso.13×19 inches.Framed: 22×28 inches.Sold
Webb, Joseph (1908 – 1962)‘Shepherd’s Haven’.Etching. 1929. Signed, dated, titled and editioned ‘1st State Trial Proof’.5.5×10 inches.Framed: 11.75×16.25 inches.Sold
Yarrow-Jones, Ernest (1872 – 1951)France; Provencal Landscape.Watercolour. Circa 1910. Signed. Provenance: Yarrow Jones Studio Sale, Bonhams, 3.3.1993.8.75×11.25 inches.Sold
FORTHCOMING
AUGUST
SUMMER SELECTION
As is tradition, we will be publishing a Summer Selection of stock. 5pm 6th August
SURPRISE SUMMER GROUP
Make sure there’s wifi on the beach! 5pm 20th August
It has been five long years since our last exhibition with Tor Falcon. But, boy has it been worth the wait! The drawings in this exibition are a study of our moon – how to get to grips with finding it, looking at it, drawing it, understanding it … and so much more … Tor has published a beautifully written journal documenting the project to accompany the exhibition.
TOR FALCON
SUGAR BEET MOON
An Artist’s Study of the Sky
PRIVATE VIEW 18th September (Full Moon) and continuing until 19th October
LIST 551
SEPTEMBER 2024
BRITISH ART FAIR SPECIAL
Thursday 26th September
In our opinion there is no better fair for modern and contemporary British art, so we are thrilled to annouce we are taking part in the 2024 edition.
BRITISH ART FAIR Saatchi Gallery Thursday 26th – Sunday 29th September
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat enquiries about List pictures in strict order of receipt.
Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.
Approval Service: We are happy to send works on approval, but this is subject to discussion.
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