LIST 524

MARCH 2022

PART I

Issued 5pm 1st March

ANON (Nineteenth-Century) A woman reading. Pencil and watercolour. c.1850. 7×5 inches.
●
ANON (Nineteenth-Century) Eventide. Watercolour and gouache. c.1860. 8.5×10.5 inches.
●
Anderson C.B.E. R.A. R.E., Stanley (1884 – 1966) ‘The Sister’ (GF198), the artist’s wife Lilian (née Phelps) (1884-1967). Engraving. 1931. Edition of 85. 7.75×5.75 inches. Framed: 15×12.5 inches.
●
Austin R.A. R.E., Robert Sargent (1895 – 1973) ‘Sea Bouquet’ (CD132). Engraving. 1940. Signed and inscribed ‘1st State’. 6.5×6 inches.
●
Bainbridge, Dame Beryl (1932 – 2010) London; ‘Outside Macey’s House, Camden Town 1976’. Oil on board. Signed, inscribed and dated. Provenance: Christies 1/5/12 Lot 405. 13.25×19.5 inches. Framed: 18×24 inches.
●
Beaton, Sir Cecil (1904 – 1980) Costume designs for Noel Coward’s ‘Quadrille’, starring Lynn Fontanne and Alfred Lunt. Pen and ink. c.1952 (the play opened in Manchester in July that year). Inscribed. Provenance: The Estate of Eileen Hose, Beaton’s secretary. 13×10 inches.
●
Boyd, Kit (born 1970) ‘Night on the Lane’. Etching and aquatint. Signed, titled and editioned ’30/30′. 7.5×10 inches.
●
Boxer (A.K.A. ‘MARC’), Mark (1931 – 1988) Taking down ‘The Column’. Pen, ink and collage. Signed. 8×5 inches. Framed: 14.5×13 inches.
●
Cheyne, Ian (1895 – 1955) Scotland; ‘Glen Shiel’. Wood-cut. Signed and titled and editioned ‘6’. 10×12 inches.
●
Clifford, Edward (1844 – 1907) Italy ‘Como’. Watercolour and gouache. inscribed and dated, ‘1/10/90’. 10×14 inches.
●
Cliffe, Henry (1919 – 1983) Abstract Composition. Pencil. c.1960. Signed. 10×14 inches.
●
Crane (Eighteenth Century), J (or I) Dorset; ‘Weymouth Bay’ (A Pair). Pen, ink and monochrome wash. Signed. 8.75×14 inches.
●
Devis (Manner of / Circle of), Anthony (1729 – 1816) Cornwall; ‘Launceston’ Castle. Pencil and watercolour. c.1800. Inscribed verso. 9.5×14 inches.
●
Dighton, Robert (1752 – 1814) James Christie; ‘The Specious Orator; “Will your Ladyship do me the honor to say £50 – a mere trifle – a brilliant of the first water”‘. Etching with hand colouring. Published ‘March 25th 1794’. 7.5×6 inches.
●
Dowling R.A. Hon. R.B.A., Jane (born 1925) Italy; Rome, the Palatine. Oil on card. 9×13.5 inches. Framed: 14.5×18.5 inches.
●
Ellis A.R.C.A., Lionel (1903 – 1988) Self portrait. Oil on canvas. c.1925. Provenance: The Artist’s Estate. 26×24 inches. Framed: 34.5×29 inches.
●
Farleigh R.E., John (1900 – 1965) Bunyan; The Pilgrim’s Progress, ‘The Web of Flattery’. Wood-engraving. 1947. Signed, titled and editioned 5/50. 15×10.5 inches.
●
Dunstan R.A., Bernard (1920 – 2017) Portrait in a sun hat; presumably Diana Armfield R.A. the artist’s wife. Chalks. With a letter from the artist verso. 4×3.5 inches. Framed: 8.5×7.5 inches.
●
Gere R.A. R.W.S., Charles March (1869 – 1957) ‘Storm Approaching.’ Oil on canvas laid on board. Signed and dated, 1941. Inscribed and titled verso. 5.5×8.5 inches. Framed: 9×12 inches.
●
Hearne, Thomas (1744 – 1817) A timber framed cottage. Pencil and watercolour. 6.5×9.5 inches. Framed: 12×14.5 inches.
●
Hodgkin, Eliot (1905 – 1987) Still life. Pencil. Studio Stamp. 3×6 inches.
●
John, Gwen (1876 – 1939) Worshippers, probably in the Church at Meudon. Watercolour. Late 1910s / early 1920s. Exhibited: Davis and Langdale, ‘American and British Works on Paper’, 1988, Cat. No.17. 8.75×6.75 inches. Framed: 16.5×14.5 inches.
●
Hoyland, Francis (born 1930) ‘The Resurrection of Adonis’. Pencil. Circa 1955. Signed and titled. 10.5×13 inches.
●
Heming Mason A.R.A., George (1818 – 1872) Head in profile. Oil on paper. Signed, inscribed and dated ‘Rome / June 1st / 1848 G. M.’, Inscribed ‘By G H Mason, A.R.A.’ verso. Provenance: Julian Hartnoll, 1998. 7.5×5 inches. Framed: 14×11.5 inches.
●
Leighton, Clare (1898 – 1989) Coleridge; ‘Both man and bird and beast’. Wood-engraving. Signed, titled and editioned ‘5/50’. 6.5×4.5 inches.
●
Lockwood (Nineteenth Century) London; ‘Charing Cross’. Pencil and watercolour after a print (close to James Miller’s view, engraved 1795). Signed ‘Lockwood Delt’ and dated, 1805. 15×21.5 inches. Framed: 19.5×26.5 inches.
●
Linnell, James Thomas (1820 – 1905) Wales; ‘In the old road from Beddgelert to Ffestiniog’. Chalks. Inscribed. 8×5.5 inches.
●
Methuen R.A., Lord Paul (1886 – 1974) Wiltshire; ‘Limpley Stoke’. Pen, ink and watercolour. Inscribed. 11.5×16.5 inches.
●
Nash R.A., John (1893 – 1977) ‘Deadly Nightshade’. Proof wood-engraving for ‘Poisonous Plants’ by William Dallimore, 1927. Signed. Exhibited: Anthony d’Offay. 7×5.5 inches.
●
Nicolle, Victor Jean (1754 – 1826) A group of figures. Pen, ink and sepia wash. Provenance: Sir John Witt (1907-1982) (his stamp verso). 2.5×3 inches.
●
Nixon, Job (1891 – 1938) London; Bank Holiday, Hampstead Heath. Etching. 1929. Signed. 10×14.5 inches.
●
Nixon, John (1755 – 1818) London; ‘A Blind Girl in St Paul’s Churchy Yd’. Pen, ink and watercolour. Signed with initials and dated, 1783. Exhibited: Spink. 4.5×4 inches. Framed: 9.5×8.5 inches.
●
Pocock OWS, Nicholas (1740 – 1821) Sicily; ‘Stromboli from the sea’. Pencil and monochrome wash. Signed and inscribed. Ex. Collection: Cyril Fry. 3.5×4 inches.
●
Procktor R.A., Patrick (1936 – 2003) Italy; Venice, ‘Ponte Lungo’. Aquatint. Edition of 35 plus 5 proofs. Signed and inscribed ‘Printer’s Proof’. The edition published by Editions Alecto and the Redfern Gallery, 1978. 16×23 inches. Framed: 27.5×32.5 inches.
●
Pollitzer, Arthur Sigmund (1913 – 1983) Head of a man, possibly John Mavrogordato (1913-1982) Pencil. Signed and dated, 1945. Provenance: Estate of John Mavrogordato. 11.75×9 inches. Framed: 19×16 inches.
●
Pyne, George (1800 – 1884) Oxford; Christchurch, the Peckwater Quad. Pencil and watercolour. 5.5×8.5 inches.
●
Rawlinson S.W.E., William Thomas (1912 – 1993) ‘Fuschia’. Wood-engraving. Signed, titled and dated, 1968. 4.5×4 inches.
●
Rowlandson, Thomas (1756 – 1827) ‘Gretna Green’; ‘Love spread your Wings I’ll not out-strip ’em. Though Death’s behind. He will not clip ’em.’ Pencil and watercolour. c.1815. A a study for / version of Plate XV in Rowlandson’s ‘The English Dance of Death’, the texts provided by William Combe (1742-1823). Rowlandson made another, related composition ‘Filial Affection, or a Trip to Gretna Green’, publ. 1785. This drawing comes with an original label inscribed with title and verse by the artist. 5×8 inches.
●
Sandby R.A., Paul (1731 – 1809) Capriccio landscape. Watercolour. Indistinctly signed / inscribed and dated, 1779. Exhibited: Spink. 11.5×17 inches.
●
Schwabe R.W.S. N.E.A.C., Randolph (1885 – 1948) Suffolk; Aldeburgh, Crabbe Street and the Moor Hall. Pen and ink. Inscribed and dated, 1932. Schwabe spent the Christmas of 1932 in Aldeburgh with Charles and Ivy Tennyson. Provenance: Artist’s Estate. Exhibited: Chris Beetles, ‘Randolph Schwabe’, 2017. 10.75×14.5 inches. Framed: 12.25×16 inches.
●
Serres, John Thomas (1759 – 1825) Kent; ‘Rochester Castle’. Pen, ink and watercolour. Titled and dated, 1783. 7.5×12.5 inches.
●
Shannon, Sir James Jebusa (1862 – 1923) A family figure group. Pencil. Circa 1895. Provenance: Artist’s Estate and by descent. 10×13.75 inches.
●
Sheringham, George (1884 – 1937) ‘The Panel of the Mabinogi’. Watercolour and gouache on silk. Signed. Provenance: Judge William Evans (1846/47-1918); ‘Lord Howard de Walden’, Thomas Scott-Ellis, 8th Baron Howard de Walden (1880-1946). Exhibited: The Goupil Gallery, ‘The Judge Evans Collection’, May-June 1918, no.187. 36.5×42.5 inches. Framed: 46.5×52.5 inches.
●
Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942) London; ‘Maple Street’ (RB212). Etching. c.1923. Signed in pencil. The second state, with title, published by the Carfax Gallery in an edition of c.100. Exhibited: William Weston, 1983. 7×5 inches.
●
Thomas, Margaret (1916 – 2016) ‘Snowdrops’. Oil on board. Signed. Exhibited: ‘Mall Galleries’, 2006. 10×7.5 inches. Framed: 12.5×10.5 inches.
●
Silk, Henry (1883 – 1947) A farm worker's hut. Watercolour. Circa 1930. Provenance: Artist's family by descent. 4.5"x10" inches. Framed: 13.5"x18.5" inches.
●
Tunnicliffe R.A. R.E., Charles Frederick (1901 – 1978) ‘Oxeye in the Rosebush’ (MH400). Wood-engraving. 1937. Signed proof for ‘The Sky’s their Highway’ by Kenneth Williamson. An edition of 50 was declared for this and the other seven illustrations Tunnicliffe made for Williamson’s book, but few were in fact printed. Literature: ‘Charles Tunnicliffe Prints: A Catalogue Raisonne’, Royal Academy of Arts, London, p. 313. 5.5×4.5 inches. Framed: 14.5×12.5 inches.
●
Varley F.R.S.A., Cornelius (1781 – 1873) Wales; Snowdon from Traeth Bach. A Graphic Telescope drawing in pencil, pen and ink. Uneven discolouration to the sheet. Signed, inscribed and dated, 1802. 8×14 inches. Framed: 16.5×23.5 inches.
●
Vaughan, Keith (1912 – 1977) Sheltering Figure. Oil on paper. c.1939/40. Provenance: Sebastian Walker; his Sale, Sotheby’s 10/11/91, lot 27. Special thanks to Gerard Hastings for confirming this attribution and providing an extended catalogue entry. 6×7.5 inches. Framed: 11×12.5 inches.
●
Wyld N.W.S., William (1806 – 1889) Algerian Elders. Pen, ink and watercolour. Signed. Ex. Collection: Cyril Fry. 4.5×3.5 inches.
●

LIST 524

PART II

Issued 5pm Tuesday 15th March

Beer, Richard (1928 – 2017) Italy; Rome, ‘San Carlo’ [alle Quattro Fontane]. Etching. Artist’s proof. Signed and titled. 27×19 inches.
●
ANON (Eighteenth-Century) The Apothecary. Oil on canvas. c.1730-50. 25×20.5 inches.
●
Beaumont, Sir George (1753 – 1827) Italy; The Convent of Sant Angelo, Tivoli. Pencil and monochrome wash. Inscribed under the mount ‘Tivoli – Convent of St. Angelo / May 9th’ and inscribed verso ‘Near Tivoli Friday May 9th 1783 / Convent of St Angelo at a distance’. Provenance: Sir Francis Beaumont, Bt. Exhibited: Fry Gallery, 1972; Lupton’s Gallery, Eton College, 2009, No.18. 14.25×10.25 inches. Framed: 19×14 inches.
●
Ashworth, John Simeon (1915 – 1979) Winter Landscape. Oil on board. Signed and dated, 1966. 21×34.5 inches. Framed: 28×40 inches.
●
Alexander, William (1767 – 1816) China; A Mandarin. Pencil and watercolour. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249. 4×2.75 inches.
●
ANON (Nineteenth-Century) London; ‘The Garden at Highgate Grove’ 1835. Four watercolours recording garden celebrations with tents, fireworks and stage sets. The original backings inscribed and dated, 1835. 4.5×6 inches.
●
Berlincourt, Rene (1901 – 1955) GROUP: Italy; ‘Napoli, 12 Gravures Sur Bois et Texte’, 1926. Thirteen wood-engravings. 1926. Each signed and titled. Along with accompanying text to each of the images and the original presentation portfolio. The frontispiece note reads … ‘Cette collection terminee Noel 1926 pour la librairie Detken et Rochell [B. Johanowsky, Naples] a parue en nombre restraint dont 10-X3 exemplaires completement faits a la main par l’artiste’. 9×10 inches.
●
Bellingham-Smith, Elinor (1906 – 1988) ‘Ploughed Field’. Oil on canvas. Signed. Exhibited: New Grafton Gallery. 19×29 inches. Framed: 24×34 inches.
●
Chinnery, George (1774 – 1852) A portrait composition study (or possibly a record). Pencil. Provenance: Bill Thomson; Christopher Powney. 5×4.5 inches. Framed: 12.5×12 inches.
£575
Cooper O.B.E. R.A., Eileen (born 1953) Two figures. Lithograph. Signed, editioned ’10/20′ and dated, 1997. 11.5×6.75 inches. Framed: 13×8.5 inches.
●
Clausen, Katherine (1886 – 1936) Crete; ‘Mount Ida from Malaxo’. Watercolour and gouache. Signed. Inscribed verso. 8.25×11 inches. Framed: 11×17.5 inches.
●
Cooke, George (1781 – 1834) Dr Samuel Johnson (1709-1784). Pencil. Initialled and dated, 1797. A study from an engraving after the portrait by Opie c.1783/84. Presumably made while Cooke was an apprentice engraver. Provenance: A group of drawings by Cooke bought at Sotheby’s Olympia 2/7/03. 5.75×5 inches.
●
Dayes (Attributed to), Edward (1763 – 1804) London; Somerset House from the Thames. Watercolour. c.1790. Ex. Collection: Cyril Fry. 3×5 inches.
●
Daniell, Thomas (1749-1840) or William (1769-1837) Indian Boats. Pencil and monochrome wash. Dated ‘March 29th 88’ and inscribed ‘GA’? 4×2.5 inches.
●
Devis, Anthony (1729 – 1816) An Italian Capriccio. Pen and ink. Signed with initals. 12×17 inches.
●
Dickey, Edward Montgomery O’Rorke (1894 – 1977) Cottage in a steep valley, probably Ireland. Oil on canvas. Signed. Signed and dated, 1921 verso. Provenance: Lord and Lady Chorley (c.1930s); and by descent. 14.5×19.5 inches. Framed: 20×23.5 inches.
●
Droege, Oscar (1898 – 1983) Austrian; Spring in the Tyrol. Woodcut. Signed. 13×9 inches.
●
Duncan R.W.S., Edward (1803 – 1882) Clump of grasses; a coastal study. Pencil, watercolour and gouache. Ex. Collection: Cyril Fry. 4.5×7.5 inches.
●
Eldridge R.W.S., Mildred (1909 – 1991) Tulips and Insects. Pencil and watercolour. Signed and dated, 1982. Provenance: Artist’s Estate. 7.5×9 inches.
●
Fisher, Sir George Bulteel (1764 – 1834) London; The Thames at Brentford. Watercolour. Exhibited: Andrew Wyld, 1973. 14.5×18 inches. Framed: 19.5×26 inches.
●
Foster R.W.S., Miles Birket (1825 – 1899) France; ‘La Garde nr Hyères looking North’. Pencil and watercolour. Inscribed and studio stamped. 6×9 inches.
£675
Gigault de Crisenoy, Baron Pierre Emile (1827 – 1902) A Harbour and (French?) Fleet. Pencil and white heightening on prepared card. 5×8 inches.
●
Graham, Robert (1938 – 2008) Colour Rooms. Etching and aquatint from the series of 6 ‘Colour Rooms’. Signed, dated 1969 and editioned ’63/65′. 16.5×22.5 inches. Framed: 22.5×27.5 inches.
●
Hennell, Thomas (1903 – 1945) The Edge of the Field. Watercolour. Signed. Ex. Collection: Bill Thomson. Exhibited: The Fine Art Society, ‘Thomas Barclay Hennell’, 1988, No.40. 12×18.5 inches. Framed: 18.5×25 inches.
●
Jacomb Hood R.B.A., George Percy (1857 – 1929) Caricature in Oriental dress. Pen and ink. Monogrammed. 6×4.5 inches.
●
Holroyd Pearce, Edward (1901 – 1990) Ireland; ‘Joyce’s Country’. Oil on board. Signed. Signed and titled verso. Exhibited: Royal Society of British Artists. 10×14 inches. Framed: 14×18 inches.
●
Howitt (Attributed to), Samuel (1756 – 1822) A Wader, possibly a Limpkin? Pencil and watercolour. Ex. Collection: Cyril Fry. 5×4.5 inches.
●
Jamieson, Alexander (1873 – 1937) Scotland; ‘On the Atlantic, seen from the Ayrshire Coast’. Oil on panel. Signed and indistinctly dated ‘1917’(or19). Inscribed and signed verso. 13×16 inches.
£2,250
Kemeny, Kalman (1896 – 1994) WWI: Soldiers advancing through a pine forrest. Pencil and charcoal. c.1916. Exhibited: A and H. Provenance: Artist’s Estate (stamp verso). Kemeny was the youngest official artist serving with the Austro Hungarian army 1915-1917. The IWM interviewed him about his War in 1977. The recording is available on their website. 12.5×17.5 inches. Framed: 20.5×25.5 inches.
●
Kirkpatrick, Joseph (1872 – 1936) ‘This England’. Etching and aquatint. Signed and titled. 8×15 inches.
●
Lamplough A.R.A. R.W.S., Augustus Osbourne (1877 – 1930) ‘An Eastern Bazaar, Upper Nile’. Watercolour. Signed and dated, 1909. 13.25×18.5 inches.
●
Laycock (Twentieth Century), Harry B Fortress ruins. Drypoint etching. Signed. 4.5×6 inches.
●
Lee R.A., Sydney (1866 – 1949) Breton Women (RM113). Wood-cut. 1914. Second state. Signed. Edition of 75 (one of 50 proofs printed on toned paper). 7×8.5 inches.
●
Muncaster P.S.M.A. R.W.S., Claude (1903 – 1974) Scotland; a distant view of Edinburgh. Watercolour. Signed and dated, 1928. Exhibited: Rountree Tryon. 9×12 inches. Framed: 15×19 inches.
●
Moody, Victor Hume (1896 – 1990) Gloucestershire; a model at the Stroud College of Art. Oil on gesso’d panel. c.1933. Signed verso and inscribed, ‘Stroud, Glos c.1933. A model at the School of Art / Painted by Victor H. Moody A.R.C.A. / Dunbridge House / Oil on Gesso panel / Researched + made by VHM / from the Cennini recipe’. 10×6.5 inches. Framed: 13×10.5 inches.
●
Nash, Paul (1889 – 1946) The Edge of a Wood. Pencil. Signed and dated, 1925. 12×19 inches. Framed: 19×25.5 inches.
£5,750
Owen, Samuel (1768 – 1857) East Sussex; Rye from the coast. Pencil and watercolour. 6×9 inches.
●
Papas, William (Bill) (1927 – 2000) London; ‘Stepney’. Pen, brush and ink. Signed and dated, 1966. 10×8 inches.
£375
Pope, Henry Martin (1843 – 1908) Collecting Apples. Watercolour and gouache. Signed. Ex. Collection: Cyril Fry. 4×4 inches.
●
Porter, Frederick (1883 – 1944) Industrial buildings of an East Anglian town. Pen, ink and wash. 1930s. Studio stamped. 9×11.5 inches.
£175
Redman (Nee Hayman), Patricia (1925 – 2007) A man reading his paper. Pencil, watercolour and oil. Signed. 1940s. Provenance: Artist’s Estate. 21.5×15 inches. Framed: 27×21.5 inches.
●
Raverat S.W.E., Gwen (1885 – 1957) ‘Boat Race’; The Bumps, Cambridge (SN558). Wood engraving and lino cut. 1949. First state. Edition of 21. Signed, title and numbered ‘1’. 7×9.5 inches.
●
Sandby R.A., Paul (1731 – 1809) Group of figures. Pen, ink and watercolour. c.1760. Exhibited: Agnews (20412). 2×3 inches.
●
Sandford, Lettice (1902 – 1993) Spencer; ‘There is a meadow by the Rver’s Side …’. Prothalamion’. Wood-engraving. Signed, titled dated ‘1/11/32’ and editioned ‘1/20’. An illustration to Spencer’s ‘Prothalamion’ (1596). 7.5×5 inches.
●
Smith (Circle of), John ‘Warwick’ (1749 – 1831) Wales; A sublime landscape. The view from the top of Cader Idris with the Mawddach estuary, Cardigan bay and the Llyn Peninsula. Pen, ink and watercolour. c.1790. 11.5×21.5 inches.
●
Tudor, Thomas (1785 – 1855) Wales; ‘Falls at the Devils bridge’. Pencil and gouache on prepared paper. Inscribed. 12×9.5 inches.
●
Tunnicliffe R.A. R.E., Charles Frederick (1901 – 1978) Cheshire; ‘The Old Quarry Road’, from the Lee Hills Quarry (MH33). Etching. 1926. Signed and editioned ’70/75′. 7×11 inches. Framed: 14.5×18 inches.
●
Waterford, Louisa, Marshioness of (1818 – 1891) ‘Dogs and Boy’. Pencil and waterclour. Ex. Collection: ‘Lady Brown’; ‘Dewhurst’. 10.5×5.5 inches. Framed: 15.5×8.5 inches.
●
Watson R.E., Charles James (1846 – 1927) London; The Thames at Chelsea. Etching. Signed, inscribed and dated, 1879 in the plate. 6.75×10.75 inches.
●
Yoshida, Hiroshi (1876 – 1950) ‘Wisteria’. Woodcut. 1935. Signed in pencil. Further signed ‘Yoshida’ in brush and ink alongside the red ‘Hiroshi’ seal. 10×15 inches.
●

ROBERT BATES (b.1943)

Shropshire and Herefordshire Watercolours

Robert Bates moved to Shropshire in 1970, finding there a landscape and peaceful way of life conducive to the way he works. His paintings are deeply rooted in the area. But they are far from literal representations. Small, intense and technically demanding, each work is a pursuit to conjure a moment or memory and to convey the experience of a place.

CLICK HERE TO VIEW

LIST 525 – APRIL 2022 (Part I)

Will be published at 5pm on Tuesday 5th April

HOW ‘THE LIST’ WORKS

Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.

They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.

Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.

Approval Service: We are happy to send works on approval, but this is subject to discussion.

JOIN THE MAILING LIST

If you would like to receive Email Alerts when ‘Lists’ of new stock and Exhibitions are published online, please Click Here. We NEVER share your information – see our Personal Data Policy.