3. ANON (Nineteenth-Century)An artist at her easel.Oil on canvas stamped ‘P Gay, Paris’ (relined). c.1900.29×20 inches.
£4,250
4. ANON (Nineteenth-Century)Italy; Rome, The ‘Basilica of Constantine’ and the Colosseum.Watercolour. Inscribed and dated, ‘May 1850’.9.5×13.5 inches.●
5. ANON (Nineteenth-Century)London; Covent Garden, the Piazza.The view east to St Paul’s, pre 1830. Together with a drawing of the west elevation of Charles Fowler’s 1828 market design. The second sheet cut out, perhaps so it could be laid over the first. Both sheets sold mounted separately. Pen, ink and wash. c.1830.5×11.5 inches.
7. Bates (Exh.1926-1939), HenryManchester; ‘Stockport’.Wood-engraving. 1925. Signed and titled. Inscribed upper right ’25 No.15′. Inscribed lower left ‘/28’ (edition of 28).4.5×6 inches.●
9. Beer, Richard (1928 – 2017)Italy; Sienna, ‘Antica Trattoria Papei’ still in the Via del Mercato.Oil on canvas. Signed.30×40 inches.Framed: 35×45 inches.●
13. Brown, John Vere (1925 – 2000)Lobster pots, buoy, sailing boats, beach huts; The Coast.Pencil, monochrome wash and white heightening. Initialled ‘JVB’ and further inscribed ‘KSA’. Dated, 1951.11×15 inches.●
15. Bulthuis (Attributed to), Jan (1750 – 1801)Holland; Dutch West Indian Company House in the Munnekeholm, Groningen.Pen, ink and monochrome wash. A version of the composition Bulthuis painted in both colour and monochrome. Inscribed verso and dated 1794.4.5×6 inches.●
16. Cliffe, Henry (1919 – 1983)Dorest; ‘Harbour Lyme Regis’.Pencil. Signed and dated, 1952.7×9.5 inches.Framed: 12×14.5 inches.●
23. Gaudier-Brzeska, Henri (1890 – 1915)Life Drawing.Pen and ink. Signed with initials and dated, 1913. Exhibited: Peter Nahum, ‘Henri Gaudier Brzeska’, 1995.9.5×14.75 inches.Framed: 15.5×20 inches.●
26. Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)‘The Gate of Honour, Caius College, Cambridge’.Chalks. Signed with initials and dated 1904. Related to Grigg’s plate in ‘Highways and Byways in Cambridge and Ely’, MacMillan, 1910.12.75×6.25 inches.●
29. Hine, Henry George (1811 – 1895)Sussex; ‘Downlands near Eastbourne’.Watercolour. Signed. Titled and dated 1869, to a label on the original backboard. Original frame available. Exhibited: A and H, 1975.13.5×23 inches.Framed: 21.5×31.5 inches.
£3,500
30. Hitchens, John (born 1940)Wales; ‘Shell Island Dunes’, Mochras, Gwynedd.Oil on canvas. Signed. Signed and titled and dated, 1968, to the stretcher.●
31. Holroyd Pearce, Edward (1901 – 1990)Switzerland; Alps (Piz Zupò?) above Pontresina.Oil on canvas. Signed. Inscribed verso ‘From Pontresina Xmas’.9.5×13.5 inches.Framed: 16.5×20.5 inches.●
34. Lambert Jnr, James (1741 – 1799)Sussex; Lewes, the Castle Gateway from the South.Ink and watercolour. Signed and dated, 1772. The Lambert Collection at Barbican House, Lewes, has two other versions of this watercolour.16.5×14 inches.Framed: 24×20 inches.●
40. Salisbury C.V.O., Frank Owen (1874 – 1962)Red and Gold Parrot Tulips.Oil on canvas. Signed and dated, ‘19.5.19’. Further signed and titled to an artist’s label verso.23×19 inches.Framed: 30×26 inches.●
41. Shannon R.A., Charles Haslewood (1863 – 1937)‘Late Summer’.Lithograph. 1917. Signed and numbered ’85’. From an edition of 85. Provenance: A and H, 1997; Ashley Barker and by descent.14.5×15 inches.Framed: 28×26.5 inches.●
42. Shotter Boys (Circle of), Thomas (1803 – 1874)Fishing boats and shipping in a calm.Watercolour. Possibly after a painting or drawing by Simon de Vlieger (c.1601-1653). Exhibited: The Fine Art Society, 1961, as Shotter Boys.5.75×5.75 inches.●
43. Smith (fl.1780-1824), Rev. ThomasItaly; Tivoli.Pencil, pen, ink and watercolour. c.1790. Exhibited: Michael Spratt.7.5×12 inches.Framed: 14.5×21 inches.●
45. Thornton, Valerie (1931 – 1991)France; ‘Cain and Abel, St Gilles’ du Gard.Etching and aquatint, Signed, titled, editioned 18/60 and dated, 1980.9.25×13.5 inches.●
47. Underwood, Leon (1890 – 1975)Suffolk; ‘Walberswick’, before the introduction of uniform black huts? Or perhaps nearby Southwold?Watercolour. Signed and dated, 1932. Titled verso.10.5×14.25 inches.●
49. Wyllie R.A. R.E., William Lionel (1851 – 1931)‘Mount Vesuvius from the Sea’.Drypoint etching from the ‘Meditterranean Series’. 1913. Edition of 160. Signed.6.25×14.5 inches.Framed: 15×20.5 inches.●
LIST 518
PART II
Issued 5pm Tuesday 21st September
50. ANON (Seventeenth-Century)View of a Dutch town from the river.Pen and ink. Provenance: Album of drawings by Samuel Ward of Great Yarmouth (1710-1778).2.25×5.5 inches.Framed: 12.5×10 inches.●
52. ANON (Nineteenth-Century)London; the ‘Elephant and Castle’.Pencil and monochrome wash. Exhibited: St Helier Galleries (as Anthony Devis).3×4.74 inches.Framed: 13×14.5 inches.●
54. Barry R.A. (After), James (1741 – 1806)‘Shakespeare / King Lear / Act V, Scene III’; Lear mourning Cordelia.Engraving after Barry’s 1786-88 painting for the Boydell Shakespeare Gallery (Tate Britain). The engraving by Francis Legat (1755-1809) and published by Boydell 1st August, 1792.18.5×23.5 inches.Framed: 27×31.5 inches.●
57. Beaton, Sir Cecil (1904 – 1980)Head study; a self study?Pencil. Verso: head studies. Provenance: The Estate of Eileen Hose, Beaton’s secretary.13.5×10.5 inches.●
59. Brangwyn R.A. R.W.S., Frank (1867 – 1956)Italy; Genoa, St Peter’s of the Exchange (Gaunt 216).Etching. 1913. Edition of 150. Signed and dedicated to ‘T.S. Darbyshire’.22.25×25.5 inches.Framed: 33×35 inches.●
60. Bray, Phyllis (1911 – 1991)Apollo and Clytie, probably a design for circular formica top tables commissioned by the shipping line Cunard.Pastels. c.1955. Studio sale stamp verso.11×12.25 inches.●
61. Clark, Joseph (1834 – 1926)Goodbye after the Wedding.An oil sketch and its preliminary drawing. Provenance: A group of works by Clarke bought by A and H at Phillips in 1981.9×13.25 inches.Framed: 17.75×21.25 inches.●
65. Deshayes (Attributed to), Jean-Baptiste (1729 – 1765)Boreas and Erithyia.Pen, brush and ink. Possibly after/inspired by a painting by Jean Baptiste Marie Pierre (1714-1789). Inscribed on the original mount ‘Dehais’. Exhibited: Colnaghi, as by Jean Baptiste Deshayes (1729-1765).15.25×9.75 inches.Framed: 21×15.25 inches.●
67. Erickson (AKA ‘Eric’), Carl (1891 – 1958)Fashion illustration.Brush, ink and gouache on grey paper. Circa 1935. Partial signature. Provenance: Brian Stonehouse MBE (1918-1998)22×12.5 inches.
69. Forain, Jean-Louis (1852 – 1931)‘La Chambre de la Bonne’.Oil on canvas. Circa 1895. Exhibited: O’Hana Gallery. Accompanied by a Certificate of Authenticity stamped, signed and dated, ‘Andre Schoeller, 24th June 1953’.26×21.5 inches.Framed: 30×26 inches.●
72. Grant P.R.A., Sir Francis (1803 – 1878)Portrait of a woman in a broad brimmed hat.Pen and ink. c.1840. Inscribed / signed verso. The sitter has previously been identified as ‘Lady Morton’, but is perhaps too young to be Frances Theodora Douglas (nee Rose) (1798-1879), Countess of Morton from 1827, and too old to be Alice Anne Caroline Douglas (nee Lambton) (1831-1907), Countess of Morton from 1858.6.5×6.5 inches.●
74. Hoyle, Walter (1922 – 2000)Oxford; ‘St Catherine’s College Entrance’.Etching and aquatint. Signed, titled and editioned, 72/75.21.25×13.5 inches.●
75. Jones R.E., Rosamund (born 1944)‘Young Orange Cock’.Etching printed in colours. 1975. Signed, dated, titled and editioned 4/75.10.5×16 inches.●
76. Laboureur, Jean-Emile (1877 – 1943)France; Normandy, ‘La Promenade sur le Port’, Croisic.Engraving and etching. 1935. Edition of 235. Signed and inscribed. Printed for The Print Club, Cleveland, Ohio.7.5×8 inches.●
78. MacTaggart P.R.A., Sir William (1903 – 1981)Coast or lakeland landscape.Pencil and watercolour. Studio stamp verso ‘W. McTaggart / Studio No.192’. Exhibited: Phipps and Co, 1988.14.5×18 inches.Framed: 23×26 inches.
£975
79. Mears R.G.A. B.E.F., Gunner F. J. (1890 – 1929)WWI; ‘A Jack Johnson Bursting in Distance …’.Brush, ink and monochrome wash. Inscribed verso: ‘A Jack Johnson Bursting in Distance / Tres Bon Souvenir pour Les Alemands / at Corbi[?] Firing a Salvo / a Salvo Get Ready / Salvo Fired Sir / 8 Guns Camouflaged’.3.75×5.5 inches.●
80. Middleditch R.A., Edward (1923 – 1987)‘Seascape, Dorset’ / ‘Dorset Drawing (2)’.Charcoal. 1975. Exhibited: The New Art Centre; Arts Council, ‘Edward Middleditch’, 1987, Cat No.64.21×26.5 inches.Framed: 26×31.5 inches.
£2,250
81. Minton, John (1917 – 1957)‘The Break in the Hedge’.Pen, brush and ink. Signed and dated, 1945. Provenance: Sir Michael Balcon; Norma McCaw. Exhibited: Roland, Browse and Delbanco; Michael Parkin, 1995.10.5×14.5 inches.Framed: 17.5×23.5 inches.●
85. Rivers, Leopold (1852 – 1905)Heath landscape; believed to be Mousehold Heath near Norwich, Norfolk.Oil on paper laid on board. Original frame.6×10 inches.Framed: 11.5×15.5 inches.●
86. Rouault, Georges Henri (1871 – 1958)Charles Baudelaire (1821-1867)Lithograph (Chapon-Rouault 316). Signed. 1926. Edition of 35. The portrait was published with lettering, and without the woman’s profile (lower left), in ‘Souvenirs Intimes’. The sheet blind stamped ‘Galerie des Peintres Graveurs’.12×8.5 inches.●
87. Rowe, Serena (born 1977)‘Manet’s Table’.Oil on board. Signed. 2010. Signed, titled and dated, verso. Exhibited: Panter and Hall.10×12 inches.Framed: 21×26 inches.●
89. Sauter, Rudolph Helmut (1895 – 1977)‘From my window’.Signed and dated, 1932. Artist’s labels verso. Provenance: the Artist’s Studio. Exhibited: Louise Kosman.24×19 inches.Framed: 33.5×29.25 inches.
91. Sickert N.E.A.C., Walter Richard (1860 – 1940)Mr Johnson (RB145).Etching. c.1911. Fourth state. Published by Carfax & Co., 1915. Signed and inscribed in the plate ‘Fare tutti mestieri svergognati per campar onoratamente’. Provenance: Enid Bagnold. Label verso inscribed ‘Given to me while I was working with him. Enid Bagnold’. In a 1915 letter to Ethel Sands, Sickert wrote that he considered ‘Le Bon Dodo’, ‘Quai Henri Quatre’ and ‘Mr Johnson’ ‘for what they are as perfect prints’ (Bromberg p.160).5×3.25 inches.●
92. Tomlin, Stephen (1901 – 1937)Duncan Grant (1885-1975)Bronze. Edition of 15. Cast in 2020/21 from the original bronze by Bronze Age London for Abbott and Holder JV. Stamped ‘AHJV’, editioned ‘…/15’, foundry stamped and hallmarked using the DACS Bronzechain hallmarking scheme. Price: £6000 (+vat).14.5×11.5xD9 inches.
95. Ward, Miss Greta (Mrs Archibald Sanderson from 1936) (Mid-Twentieth Century)‘Kentish Landscape’.Oil on canvas. Signed. Two artist’s labels verso. One for a previous work titled ‘Parrog’ and giving Miss Greta Ward’s address at 54 Colne Road. A second used first for Archibald Sanderson (1901-1972), titled ‘Cottage at Enfield, Spring’, and giving his address also at 54 Colne Road. This label has been adapted, his Christian name deleted and the title changed to ‘Kentish Landscape’ for the current work. Greta Ward ward became Mrs Archibald Sanderson in 1936. A 1950s R.B.A. label verso also.15.5×19.5 inches.Framed: 21.5×25.5 inches.
98. Watt, Frances (1923 – 2009)Woman at a shop window.Oil on board. Signed. Exhibited: Sarah Colgrave.8×5.25 inches.Framed: 11.75×9 inches.●
STEPHEN TOMLIN Portrait of Duncan Grant
Stephen Tomlin (1901-1937) Duncan Grant (1885-1975) Bronze. Edition of 15. Cast in 2020/2021 by Bronze Age London for Abbott and Holder JV. Stamped ‘AHJV’ (Abbott and Holder JV), editioned ‘… /15’, foundry stamped and hallmarked using the DACS Bronzechain hallmarking scheme. 14.5 x 9 x11.5 inches. £7200 (£6000 +VAT) 15% of each sale – £900 – will be donated to the Charleston Trust
Cast from the original bronze of 1924, recently sold by Abbott and Holder Ltd to the Charleston Trust.
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