ANON (Nineteenth-Century)An artist at her easel.Oil on canvas stamped ‘P Gay, Paris’ (relined). c.1900.29×20 inches.
£4,250
ANON (Nineteenth-Century)Italy; Rome, The ‘Basilica of Constantine’ and the Colosseum.Watercolour. Inscribed and dated, ‘May 1850’.9.5×13.5 inches.Sold
ANON (Nineteenth-Century)London; Covent Garden, the Piazza.The view east to St Paul’s, pre 1830. Together with a drawing of the west elevation of Charles Fowler’s 1828 market design. The second sheet cut out, perhaps so it could be laid over the first. Both sheets sold mounted separately. Pen, ink and wash. c.1830.5×11.5 inches.Sold
ANON (Twentieth-Century)Malta; an inland view.Pencil, watercolour and gouache.6×9.25 inches.Sold
Bates (Exh.1926-1939), HenryManchester; ‘Stockport’.Wood-engraving. 1925. Signed and titled. Inscribed upper right ’25 No.15′. Inscribed lower left ‘/28’ (edition of 28).4.5×6 inches.Sold
Beer, Richard (1928 – 2017)Italy; Sienna, ‘Antica Trattoria Papei’ still in the Via del Mercato.Oil on canvas. Signed.30×40 inches.Framed: 35×45 inches.Sold
Bissill, George (1896 – 1963)‘Hampshire Cot’.Pencil, brush, ink and watercolour. Signed and title verso.7×5.25 inches.Sold
Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956)Spain; Andalucia, ‘Evening on the Alameda, Ronda’.Charcoal and watercolour. 1925. Signed and inscribed.11.5×15.5 inches.Framed: 18×22 inches.Sold
Brown, John Vere (1925 – 2000)Lobster pots, buoy, sailing boats, beach huts; The Coast.Pencil, monochrome wash and white heightening. Initialled ‘JVB’ and further inscribed ‘KSA’. Dated, 1951.11×15 inches.Sold
Bulthuis (Attributed to), Jan (1750 – 1801)Holland; Dutch West Indian Company House in the Munnekeholm, Groningen.Pen, ink and monochrome wash. A version of the composition Bulthuis painted in both colour and monochrome. Inscribed verso and dated 1794.4.5×6 inches.Sold
Cliffe, Henry (1919 – 1983)Dorest; ‘Harbour Lyme Regis’.Pencil. Signed and dated, 1952.7×9.5 inches.Framed: 12×14.5 inches.Sold
Gaudier-Brzeska, Henri (1890 – 1915)Life Drawing.Pen and ink. Signed with initials and dated, 1913. Exhibited: Peter Nahum, ‘Henri Gaudier Brzeska’, 1995.9.5×14.75 inches.Framed: 15.5×20 inches.Sold
Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)‘The Gate of Honour, Caius College, Cambridge’.Chalks. Signed with initials and dated 1904. Related to Grigg’s plate in ‘Highways and Byways in Cambridge and Ely’, MacMillan, 1910.12.75×6.25 inches.Sold
Hine, Henry George (1811 – 1895)Sussex; ‘Downlands near Eastbourne’.Watercolour. Signed. Titled and dated 1869, to a label on the original backboard. Original frame available. Exhibited: A and H, 1975.13.5×23 inches.Framed: 21.5×31.5 inches.Sold
Hitchens, John (born 1940)Wales; ‘Shell Island Dunes’, Mochras, Gwynedd.Oil on canvas. Signed. Signed and titled and dated, 1968, to the stretcher.Sold
Holroyd Pearce, Edward (1901 – 1990)Switzerland; Alps (Piz Zupò?) above Pontresina.Oil on canvas. Signed. Inscribed verso ‘From Pontresina Xmas’.9.5×13.5 inches.Framed: 16.5×20.5 inches.Sold
Johnson, Audrey (born 1918)Porcelain and grasses still life.Oil on board. Signed and dated, 1977.15×13 inches.Framed: 18.5×16.5 inches.
£375
Lambert Jnr, James (1741 – 1799)Sussex; Lewes, the Castle Gateway from the South.Ink and watercolour. Signed and dated, 1772. The Lambert Collection at Barbican House, Lewes, has two other versions of this watercolour.16.5×14 inches.Framed: 24×20 inches.Sold
Salisbury C.V.O., Frank Owen (1874 – 1962)Red and Gold Parrot Tulips.Oil on canvas. Signed and dated, ‘19.5.19’. Further signed and titled to an artist’s label verso.23×19 inches.Framed: 30×26 inches.Sold
Shannon R.A., Charles Haslewood (1863 – 1937)‘Late Summer’.Lithograph. 1917. Signed and numbered ’85’. From an edition of 85. Provenance: A and H, 1997; Ashley Barker and by descent.14.5×15 inches.Framed: 28×26.5 inches.Sold
Shotter Boys (Circle of), Thomas (1803 – 1874)Fishing boats and shipping in a calm.Watercolour. Possibly after a painting or drawing by Simon de Vlieger (c.1601-1653). Exhibited: The Fine Art Society, 1961, as Shotter Boys.5.75×5.75 inches.Sold
Smith (fl.1780-1824), Rev. ThomasItaly; Tivoli.Pencil, pen, ink and watercolour. c.1790. Exhibited: Michael Spratt.7.5×12 inches.Framed: 14.5×21 inches.Sold
Thornton, Valerie (1931 – 1991)France; ‘Cain and Abel, St Gilles’ du Gard.Etching and aquatint, Signed, titled, editioned 18/60 and dated, 1980.9.25×13.5 inches.Sold
Underwood, Leon (1890 – 1975)Suffolk; ‘Walberswick’, before the introduction of uniform black huts? Or perhaps nearby Southwold?Watercolour. Signed and dated, 1932. Titled verso.10.5×14.25 inches.Sold
Wyllie R.A. R.E., William Lionel (1851 – 1931)‘Mount Vesuvius from the Sea’.Drypoint etching from the ‘Meditterranean Series’. 1913. Edition of 160. Signed.6.25×14.5 inches.Framed: 15×20.5 inches.Sold
LIST 518
PART II
Issued 5pm Tuesday 21st September
ANON (Seventeenth-Century)View of a Dutch town from the river.Pen and ink. Provenance: Album of drawings by Samuel Ward of Great Yarmouth (1710-1778).2.25×5.5 inches.Framed: 12.5×10 inches.Sold
ANON (Nineteenth-Century)London; the ‘Elephant and Castle’.Pencil and monochrome wash. Exhibited: St Helier Galleries (as Anthony Devis).3×4.74 inches.Framed: 13×14.5 inches.Sold
Barry R.A. (After), James (1741 – 1806)‘Shakespeare / King Lear / Act V, Scene III’; Lear mourning Cordelia.Engraving after Barry’s 1786-88 painting for the Boydell Shakespeare Gallery (Tate Britain). The engraving by Francis Legat (1755-1809) and published by Boydell 1st August, 1792.18.5×23.5 inches.Framed: 27×31.5 inches.Sold
Battersby, Martin (1914 – 1982)‘Small Green Sphinx;’Gouache. Exhibited: Grosvenor Gallery.5×7 inches.Framed: 7.5×9.5 inches.Sold
Beaton, Sir Cecil (1904 – 1980)Head study; a self study?Pencil. Verso: head studies. Provenance: The Estate of Eileen Hose, Beaton’s secretary.13.5×10.5 inches.Sold
Brangwyn R.A. R.W.S., Frank (1867 – 1956)Italy; Genoa, St Peter’s of the Exchange (Gaunt 216).Etching. 1913. Edition of 150. Signed and dedicated to ‘T.S. Darbyshire’.22.25×25.5 inches.Framed: 33×35 inches.Sold
Bray, Phyllis (1911 – 1991)Apollo and Clytie, probably a design for circular formica top tables commissioned by the shipping line Cunard.Pastels. c.1955. Studio sale stamp verso.11×12.25 inches.Sold
Clark, Joseph (1834 – 1926)Goodbye after the Wedding.An oil sketch and its preliminary drawing. Provenance: A group of works by Clarke bought by A and H at Phillips in 1981.9×13.25 inches.Framed: 17.75×21.25 inches.Sold
Dunlop, Ronald Ossory (1894 – 1973)West Sussex; ‘Near Horsham’.Oil on canvas. Signed. Stretcher inscribed verso.15.5×19 inches.Framed: 23×27 inches.Sold
De Wint O.W.S., Peter (1784 – 1849)‘Distant view of Salthouse, Norfolk’.Chalks. Indistinctly inscribed ‘Wiveton’? Exhibited: Fry Gallery.6×14 inches.Sold
Deshayes (Attributed to), Jean-Baptiste (1729 – 1765)Boreas and Erithyia.Pen, brush and ink. Possibly after/inspired by a painting by Jean Baptiste Marie Pierre (1714-1789). Inscribed on the original mount ‘Dehais’. Exhibited: Colnaghi, as by Jean Baptiste Deshayes (1729-1765).15.25×9.75 inches.Framed: 21×15.25 inches.Sold
Eldridge R.W.S., Mildred (1909 – 1991)Wales; Stone walls and landscape.Watercolour. Pencil and watercolour. Provenance: Artist’s Estate.7.5×16.5 inches.Sold
Erickson (AKA ‘Eric’), Carl (1891 – 1958)Fashion illustration.Brush, ink and gouache on grey paper. Circa 1935. Partial signature. Provenance: Brian Stonehouse MBE (1918-1998)22×12.5 inches.Sold
Forain, Jean-Louis (1852 – 1931)‘La Chambre de la Bonne’.Oil on canvas. Circa 1895. Exhibited: O’Hana Gallery. Accompanied by a Certificate of Authenticity stamped, signed and dated, ‘Andre Schoeller, 24th June 1953’.26×21.5 inches.Framed: 30×26 inches.Sold
Flett, Alex Edward Campbell (born 1914)Finger in landscape.Watercolour. Signed and dated, 1954. Exhibited: R.S.A. 1955.21×22 inches.Framed: 26×27.5 inches.Sold
Hermes R.A., Gertrude (1901 – 1983)The Peat Cutters.Linocut printed in colours. Signed, dated, 1956 and editioned 37/50.16.25×22.5 inches.Sold
Grant P.R.A., Sir Francis (1803 – 1878)Portrait of a woman in a broad brimmed hat.Pen and ink. c.1840. Inscribed / signed verso. The sitter has previously been identified as ‘Lady Morton’, but is perhaps too young to be Frances Theodora Douglas (nee Rose) (1798-1879), Countess of Morton from 1827, and too old to be Alice Anne Caroline Douglas (nee Lambton) (1831-1907), Countess of Morton from 1858.6.5×6.5 inches.Sold
Hoyle, Walter (1922 – 2000)Oxford; ‘St Catherine’s College Entrance’.Etching and aquatint. Signed, titled and editioned, 72/75.21.25×13.5 inches.Sold
Jones R.E., Rosamund (born 1944)‘Young Orange Cock’.Etching printed in colours. 1975. Signed, dated, titled and editioned 4/75.10.5×16 inches.Sold
Laboureur, Jean-Emile (1877 – 1943)France; Normandy, ‘La Promenade sur le Port’, Croisic.Engraving and etching. 1935. Edition of 235. Signed and inscribed. Printed for The Print Club, Cleveland, Ohio.7.5×8 inches.Sold
Leitch, William Leighton (1804 – 1883)Scotland; a Castle Capriccio?Watercolour. Exhibited: John Phillips, 1987.3.75×6.25 inches.Framed: 12.5×14.5 inches.Sold
MacTaggart P.R.A., Sir William (1903 – 1981)Coast or lakeland landscape.Pencil and watercolour. Studio stamp verso ‘W. McTaggart / Studio No.192’. Exhibited: Phipps and Co, 1988.14.5×18 inches.Framed: 23×26 inches.Sold
Mears R.G.A. B.E.F., Gunner F. J. (1890 – 1929)WWI; ‘A Jack Johnson Bursting in Distance …’.Brush, ink and monochrome wash. Inscribed verso: ‘A Jack Johnson Bursting in Distance / Tres Bon Souvenir pour Les Alemands / at Corbi[?] Firing a Salvo / a Salvo Get Ready / Salvo Fired Sir / 8 Guns Camouflaged’.3.75×5.5 inches.Sold
Middleditch R.A., Edward (1923 – 1987)‘Seascape, Dorset’ / ‘Dorset Drawing (2)’.Charcoal. 1975. Exhibited: The New Art Centre; Arts Council, ‘Edward Middleditch’, 1987, Cat No.64.21×26.5 inches.Framed: 26×31.5 inches.Sold
Minton, John (1917 – 1957)‘The Break in the Hedge’.Pen, brush and ink. Signed and dated, 1945. Provenance: Sir Michael Balcon; Norma McCaw. Exhibited: Roland, Browse and Delbanco; Michael Parkin, 1995.10.5×14.5 inches.Framed: 17.5×23.5 inches.Sold
Rivers, Leopold (1852 – 1905)Heath landscape; believed to be Mousehold Heath near Norwich, Norfolk.Oil on paper laid on board. Original frame.6×10 inches.Framed: 11.5×15.5 inches.Sold
Rouault, Georges Henri (1871 – 1958)Charles Baudelaire (1821-1867)Lithograph (Chapon-Rouault 316). Signed. 1926. Edition of 35. The portrait was published with lettering, and without the woman’s profile (lower left), in ‘Souvenirs Intimes’. The sheet blind stamped ‘Galerie des Peintres Graveurs’.12×8.5 inches.Sold
Rowe, Serena (born 1977)‘Manet’s Table’.Oil on board. Signed. 2010. Signed, titled and dated, verso. Exhibited: Panter and Hall.10×12 inches.Framed: 21×26 inches.Sold
Sauter, Rudolph Helmut (1895 – 1977)‘From my window’.Signed and dated, 1932. Artist’s labels verso. Provenance: the Artist’s Studio. Exhibited: Louise Kosman.24×19 inches.Framed: 33.5×29.25 inches.Sold
Solomon, Simeon (1840 – 1905)Future Thoughts.Brown chalk. Signed and dated, 1894.13.5×20 inches.Framed: 22.5×28.5 inches.Sold
Sickert N.E.A.C., Walter Richard (1860 – 1940)Mr Johnson (RB145).Etching. c.1911. Fourth state. Published by Carfax & Co., 1915. Signed and inscribed in the plate ‘Fare tutti mestieri svergognati per campar onoratamente’. Provenance: Enid Bagnold. Label verso inscribed ‘Given to me while I was working with him. Enid Bagnold’. In a 1915 letter to Ethel Sands, Sickert wrote that he considered ‘Le Bon Dodo’, ‘Quai Henri Quatre’ and ‘Mr Johnson’ ‘for what they are as perfect prints’ (Bromberg p.160).5×3.25 inches.Sold
Tomlin, Stephen (1901 – 1937)Duncan Grant (1885-1975)Bronze. Edition of 15. Cast in 2020/21 from the original bronze by Bronze Age London for Abbott and Holder JV. Stamped 'AHJV', editioned '…/15', foundry stamped and hallmarked using the DACS Bronzechain hallmarking scheme. Price: £6000 (+vat). 14.5"x11.5"xD9" inches.
£7,200
Strang R.A. R.E., William (1859 – 1921)A Hodson child.Chalks. Circa 1900. Signed and dedicated to Laurence W Hodson, Strang’s Wolverhampton patron.12.75×8.75 inches.Sold
Ward, Miss Greta (Mrs Archibald Sanderson from 1936) (Mid-Twentieth Century)‘Kentish Landscape’.Oil on canvas. Signed. Two artist’s labels verso. One for a previous work titled ‘Parrog’ and giving Miss Greta Ward’s address at 54 Colne Road. A second used first for Archibald Sanderson (1901-1972), titled ‘Cottage at Enfield, Spring’, and giving his address also at 54 Colne Road. This label has been adapted, his Christian name deleted and the title changed to ‘Kentish Landscape’ for the current work. Greta Ward ward became Mrs Archibald Sanderson in 1936. A 1950s R.B.A. label verso also.15.5×19.5 inches.Framed: 21.5×25.5 inches.Sold
Watt, Frances (1923 – 2009)Woman at a shop window.Oil on board. Signed. Exhibited: Sarah Colgrave.8×5.25 inches.Framed: 11.75×9 inches.Sold
STEPHEN TOMLIN Portrait of Duncan Grant
Stephen Tomlin (1901-1937) Duncan Grant (1885-1975) Bronze. Edition of 15. Cast in 2020/2021 by Bronze Age London for Abbott and Holder JV. Stamped ‘AHJV’ (Abbott and Holder JV), editioned ‘… /15’, foundry stamped and hallmarked using the DACS Bronzechain hallmarking scheme. 14.5 x 9 x11.5 inches. £7200 (£6000 +VAT) 15% of each sale – £900 – will be donated to the Charleston Trust
Cast from the original bronze of 1924, recently sold by Abbott and Holder Ltd to the Charleston Trust.
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