LIST 518

SEPTEMBER 2021

PART I

Nos. 1-50, issued 5pm Tuesday 7th September

Alexander, Jean (1911 – 1994) Sky Study. Watercolour and gouache. Provenance: Artist’s Estate. 7×10.5 inches.
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ANON (Nineteenth-Century) Botanical studies. Watercolour. c.1800. 10.75×9 inches. Framed: 18×10 inches.
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ANON (Nineteenth-Century) An artist at her easel. Oil on canvas stamped ‘P Gay, Paris’ (relined). c.1900. 29×20 inches.
£4,250
ANON (Nineteenth-Century) Italy; Rome, The ‘Basilica of Constantine’ and the Colosseum. Watercolour. Inscribed and dated, ‘May 1850’. 9.5×13.5 inches.
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ANON (Nineteenth-Century) London; Covent Garden, the Piazza. The view east to St Paul’s, pre 1830. Together with a drawing of the west elevation of Charles Fowler’s 1828 market design. The second sheet cut out, perhaps so it could be laid over the first. Both sheets sold mounted separately. Pen, ink and wash. c.1830. 5×11.5 inches.
£975
ANON (Twentieth-Century) Malta; an inland view. Pencil, watercolour and gouache. 6×9.25 inches.
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Bates (Exh.1926-1939), Henry Manchester; ‘Stockport’. Wood-engraving. 1925. Signed and titled. Inscribed upper right ’25 No.15′. Inscribed lower left ‘/28’ (edition of 28). 4.5×6 inches.
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Bawden N.E.A.C. R.E., Richard (born 1936) ‘Hydrangeas’. Etching and aquatint. Signed, titled and editioned ’31/75′. 18×13.25 inches.
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Beer, Richard (1928 – 2017) Italy; Sienna, ‘Antica Trattoria Papei’ still in the Via del Mercato. Oil on canvas. Signed. 30×40 inches. Framed: 35×45 inches.
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Bissill, George (1896 – 1963) ‘Hampshire Cot’. Pencil, brush, ink and watercolour. Signed and title verso. 7×5.25 inches.
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Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956) Spain; Andalucia, ‘Evening on the Alameda, Ronda’. Charcoal and watercolour. 1925. Signed and inscribed. 11.5×15.5 inches. Framed: 18×22 inches.
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Brodsky, Horace (1885 – 1969) Fox. Linocut. Signed. 5.5×4.75 inches.
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Brown, John Vere (1925 – 2000) Lobster pots, buoy, sailing boats, beach huts; The Coast. Pencil, monochrome wash and white heightening. Initialled ‘JVB’ and further inscribed ‘KSA’. Dated, 1951. 11×15 inches.
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Brunsdon A.R.C.A., John (1933 – 2014) Wiltshire; ‘Avebury’ Henge. Etching and aquatint. Signed, titled and editioned 68/100. 17.75×23.5 inches.
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Bulthuis (Attributed to), Jan (1750 – 1801) Holland; Dutch West Indian Company House in the Munnekeholm, Groningen. Pen, ink and monochrome wash. A version of the composition Bulthuis painted in both colour and monochrome. Inscribed verso and dated 1794. 4.5×6 inches.
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Cliffe, Henry (1919 – 1983) Dorest; ‘Harbour Lyme Regis’. Pencil. Signed and dated, 1952. 7×9.5 inches. Framed: 12×14.5 inches.
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Cornock Keen (Twentieth Century), A ‘A Cornish Harbour’. Linocut. Signed, titled and editioned, 2/50. 10.75×5.5 inches.
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Coker R.A., Peter (1926 – 2004) Drying Nets. Charcoal and chalk. Signed and dated, 1988. 21.5×30 inches. Framed: 33×41 inches.
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Craig C.H., Edward Gordon (1872 – 1966) Set Design. Etching. Signed. 1907. Illustrated: Edward Gordon Craig, ‘Scene’, Publ. 1923. 8.25×6.5 inches.
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De Wint O.W.S., Peter (1784 – 1849) Timber framed farmhouse and buildings. Watercolour. Circa 1830. 9×12.5 inches. Framed: 17×21 inches.
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Feild, Maurice (1905 – 1988) Lawn and borders. Oil on canvas. Signed verso. 14×10 inches.
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Finch, Hon. Rev. Daniel (1757 – 1840) Cottages; traditionally titled ‘Harpenden’. Pen, ink and wash. Signed. 6×8.5 inches.
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Gaudier-Brzeska, Henri (1890 – 1915) Life Drawing. Pen and ink. Signed with initials and dated, 1913. Exhibited: Peter Nahum, ‘Henri Gaudier Brzeska’, 1995. 9.5×14.75 inches. Framed: 15.5×20 inches.
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Goodwin R.W.S., Albert (1845 – 1932) ‘Durham Cathedral’ at dusk. Pastel. Inscribed, dated 1909 and signed. 8×11 inches. Framed: 16×19 inches.
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Hall, Patrick (1906 – 1992) ‘Flower Piece’. Watercolour. Signed. Titled verso. 8×11 inches. Framed: 16×18.5 inches.
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Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938) ‘The Gate of Honour, Caius College, Cambridge’. Chalks. Signed with initials and dated 1904. Related to Grigg’s plate in ‘Highways and Byways in Cambridge and Ely’, MacMillan, 1910. 12.75×6.25 inches.
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Hare, Augustus (1834 – 1903) France; Montbard. Watercolour. 14th June 1870. 7×10 inches.
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Henderson R.S.W. R.O.I., Keith (1883 – 1982) ‘White Amaryllis’. Pastels. Signed. Artist’s label verso. Exhibited: The Pastel Society. 15×19 inches.
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Hine, Henry George (1811 – 1895) Sussex; ‘Downlands near Eastbourne’. Watercolour. Signed. Titled and dated 1869, to a label on the original backboard. Original frame available. Exhibited: A and H, 1975. 13.5×23 inches. Framed: 21.5×31.5 inches.
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Hitchens, John (born 1940) Wales; ‘Shell Island Dunes’, Mochras, Gwynedd. Oil on canvas. Signed. Signed and titled and dated, 1968, to the stretcher.
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Holroyd Pearce, Edward (1901 – 1990) Switzerland; Alps (Piz Zupò?) above Pontresina. Oil on canvas. Signed. Inscribed verso ‘From Pontresina Xmas’. 9.5×13.5 inches. Framed: 16.5×20.5 inches.
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Kennington R.A., Eric (1883 – 1960) Life drawing. Chalks. Signed with initials. 19.75×13.75 inches. Framed: 29.25×22.75 inches.
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Johnson, Audrey (born 1918) Porcelain and grasses still life. Oil on board. Signed and dated, 1977. 15×13 inches.
£875
Lambert Jnr, James (1741 – 1799) Sussex; Lewes, the Castle Gateway from the South. Ink and watercolour. Signed and dated, 1772. The Lambert Collection at Barbican House, Lewes, has two other versions of this watercolour. 16.5×14 inches. Framed: 24×20 inches.
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Miller R.S.A., James (1893 – 1987) ‘Homage to Palladio’. Watercolour. Signed. 19.5×14.5 inches. Framed: 25.5×20.5 inches.
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Myers, Bernard (1925 – 2007) Still life. Chalks. Signed. 20.5×28 inches. Framed: 29×35.5 inches.
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Porter, Frederick (1883 – 1944) Eleanor Porter, the artist’s wife. Pencil. Signed. c.1930. Provenance: The Bloomsbury Workshop. 13.5×9.25 inches.
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Rushbury R.A. R.E., Sir Henry (1889 – 1968) Italy; ‘Walls of Sienna’ (JR42). Drypoint etching, engraved on the spot. 1923. Edition of 50. Signed. 4.75×9.75 inches.
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Rutherston, Albert (1881 – 1953) Seated woman, sewing. Chalks. Signed with initials and dated, 1903. 9.25×9.25 inches.
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Salisbury C.V.O., Frank Owen (1874 – 1962) Red and Gold Parrot Tulips. Oil on canvas. Signed and dated, ‘19.5.19’. Further signed and titled to an artist’s label verso. 23×19 inches. Framed: 30×26 inches.
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Shannon R.A., Charles Haslewood (1863 – 1937) ‘Late Summer’. Lithograph. 1917. Signed and numbered ’85’. From an edition of 85. Provenance: A and H, 1997; Ashley Barker and by descent. 14.5×15 inches. Framed: 28×26.5 inches.
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Shotter Boys (Circle of), Thomas (1803 – 1874) Fishing boats and shipping in a calm. Watercolour. Possibly after a painting or drawing by Simon de Vlieger (c.1601-1653). Exhibited: The Fine Art Society, 1961, as Shotter Boys. 5.75×5.75 inches.
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Smith (fl.1780-1824), Rev. Thomas Italy; Tivoli. Pencil, pen, ink and watercolour. c.1790. Exhibited: Michael Spratt. 7.5×12 inches. Framed: 14.5×21 inches.
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Squirrell R.E. R.W.S., Leonard Russell (1893 – 1979) ‘Morning at Durham’. Etching and aquatint. Signed. Further signed and dated, 1931 in the plate. 9.5×12.75 inches.
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Thornton, Valerie (1931 – 1991) France; ‘Cain and Abel, St Gilles’ du Gard. Etching and aquatint, Signed, titled, editioned 18/60 and dated, 1980. 9.25×13.5 inches.
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Tanner A.R.E., Robin (1904 – 1988) Hedge Flowers. Etching. 1936. Signed. 9×6.25 inches.
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Underwood, Leon (1890 – 1975) Suffolk; ‘Walberswick’, before the introduction of uniform black huts? Or perhaps nearby Southwold? Watercolour. Signed and dated, 1932. Titled verso. 10.5×14.25 inches.
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Willsher, Brian (1930 – 2010) Abstract Sculpture. Wood and white paint. 6.25×5.75xD3.25 inches.
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Wyllie R.A. R.E., William Lionel (1851 – 1931) ‘Mount Vesuvius from the Sea’. Drypoint etching from the ‘Meditterranean Series’. 1913. Edition of 160. Signed. 6.25×14.5 inches. Framed: 15×20.5 inches.
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LIST 518

PART II

Issued 5pm Tuesday 21st September

ANON (Seventeenth-Century) View of a Dutch town from the river. Pen and ink. Provenance: Album of drawings by Samuel Ward of Great Yarmouth (1710-1778). 2.25×5.5 inches. Framed: 12.5×10 inches.
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Field, Elizabeth (born 1902) A crop field in early Spring. Lincout. Signed. Editioned 8/50. 9.5×16.5 inches.
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ANON (Nineteenth-Century) London; the ‘Elephant and Castle’. Pencil and monochrome wash. Exhibited: St Helier Galleries (as Anthony Devis). 3×4.74 inches. Framed: 13×14.5 inches.
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Armour, George Denholm (1864 – 1949) Race Day; the Walking Ring. Pen and ink. 1920s. Signed. 7×10.75 inches.
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Barry R.A. (After), James (1741 – 1806) ‘Shakespeare / King Lear / Act V, Scene III’; Lear mourning Cordelia. Engraving after Barry’s 1786-88 painting for the Boydell Shakespeare Gallery (Tate Britain). The engraving by Francis Legat (1755-1809) and published by Boydell 1st August, 1792. 18.5×23.5 inches. Framed: 27×31.5 inches.
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Austin R.A. R.E., Robert Sargent (1895 – 1973) ‘The Curtain’ (CD128). Engraving. 1939. Signed. Provenance: Norman Tennant. 6.75×5.25 inches.
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Battersby, Martin (1914 – 1982) ‘Small Green Sphinx;’ Gouache. Exhibited: Grosvenor Gallery. 5×7 inches. Framed: 7.5×9.5 inches.
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Beaton, Sir Cecil (1904 – 1980) Head study; a self study? Pencil. Verso: head studies. Provenance: The Estate of Eileen Hose, Beaton’s secretary. 13.5×10.5 inches.
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Becker, Harry (1865 – 1928) Suffolk; farm labourers. Pencil. 4.25×6.25 inches.
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Brangwyn R.A. R.W.S., Frank (1867 – 1956) Italy; Genoa, St Peter’s of the Exchange (Gaunt 216). Etching. 1913. Edition of 150. Signed and dedicated to ‘T.S. Darbyshire’. 22.25×25.5 inches. Framed: 33×35 inches.
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Bray, Phyllis (1911 – 1991) Apollo and Clytie, probably a design for circular formica top tables commissioned by the shipping line Cunard. Pastels. c.1955. Studio sale stamp verso. 11×12.25 inches.
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Clark, Joseph (1834 – 1926) Goodbye after the Wedding. An oil sketch and its preliminary drawing. Provenance: A group of works by Clarke bought by A and H at Phillips in 1981. 9×13.25 inches. Framed: 17.75×21.25 inches.
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Dunlop, Ronald Ossory (1894 – 1973) West Sussex; ‘Near Horsham’. Oil on canvas. Signed. Stretcher inscribed verso. 15.5×19 inches. Framed: 23×27 inches.
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Daniell R.A., William (1769 – 1837) India; studies of fishing boats. Pencil and watercolour. Note spotting. 10×6.5 inches.
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De Wint O.W.S., Peter (1784 – 1849) ‘Distant view of Salthouse, Norfolk’. Chalks. Indistinctly inscribed ‘Wiveton’? Exhibited: Fry Gallery. 6×14 inches.
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Deshayes (Attributed to), Jean-Baptiste (1729 – 1765) Boreas and Erithyia. Pen, brush and ink. Possibly after/inspired by a painting by Jean Baptiste Marie Pierre (1714-1789). Inscribed on the original mount ‘Dehais’. Exhibited: Colnaghi, as by Jean Baptiste Deshayes (1729-1765). 15.25×9.75 inches. Framed: 21×15.25 inches.
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Eldridge R.W.S., Mildred (1909 – 1991) Wales; Stone walls and landscape. Watercolour. Pencil and watercolour. Provenance: Artist’s Estate. 7.5×16.5 inches.
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Erickson (AKA ‘Eric’), Carl (1891 – 1958) Fashion illustration. Brush, ink and gouache on grey paper. Circa 1935. Partial signature. Provenance: Brian Stonehouse MBE (1918-1998) 22×12.5 inches.
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Flanders, Dennis (1915 – 1994) Oxford; New College. Pen, ink and watercolour. Signed. 12.75×18.25 inches.
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Forain, Jean-Louis (1852 – 1931) ‘La Chambre de la Bonne’. Oil on canvas. Circa 1895. Exhibited: O’Hana Gallery. Accompanied by a Certificate of Authenticity stamped, signed and dated, ‘Andre Schoeller, 24th June 1953’. 26×21.5 inches. Framed: 30×26 inches.
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Flett, Alex Edward Campbell (born 1914) Finger in landscape. Watercolour. Signed and dated, 1954. Exhibited: R.S.A. 1955. 21×22 inches. Framed: 26×27.5 inches.
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Hermes R.A., Gertrude (1901 – 1983) The Peat Cutters. Linocut printed in colours. Signed, dated, 1956 and editioned 37/50. 16.25×22.5 inches.
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Grant P.R.A., Sir Francis (1803 – 1878) Portrait of a woman in a broad brimmed hat. Pen and ink. c.1840. Inscribed / signed verso. The sitter has previously been identified as ‘Lady Morton’, but is perhaps too young to be Frances Theodora Douglas (nee Rose) (1798-1879), Countess of Morton from 1827, and too old to be Alice Anne Caroline Douglas (nee Lambton) (1831-1907), Countess of Morton from 1858. 6.5×6.5 inches.
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Hooge, Dagmar (1870 – 1930) Italy; Venice. Wood-cut. Signed and editioned ‘No.7’. 11.5×16.5 inches.
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Hoyle, Walter (1922 – 2000) Oxford; ‘St Catherine’s College Entrance’. Etching and aquatint. Signed, titled and editioned, 72/75. 21.25×13.5 inches.
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Jones R.E., Rosamund (born 1944) ‘Young Orange Cock’. Etching printed in colours. 1975. Signed, dated, titled and editioned 4/75. 10.5×16 inches.
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Laboureur, Jean-Emile (1877 – 1943) France; Normandy, ‘La Promenade sur le Port’, Croisic. Engraving and etching. 1935. Edition of 235. Signed and inscribed. Printed for The Print Club, Cleveland, Ohio. 7.5×8 inches.
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Leitch, William Leighton (1804 – 1883) Scotland; a Castle Capriccio? Watercolour. Exhibited: John Phillips, 1987. 3.75×6.25 inches. Framed: 12.5×14.5 inches.
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MacTaggart P.R.A., Sir William (1903 – 1981) Coast or lakeland landscape. Pencil and watercolour. Studio stamp verso ‘W. McTaggart / Studio No.192’. Exhibited: Phipps and Co, 1988. 14.5×18 inches. Framed: 23×26 inches.
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Mears R.G.A. B.E.F., Gunner F. J. (1890 – 1929) WWI; ‘A Jack Johnson Bursting in Distance …’. Brush, ink and monochrome wash. Inscribed verso: ‘A Jack Johnson Bursting in Distance / Tres Bon Souvenir pour Les Alemands / at Corbi[?] Firing a Salvo / a Salvo Get Ready / Salvo Fired Sir / 8 Guns Camouflaged’. 3.75×5.5 inches.
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Middleditch R.A., Edward (1923 – 1987) ‘Seascape, Dorset’ / ‘Dorset Drawing (2)’. Charcoal. 1975. Exhibited: The New Art Centre; Arts Council, ‘Edward Middleditch’, 1987, Cat No.64. 21×26.5 inches. Framed: 26×31.5 inches.
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Minton, John (1917 – 1957) ‘The Break in the Hedge’. Pen, brush and ink. Signed and dated, 1945. Provenance: Sir Michael Balcon; Norma McCaw. Exhibited: Roland, Browse and Delbanco; Michael Parkin, 1995. 10.5×14.5 inches. Framed: 17.5×23.5 inches.
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Monro, Dr Thomas (1759 – 1833) Castle Ruins. Charcoal and wash. 4.5×7 inches. Framed: 13×15.25 inches.
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Newbolt, Thomas (born 1951) ‘Head II’. Oil on canvas. 1986. Exhibited: Browse and Darby. 16.5×11.5 inches. Framed: 23.5×18 inches.
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Pellew, Claughton (1890 – 1966) ‘Frau Brendel’. Etching. Signed, dated 1928 and editioned 4/25. 3.25×2.25 inches. Framed: 13×11 inches.
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Rivers, Leopold (1852 – 1905) Heath landscape; believed to be Mousehold Heath near Norwich, Norfolk. Oil on paper laid on board. Original frame. 6×10 inches. Framed: 11.5×15.5 inches.
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Rouault, Georges Henri (1871 – 1958) Charles Baudelaire (1821-1867) Lithograph (Chapon-Rouault 316). Signed. 1926. Edition of 35. The portrait was published with lettering, and without the woman’s profile (lower left), in ‘Souvenirs Intimes’. The sheet blind stamped ‘Galerie des Peintres Graveurs’. 12×8.5 inches.
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Rowe, Serena (born 1977) ‘Manet’s Table’. Oil on board. Signed. 2010. Signed, titled and dated, verso. Exhibited: Panter and Hall. 10×12 inches. Framed: 21×26 inches.
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Samuelson, Peter (1912 – 1996) Tea. Pen and ink. 1950s. Provenance: Artist’s Estate. 8×13 inches.
£225
Sauter, Rudolph Helmut (1895 – 1977) ‘From my window’. Signed and dated, 1932. Artist’s labels verso. Provenance: the Artist’s Studio. Exhibited: Louise Kosman. 24×19 inches. Framed: 33.5×29.25 inches.
£2,500
Solomon, Simeon (1840 – 1905) Future Thoughts. Brown chalk. Signed and dated, 1894. 13.5×20 inches. Framed: 22.5×28.5 inches.
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Sickert N.E.A.C., Walter Richard (1860 – 1940) Mr Johnson (RB145). Etching. c.1911. Fourth state. Published by Carfax & Co., 1915. Signed and inscribed in the plate ‘Fare tutti mestieri svergognati per campar onoratamente’. Provenance: Enid Bagnold. Label verso inscribed ‘Given to me while I was working with him. Enid Bagnold’. In a 1915 letter to Ethel Sands, Sickert wrote that he considered ‘Le Bon Dodo’, ‘Quai Henri Quatre’ and ‘Mr Johnson’ ‘for what they are as perfect prints’ (Bromberg p.160). 5×3.25 inches.
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Tomlin, Stephen (1901 – 1937) Duncan Grant (1885-1975) Bronze. Edition of 15. Cast in 2020/21 from the original bronze by Bronze Age London for Abbott and Holder JV. Stamped ‘AHJV’, editioned ‘…/15’, foundry stamped and hallmarked using the DACS Bronzechain hallmarking scheme. Price: £6000 (+vat). SALE PRICE: £4800 (+vat). 14.5×11.5xD9 inches.
£7,200
Strang R.A. R.E., William (1859 – 1921) A Hodson child. Chalks. Circa 1900. Signed and dedicated to Laurence W Hodson, Strang’s Wolverhampton patron. 12.75×8.75 inches.
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Waterlow R.A. P.R.W.S., Sir Ernest Albert (1850 – 1919) River Landscape. Charcoal. Signed and dated 1874. 23.5×37.5 inches. Framed: 33.5×48 inches.
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Ward, Miss Greta (Mrs Archibald Sanderson from 1936) (Mid-Twentieth Century) ‘Kentish Landscape’. Oil on canvas. Signed. Two artist’s labels verso. One for a previous work titled ‘Parrog’ and giving Miss Greta Ward’s address at 54 Colne Road. A second used first for Archibald Sanderson (1901-1972), titled ‘Cottage at Enfield, Spring’, and giving his address also at 54 Colne Road. This label has been adapted, his Christian name deleted and the title changed to ‘Kentish Landscape’ for the current work. Greta Ward ward became Mrs Archibald Sanderson in 1936. A 1950s R.B.A. label verso also. 15.5×19.5 inches. Framed: 21.5×25.5 inches.
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Wardle, Arthur (1860 – 1949) Lion. Chalks. Verso: a lioness. 11×15.5 inches. Framed: 15×19.5 inches.
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Urishibara, Yoshijiro (1888 – 1953) Roses. Woodcut. Signed and editioned ‘No.2’. 12×8 inches.
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Watt, Frances (1923 – 2009) Woman at a shop window. Oil on board. Signed. Exhibited: Sarah Colgrave. 8×5.25 inches. Framed: 11.75×9 inches.
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STEPHEN TOMLIN
Portrait of Duncan Grant

Stephen Tomlin (1901-1937)
Duncan Grant (1885-1975)
Bronze. Edition of 15. Cast in 2020/2021 by Bronze Age London for Abbott and Holder JV. Stamped ‘AHJV’ (Abbott and Holder JV), editioned ‘… /15’, foundry stamped and hallmarked using the DACS Bronzechain hallmarking scheme. 14.5 x 9 x11.5 inches. £7200 (£6000 +VAT) 15% of each sale – £900 – will be donated to the Charleston Trust

Cast from the original bronze of 1924, recently sold by Abbott and Holder Ltd to the Charleston Trust.

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LIST 518

SEPTEMBER 2021

PART I

LIST 518

PART II

STEPHEN TOMLINPortrait of Duncan Grant

STEPHEN TOMLIN
Portrait of Duncan Grant