Ainscough (1900-?), HildaSculptors / Stone Masons.Wood-engraving. c.1925. Signed and editioned ‘1/7’.4.5×5.75 inches.Framed: 12×12.5 inches.●
ANON (Nineteenth-Century)Mountain Donkeys.Watercolour and gouache. Ex. Collection: Cyril Fry, by whom attributed to William Daniell (1769-1837).2.75×4.5 inches.
£500
ANON (Nineteenth-Century)The pet goat.Pen, ink and wash. Ex. Collection: Cyril Fry, by whom attributed to Edward Calvert (1799-1883).4.5×4.5 inches.●
ANON (Twentieth-Century)Italy; Venice, San Giorgio from the Lagoon.Etching. c.1920.2×2.75 inches.●
ANON (Twentieth-Century)Vogue; Layout for a motor article with a Rolls Royce and a BentleyPencil and monochrome wash. c.1930.18×12 inches.●
Armitage CBE, Kenneth (1916 – 2002)Designs for Sculpture.Charcoal. Signed and dated, 1961. Provenance: Newport Gallery, Newport, Essex.16×19.25 inches.Framed: 26×29.5 inches.●
Blamey O.B.E. R.A., Norman (1914 – 2000)Study for ‘The Model Maker’ (Government Art Collection, exhibited R.A. 1958).Pencil, watercolour and gouache. 1958. Exhibited: Royal Academy Summer Exhibition 1976, no. 995; ‘Norman Blamey’, travelling exhibition, Norwich Gallery / Victoria Art Gallery / Fine Art Society, 1992/93. Literature: Lynda Checketts, ‘Norman Blamey’, Exh. Cat. 1992, ill. p.28.13.5×22.5 inches.Framed: 21×29.5 inches.●
Dark RN, Philip (1918 – 2008)Lieutenant H Ray Taylor RNVR (c.1913-1954)Oil and cotton sheeting (‘Sacking of a clothing parcel’, lit.p.42, Dark ‘Look Back This Once’) Lieutenant H Ray Taylor RNVR (c.1913-1954) was second-in-command of a motor gunboat sunk in the channel in mid 1942 and he taken to Marlag O. Before and after the War he was Art Master at Ermystead Grammar School, Skipton.21.5×20.5 inches.
£575
Devis, Anthony (1729 – 1816)A Passing Shower.pencil and watercolour. c.1800. Provenance: Arnold Fellows.5.25×8 inches.●
Freeth R.A., Peter (born 1938)‘Colossus (from Ozymandias)’.Lithograph. 1983. Signed.31×23.25 inches.Framed: 34.25×26.25 inches.
Havell, William (1782 – 1857)The view down a village street. Previously identified as Hampstead, but we think not.Pencil and watercolour. c.1810.12.5×17.5 inches.Framed: 20.5×24.5 inches.
£1,750
Hunt O.W.S., William Henry (1790 – 1864)A fisherman standing for his portrait.Pencil. Circa 1830. Provenance: a large collection of works by the artist, Bonhams 22/4/210; A and H.9.75×6 inches.Framed: 17.75×13 inches.
Mennie, John (1911 – 1982)‘POW working on the cutting at (Kauu) No.3 Camp, May 1943 Thai-Burma Railway’.Linocut printed in colours. Signed and inscribed.8.75×13.75 inches.Framed: 17×20.75 inches.●
Minton, John (1917 – 1957)Seated Woman.Pen and ink. Provenance: Harry Moore-Gwyn.14×8 inches.Framed: 21.25×15.25 inches.
£975
Nixon, John (1755 – 1818)‘An Old Lady at Brighton’Ink and watercolour. Signed and dated, 1784. Provenance: Provenance: Hospital de la Providence (French Hospital), Rochester.6.25×4.5 inches.●
Romney, George (1734 – 1802)A study for the ‘The Warren Family’ (1769).Pencil. c.1768. Provenance: Arnold Fellows.5.5×4.75 inches.
Sandby R.A., Paul (1731 – 1809)The Wood Yard, Windsor Great Park.Pencil and watercolour. Signed and inscribed. Exhibited: Agnews; Guildhall Art Gallery, ‘Paul Sandby Exhibition’, 1960.7×11.5 inches.Framed: 14×18.25 inches.●
Scott, Gordon (1914 – 2016)Self Portrait.Oil on board. Circa 1945. Provenance: The artist’s Estate.20×15 inches.Framed: 25×30 inches.●
Sheringham, George (1884 – 1937)Stag Roundel; a design or illustration.Pencil. watercolour and gold paint. Provenance: John Russell Taylor.5.5×5.5 inches.●
Short P.R.E. R.A., Sir Frank (1857 – 1945)‘Falls of the Rhine, Schaffhausen’ (R.93 S.197).Mezzotint after a sepia drawing by J M W Turner for his Liber Studiorum (never etched). 1896. Signed by Short. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956).9×11 inches.●
Welch, Denton (1915 – 1948)Cows.Pencil and chalks. Further cow studies verso. Provenance: Eric Oliver; Geoffrey Dunn; Sotheby’s 23.5.84; A and H.9.75×12.25 inches.●
Wilson, Scottie (1888 – 1972)Bird Pattern.Pen, brush, ink and watercolour. Signed. Provenance: Bought directly from the artist by Tina Carlile and Pearl King.21.25×14.5 inches.
£2,750
Worsdell, Guy (1908 – 1978)Still life with mugs, shell and glass orb.Oil on board. Signed.4.5×10.5 inches.Framed: 12.25×15.75 inches.●
JOHN THEODORE HARRISON (1914-2002)
John Theodore Harrison read History at Christ Church, Oxford, graduating in 1936. He then studied painting at the Ecole de la Grande Chaumiere, Paris. He lived in North Africa throughout the War years, when these works were made. From 1946 he was a Delegate with the British Council, becoming Arts Officer of the West Indies Branch in 1949 and of the Fiji branch in about 1960. While he exhibited and sold some of his works, his travels suggest he had a private source of income. Nothing is known about his later life other than that he kept his paintings in store, visiting them regularly up until his death in 2002…
An exhibition of 40 plein air landscapes by the great architect.
Thursday 11th April – Saturday 4th May
PRIVATE VIEW 5-8pm Thursday 11th April
FORTHCOMING
FLASH SPRING SALE!
5 DAYS 500 PICTURES 15% – 50% off
5pm Monday 18th – 5pm Saturday 23rd March
This is our first sale for three years. There probabLy won’t be one for another three!
LIST 547
APRIL 2024
PART I – 5pm Tuesday 9th April Including a group of recent paintings of Norfolk, Cornwall and Anglesey by contemporary painter Mary Blue.
PART II – 5pmTuesday 23rd April
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.
Approval Service: We are happy to send works on approval, but this is subject to discussion.
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