LIST 529

SEPTEMBER 2022


PART I

Issued 5pm 6th September


  • Paolozzi, Eduardo (1924 – 2005)
    BASH (Baroque All Style High). Screen print. Yellow colourway. Signed, dated and editioned ‘1610/3000’. Printed at Advanced Graphics and published by Galerie Dorothea Leonhart, Munich, 29×19.25 inches. Framed: 36×26 inches.
  • Porter, Michael (born 1948)
    London; ‘Landscape in Bow’. Mixed media. Signed, titled and dated, ’17/4/83′. Painted while Porter was Artist in Residence at the National Gallery (1982/83). 9.5×8.5 inches. Framed: 20×18 inches.
  • Potter, Mary (1900 – 1981)
    A South Coast Tidal / Sea Pool. Pencil watercolour and gouache. Exhibited: New Art Centre. 6.5×8 inches. Framed: 9.75×11.5 inches.
  • Redman, Henry (AKA Harry) Victor (1920 – 1994)
    ‘Primitive Art’. Lithograph. Inscribed ‘Redman’ below the mount. Provenance: The artist’s Estate. 7×8.75 inches.
  • Reynolds, Alan (1926 – 2014)
    ‘Modular Study’. Pencil. Signed, inscribed and dated, 1979. Ex. Collection: William and Edith Morgan. 18×18 inches. Framed: 27.75×27.75 inches.
  • Rooke R.W.S., Thomas Matthews (1842 – 1942)
    Durham; the Cathedral from the town. Pencil and watercolour. Signed and dated, 1927. 10.5×13 inches. Framed: 17.75×21.25 inches.
  • Rushbury R.A. R.E., Sir Henry (1889 – 1968)
    London; ‘Adelaide House’ (JR61). Drypoint. 1928. Signed. 8.5×10.75 inches.
  • Sergeant, John (1937 – 2010)
    Italy; Venice, San Giorgio at ‘Mid-day’. Watercolour and gouache. Signed, dated, 1973 and inscribed ‘Mid-day’. 6×9 inches.
  • Sherlock, Marjorie (1897 – 1973)
    Mountain Landscape. Oil on canvas board. Exhibited: Charles Plante. 11.5×14.5 inches. Framed: 17×20 inches.
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)
    ‘Et Delatore es’ (B168). Etching. 1915. Third, published state. 5.5×3.5 inches. Framed: 17×11.75 inches.
  • Sillince R.W.S. R.B.A., William Augustus (1906 – 1974)
    ‘ … and it will be found that in the long run the Typewriter is mightier than the Tank’. Wax Crayon. Signed and inscribed. Dated ‘4th July 1940’ verso. 7×9 inches.
  • Steel, Kenneth (1906 – 1970)
    ‘Rankin Porch, Liverpool Cathedral’. Line engraving and drypoint. 1934. Edition of 50. Signed. 13×10.5 inches.
  • Tchelichev, Pavel (1898 – 1957)
    Sleeping Figure. Brush and sepia wash. Signed. 6.25×10 inches. Framed: 14.75×18 inches.
    £1,750
  • Woodforde R.A., Samuel (1763 – 1817)
    Christ and Mary Magdalene. Pencil and sepia wash. 8.5×7 inches. Framed: 15×13 inches.
  • Varley F.R.S.A., Cornelius (1781 – 1873)
    Wales; Dolgelly. Pencil. 1802, 1803 or 1805. Signed and inscribed. 4×7 inches.
  • Varley O.W.S., John (1778 – 1842)
    Wales; Harlech Castle and Tegwyn Ferry from Traeth Mawr. Pencil and watercolour. Signed and dated, 1804. The sketch used for Varley’s large composition of the same subject, now in the Yale Center for British Art, New Haven. Exhibited: Bill Thompson. 9.75×17.75 inches. Framed: 19.25×26.5 inches.
  • ANON (Nineteenth-Century)
    The ‘Carnarvon Castle’ (built 1867) rigged as a Barque. Oil on canvas. c.1890/1900. In 1910 the Carnarvon Castle was dismasted in a gale and abandoned in the North Atlantic. It was sailing from Peru to Antwerp with a cargo of guano. The crew were rescued by the steamship Salybia. 17.5×24 inches. Framed: 23.5×29.5 inches.
  • ANON (Nineteenth-Century)
    Italy; Leghorn [Livorno], a panorama. The view from Ardenza with Elba, Corsica and Gorgona on the horizon. Taken from the Casini all’ Ardenza (completed 1844). The new coastal road had been developed in the mid-1830s and intense building of accommodation for holiday-makers followed. Pencil, pen, ink and wash. c.1845. Thank you to Professor Charles Watkins and Leonardo Porcelloni for their help in identifying the likely location that this panorama was taken from. 10.75×79.5 inches.
  • Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956)
    Norfolk; ‘The Barking Smack, Great Yarmouth’. Pencil, conte crayon and charcoal and graphite. Signed and inscribed. Exhibited: Fine Art Society, 2006. 9×10 inches. Framed: 18×19 inches.
  • Burney, Edward Francis (1760 – 1848)
    A Woman Reading. Pencil. Provenance: A Burney sketchbook with the Covent Garden Gallery. 5.25×4 inches.
  • Beer, Richard (1928 – 2017)
    Oxford; ‘Wadham College’. Etching and aquatint. Signed, titled and editioned ‘1/100’. 23.5×15.75 inches.
    £375
  • ANON (Nineteenth-Century)
    London; ‘Residence of Garrett Kentish Town’. Pencil with white heightening. Inscribed and dated, verso. 9×7.25 inches.
  • Clark, Thomas (1777 – 1858)
    London; a View over the Regent’s Park from near Primrose hill. Pencil. Provenance: A Clark sketchbook with US dealer Anne Clark James. 4×7.75 inches. Framed: 12.5×15.75 inches.
  • Courtenay (Late Eighteenth Century)
    ‘Iris’. Pencil and watercolour. Signed and dated, 1775. Provenance: Cornish Torbock. 13.25×11.75 inches.
  • Cox O.W.S., David (1783 – 1859)
    Wales; Cader Idris from near Tywyn. Watercolour. c.1830. 9×14 inches.
  • Cristall OWS, Joshua (1767 – 1847)
    Hydrangea. Pencil and watercolour. Exhibited: Covent Garden Gallery. 10×8 inches.
    £1,250
  • Devis, Anthony (1729 – 1816)
    Surrey; ‘Shire from the rising ground near Mr Duncombs’. Pen, ink watercolour and white heightening. The original inscription inscribed to the modern backing. 5.5×8 inches.
  • Dodd R.A., Francis (1874 – 1949)
    London; St Mary le Strand. Drypoint. 1916. Signed. 13.5×10 inches.
  • Francia, Francois Louis Thomas (1772 – 1839)
    London; from Greenwich Park. Watercolour. Signed and indistinctly dated 1818. 8×10.5 inches. Framed: 16×18.75 inches.
  • Ghezzi, Pier Leone (1674 – 1755)
    Character Study. Pen and ink. c.1745. Exhibited: Christopher Powney. Ex. Collection: Edward Croft-Murray (1907-1980). 12×8.5 inches.
    £2,750
  • Frederick, Waveney (1911 – 1999)
    Suffolk; a Benton End School painting. Oil on canvas. Signed. c.1945. 14.5×19 inches. Framed: 19.5×24 inches.
  • Grant, James Arden (1887 – 1974)
    Portrait of a woman. Pencil. Provenance: A and H. 16.5×12 inches.
  • Guthrie, Robin (1902 – 1971)
    Studio Still Life and Self Portrait. Pen, brush and ink. Signed. 15×16.5 inches. Framed: 19×20.5 inches.
  • Hall Thorpe, John (1874 – 1947)
    ‘The Chinese Vase’. Woodcut. 1925. Signed and titled. 19×12.5 inches.
  • Hay, William Robert (1886 – 1964)
    The Blue Cap, a Camden Town portrait. Oil on board. Signed and dated, 1911. 19.25×15.25 inches. Framed: 25×21 inches.
  • Hunt O.W.S., William Henry (1790 – 1864)
    Summer Trees and Shade. Pencil and watercolour. Ex. Collection: Cyril Fry. 1.5×3 inches.
  • Howard (9th Earl of Carlisle), George (1843 – 1911)
    ‘Polly’; Lady Dorothy Georgiana Howard (1881-1968), Baroness Henley of Chardstock from 1925. Pencil. c.1890. Inscribed ‘Polly’ on the original mount. Provenance: A group of works by Howard believed to have belonged to his daughter Lady Cecilia Howard (1869-1947) (m. Charles Henry Roberts 1891). 6.5×6 inches.
    £275
  • Hurry, Leslie (1908 – 1978)
    ‘Rejection / Meeting / Man and Woman / Allegory’. Crayon, ink, watercolour and acrylic. Signed and dated, 1974. Inscribed verso. 23×30.5 inches.
    £450
  • Knight, Harold (1874 – 1961)
    Head study; a South Kensington Schools examination piece. Charcoal. Bearing the ESK blind-stamp. The sitter has previously been identified as Lily Poyser, who modelled regularly at Nottingham School of Art. But a more convincing identification may be the sitter in Knight’s ‘Girl with a Red Bow’ (mid-1890s, Nottingham City Museums & Galleries). Provenance: Frederick Riley (1867-1915) by whom acquired from the artist when a student at Nottingham Art School, 1888-1895. This drawing is to be included in the catalogue raisonné currently being compiled by R John Croft FCA, the great-nephew of the artist. 12.86×11.25 inches. Framed: 20.5×18.5 inches.
  • Lear, Edward (1812 – 1888)
    Italy; Abruzzo, ‘Civita d’Antino’. Pencil, chalk and white heightening. Signed, inscribed and dated, 1844. Illustrated: Edward Lear, ‘Excursions in Italy’, 1846, plate 20. Provenance: John Scandrett Harford (1787-1866), who first met Lear in Italy in 1846. 6.5×11.25 inches. Framed: 15.5×19 inches.
  • Lytton OBE (Later 3rd Earl of Lytton) (Attributed to), Hon. Neville Stephen (1879 – 1851)
    Sir Edward Marsh KCVO CB CMG (1872-1953) Oil on panel. c.1905. One of the great Patrons of the arts of the Twentieth Century, Marsh was also a brilliant civil servant. He was successively Assistant Private Secretary to Joseph Chamberlain while he was Colonial Secretary, Private Secretary to his successor Alfred Lyttleton, and then Private Secretary to Winston Churchill when he was Under-Secretary of State for the Colonies. He remained Churchill’s Private Secretary for the next ten years becoming Assistant Private Secretary to Prime Minister Asquith in 1915. In 1916 and he returned to service under Churchill until 1929. 21.75×18 inches. Framed: 29×25 inches.
  • Malet, Guy Seymour (1900 – 1973)
    Roofs and trees. Wood engraving. Circa 1935. Provenance: Malet Studio Sale, Christies, c.1980. 10×8 inches.
  • Matisse, Henri (1869 – 1954)
    ‘Masque Mélancolique’ (Duthuit 788). Aquatint printed in black on cream wove Rives type paper. 1947. One of seven trial proofs from a total of thirty-seven impressions (seven trials proofs, five artist’s proofs, twenty-five edition impressions) of the only issue, printed at Atelier Lacouriere in 1947. Exhibited: William Weston, ‘Henri Matisse Etchings, Aquatints and Linocuts’, 1993, Cat. No.22. Provenance: Archives of Atelier Lacouriere. 13×9.75 inches. Framed: 22.25×18.75 inches.
  • Martin, John (1789 – 1854)
    ‘Joseph Fleeth Into Egypt’. Mezzotint. For ‘Illustrations of the New Testament by Westall and Martin’, first published 1836. 5×7.5 inches.
  • McBey, James (1883 – 1959)
    France; Rouen. Etching. Signed. Signed, titled and dated, 1916 in the plate. 6.5×14 inches.
  • Muller, William James (1812 – 1845)
    Norfolk; Norwich Cathedral. Pencil and watercolour. 1831. On Whatman paper, watermarked 1830. Ex. Collection: Rev. James Bulwer (1794-1879). Exhibited: Appleby Bros Ltd. 7.75×11.25 inches. Framed: 16×20 inches.
  • Nevinson, Christopher Richard Wynne (1889 – 1946)
    ‘Westminster from a Window of the Savoy Hotel’ (G.50). Etching. Edition of 75. 1925. Signed. Exhibited: William Weston, 2000. 13.75×18.5 inches. Framed: 19.5×21 inches.
  • Nixon, John (1755 – 1818)
    An impromptu garden performance. Probably in the grounds of Benham Park, Berkshire, home of the Lady Craven (then Margravine of Brandenburg-Ansbach) whose Theatrical Group Nixon was a member of. Watercolour. c.1800. 4.25×6.5 inches.
  • Prinsep R.A., Valentine (1838 – 1904)
    Figure and Drapery studies. Chalks. 9×11 inches.
  • Nollekens R.A., Joseph (1737 – 1823)
    PAIR; Studies for a military funerary monument, possibly for a Royal Artillery Officer. Pencil and monochrome wash. The second sheet with designs for the same monument recto and verso. Provenance: Andrew Wyld. 12.5×7.5 inches.


LIST 529

PART II

Issued 5pm 20th September


  • Austin, Frederick (1902 – 1990)
    Italy; Rome, ‘Pedlars – Porta del Popolo’. Etching. Signed, dated 1928 and editioned ‘2/50’. 4×4.5 inches.
  • Badmin R.W.S. R.E., Stanley Roy (1906 – 1989)
    USA; ‘Cherry Street, Philadelphia, Elfreth’s Alley’. Pencil and watercolour. Signed, inscribed and dated, ‘Aug 1935’. Exhibited: Fine Art Society, 2014. 8.75×6.5 inches. Framed: 16.25×13.75 inches.
  • Alexander, William (1767 – 1816)
    Kent; the barn at Parsonage House, Near Addington. Pencil and watercolour. Exhibited: Agnews, ‘Watercolours and Drawings 2001’, Cat. No.28. 7.25×10.25 inches. Framed: 15×17.5 inches.
    £975
  • Bentley O.W.S., Charles (1805 – 1854)
    Kent; Broadstairs. Pencil and watercololour. Provenance: Anthony Reed c.1980; private collection until 2008; Andrew Wyld 2009, where acquired by the pervious owner. Exhibited: Andrew Wyld, Summer Exhibition 2009, Cat No.27. 4×5.75 inches. Framed: 11×12.25 inches.
  • Baynes, Anthony (1921 – 2003)
    Flying Fish, a studio still life. Oil on card. Signed and dated, 1977. 9.5×6.25 inches. Framed: 12.5×9.5 inches.
  • Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956)
    ‘Distant Oxford’, a view from Hinksey (CD195). Etching. 1905. Edition of 40. Signed. 6×8.75 inches.
  • Brangwyn R.A. R.W.S., Frank (1867 – 1956)
    Bar Talk. Pen, ink and watercolour on Brangwyn’s headed paper. Signed. Provenance: ‘Wm Stewart. Jointure Cottage’; Edward J Wood of the ‘Theatre Royal Exeter’. Exhibited: Harry Moore-Gwyn. 5.5×9.5 inches. Framed: 13×16 inches.
  • Brangwyn R.A. R.W.S., Frank (1867 – 1956)
    France; Paris, ‘Church of St Nicholas-du-Chardonnet’ (Gaunt 218). Etching. 1913. Edition of 104. Signed. 20.5×24.75 inches.
  • Bright, Henry (1814 – 1873)
    A mountain landscape. Oil on canvas. Provenance: Sotheby’s, 9th March 2005, lot 18 (to A and H). 12×19 inches. Framed: 14.75×21.75 inches.
    £2,250
  • Buckland-Wright, John (1897 – 1954)
    Belgium; Luxembourg, ‘Chateau de Bouillon’. Wood-engraving. Signed, titled, editioned 8/30 and dated 1927. 4.5×3.5 inches.
  • Cox Jnr, David (1809 – 1885)
    Shropshire; ‘Stokesay Castle’. Watercolour. Colonel Hill’s (Cox’s executor) signature stamp. 9.5×13.5 inches.
    £750
  • Collins (Contemporary), Michael
    East Sussex; Sea View, St Leonards On Sea. Watercolour. Exhibited: RA Schools Degree Show 2000. 12.75×10.5 inches. Framed: 21×18 inches.
  • Cozens (Pupil / Follower of), Alexander (1717 – 1786)
    Italianate Buildings on the brown a hill; a study in landscape composition. Pencil and watercolour. Inscribed ‘Cozens Snr’ verso. 6.25×8 inches.
  • Denaro, Melita (born 1950)
    Ireland; Donegal, ‘Bin Doig’. Oil on panel. Titled verso. Exhibited: Whitechapel Open. 8×6.5 inches. Framed: 14.75×13.5 inches.
  • Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)
    Lincolnshire; ‘Mablethorpe Church’. Pencil. Indistinctly signed and dated, 1912. Illustrated: W. F. Rawnsley, ‘Highways and Byways in Lincolnshire’, Macmillan and Co. 1914, p.292. 4.5×5.25 inches.
  • Eldridge R.W.S., Mildred (1909 – 1991)
    Italy; ‘Florence’, Harvesters at ‘Pogggio Gherardo’. Pen, ink, watercolour and white heightening. c.1934. Provenance: Artist’s Estate. 14.5×10 inches.
  • Dubsky, Mario (1939 – 1985)
    Life Drawing. Charcoal. Signed. 21×13.5 inches. Framed: 33×24.75 inches.
  • Fitton R.E., Hedley (1857 – 1919)
    Italy; ‘Little Market Vicenza’. Etching. 1918. Signed. 16.25×11.5 inches.
  • Grimm, Samuel Hieronymus (1733 – 1794)
    PAIR: Two views on an Estate; the village and the farm. Pencil and watercolour. c.1785. Exhibited: Spink. 14.5×21 inches. Framed: 24×30 inches.
  • Halliwell, Albert Edward (1905 – 1987)
    ‘Molesey Regatta’; an original London Underground poster design. Pencil and gouache. c.1930. Signed. Ex. Collection: The National Arts Education Archive, Yorkshire. Provenance: the Artist’s Estate. 11.5×18.25 inches. Framed: 15.75×22.5 inches.
  • Hayter R.A., John (1800 – 1895)
    Child and putti; a figure composition. Pen and ink. Exhibited: Christopher Powney. 6×6 inches.
    £575
  • ANON (Nineteenth-Century)
    London; Islington, ‘Rufford’s Row School Room’ at Christmas. The Angel Court Ragged School at 41 Rufford’s Buildings (opened 1854). Pencil and sepia wash. Inscribed and dated, ‘April 23rd 1856’ verso. 6.75×9.5 inches.
  • Holloway, Edgar (1914 – 2008)
    ‘Philip’ (Self Portrait). Pencil. Signed and dated, 1938. Exhibited: ‘Edgar Holloway & Friends: an artist’s collection of prints from the ‘thirties’, 1999, Cat No.82. This was a wide-travelling exhibition organised by the School of Art at the University of Wales, Aberystwyth in association with Wolseley Fine Art. The previous owner bought the drawing from Edgar on the first leg of its tour at the Towner Art Gallery, Eastbourne, before it moved to the National Museum of Wales in Cardiff. 10×5.75 inches. Framed: 23×17 inches.
  • Jackson, Samuel (1794 – 1869)
    Ireland; The Devil’s Punchbowl, Mangerton Mountain, County Kerry. Pencil and watercolour. Exhibited: Andrew Wyld, Summer Exhibition 2009, Cat No.22. 8.25×11 inches. Framed: 12.25×15 inches.
  • ANON (Nineteenth-Century)
    Kent; ‘South West View of Hythe Church / July 24th 1782 / from Mr Russels’. Pencil, pen, ink and monochrome wash. Inscribed and dated. 10×12 inches.
  • Jonzen R.B.A. A.R.B.S., Karen (1914 – 1998)
    ‘Girl Sewing’. Terracotta. 1967. Literature: ‘Karin Jonzen: Sculpture’, Silent Books, Cambridge, 1994, p.46. 13x12xD5.75 inches.
  • Leete, Alfred (1882 – 1933)
    Schmidt the Spy: ‘Revolution has broken out in London’. Pen, brush, ink and crayon. For the ‘London Opinion’. Signed. Date stamped ‘23.1.1915’ verso. Illustrated: Alfred Leete, ‘Schmidt the Spy and his messages to Berlin’, Duckworth, 1916. 10×12 inches. Framed: 19×21 inches.
  • Mahoney, Charles (1903 – 1968)
    Kent; Borough Green Railway Station. Oil on board. Exhibited: Paul Liss. Provenance: Artist’s Estate. 11.75×15.75 inches. Framed: 15.25×19.25 inches.
  • Meyrick, Robert (born 1958)
    Wales; Old College Door, Aberystwyth University. Linocut. Signed and editioned ’45/50′. 16×12.5 inches.
    £275
  • Montgomerie, William Hugh Canning (from 1881)
    A Scottish harbour. Etching. c.1932. Signed. 7.25×11.75 inches.
  • Nattes (c.1765-1839), Jean-Claude
    Lincolnshire; ‘View of a Duck decoy’. Watercolour and gouache. Signed, titled and dated 1797 verso. 15.25×20.25 inches. Framed: 19.5×24.5 inches.
  • Notz, Johannes (1802 – 1862)
    Portrait of a Swiss lady. Chalks. c.1830. Signed. 13.25×10.75 inches. Framed: 21.5×18.5 inches.
  • Morgan, William Evan Charles (1903 – 1978)
    ‘Italian Hill Town’ (RM 25). Drypoint etching. Signed, titled, dated 1928 and editioned ’74/78′. 5.75×6.25 inches. Framed: 8.75×10.25 inches.
  • Phipps R.W.A. S.W.E., Howard (born 1954)
    Wiltshire; ‘Winkelbury Hillfort’. Wood-engraving. Signed, titled and editioned ’98/150′. Exhibited: Mall Galleries, 2006. 4.5×7 inches. Framed: 8.75×10.5 inches.
  • Prendergast, Peter (1946 – 2007)
    ‘Winter Landscape’. Acrylic. Signed, titled and dated, 2001 verso. Exhibited: The Singer & Friedlander Watercolour Competition, The Mall Galleries, 2003. 11.5×15.25 inches. Framed: 18.25×21.76 inches.
  • Prout O.W.S., Samuel (1783 – 1852)
    Washerwomen. Pencil and watercolour. 4×4.75 inches. Framed: 12×12.25 inches.
  • Rowlandson, Thomas (1756 – 1827)
    The Duck Herd. Pen, ink and watercolour. Signed. Provenance: Gerald Reitlinger. 6×9.75 inches.
  • Rothenstein R.A., Michael (1908 – 1993)
    ‘Veiled Sun’. Woodcut and linocut. 1972. Signed. 19.75×13.5 inches.
  • Salter P.R.A., Rebecca (born 1955)
    ‘J45’. Acrylic on canvas. Signed, titled and dated 1995 verso. 8×8 inches.
  • Swanwick R.I. R.O.I., Harold (1866 – 1928)
    Isle of Man: mist clearing over the sea. Oil on canvas. Provenance: Swanwick Studio Sale, Gorringes 15.5.2013. 7.5×10.5 inches. Framed: 8.5×11.5 inches.
  • Shannon (Twentieth Century), Donald
    Scotland; ‘Evening Landscape’, Scone. Watercolour and gouache. Signed. Exhibited: Royal Scottish Society of Painters in Watercolour, 1968. 13.5×15.25 inches. Framed: 21.5×23 inches.
  • Squirrell R.E. R.W.S., Leonard Russell (1893 – 1979)
    Suffolk; ‘The Foundry, Eagle Works, Ipswich’. Chalk and watercolour. Signed and dated, 1939. 11.5×19 inches.
  • Tanner A.R.E., Robin (1904 – 1988)
    Wiltshire; ‘Martin’s Hovel’ Biddestone (Garton 3). Etching. 1927. Signed. From the second edition (50) published by the Penn Print Room, 1974. 6.5×8.25 inches. Framed: 13.25×14.75 inches.
  • Tavener R.E., Robert (1920 – 2004)
    ‘Tree and Oast Houses (No.4)’. Linocut. Signed, titled and editioned ’11/75′. 19×27 inches.
    £875
  • Thornhill (Attributed to), Sir James (1675 – 1734)
    Design for a Garden Monument. Pen and ink. Inscribed ‘Sir J Thornhill’. Verso: William and Mary? Exhibited: Covent Garden Gallery. 7×9.5 inches.
  • Tommasi, Ludovico (1866 – 1941)
    ‘Popolano Fiorentino’. Oil on card. Signed. Titled verso. Exhibited: XIX Esposizione Biennale Internazionale d’Arte – Venezia, 1934. 33×26.75 inches. Framed: 39×25 inches.
    £3,750
  • Underwood (and Pupil), Leon (1890 – 1975)
    Life drawing. Pencil. Inscribed ‘Demonstration by Leon Underwood’. The main drawing is by a student from the Brook Green School of Art (1919-1938). Bottom right is a demonstration drawing by Underwood. 6×15.5 inches. Framed: 10×19.5 inches.
    £375
  • Walcot R.E., William (1874 – 1943)
    ‘Anthony in Egypt No.2’. Etching and aquatint. 1916. Signed. 20×19.5 inches. Framed: 34×33 inches.
  • Varley O.W.S., John (1778 – 1842)
    Northumberland; A View Towards Holy Island from Bamburgh Castle. Pencil, and watercolour. 1808. Agnews, ‘130th Annual Watercolour Exhibition’, 2003, Cat No 33. 4×7 inches. Framed: 11.5×14.25 inches.
  • Wood, Christopher (1901 – 1930)
    Reclining Nude, previously identified as ‘Constant Lambert’. Pencil, crayon and chalk. Authenticated by Winifred Nicholson in 1966 according to a label verso. Provenance: Redfern Gallery; Stone Gallery, Newcastle, 1966; Rev. G S Bennett; Redfern Gallery 1984; Russell Burgess. 10.25×14.25 inches. Framed: 18×22 inches.


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