1. Ackroyd C.B.E. R.A., Norman (born 1938)Lake District; ‘Midwinter – Windermere’.Aquatint. Artist’s proof. Signed, titled and dated 2000.13.25×16.75 inches.Framed: 16.75×30 inches.●
2. Aldridge R.A., John (1905 – 1983)Essex; ‘The Place House Garden, Great Bardfield’.Pastels. Signed and dated, ‘October 19th 1964’. Exhibited: ‘John Aldridge Works on Paper’, Fry Art Gallery, Saffron Walden, 2000, Cat. No. 222. The Fry Art Gallery label verso bearing the Studio Stamp.19.5×24.75 inches.Framed: 23×28.5 inches.●
3. Alexander, William (1767 – 1816)Buckinghamshire; ‘Marlow Punting 1806’.Pencil and monochrome wash. Inscribed verso. Alexander was Professor of drawing at the Military College, Great Marlow from 1802 to 1808.4×6 inches.Framed: 9.5×10.75 inches.●
5. ANON (Nineteenth-Century)Portrait of a writer, once identified as the Irish poet Thomas Moore (1779-1852).Pencil and watercolour. c.1800.7×6 inches.●
7. Bonington, Richard Parkes (1806 – 1828)Two Figures in Medieval Costume.Pencil and watercolour. c.1825. Patrick Noon notes that this study is contemporaneous with the studies Bonington made at Westminster Abbey in 1825. Literature: Patrick Noon, ‘Richard Parkes Bonnington, The Complete Paintings’, Cat. No.308, p.358. Provenance (as given by Patrick Noon): probably Edward Vernon Utterson (1777-1856); his sale, Christies 24th February 1857, lot 380); Anonymous Sale, Christies 1st March 1977, lot 113; Private Collection.4.5×3.5 inches.Framed: 13.75×10.5 inches.●
9. Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956)House at Night.Pencil. Signed. Provenance: William Rothenstein (Sothebys 26.02.03, Rothenstein Estate via Lucy Dynevor).7×4.5 inches.Framed: 11×8 inches.●
11. Clausen R.A. R.W.S., Sir George (1852 – 1944)Hot Southern Landscape.Pencil and watercolour. Signed, dated 1925 and dedicated to Thomas Monington P.R.A. (1902-1976).8×10.25 inches.Framed: 16×18 inches.
£750
12. Cotman, John Sell (1782 – 1842)‘Chedgrave Church, Norfolk’.Pencil. Signed, inscribed and numbered. Engraved: J. Greig, ‘Excursions through Norfolk’, 1819. Exhibited: Walker’s Galleries, 1926, Cat. No.45. Provenance: Robert Hawthorn Kitson.7.5×9.75 inches.Framed: 15.5×17.5 inches.●
14. Daoud, Adel (born 1980)Composition from the ‘Charbon de Chair’ series.Charcoal. Signed and dated, 2014. For another drawing from the Series see Isabel Seligman, ‘Pushing Paper Contemporary Drawing from 1970 to Now’ British Museum Exhibition Catalogue, 2020.27.5×39.5 inches.Framed: 30×42 inches.
£3,500
15. Day (fl.1815-1854), Charles WilliamBulgaria; ‘Varna on the Black Sea’.Pencil, pen and ink. Inscribed. Exhibited: Covent Garden Gallery.2.25×6.5 inches.●
20. Hagreen, Philip (1890 – 1988)Trees against the sky.Wood-engraving. 1920. Signed, dated and editioned ’26/50′.2.5×3.75 inches.Framed: 16×13 inches.●
22. Hennell, Thomas (1903 – 1945)Winter landscape – the view from Hennell’s cottage.Ink and watercolour. c.1938. Signed. Inscribed verso ‘Packing Cherries’.11.5×18.5 inches.Framed: 19.5×25.75 inches.●
24. Heming Mason A.R.A., George (1818 – 1872)Surrey; ‘Pond near Esher’.Oil on board. Signed to a label verso. Provenance: ‘Bought by G. D. Leslie at Mason’s Studio Sale c.1875’, and by descent.10×13.25 inches.Framed: 14×17.5 inches.●
28. Kearney, Patrick (1919 – 1994)Norfolk; ‘King’s Lynn’.Watercolour. 1967. Signed inscribed and dated, 1967.11.75×8.75 inches.Framed: 17.25×14 inches.●
29. Kramer, Jacob (1892 – 1962)Self Portrait.Chalk, brush and Indian ink. Signed. Dedicated to Willie Whittaker. A study related to the artist’s lithographic self portrait. Exhibited: Leeds City Art Gallery, ‘Jacob Kramer Retrospective’, 1960, Cat No.173 (lent by Dr W Whitaker); Ben Uri Gallery ‘Jacob Kramer Reassessed’, Cat. No. 72.19.25×14.25 inches.Framed: 21.5×16 inches.●
30. Legros, Alphonse (1837 – 1911)Profile; previously identified as Charles Ricketts (1866-1931).Silver point on prepared paper. Signed and dated, 1890.13.25×9.75 inches.Framed: 21×17 inches.
£3,750
31. Linnell, John (1792 – 1882)A child in a smock and bare feet.Watercolour. Signed and dated, 1815.5×4 inches.Framed: 13.5×10.5 inches.●
34. McBey, James (1883 – 1959)‘Jerusalem’.Drypoint etching. Signed and numbered ‘XIII’. Signed, inscribed and dated in the plate ‘McBey 1921 Jerusalem December 1917’.6.5×14 inches.●
36. Müller, William James (1812 – 1845)Bristol; the view from the West end of Royal York Crescent with Clifton Church in the distance and Cornwallis Crescent to the right.Watercolour. Exhibited: Agnews. Provenance: Dr Robert Hemphill.5×10 inches.Framed: 12×16 inches.
£2,750
37. Nixon, John (1755 – 1818)Hampshire; ‘Portsmouth High Street’.Pencil, pen, ink and sepia wash. c.1800. Inscribed.6.75×9.5 inches.●
38. Piper C.H., John (1903 – 1992)‘Westminster School I’ (Levinson 114).Lithograph. 1961. Signed and inscribed ‘artist’s proof’.17×22.75 inches.Framed: 28×32 inches.●
39. Sergeant, John (1937 – 2010)Italy; Venice, San Giorgio at ‘Mid-day’.Watercolour and gouache. Signed and dated, 1973.6×9 inches.●
40. Rowlandson, Thomas (1756 – 1827)‘Bottes Fortes’ de postillon / postilion boots.Pen, ink and waterolcour. c.1810.4.25×4.5 inches.Framed: 12.25×12 inches.●
41. Shotter Boys, Thomas (1803 – 1874)Berkshire; Windsor Castle from the Thames.Pencil. c.1849/50. Exhibited: Covent Garden Gallery.9×12.5 inches.Framed: 16×19 inches.
£775
42. Storey R.A., George Adolphus (1834 – 1919)Donizetti; ‘Una furtiva lagrima’, a woman at the piano.Pen and ink. Inscribed. Provenance: A group of drawings by Storey with A and H, 1997.5.5×4 inches.Framed: 8.5×7 inches.●
43. Sitwell, Georgia (1905 – 1980)‘Le Chapeau de Paille’ / ‘The Straw Hat’.Oil on canvas. 1925. By the wife of Sacheverell Sitwell. Exhibited: ‘They Painted Some Pictures’, First Effort Section, Sunderland House, Curzon Street, 1925.12.5×20 inches.Framed: 15.5×23.5 inches.●
44. Underwood, Leon (1890 – 1975)Self Portrait as St Sebastian.Etching. Signed and dated, 1921. Titled and editioned ’20/25′.4.5×3 inches.●
45. Varley O.W.S., John (1778 – 1842)Northumberland; Bamburgh Castle.Pencil and watercolour. Exhibited: Andrew Wyld, 2005, Cat No. 33.9.5×13.5 inches.Framed: 17.25×21 inches.●
46. Vinay, Jean (1907 – 1978)France; Paris, ‘Pont Marie en Ile St Louis’.Oil on canvas. c.1950. Signed. Signed and titled verso.19×26 inches.Framed: 27.5×33.5 inches.●
53. Allom, Thomas (1804 – 1872)France / Petrarch; ‘Tomb of Laura, Avignon’.Pencil. Inscribed recto. Extensively inscribed verso. Provenance: A large collection of drawings by Allom, bought Bloomsbury Auctions 15/7/10. Exhibited: Henry Potts.5×6.5 inches.Framed: 12×13.5 inches.
£175
54. ANON (Seventeenth-Century)Figure Study.Pen, brush and ink. By an artist active in Rome in the mid-seventeenth century?3.5×2.75 inches.●
58. Benizy dit Dubuisson, J. (1755 – 1809)French Revolution; ‘Valeur des Assignats et Autres Papiers Monnoies’.‘Depuis l’epoque de leur emission en France jusqu’a celle ou ils ont cesse d’avoir Coure’. A trompe-l’oeil of Revoltionary Assignats used between 1789 and 1796. With the full list of values / exchange rates printed verso. Etching. Published 1804.10×14.25 inches.
61. Bristow, Edmund (1787 – 1876)Cellist – a study for ‘The Rehearsal’.Oil on panel. 1822. Bristow’s painting ‘The Rehearsal’ (1822) was sold at Sotheby’s July 17th 1974. Exhibited: Andrew Wyld, 2007.11.25×8.5 inches.Framed: 15×12.25 inches.
£8,500
62. Beer, Richard (1928 – 2017)Oxford; ‘Brasenose’.Etching and aquatint. Signed, titled and editioned 41/100.22.75×16.75 inches.
£575
63. Barnard, Fred (1846 – 1896)A (no doubt famous!) Violinist.Pencil. c.1880. By the writer and illustrator who was Editor of ‘Punch’ 1880-1906. Exhibited: A and H, 1997.6×4 inches.Framed: 9×6.75 inches.●
64. Cristall OWS, Joshua (1767 – 1847)‘Phoebe Dawson’.Watercolour. Signed and dated, 1821. Exhibited: Old Watercolour Society, 1821, No.119. Literature: Basil Taylor, ‘Joshua Cristall’, V&A Exhibition Catalogue, 1975, See Cat. Nos. 261 and 262; John Tisdall, ‘Joshua Cristall: In Search of Arcadia’, 1996, pp.51-57.18×13.5 inches.Framed: 25×21 inches.
£5,000
65. Crotch, Dr William (1775 – 1847)Berkshire; Windsor Castle, ‘The Grave (in the North Aisle of St George’s Chapel Windsor) of Princess Louise’ [Princess Louise of Saxe-Weimar-Eisenach 1817-1832].Pencil and watercolour. Extensively inscribed and dated, ‘July 13 1832 1/2 past 1’ verso. The princess died on the 11th July. Provenance: Part of an album sold at Sotheby’s, 22nd March 2005 (lot 96).8.75×5.5 inches.Framed: 15×11.5 inches.●
66. Dance R.A., George (1740 – 1823)Profile in spectacle; a member of the Hall family.Pencil. Inscribed ‘Hall / Grandfather’. We have previously had portraits by Dance of James and Eleanor Hall.8.5×7 inches.●
67. Dark RN, Philip (1918 – 2008)WWII; ‘Ray Taylor Painting’.Oil on the cotton sacking of a clothing parcel. Painted c.1942-45 while Philip Dark was a POW at Marlag O, Westertimke, near Bremen, Lower Saxony. Lieutenant H Ray Taylor RNVR (c.1913-1954) was second-in-command of a motor gunboat sunk in the channel in mid 1942. Before and after the War he was Art Master at Ermystead Grammar School, Skipton.21.5×20.5 inches.●
68. Denaro, Melita (born 1950)‘Lower Lagerhurry (I)’.Oil on board. November 1996. Exhibited: Contemporary Art Society Market, 1996.6.5×8.5 inches.Framed: 13.25×15.25 inches.
£2,250
69. Darwin (Nee Monsell), Elinor (1879 – 1954)Daphne and Apollo.Wood engraving. c.1903. A proof printed in colour for the plate published in ‘The Venture; an Annual of Art and Literature’, 1903.5×4.5 inches.●
70. Devis, Anthony (1729 – 1816)Surrey; ‘A Yew tree in Albury churchyard 21 feet 4 Cir.’.Pen, ink and watercolour. c.1800.5.5×8 inches.●
75. Fraser, Claud Lovat (1890 – 1921)Kent; ‘The Poplar at Dymchurch’.Pen, ink and gouache. Signed, inscribed and dated, ’16.vii.20′. Exhibited: Brian Sewell at the Alpine Gallery, ‘Master Drawings Armstrong to Zuccaro’, 1976, Cat No.13.10.75×8.25 inches.Framed: 21×17.75 inches.●
76. Foster R.W.S., Miles Birket (1825 – 1899)Scotland; Loch Maree from the Poolewe Road.Watercolour. Studio stamped. Provenance: Christies, ‘Birket Foster Studio Sale’, 26th June 1899, lot 101.8.75×14.75 inches.Framed: 17×22.75 inches.●
78. Hearne, Thomas (1744 – 1817)‘North West View of St Sepulchre’s Church, Cambridge’.Ink and watercolour. Signed. Later engraved (1808) by William Byrne FSA (impression included).8.5×6 inches.Framed: 17.5×14.25 inches.
£1,500
79. Hitchens, John (born 1940)‘Calm Swell’.Oil on canvas. Signed and dated, 1964. Signed, titled and dated verso.12.25×18 inches.Framed: 16.5×22.25 inches.●
80. Hallam (Nineteenth Century)France; a loggia in Paris?Pencil and watercolour. By one of the young draughtsmen taken to Paris by Augustus Charles Pugin (1762-1832).8×6 inches.Framed: 14.5×12 inches.●
81. Hornbrook, Lieutenant Colonel Richard Lyde (1781 – 1856)Spain; Soldiers, likely Basque Carlists, shovelling coal.Pen, ink and watercolour. 1830s. Hornbrook was stationed in Spain during the First Carlist War. Some of Hornrbook’s work made in Spain was published as ‘Twelve Views in the Basque Provinces Illustrating Several of the Actions in which the British Legion was
Engaged with Carlist Troops’, publ. Day & Haghe ,1840.8.5×11 inches.●
84. Lear, Edward (1812 – 1888)Italy; ‘Norba’ from the Pontine Marshes near Ninfa.Pen and ink. Dated ’16 May’ and numbered ’31’. Related to the lithograph in ‘Views of Rome and its Environs’, publ. 1841. Lear was in Rome 1837-41 working on the drawings for this publication.9.75×16.25 inches.Framed: 17.5×23.5 inches.
£2,750
85. Newton, Mary (1832 – 1866)‘The Triumverate – discussing plans for Egypt’; Walter Severn (Mary Newton’s brother), Mary Newton and Gertrude Jekyll.Pen and ink. 1865. Inscribed. Although clearly in the planning, there is no record of this trip having taken place. But the Newtons and Gertrude Jekyll had travelled to the Aegean together in 1863. Literature: Michael Tooley and Primrose Arnander ed. ‘Gertrude Jekyll. Essays on the life of a working amateur’, Michaelmas Books, ill. p.3. Exhibited: William Drummond, ‘Gertrude Jekyll (1843-1932) The Early Years’, 1993, Cat No. 31.4.5×7 inches.Framed: 11×13.5 inches.●
86. Nollekens R.A., Joseph (1737 – 1823)Mourning figure and urn; a study for a monument to John Dunning, 1st Baron Ashburton’s child.Chalk. c.1783. Inscribed verso: ‘Hight [sic] 2 foot 7 inches / April the 4th 1783 / Lord Ashburtons Child / died on the 3 instant’. Lord Ashburton died shortly after his son, on the 18th August 1783. Nolleken’s monument to him and his family was erected at Ashburton Parish Church. Exhibited: Andrew Wyld.8.75×11 inches.●
87. Pemberton, Hilda Mary (1871 – 1957)A set of four South African Subjects; ‘Sunday on the Veldt’, ‘Outspan in the Transvaal’, ‘Farmer’s Outspan’, ‘Wonderboom Drift’.Etchings. Signed and titled. Provenance: the artist’s family, by descent.6×8 inches.●
92. Ryohei, Tanaka (1933 – 2019)Japan; Kyoto, ‘Togetsu-kyo in the Rain’.Etching. 1995. Signed and editioned, 149/150. Exhibited: Kamal Bakhshi Contemporary Japanese Prints.3.5×4.75 inches.
96. Walcot R.E., William (1874 – 1943)‘Atrium of the House of a Patrician’.Etching and aquatint. 1915. Edition of 60. Signed.18.5×21.25 inches.Framed: 33.5×34.5 inches.●
97. Walton, Henry (1746 – 1813)Portrait of a woman in a mop cap.Oil on copper. c.1780. Ex. Collection: Bill Drummond.8.5×6.25 inches.Framed: 13.5×11.5 inches.●
98. Webb, Joseph (1908 – 1962)‘Hospitalfield Farm’ (G6).Etching. 1927. First state, second plate. Signed.7.25×11 inches.●
100. Wyck (Attributed to), Jan (1645 – 1700)Deep lane and distant landscape.Pencil and brown wash mounted on an eighteenth century support sheet of thick laid paper with wash lines. The support sheet inscribed verso ‘John Wycke Ob 1702’ and numbered ‘N82’. 1702 was until recently believed to be the death date of Jan Wyck. Ex. Collection: Bill Drummond.6.5×8 inches.●
COMING SOON! …
GERALD MARKS (1921-2018)
PAINTINGS 1940 – 1960
From the Artist’s Estate
PRIVATE VIEW 5pm – 8pm Thursday 10th November
This Group will hang through Saturday 26th November
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
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