LIST 564

November 2025

5.30pm Tuesday 4th November

  • Anderson C.B.E. R.A. R.E., Stanley (1884 – 1966)     ‘The Chair Maker’ (MH241). Engraving. 1944. Signed. Monogrammed in plate. Edition of 60. 8.5×6 inches. Framed: 16.5×13.25 inches.
    Sold
  • ANON (Nineteenth-Century)     Dorset Coast. Oil on board. Inscribed verso. ‘Replica for / Miss Jonson[?] of both sketches’. 6×8.25 inches.
    Sold
  • Banner, Delmar Harmood (1896 – 1983)     Lake District; ‘Great Gable’. Watercolour. 1937. Signed, inscribed and dated. Provenance: a gift from the artist to the previous owner. 15×19 inches. Framed: 23×26 inches.
    Sold
  • Banner, Delmar Harmood (1896 – 1983)     Lake District; ‘Scafell from Grey Friars’. Pencil and watercolour. Signed, titled and dated, 1966. 11×14.5 inches. Framed: 19×22 inches.
    Sold
  • Banner, Delmar Harmood (1896 – 1983)     Lake District; the Scafells. Watercolour. Indistinctly signed lower left. Provenance: a gift from the artist to the previous owner. 15×21.5 inches. Framed: 22.5×29 inches.
    Sold
  • Barnard, Rev. William Henry (1767 – 1818)     Italy; ‘The Rock at Terracina which separates the Kingdom of Naples from Roman …’. Pencil and monochrome wash. c.1780. Inscribed verso. 16.5×12.75 inches.
    £950
  • Beer, Richard (1928 – 2017)     Oxford; Worcester College. Etching and aquatint from the ‘Oxford Series’. 1964/65. Signed, titled and numbered 75/100. 16.75×22.75 inches.
    Sold
  • Bone N.E.A.C., Stephen (1904 – 1958)     Sweden; Stockholm, ‘Tritons in Milles’s Garden’ [sic. Millesgården]. Oil on panel. c.1935. Inscribed verso. 10×13 inches. Framed: 14.5×18 inches.
    Sold
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)     ‘La Casaquin de Laine’ / The Linen Jacket (F.45). Etching. 1923. Signed. Edition of 76. 8×6 inches.
    Sold
  • Camp R.A., Jeffery (1923 – 2020)     A study for ‘Southcoast’ (Tate Gallery). Pencil and watercolour. c.1990. 12.5×10 inches. Framed: 26×20.5 inches.
    Sold
  • Canney, Michael (1923 – 1999)     ‘Blasted Oak’. Etching. 1948. Signed, dated and numbered ‘5/25’. 8×7 inches. Framed: 15.5×14.5 inches.
    Sold
  • Chapman (fl.1792-1823), John     Mechanics; an allegory of mechanical philosophy (i.e. 18th century physics). Engraving. Published April 13th 1816 by G Jones. 9×7 inches.
    £375
  • Chinnery, George (1774 – 1852)     Three Children and their Dog. Pen and ink. c.1800. Exhibited: Andrew Wyld, 2011, Cat No.23. 4.25×4.25 inches. Framed: 8×8 inches.
    Sold
  • Cliffe, Henry (1919 – 1983)     Study for figure and abstract composition. Pencil. c.1950. Drawn on the back of a register of students attending the Bath Academy of Art, Corsham. Cliffe studied at Bath after the War and ran the print room from 1950. Howard Hodgkin, named on the lists, joined the Academy in 1950, providing a cut-off date for Cliffe’s drawing. 6.5×8 inches.
    Sold
  • Cole, Leslie (1910 – 1976)     WWII: ‘Mess Deck’. Lithograph. 1941. Signed, titled, dated and numbered 8. 15.5×13.5 inches. Framed: 21.5×18.5 inches.
    Sold
  • Collins, Cecil (1908 – 1989)     'Head of a Woman'. Watercolour and gouache. 1976. Signed and dated, verso. 7.5"x4.5" inches. Framed: 12"x9" inches.
    Sold
  • Cooper Jnr, Richard (1740 – 1822)     The Thames ‘from Richmond Hill’ with Wick House, the home of Sir Joshua Reynolds on the left. Pencil, pen, brush and ink. c.1789. Signed and inscribed. Provenance: An album of drawings by Cooper Jnr, probably compiled by a family member late in the artist’s life, or soon after his death. 7.75×12.5 inches. Framed: 17.5×21.75 inches.
    Sold
  • Copley P.R.B.A., John (1875 – 1950)     ‘Athletes Dressing’ (HW.20). Lithograph. 1912. Signed. Edition of 20. 9×8.5 inches. Framed: 17×16 inches.
    Sold
  • Cotman, John Sell (1782 – 1842)     Norfolk; Gillingham Hall. Pencil and monochrome wash. Signed and dated, 1818. Illustrated: Thomas Cromwell, ‘Excursions in the County of Norfolk’, Longman 1818, Vol.1, p.76 (engraved by T. Webb). Provenance: Christie’s, November 1977, Lot 67. This is one of the seventy-seven drawings Longman commissioned from Cotman to illustrate their ‘Excursions in the County of Norfolk’, one of the series of guidebooks they intended to cover each county in the country. David Hill regards these Excursion drawings as ‘some of the most sparing and economically beautiful drawings of Cotman’s career. In many ways they represent the aesthetic peak of his early career.’ 6×11 inches. Framed: 13×17 inches.
    Sold
  • Curtis, Anthony (1928 – 2018)     Table top still life. Watercolour and gouache. 1952. Signed with initials and dated. 21.5×14 inches. Framed: 32.5×24 inches.
    Sold
  • De Morgan, William (1839 – 1917)     ‘Sapientia’ / Wisdom. Pencil. Provenance: the collection of Nicholas McDowall. 2.5×6 inches. Framed: 10.5×13 inches.
    £875
  • Dobson R.A., Frank (1886 – 1963)     Mother and Child; a study for sculpture. Chalk. Signed. 13.5×11.5 inches. Framed: 14.25×12.25 inches.
    £3,750
  • Drury, Paul (1903 – 1987)     Study for the artist’s etching of his father, ‘Alfred Drury Listening to Bach (RG.37). Pencil. 1935. Signed and dated. Drury’s father was the great sculptor Alfred Drury R.A. (1856-1944) 10.25×11.25 inches.
    Sold
  • Du Maurier, George (1834 – 1896)     ‘True Hospitality’. Pencil, pen and ink. 1892. For ‘Punch’. Signed and dated. 7×9 inches.
    Sold
  • Durrant, Roy Turner (1925 – 1998)     Abstracted Landscape. Pen, ink, watercolour and gouache. 1957. Signed, dated and numbered ‘5.336’. 8×9.5 inches. Framed: 16×17.5 inches.
    Sold
  • Fisher, Bishop of Salisbury, John (1745 – 1825)     Somerset; ‘Looking from the Quantock(?) Hills / [to?] the Brent Knoll’. Watercolour. Inscribed. Ex. Collection: Iolo Williams. 4.5×8.25 inches.
    Sold
  • Fitton R.E., Hedley (1857 – 1919)     France; Paris, ‘Rue Barbette, Quartier de Temple’. Etching. 1909. Signed. Edition of 150. 14×7.25 inches.
    Sold
  • Fougasse (Cyril Kenneth Bird CBE) (1887 – 1965)     GROUP: Careless Talk Costs Lives The complete Set of eight lithographic posters. Published by the Ministry of Information, 1940. 12.5×8 inches.
    Sold
  • Francia, Francois Louis Thomas (1772 – 1839)     Coastal Scene with a Beached Boat and a Buoy. Graphite and white chalk. Exhibited: Andrew Wyld, 2011 (as Richard Parkes Bonington). 2.5×4.5 inches. Framed: 6.5×8.75 inches.
    £1,500
  • Fraser, Eric (1902 – 1984)     ‘MacMillan Books on English Literature 1963-1964’. Pen, ink, watercolour and gouache. Prospectus jacket design. Signed. 8.5×5.5 inches.
    Sold
  • Freedman C.B.E., Barnett (1901 – 1958)     ‘The Interior of a Wood’. Pen, brush, chalk and Indian ink. Signed. Verso: figure studies. Provenance: Sotheby’s, 26th September 1973. A note verso of the old mount suggests this was exhibited at the Barnett Freedman 1958 Arts Council retrospective. 11.5×18.5 inches. Framed: 20.5×27.5 inches.
    Sold
  • Frood, Hester (1882 – 1971)     Devon; Old Mill buildings on the Exe, probably near Topsham. Watercolour and chalks. 1958. Signed and dated. 13×16 inches.
    Sold
  • Gage R.S.W., Edward (1925 – 2000)     ‘Metamorphosis’. Pencil. Signed and dated, 1951. A study for the artist’s painting, ‘The Man in the Rock’. Exhibited: The Scottish Gallery, ‘Beyond Illustration’, 1988, Cat no.3. 10×13 inches. Framed: 17.5×21 inches.
    Sold
  • Gere R.A. R.W.S., Charles March (1869 – 1957)     Monmouthshire; ‘Chepstow Castle’. Oil and tempera on prepared panel. 1940. Signed and dated. Signed and titled to an artist’s label verso. Exhibited: Royal Academy, ‘Summer Exhibition 1941’, Cat. No. 381. Literature: ‘Time & Tide’, 1941, Vol. 22, Part 1, p.380; ‘Art and Reason’, 1941, Vol. 6-7, p. 5 (where described as ‘a gem’). 9.5×8 inches. Framed: 14×12 inches.
    £3,750
  • Gilpin (Circle of), Rev. William (1724 – 1804)     ‘View of Dover Cliffe Copied from a drawing of Mr Gilpin’s’. Watercolour. c.1800. Inscribed verso. 9×13.5 inches.
    Sold
  • Greenwood R.E., Phil (born 1943)     ‘Poolside’. Etching and aquatint. 1973. Signed, dated, titled and numbered 62/75. 15.5×18.5 inches.
    Sold
  • Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)     ‘Memory of Clavering’ (C.51). Etching. 1919. Signed. Third state of four before the Sonnet by William Browne was removed. 68 impressions. 7×9.5 inches.
    Sold
  • Guthrie, James Joshua (1874 – 1952)     ‘Evening Star’. Lithograph. c.1908. Monogrammed in the plate. Titled printed under the mount. 7×8 inches. Framed: 13×13.5 inches.
    Sold
  • Gwynne-Jones, Alan (1892 – 1982)     Farmyard with Cattle. Pencil on joined paper. 1921. Signed and dated. Squared for transfer. 22.5×18.5 inches. Framed: 32×27 inches.
    Sold
  • Hardie R.E., Martin (1875 – 1952)     ‘The Quay, Middelburg’ (H117). Drypoint. 1927. Signed. 90 impressions. From a drawing made in August, 1926. 5.5×7.75 inches.
    Sold
  • Harrison, John Theodore (1914 – 2002)     Still life with guitar. Watercolour and gouache. Signed and dated, 1941. Provenance: Artist’s Estate. 14.5×17.5 inches.
    £675
  • Hey, Cicely (1896 – 1980)     Portrait of a woman. Black chalk. c.1935. Provenance: Tony Goble (1943-2007), who inherited the contents of the artist’s studio, and by descent. 15×10.5 inches.
    £375
  • Hitchens, Ivon (1893 – 1979)     Rain over the South Downs, Cloud Study. Pen and ink. c.1930s. Provenance: Alan Freer (1926-2023); from whom acquired by the previous owner. 6×8 inches. Framed: 12.5×14.5 inches.
    Sold
  • Howard (9th Earl of Carlisle), George (1843 – 1911)     Italy; Tuscany, ‘Fiesole’. Pencil, watercolour and gouache. Inscribed. 6.5×10 inches.
    Sold
  • Hoyton, Edward Bouverie (1900 – 1988)     Dorset; ‘Sleechwood’. Etching. 1926. Signed. 11×15.25 inches.
    £3,750
  • John O.M. R.A., Augustus (1878 – 1961)     Devon; Caravan on Dartmoor. Pen, brush and sepia ink. c.1905. Study related to John’s 1906 etching, ‘The Little Camp’ (CD.127). 3.75×5.5 inches. Framed: 13×14.5 inches.
    £1,800
  • Jones, Barbara (1912 – 1978)     Surreal mural design. Pencil, watercolour and gouache. c.1950. Signed. 12×12.25 inches. Framed: 22×20 inches.
    Sold
  • Jones, David (1895 – 1974)     France; Salies-de-Béarn. Pencil and watercolour. Signed and dated, 1928. 24×17.25 inches. Framed: 33.5×26.5 inches.
    Sold
  • Kempster, Bridget (1910 – 1998)     Tabby Cat. Linocut. c.1955. Proof. Provenance: a collection of works by Kempster with A and H in 2011. 22×17 inches.
    Sold
  • Kempster, William (1914 – 1976)     Chess Players. Watercolour and gouache. c.1955. Provenance: a collection of works by Kempster with A and H in 2011. 19×24 inches.
    Sold
  • La Dell A.R.A., Edwin (1940 – 1970)     ‘Mason’s Farm’. Lithograph. Signed, inscribed and editioned 16/30. 15×27.5 inches.
    Sold
  • Lamont, Edie (1899 – 1983)     Malta; Mellieha. Pen, ink watercolour and wax resist. c.1960. Inscribed verso. 14.75×11 inches.
    Sold
  • Larkins, William Martin (1901 – 1974)     ‘Coopers Court’ (C.47). Etching. 1925. Inscribed by the artist under the mount, ‘6th State. Imp.21. No.11’. 3×2.75 inches.
    £675
  • Le Strange, Henry L’Estrange Styleman (1815 – 1862)     Egypt; Medinet Habu, Thebes. Pencil and watercolour. 1839. 5×13 inches.
    Sold
  • Leach CH CBE, Bernard (1887 – 1979)     Japanese Farmhouse. Etching. Posthumous impression printed from the original plate. Numbered ’21/25′. Signed and dated, 1912 in the plate. 4×6 inches.
    Sold
  • Legros, Alphonse (1837 – 1911)     Juiles Dalou (1838-1902) (B.41). Etching. 1876. 9×6 inches.
    Sold
  • Lomenech Gill (Contemporary), Olivia     ‘The Messenger’. Softground etching. Artist’s proof. Signed. 4×6 inches. Framed: 12×16 inches.
    £375
  • MacKenzie, Alexander (1923 – 2002)     North Yorkshire; ‘Goathland I & Tesserae’. Oil on board. 1985. Signed, titled and dated, verso. 7.5×10 inches. Framed: 13×16 inches.
    Sold
  • Malet, Guy Seymour (1900 – 1973)     Farm buildings. Wood-engraving. Circa 1935. Proof. Outside the edition of 30. Provenance: Malet Studio Sale, Christies, c.1980. 7×9.5 inches.
    £225
  • Malet, Guy Seymour (1900 – 1973)     Farmyard and village. Wood engraving. Circa 1935. Proof. Outside the edition of 30. Provenance: Malet Studio Sale, Christies, c.1980. 7×10 inches.
    £225
  • Malet, Guy Seymour (1900 – 1973)     Roofs and trees. Wood engraving. Circa 1935. Provenance: Malet Studio Sale, Christies, c.1980. 10×8 inches.
    £225
  • Marks, Gerald (1921 – 2018)     Side board still life. Oil on canvas. c.1947. Provenance: Artist’s Estate. 20×30 inches. Framed: 21×31 inches.
    Sold
  • Marlow, William (1740 – 1813)     Studies of French Soldiers and a horse and carriage. Pencil. Marlow visited the continent 1765-6. Exhibited: Martyn Gregory. Provenance: Mrs Elizabeth French and by descent to her granddaughter. 4×6.5 inches. Framed: 10.5×13.5 inches.
    £575
  • McEvoy A.R.A., Ambrose (1878 – 1927)     Mother and Child. Pencil and monochrome wash. Studio Stamped. 21.5×15.5 inches. Framed: 29.5×22.5 inches.
    Sold
  • McWhirter R.A., John (1839 – 1911)     Italy; ‘In the Roman Campagna’. Oil on canvas. Signed and Inscribed. Provenance: The Fine Art Society, 1975. 15.5×29.5 inches. Framed: 25×39 inches.
    Sold
  • Medley R.A., Robert (1905 – 1994)     WWII; ‘Soldiers at night time meeting’. Pen, brush and ink. c.1941/42. Signed. 6.5×10.5 inches. Framed: 15.5×19 inches.
    Sold
  • Menpes R.E. R.I., Mortimer (1855 – 1938)     ‘Winchester Cathedral’. Etching. Proof. 6×8 inches.
    Sold
  • Menpes R.E. R.I., Mortimer (1855 – 1938)     Oxford: Christ Church Cathedral. Etching. Signed. 11.75×6.25 inches.
    Sold
  • Menpes R.E. R.I., Mortimer (1855 – 1938)     Wiltshire; Salisbury Cathedral. Etching. Proof. 11.5×8 inches.
    £250
  • Monnington P.R.A., Sir Walter Thomas (1902 – 1976)     Italian Landscape. Oil on canvas laid down on panel. Exhibited: The Fine Art Society & Paul Liss in association with the British School at Rome, ‘Thomas Monnington’, 1997, Cat. No. 50. 9.5×8.5 inches. Framed: 13.5×12.5 inches.
    Sold
  • Nachshen, Donia (1903 – 1987)     The First of May … the Primavera. Pen, brush and ink. c.1930. Illustration for Anatole France, ‘The Red Lily’, Mead’s 1930 edition, p.188 … ‘It is the first of May … the Primavera … you must celebrate it according to the custom of our ancestors in rites depicted by the old masters’. 8.5×6 inches. Framed: 12.5×9 inches.
    £875
  • Napper, John (1916 – 2001)     WWII; A Ceylonese Village. Oil on board. 1944. Signed and dated. 15.5×19.5 inches. Framed: 20×24.5 inches.
    Sold
  • Nixon, Job (1891 – 1938)     Italy; Florence, ‘The Arno’. Etching. 1924. Signed. 10.25×8.5 inches.
    £575
  • Nixon, John (1755 – 1818)     ‘Bantram. a Butcher at Exeter’. Pen and ink. 1794. Signed, inscribed and dated. 6×4 inches.
    £675
  • Peake, Mervyn (1911 – 1968)     Portrait of a woman; possibly Maeve Gilmore, the artist’s wife. Watercolour. 1940. Signed and dated. 12×15 inches. Framed: 19.5×22 inches.
    Sold
  • Piper C.H., John (1903 – 1992)     Italy; Venice, ‘The Piazzetta from the Clock Tower (Two Studies)’. Pencil, watercolour and gouache. Signed. Exhibited: Arthur Jeffres. 9.5×12.75 inches. Framed: 28×20 inches.
    Sold
  • Piper C.H., John (1903 – 1992)     Wales; Pistyll Rhaeadr (L.24). Etching and aquatint. 1939. Signed. This work was never published as an edition; Levinson records only a small number of trial proofs, but no other copy has surfaced. Provenance: Orde Levinson, who wrote the John Piper print catalogue raisonne; Christie's, 26th July 2001 (The Orde Levinson Collection of Prints by John Piper), Lot 6. 4"x3" inches. Framed: 10.5"x8.5" inches.
  • Romney, George (1734 – 1802)     Figure composition. Pencil. c.1794. Provenance: a Romney sketchbook belonging to Mrs and Mrs Howard Samuel; and by Descent. 5.5×9 inches.
    Sold
  • Rothenstein R.A., Michael (1908 – 1993)     Still life of flowers in a glass vase. Pen, ink and watercolour. 1938. Signed and dated. 20×13.25 inches. Framed: 25.5×19 inches.
    Sold
  • Saull (Contemporary), Martin     ‘The Nightwatchman’. Linocut. c.2014. Signed, titled and editioned 14/50. 10×11.75 inches.
    Sold
  • Shackleton N.E.A.C., William (1872 – 1933)     Street at Dusk. Etching. 1893. Signed. 4.75×3 inches.
    Sold
  • Short P.R.E. R.A., Sir Frank (1857 – 1945)     Hayle, Cornwall. Etching. 1888. Signed by the artist and by Frederick Goulding (1842-1909), who pulled the impression. 6×8 inches.
    Sold
  • Smirke, Mary (1779 – 1852)     ‘Near Hastings’. Pencil, watercolour and gouache. Exhibited: Agnews, where provenance given as Miss Boothby, as descendant of the artist. 6.5×9.75 inches.
    £675
  • Spens (Contemporary), Sally     ‘Plane Tree, January in London’. Etching with hand colouring. 2022. Signed, titled and editioned 14/35. 15.5×11.75 inches.
    £375
  • Steinlen, Theophile Alexandre (1859 – 1923)     ‘Deux Chats’. Conté crayon. Provenance: Mercury Gallery, 1973; Robert Melville; Sotheby’s, 24th October 1984, Lot 170; Private Collection, London 4×8 inches. Framed: 12.5×17 inches.
    £5,750
  • Steinlen, Theophile Alexandre (1859 – 1923)     Paris; Rainy Afternoon at the Porte St Denis. Oil on card. Inscribed (possibly signed) verso and numbered ’21’. Provenance: a group of Steinlen’s work sold at Drouout, Paris, early 1990s; Paul Liss; Harry Moore-Gwyn, 2007; Private Collection; Roseberys, 26th May 2021, Lot 4; Private Collection. 9.25×6 inches. Framed: 12.25×9 inches.
    Sold
  • Suddaby, Rowland (1912 – 1978)     ‘Plough & Stubble Fields, Essex’. Pen, ink, watercolour and gouache. 1952. Signed and dated. Exhhibited: Adam Gallery. 14.5×21.5 inches. Framed: 22×29 inches.
    Sold
  • Sutherland O.M., Graham (1903 – 1980)     Woman in a moonlit garden. Wood-engraving (and possibly the artist’s only print in this medium). c.1925-28. Signed. Provenance: gift of the artist to a friend with whom he lived c.1925-28, presumably Milner Gray (1899-1997); Christie’s (date unknown); Agnews; The Millinery Works, ‘Modern and Contemporary British Art’, July 2010, No.17; Private Collection. 5×4 inches.
    Sold
  • Swanwick R.A. R.W.S., Betty (1915 – 1989)     'Golden Section'; criminal rehabilitation. Pen and ink. c.1960. 8.5"x10.5" inches. Framed: 17.5"x19.5" inches.
    Sold
  • Thomas, Margaret (1916 – 2016)     ‘Siesta’. Linocut. 1962. Signed, titled and dated. 11×18 inches.
    Sold
  • Tunnicliffe R.A. R.E., Charles Frederick (1901 – 1978)     ‘The Stallion’ (MH66). Etching. 1928. Signed and editioned ’13/75′. 7×9 inches.
    Sold
  • Tunnicliffe R.A. R.E., Charles Frederick (1901 – 1978)     Sheep Dipping. Scraperboard. Possibly for Sidney Rogerson, ‘Both Sides of the Road: A Book about Farming’, Collins, 1947. 3.5×6 inches.
    Sold
  • Underwood, Leon (1890 – 1975)     ‘2nd Advent’. Wood-engraving. 1927. Edition of 25. Signed and dated. Exhibited: Keith Chapman. 5.5×3 inches.
    Sold
  • Uwins R.A. R.W.S., Thomas (1782 – 1857)     William Wilberforce, Sir Charles Grant, Lord Gamber and a Persian nobleman at a meeting of the Bible Society. Pencil. c.1819. A study for Uwins ‘A representation of the annual meeting of the British and Foreign Bible Society in Freemasons Hall’, etched by John Heaviside Clark and published by Robert Bowyer, 1819. Provenance: an album of Uwins’ sketches with the Marler Gallery. 5×7 inches.
    Sold
  • Vacher, Charles (1818 – 1883)     Suffolk; The One Hundred Steps at Shrubland Hall. Watercolour and gouache. Signed and dated, 1854. Exhibited: Hazlitt, Gooden and Fox. 9.5×17 inches. Framed: 17.5×24.5 inches.
    Sold
  • Varley O.W.S., John (1778 – 1842)     Roadside meeting; figure studies. Pencil. c.1810. Provenance: Andrew Wyld. 2.25×2.5 inches.
    Sold
  • Varley O.W.S., John (1778 – 1842)     Wales; Caernarfon Castle. Pencil. c.1810. Provenance: Andrew Wyld. 3×4.25 inches.
    £575
  • Varley O.W.S., John (1778 – 1842)     Wiltshire; St Anne’s Gate, Salisbury Pencil and watercolour. c.1805. Exhibited: John Spink. Provenance: Yates Colletion. 9×11.5 inches. Framed: 18.5×21 inches.
    Sold
  • Vaughan, Keith (1912 – 1977)     'Old Seaweed Hoist'. Lithograph. 1951. Artist's proof. Signed and inscribed. 19"x15" inches. Framed: 29.5"x24.5" inches.
    Sold
  • Wilkie R.A., Sir David (1785 – 1841)     ‘The Lost Receipt’. Etching. c.1815. 4.5×5.5 inches.
    £475

CURRENT GROUPS and EXHIBITIONS

PAST MATTERS

A Collaboration with the Society of Antiquaries of London

Having secured a new 999 year lease on their wonderful premises at Burlington House, the Society of Antiquaries is now raising funds to help plan the redevelopment of their building. Their aim is ‘a world-class heritage resource, making it more accessible, more welcoming and ready to inspire future generations’.

We are thrilled to announce a selling exhibition of some of the Society’s prints in support of this campaign…

VIEW NOW!

PAUL DRURY

ETCHINGS 1923-1959


view now!

Coming Soon …

RUSSELL DOREY

STILL LIFES – RECENT PAINTINGS

PRIVATE VIEW 6 – 8pm Thursday 20th November
Continuing until Tuesday 23rd December 2025

MORE INFO

PICTURES FOR CHRISTMAS!

Stock releases throughout December

From Monday 1st December…

JOIN OUR MAILING LIST

RECENT GROUPS and EXHIBITIONS

GERALD MARKS

Abstract Paintings 1960-62


view now!

MODERN | BRITISH

LIST 562 – SEPTEMBER 2025 (Part II)

25th -28th September @ British Art Fair
2nd – 18th October @ 30 Museum St

Ayrton, Bawden, Clough, Collins, Colquhoun, Craxton, Cuming, Ferguson, Hennell, Hitchens, Jones, Lamb, Lunn, MacKenzie, Mahoney, Minton, Moore, Nash, Nicholson, Orpen, Piper, Reynolds, Rowntree, Sorrell, Soukop, Spare, Spencer, Sutherland, Swanwick, Underwood, Vaughan, Wallis … and more!

view now!

HOW ‘THE LIST’ WORKS

Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month. They are usually published in two halves, in the first and third weeks of the month.

Most works can be bought online via our ecomm platform, but using this is not mandatory! If you would like to enquire about a work, please email or send a message using the ‘Enquire’ button that appears when you click on an item. We try and treat enquiries about List pictures in strict order of receipt. Given the numerous methods of communications people tend to use nowadays, there will inevitably be times when technological overlaps muddy the system. But we try to be fair!

Please do call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time for you to make a vist.

Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Condition: Please contact us if you would like to know the condition of a work.

Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.

Mailing List: If you would like to receive Email Alerts when ‘Lists’ of new stock and Exhibitions are published online, please Click Here. (We NEVER share your information – see our Personal Data Policy).

Services

Framing

Conservation

Valuations

Gift Cards

Sell To Us

Join Our Mailing List
Continue Shopping →
Item added to cart.
0 items - £0
Checkout