LIST 520

NOVEMBER 2021

– Our Lists introduce 100 new works to stock every month –


PART I

Nos. 1-50, issued 5pm 2nd November


  • Manet, Edouard (1832 – 1883)
    ‘Portrait Charles Baudelaire, de face’ (Harris.61iv) (Guerin.38iv). Etching on laid paper. Dated 1865. Printed by A Salmon from 1869. 3.75×3.25 inches.
  • Marks R.A., Henry Stacy (1829 – 1898)
    Parrot. Pencil, watercolour and gouache. Signed with initals. Ex. Collection: Cyril Fry. 3.75×3.75 inches.
  • Meyrick, Robert (born 1958)
    Wales; ‘Hafod’ near Aberystwyth. Linocut. Signed and titled. 24×30 inches.
  • Packer, William (born 1940)
    ‘Katherine’. Oil on board. Signed with initials and dated, 1984. Further signed and titled to the backboard. Exhibited: Michael Parkin, ‘Another Pair of Eyes – A Critic’s Dozen’, 1984; Montpelier Studio. 11.5×9.5 inches. Framed: 15×13 inches.
  • Rawlinson S.W.E., William Thomas (1912 – 1993)
    Warwickshire; The Lake at Ragley near Alcester. Wood-engraving. Signed and dated, 1956. 4.5×6.5 inches.
  • Allingham R.W.S., Helen (1848 – 1926)
    Surrey; Harvest at ‘Shere’. Watercolour. Indistinctly signed and titled. Provenance: The Reid Gallery, Guildford. 4.5×6.75 inches.
  • Paton, Sir Joseph Noel (1821 – 1910)
    The Rescue. Pencil on (not JNP) monogrammed paper. Provenance: A large group of studies from a descendant of the artist with Abbott and Holder Ltd in 2001. 6×4.25 inches. Framed: 13.5×11 inches.
  • Anderson C.B.E. R.A. R.E., Stanley (1884 – 1966)
    The Rake Makers; “A Mind Content both crown and Kingdon is” (Greene). Engraving. Signed and titled. Edition of 65. Titled and editioned beneath the mount. 7.5×6 inches.
  • Robson, George Fennel (1788 – 1833)
    Scotland; Braemar, Ben y Bourd [Beinn A’ Bhuird], from south of Invercauld. Pen, ink and watercolour over a partially printed base. Probably a working sheet for the 1819 edition of Robson’s ‘Outlines of the Grampian Mountains’ (Publ. 1814 and 1819, with plates by Henry Morton). The 1819 edition added aquatint and hand colouring to the original plates. Provenance: George Price Boyce (1826-1897), the backing inscribed ‘Bought of F Helsted by George P Boyce / June 11 ’67’. 7.25×13.5 inches.
  • ANON (Eighteenth-Century)
    France; Normandy, Sainte-Trinité, Cherbourg. Pencil, pen, ink and monochrome wash. Circa 1780. Inscribed verso ‘View of the Church of Ruin’d Pier at Cherbourg Normandy’. 9×14.5 inches.
  • Reynolds, Daphne (1918 – 2002)
    ‘The Spotted Scarf’. Mezzotint. Signed, titled, dated 1987 and editioned 2/40. 11×6 inches. Framed: 19×15 inches.
  • ANON (Nineteenth-Century)
    France; ‘Chateau Despenans; fait a l’ecole des freres de St Nicolas par Beaumes Julien’. Pen, ink and watercolour. Titled and inscribed. 25.5×19 inches.
    £475
  • Shotter Boys (Attributed to), Thomas (1803 – 1874)
    Continental village green and cricket match. Possibly the Netherlands? Pencil and watercolour. Ex. Collection: Cyril Fry. 3.5×4.75 inches.
  • ANON (Nineteenth-Century)
    Wiltshire; Stonehenge. Pencil and watercolor. c.1820. 9.5×6.5 inches.
  • Stewart (Twentieth Century), Kay
    ‘Kent Beauty Spots’; a British Railways Poster. Lithograph. Published by the Baynard Press. c.1950. 40×25 inches.
  • Beer, Richard (1928 – 2017)
    London; ‘St Mary le Bow’. Etching and screenprint. Signed, titled and editioned 32/75. From the portfolio ‘Ten Wren Churches’, made in collaboration with John Betjeman and published by Editions Electo in 1970. 24.25×16.25 inches. Framed: 35.5×27 inches.
  • Squirrell R.E. R.W.S., Leonard Russell (1893 – 1979)
    Scotland; Edinburgh from Calton Hill. Etching and aquatint. Signed. 9.5×13.75 inches.
  • ANON (Nineteenth-Century)
    Sicily; ‘Messina’, the harbour, Straights and Reggio Calabria. Pencil. Inscribed and dated, ‘Messina, July 18th 1834’. 11×17.5 inches.
  • Bissill, George (1896 – 1963)
    Hampshire under snow. Oil on card. Signed. 3.25×4.5 inches. Framed: 6.5×7.75 inches.
  • Blake R.I. R.S.M.A., Frederick Donald (1908 – 1997)
    Autumn Branch. OIl on board. Signed. Exhibted: Furneaux Gallery. 11.5×23.5 inches. Framed: 16.5×29 inches.
  • Blayney, Robert (1929 – 2016)
    ‘Blenheim Palace by Moonlight’. Oil on canvas. Signed and dated, 1952. 20×30 inches. Framed: 24×35 inches.
  • Swanwick R.I. R.O.I., Harold (1866 – 1928)
    Mother and Child. Oil on canvas laid on panel. 6×9 inches. Framed: 9×12 inches.
  • Brunsdon A.R.C.A., John (1933 – 2014)
    ‘North Norfolk; John D Hammer arriving at Weybourne Station’. Etching and aquatint. Signed, titled and editioned, 8/35. 17.5×23.5 inches.
  • Thorne Waite R.W.S., Robert (1842 – 1935)
    South Downs picnic. Watercolour and gouache. Circa 1900. Signed. 14.25×20.5 inches.
  • Chalmers, Elizabeth (1894 – 1939)
    ‘Nasturtiums’. Oil on artist’s board. Signed, titled and dated, 1910 verso. Exhibited: Aitken Dott. 6×5.5 inches. Framed: 11×10.5 inches.
  • Toma, Gioacchino (1836 – 1891)
    Face and figure study; a Republican smoking his pipe. Pencil and oil on card. c.1860. Inscribed verso: ‘M’avevat […] I nervi mi tremau di […] ancora in questa stanza’. Ex. Collection: Edward Croft-Murray. 11.5×7 inches. Framed: 15×10.75 inches.
  • Cliffe, Henry (1919 – 1983)
    Figure and composition studies. Pencil. c.1950. Provenance: a group of sheets by Cliffe of the same date, some signed. 10×14 inches.
  • Thornton, Valerie (1931 – 1991)
    Spain; Navarre, ‘Monasterio de Leyre, Angel’. Pencil and watercolour on board. 1991. Exhibited: Valerie Thornton Retrospective, Redfern Gallery, 1992. 6×8 inches. Framed: 12.5×14.5 inches.
  • Cox O.W.S., David (1783 – 1859)
    A pack donkey with spades and sand sifter. Pencil and monochrome wash. Circa 1830. Probably a study for a Morecambe Bay composition. Ex. Collection: Cyril Fry. 5.25×6.25 inches.
  • Underwood, Leon (1890 – 1975)
    Cornwall; ‘Sunset, The Brisons’. Watercolour. Signed and dated, 1926. Titled verso. 7×10.75 inches.
  • Craig C.H., Edward Gordon (1872 – 1966)
    Set Design. Etching. Signed. 1907. Illustrated: Edward Gordon Craig, ‘Scene’, Publ. 1923. 6×4.5 inches.
  • Varley O.W.S., John (1778 – 1842)
    Figures by a pond Watercolour. c.1800. 5.5×9 inches.
  • Đorđević (Serbian), Zare (1928 – 2017)
    Window Sill Still Life. Oil on canvas. Signed. Signed and dated, 1965, verso. 15.5×19.5 inches. Framed: 17.5×22 inches.
  • Gill, Eric (1882 – 1940)
    Autumn Midnight (P231). Wood engraving. Proof. 1923. Frontispiece for Frances Cornford, ‘Autumn Midnight’, The Poetry Bookshop, 1923. Exhibited: Blonde Fine art. 4.5×3 inches.
  • Gabain, Ethel (1883 – 1950)
    Carmen sitting on the bath. Oil on canvas. c.1935. Estate stamped recto and verso. Provenance: Artist’s Estate. 22×16 inches. Framed: 27.5×22 inches.
  • Gibbs, Evelyn (1905 – 1991)
    Portrait of a young girl. Pen, ink and chalks. Signed and dated, 1961. 21.5×16 inches.
  • Dunlop, Ronald Ossory (1894 – 1973)
    West Sussex; ‘Arundel’. Oil on canvas. Signed. Titled verso. 15.25×19.25 inches. Framed: 24.5×28.5 inches.
  • Guthrie, Thomas Anstey (1856 – 1934)
    Edward Hoby (1560-1617) Watercolour by the author of ‘Vica Versa’ and ‘Tinted Venus’. Signed ‘F. Anstey’ (his nom de plume) and dated, 1933. After the painting in Ipswich Museum. 9×7 inches. Framed: 11.5×9.5 inches.
  • Gwynne-Jones, Alan (1892 – 1982)
    ‘Spring Evening’, probably near Froxfield, Hampshire. Oil on panel. Signed and dated, 1922. Indistinctly titled verso. Exhibited: Manchester City Art Gallery. 10×14 inches. Framed: 17.5×21.5 inches.
  • Harford F.R.S., John Scandrett (1785 – 1866)
    Italy; Piedmont, ‘Macugnaga, M. Rosa / Cima di Jagi’. Pencil, pen, ink and sepia wash. Inscribed and dated ‘Sept 2nd 1846’. 10.25×14.5 inches.
  • Hepworth (AKA Patricia Preece), Dorothy (1898 – 1978)
    ‘Eleni’. Pencil. Circa 1940. Ex. Collection: Michael Dickins. 16×11.25 inches.
  • Jenkinson, Geoffrey (1925 – 2005)
    ‘East London Industries – a hill-top view of London Docks and Industries’ Pencil and watercolour. Circa 1949. Signed. Titled verso. 7.75×15 inches.
    £1,500
  • Jones R.A., George (1786 – 1869)
    ‘Tomb House, Windsor Castle’. Ink and gouache on blue paper. Inscribed and dated 28th March 1811, verso. Possibly signed verso. Stamped ‘Scipio’ (Gerald Reitlinger Collection). 5.25×7.75 inches.
    £475
  • Knight, John Baverstock (1785 – 1859)
    Meeting at a mountain stream. Pen, ink and watercolour. Ex. Collection: Cyril Fry. 7.5×4.75 inches.
  • Kraff (Late Nineteenth Century)
    ‘Eugénie, Empress of the French, with her Ladies-in-Waiting’ after Winterhalter’s painting of 1855. Watercolour and gouache. Signed. Inscribed verso. 4.5×6.25 inches.
  • La Dell A.R.A., Edwin (1940 – 1970)
    Cambridge; St John’s College. Lithograph. Signed and titled. Proof for the ‘The Oxford and Cambridge Eight’ portfolio, 1959. 16.5×25 inches.
  • Lloyd-Jones, Peter (born 1956)
    ‘Studio Interior with a jug and newspaper on the table’. Oil on board. Signed with initials. 8.5×9 inches. Framed: 13.5×14 inches.
  • Leitch, William Leighton (1804 – 1883)
    Italy; a Lakeside town. Pencil and watercolour. Signed with monogram and dated, 1843. Ex. Collection: Cyril Fry. 2.5×4 inches.
  • MacNab, Allan (1901 – 1982)
    An Artist’s Picnic. Wood-engraving. 1925. Signed. 9×9 inches.


LIST 520

PART II

IS AN EXHIBITION OF PRINTS BY ETHEL GABAIN


ETHEL GABAIN
(1883-1950)

PORTRAIT OF A WOMAN

Lithographs 1908 – 1932
from the Artist’s Estate

ONLINE
(CLICK HERE TO VIEW)

And IN THE GALLERY from




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Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.

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