– Our Lists introduce 100 new works to stock every month –
PART I
Nos. 1-50, issued 5pm 2nd November
1. Manet, Edouard (1832 – 1883)‘Portrait Charles Baudelaire, de face’ (Harris.61iv) (Guerin.38iv).Etching on laid paper. Dated 1865. Printed by A Salmon from 1869.3.75×3.25 inches.●
4. Packer, William (born 1940)‘Katherine’.Oil on board. Signed with initials and dated, 1984. Further signed and titled to the backboard. Exhibited: Michael Parkin, ‘Another Pair of Eyes – A Critic’s Dozen’, 1984; Montpelier Studio.11.5×9.5 inches.Framed: 15×13 inches.●
6. Allingham R.W.S., Helen (1848 – 1926)Surrey; Harvest at ‘Shere’.Watercolour. Indistinctly signed and titled. Provenance: The Reid Gallery, Guildford.4.5×6.75 inches.●
7. Paton, Sir Joseph Noel (1821 – 1910)The Rescue.Pencil on (not JNP) monogrammed paper. Provenance: A large group of studies from a descendant of the artist with Abbott and Holder Ltd in 2001.6×4.25 inches.Framed: 13.5×11 inches.●
8. Anderson C.B.E. R.A. R.E., Stanley (1884 – 1966)The Rake Makers; “A Mind Content both crown and Kingdon is” (Greene).Engraving. Signed and titled. Edition of 65. Titled and editioned beneath the mount.7.5×6 inches.●
9. Robson, George Fennel (1788 – 1833)Scotland; Braemar, Ben y Bourd [Beinn A’ Bhuird], from south of Invercauld.Pen, ink and watercolour over a partially printed base. Probably a working sheet for the 1819 edition of Robson’s ‘Outlines of the Grampian Mountains’ (Publ. 1814 and 1819, with plates by Henry Morton). The 1819 edition added aquatint and hand colouring to the original plates. Provenance: George Price Boyce (1826-1897), the backing inscribed ‘Bought of F Helsted by George P Boyce / June 11 ’67’.7.25×13.5 inches.●
10. ANON (Eighteenth-Century)France; Normandy, Sainte-Trinité, Cherbourg.Pencil, pen, ink and monochrome wash. Circa 1780. Inscribed verso ‘View of the Church of Ruin’d Pier at Cherbourg Normandy’.9×14.5 inches.
12. ANON (Nineteenth-Century)France; ‘Chateau Despenans; fait a l’ecole des freres de St Nicolas par Beaumes Julien’.Pen, ink and watercolour. Titled and inscribed.25.5×19 inches.
15. Stewart (Twentieth Century), Kay‘Kent Beauty Spots’; a British Railways Poster.Lithograph. Published by the Baynard Press. c.1950.40×25 inches.●
16. Beer, Richard (1928 – 2017)London; ‘St Mary le Bow’.Etching and screenprint. Signed, titled and editioned 32/75. From the portfolio ‘Ten Wren Churches’, made in collaboration with John Betjeman and published by Editions Electo in 1970.24.25×16.25 inches.Framed: 35.5×27 inches.●
18. ANON (Nineteenth-Century)Sicily; ‘Messina’, the harbour, Straights and Reggio Calabria.Pencil. Inscribed and dated, ‘Messina, July 18th 1834’.11×17.5 inches.●
23. Brunsdon A.R.C.A., John (1933 – 2014)‘North Norfolk; John D Hammer arriving at Weybourne Station’.Etching and aquatint. Signed, titled and editioned, 8/35.17.5×23.5 inches.●
25. Chalmers, Elizabeth (1894 – 1939)‘Nasturtiums’.Oil on artist’s board. Signed, titled and dated, 1910 verso. Exhibited: Aitken Dott.6×5.5 inches.Framed: 11×10.5 inches.●
26. Toma, Gioacchino (1836 – 1891)Face and figure study; a Republican smoking his pipe.Pencil and oil on card. c.1860. Inscribed verso: ‘M’avevat […] I nervi mi tremau di […] ancora in questa stanza’. Ex. Collection: Edward Croft-Murray.11.5×7 inches.Framed: 15×10.75 inches.●
27. Cliffe, Henry (1919 – 1983)Figure and composition studies.Pencil. c.1950. Provenance: a group of sheets by Cliffe of the same date, some signed.10×14 inches.●
28. Thornton, Valerie (1931 – 1991)Spain; Navarre, ‘Monasterio de Leyre, Angel’.Pencil and watercolour on board. 1991. Exhibited: Valerie Thornton Retrospective, Redfern Gallery, 1992.6×8 inches.Framed: 12.5×14.5 inches.●
29. Cox O.W.S., David (1783 – 1859)A pack donkey with spades and sand sifter.Pencil and monochrome wash. Circa 1830. Probably a study for a Morecambe Bay composition. Ex. Collection: Cyril Fry.5.25×6.25 inches.●
38. Guthrie, Thomas Anstey (1856 – 1934)Edward Hoby (1560-1617)Watercolour by the author of ‘Vica Versa’ and ‘Tinted Venus’. Signed ‘F. Anstey’ (his nom de plume) and dated, 1933. After the painting in Ipswich Museum.9×7 inches.Framed: 11.5×9.5 inches.●
39. Gwynne-Jones, Alan (1892 – 1982)‘Spring Evening’, probably near Froxfield, Hampshire.Oil on panel. Signed and dated, 1922. Indistinctly titled verso. Exhibited: Manchester City Art Gallery.10×14 inches.Framed: 17.5×21.5 inches.●
42. Jenkinson, Geoffrey (1925 – 2005)‘East London Industries – a hill-top view of London Docks and Industries’Pencil and watercolour. Circa 1949. Signed. Titled verso.7.75×15 inches.
£1,500
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43. Jones R.A., George (1786 – 1869)‘Tomb House, Windsor Castle’.Ink and gouache on blue paper. Inscribed and dated 28th March 1811, verso. Possibly signed verso. Stamped ‘Scipio’ (Gerald Reitlinger Collection).5.25×7.75 inches.
45. Kraff (Late Nineteenth Century)‘Eugénie, Empress of the French, with her Ladies-in-Waiting’ after Winterhalter’s painting of 1855.Watercolour and gouache. Signed. Inscribed verso.4.5×6.25 inches.●
46. La Dell A.R.A., Edwin (1940 – 1970)Cambridge; St John’s College.Lithograph. Signed and titled. Proof for the ‘The Oxford and Cambridge Eight’ portfolio, 1959.16.5×25 inches.●
47. Lloyd-Jones, Peter (born 1956)‘Studio Interior with a jug and newspaper on the table’.Oil on board. Signed with initials.8.5×9 inches.Framed: 13.5×14 inches.●
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
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Approval Service: We are happy to send works on approval, but this is subject to discussion.
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