Alexander, William (1767 – 1816)Buildings of many centuries; possibly Conwy, Wales.Pencil and wash. Provenance: Andrew Wyld, May 1977.8.25×9.75 inches.Framed: 16.75×22.75 inches.
£875
ANON (Nineteenth-Century)‘Happiness’.Transfer engraving after ‘D Gerolimo’. c.1815. Original frame and glass.9.5×13.5 inches.Framed: 12×15.5 inches.●
ANON (Nineteenth-Century)Stourhead; King Alfred’s Tower.Watercolour. c.1800. Inscribed verso.9×11.5 inches.●
Bawden N.E.A.C. R.E., Richard (born 1936)‘Still life with Chrysanthemums’.Watercolour. Signed. Exhibited: RWS Annual Exhibition, 2005.12×14.5 inches.Framed: 18.5×21 inches.●
Beer, Richard (1928 – 2017)London; The Royal Opera House, ‘Covent Garden’.Etching and aquatint. Signed, titled and editioned 19/100.23.5×17.5 inches.●
Bliss, Douglas Percy (1900 – 1984)‘Satires in Stones, The Sportsman’.Watercolour. 1923. Insribed under the mount. Provenance: Acquired from the artist by the previous owner.Dia.9.5 inches.●
Cliffe, Henry (1919 – 1983)Cubist Figures.Pencil. Signed and dated 1950.9×7 inches.Framed: 13.5×11.5 inches.●
Crotch, Dr William (1775 – 1847)‘St Johns College Library Cambridge’.Watercolour. Signed and dated, 1797.3.5×5.25 inches.Framed: 9.75×11.25 inches.●
Crouch (fl.1817-1850), WilliamAn Italian capriccio.Watercolour. Exhibited: Chris Beetles, ‘The Long Nineteenth Century: Treasures and Pleasures’, 2014, no.19 (as Lake Nemi).6.25×9.75 inches.Framed: 13×17 inches.●
Detmold, Edward Julius (1883 – 1957)‘Butterflies’.Etching and aquatint printed in colours on Japan paper. c.1925. Signed, inscribed and editioned 4/50.15.75×11.5 inches.Framed: 23×18.25 inches.●
De Wint O.W.S., Peter (1784 – 1849)Landscape and stone bridge, possibly Lake District.Pencil and sepia wash. Provenance: Michael Spratt, Jan 1987.8×14.25 inches.Framed: 17.25×23.25 inches.●
Droege, Oscar (1898 – 1983)The Wave.Wood-cut printed in colours. Signed. Editioned ’45/75′.9.5×15.5 inches.●
Farey F.R.I.B.A., Cyril (1888 – 1954)‘Westminster Bank Limited, Coventry’; the ‘Elevation to Hertford Street’.Pen, ink and watercolour. Unrealised elevation by Farey and Gerald Booth for Sir Guy Dawber R.A. (1861-1938). Signed and dated, 1918.25×20 inches.●
Feild, Maurice (1905 – 1988)‘Evening in Wales’.Oil on board. Signed, titled and dated, 1974 verso.7.5×9.25 inches.Framed: 11.5×13 inches.●
Gibbs, Jonathan (born 1955)Abstract Composition.Pastel and pencil. 1985. Signed. Artist’s label verso.8.5×11 inches.Framed: 17×19.5 inches.●
Halswelle, Keeley (1832 – 1891)‘Sleeping it off’.Pencil and white heightening. Exhibited: Agnews.5.25×4.75 inches.Framed: 9.5×9 inches.●
Hitchcock, Malcolm (1929 – 1998)Switzerland: ‘Alpnachstad and Alpnachdorf’ from above the Pilatus Railway.Oil on board. Inscribed verso.7.5×7.5 inches.Framed: 9.25×9.25 inches.●
Hamilton, Gavin (1723 – 1798)A Tribute of Garlands and a Dancing Couple; a pair of lunettes.Pen, ink and watercolour. Exhibited: Lowell Libson.6×12 inches.Framed: 11.5×17.5 inches.●
Johnson, Audrey (born 1918)‘Grasses in a White Jug’.Oil on board. Signed and dated 1970. Artist’s label verso.9.5×7.25 inches.Framed: 13×11 inches.●
Kirchhoffer R.H.A., Henry (1781 – 1860)Portrait of Francis Nicholson (1753-1844)Watercolour. inscribed verso, ‘Drawn by H. Kirchhoffer / Dublin 1824’. Illustrated: Huon Mallalieu, ‘Francis Nicholson’, Watercolours and Drawings, IV, 3, Summer 1989, pp.15-18, Fig.7. Exhibited: Anthony Reed.6×5 inches.Framed: 12.75×11 inches.
£2,500
Labruzzi, Carlo (1748 – 1817)Italy; Rome, the Sepulchre of the Curiatii Brothers.Pencil, pen and ink. Provenance: one of a large group of watercolours and drawings by Labruzzi taken from two albums that were compiled by the artist and acquired from his widow in 1818 by Lord Wharncliffe (1776-1845); by family descent to 7th Earl Fitzwilliam; sold from Wentworth Woodhouse in 1948. Exhibited: Dickinson 2012.14×20.25 inches.Framed: 23×28.5 inches.●
Lancaster O.B.E., Sir Osbert (1908 – 1986)Rubens’ ‘Leda’; “Any further questions you can save for the biology class”.Pencil, pen and ink. For the Daily Express, Dec 1969. Provenance: Peter Sampson.8.25×4.25 inches.●
Lewin R.W.S., Angie (born 1963)Sketch for ‘Hidden Fish’.Pencil and watercolour. Signed. A study for the artist’s wood-engraving.12×16 inches.●
Malchair, John (1729 – 1812)Wales; Cader Idris.Pencil and monochrome wash. Inscribed verso: ‘Part of Cader Ideris – in Marionethshire Friday Sept 9 – 1791 – ‘ (sic). Exhibited: Andrew Clayton Payne.11.5×18 inches.●
Lucas, Edward George Handel (1861 – 1936)Italy; Pompeii, ‘The Forum, Temple of Jupiter and Vesuvius’.Oil on canvas laid on panel. Signed, inscribed ‘Sketch Pompeii’ and dated, July 30th 1888.15.5×10.5 inches.Framed: 19×14 inches.●
Minton, John (1917 – 1957)The Engine Room.Pen, brush, ink and watercolour. Signed. Exhibited: Agnews.10.5×14.5 inches.Framed: 18.75×22.5 inches.●
McKenzie, John (1897 – 1972)‘Festival of Music’.The left panel carved slate with the initials ‘PFAM’ (perhaps a McKenzie?), the right a cast in composite. Possibly editioned 10/12 to an old label. Provenance: The artist’s personal collection; the artist’s housekeeper by descent; Paul Liss 2012.10×5.75xD1.75 inches.Framed: 10×11.5xD1 inches.
Nicolle, Victor Jean (1754 – 1826)Capriccio landscape.Pen, ink and sepia wash. Provenance: A and H, 1986.Dia.3.5 inches.Framed: 8.5×8 inches.●
Parsons, Beatrice (1870 – 1955)‘The Bluebell Wood, Oxley, Hertfordshire’.Watercolour. Signed. Exhibited: Arthur Greatorex; Christopher Wood.21×14.5 inches.Framed: 30×23 inches.●
Palmer, Samuel (1805 – 1881)‘The Early Ploughman’ (L.E.9).Etching. 1881. Initialed ‘F.S.’ ‘M.H.’ ‘F.L.G.’ An impression from the 1926 edition printed by F. L. Griggs, marked with his triangle bottom left margin and initialled by Frank Short, Martin Hardie and F. L. Griggs.5×7.5 inches.Framed: 16.5×18.75 inches.
£2,750
Procktor R.A., Patrick (1936 – 2003)Italy; Venice, ‘Riva I’ (TS33). A view from the Monaco Hotel.Etching. 1972. Artist’s proof. Signed and editioned.10.5×27.5 inches.●
Robb, Brian (1913 – 1979)‘Venice 2 – Reflections’.Oil on canvas. c.1960. Signed and titled verso.15.75×11.75 inches.Framed: 13×17 inches.●
Scott, Gordon (1914 – 2016)Modern City and Worshippers.Pencil. Inscribed ‘Composition / Memory’. Provenance: the Artist’s Estate.21×5 inches.●
Rushbury R.A. R.E., Sir Henry (1889 – 1968)Italy; ‘Venice’, San Pietro di Castello and the Ponte San Pietro.Pencil and watercolour. Signed, inscribed and dated 1931.11×19.5 inches.●
Senape (1788-after 1850), AntonioSicily; Etna from the ancient theatre at Taormina.Pen and ink. Exhibited: Crispian Riley-Smith.6×8.5 inches.Framed: 14×17 inches.●
Our Lists introduce at least 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
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