LIST 542



Issued 5pm 14th November

  • ANON (Eighteenth-Century)
    ‘A View of Richmond Green by Twylight’. Pen, ink and watercolour. 1770. Inscribed and dated to the verso of the original wash line mount. The verso of the watercolour addressed… ‘For / George Knapton Esq / att John Knapton Esq / Richmond Green’. Ex. Collection: George Knapton (1698-1778); […] Edward Croft-Murray (1907-1980). 7.25×6 inches.
  • ANON (Nineteenth-Century)
    PAIR; Italian Capricci. Pencil and watercolour. c.1840. 2.5×4 inches. Framed: 10×11 inches.
  • ANON (Nineteenth-Century)
    Ferns and foliage. Pencil and watercolour. c.1870. Ex. Collection: Cyril Fry. 5×4.5 inches.
  • Bawden N.E.A.C. R.E., Richard (born 1936)
    ‘Winter Still Life’. Etching and aquatint. Artist’s Proof. Signed and titled. 20.25×16 inches.
  • Bratby R.A., John (1928 – 1992)
    ‘Summer Wind’. Oil on canvas. 1961. Signed. Exhibited: Zwemmer Gallery. 33.5×47.5 inches. Framed: 41.5×55.5 inches.
  • Buckland-Wright, John (1897 – 1954)
    ‘Bathers’. Wood-engraving. Signed, titled and dated, 1951. Edition of 30. Exhibited: Wolseley Fine Arts. 6.5×4.25 inches. Framed: 17×13 inches.
  • Burr, James (born 1926)
    ‘Three Flowers’. Etching and aquatint. Signed, dedicated and dated July 1962. 8×6 inches.
  • Cameron, Katherine (1874 – 1965)
    Scotland; ‘The Kingdom of Fife’. Etching. 1921. Signed and titled. 4×9 inches.
  • Burney, Edward Francis (1760 – 1848)
    Study for Laocoön and his Sons. Pen, ink and monochrome wash. c.1800. Related to the vignette by Burney of the same subject in the Brooklyn Museum. Provenance: Sabin Galleries. 7.5×4.75 inches.
  • Cliffe, Henry (1919 – 1983)
    Abstract composition. Pencil. c.1960. Provenance: a collection of sheets by Cliffe from the ’50s and ’60s, many signed. 6.5×8 inches. Framed: 11×12.5 inches.
  • Cotman R.I. R.O.I., Frederick George (1850 – 1920)
    ‘Sunset’. Oil on board. Signed and dated, 1914. Signed and titled to the artist’s label verso. 9.25×16 inches.
  • Cristall OWS, Joshua (1767 – 1847)
    A young woman sewing. Pencil, pen, ink and monochrome wash. c.1810. 7×5 inches.
  • Daintry, Adrian (1902 – 1988)
    ‘Elizabeth Arden’. Pen, ink and watercolour. Signed, inscribed and dated, 1956. 9.5×16.25 inches. Framed: 17.25×23 inches.
  • Devis, Anthony (1729 – 1816)
    Pastoral landscape. Pen, ink and wash. c.1810. Signed with initials. 5.5×8 inches.
  • Flint, Robert Purves (1883 – 1947)
    Italy; Venice, the Doge’s Palace. Charcoal and watercolour. Signed and dated, 1924. 9.25×14.5 inches.
  • Frost, George (1754 – 1821)
    Travellers on a lake side. Charcoal. c.1800. Ex. Collection: R. P. Morris. 8.5×6.5 inches.
  • Gertler, Mark (1891 – 1939)
    Life drawing. Pencil. c.1938. Provenance: Vivian Meynell (of Offord & Meynell) for whom the drawing was made. 10.5×5 inches. Framed: 17×10 inches.
  • Gault, Cameron (born 1964)
    ‘Portrait’; a study for ‘Pain and Love’. Charcoal, watercolour and gouache. 1991. Exhibited: Julian Hartnoll; Houldsworth Fine Art. 24.5×17.5 inches. Framed: 36×28.5 inches.
  • Gipin Family? (Eighteenth Century)
    A landscape capriccio. Pen, ink, monochrome wash and gouache. Previously attributed to Sawrey Gilpin R.A. (1733-1807). Ex. Collection: Arnold Fellows. 9×12 inches.
  • Graham, Fergus (1900 – 1968)
    ‘Serpentine No.3’. Watercolour. Signed with monogram. Signed and title to an artist’s label on the verso of the original frame. 9×16 inches.
  • Hearne, Thomas (1744 – 1817)
    Hertfordshire; ‘At St Hippolita’s / near Hitchin’. Pencil and watercolour. Signed. Inscribed verso. 5×7.5 inches.
  • Howarth, Albany (1872 – 1936)
    Venice; the Palazzo Dario. Etching. Signed, Signed and titled in the plate. 15.75×8.25 inches.
  • Hogarth, William (1697 – 1764)
    SET: ‘A Harlot’s Progress’ (Paulson 121-126). Engraving. 1732. 4th state with cross printed to the border. Very good late life-time or early Mrs Hogarth impressions on Auvergne Paper. Ex. Collection. Sir William Augustus Fraser Bart. Exhibited: Andrew Edmunds. Beautifully framed by the later Justin Skrebowski. 12.5×15.5 inches. Framed: 20.5×24.75 inches.
  • Holloway, Edgar (1914 – 2008)
    ‘Self Portrait No.6’. Etching. 1932. Printers proof to the 1993 edition. Signed, titled and dated. 9×6.5 inches.
  • Huet-Villiers (Traditionally Attributed to), Francois (1772 – 1813)
    Kent, Canterbury and the Cathedral. Pencil and watercolour. c.1810. Inscribed verso, ‘Canterbury Cathedral / from the Percy[?] Collection / Huet Villiers (Francois) 1772-1813 / Watercolour’. 11.75×16.5 inches.
  • John O.M. R.A., Augustus (1878 – 1961)
    ‘Self Portrait in an Oval’ (CD9). Etching. 1901/02 (published 1906). Signed. State III. Editioned 25/25 under the mount. 5×4 inches. Framed: 14×11.25 inches.
  • Hurry, Leslie (1908 – 1978)
    Wagner; Götterdämmerung, Scene II. Pen, ink and watercolour. Signed and dated, 1954. 18.5×23 inches.
  • Joyce, Peter (born 1964)
    Dorset; ‘Kimmeridge Cliffs’. Mixed media on card. 1990. Signed and dated verso. Signed, titled and dated to the old backboard. Exhibited: Anthony Hepworth. 18.25×15 inches. Framed: 24.5×21.5 inches.
  • Landseer R.A., Charles (1799 – 1879)
    Byron; ‘The Maid of Athens’ / ‘The Greek Girl’. Oil on board. 1845. Exhibited: Royal Academy, 1845, No.144. 10×8 inches. Framed: 15.5×13.5 inches.
  • McFadyen R.A., Jock (born 1950)
    ‘ECR’. Lithograph. Signed, inscribed and editioned, 37/50. From the suite ‘Five Etchings and Five Lithographs’, published 1991. 25×17.25 inches.
  • Linnell, John (1792 – 1882)
    Harvester. Chalks. Exhibited: Guy Peppiatt. 7.25×11 inches. Framed: 15.5×18.5 inches.
  • Menpes R.E. R.I., Mortimer (1855 – 1938)
    Elizabeth Robins (1862-1952); an illustrated letter from the artist to the great American actress. Pen, ink, pencil and watercolour. Postmarked 1902 and address to ‘Miss Elizabeth Robins / C/o Miss Hutchison / 46 Price’s Gate / S.W.’. 5×8 inches. Framed: 6.5×9.25 inches.
  • Nattes (c.1765-1839), Jean-Claude
    PAIR: Italy; Florence mills, ‘Ponte alle Grazie … presa della parte del mulino della Zecca’ and ‘Mulino sull arno presa della Casa Bruck’. Pencil, pen and ink. Both inscribed and dated, September 1820. 9×13.5 inches.
  • Payne, William (1760 – 1830)
    Orestone, near Plymouth. Watercolour. Signed with initials. 8.25×11.25 inches. Framed: 17×19.5 inches.
  • RC (Eighteenth-Century)
    ‘Mars’. Watercolour and gouache on card. Signed ‘RC’ and dated, ‘January 18, 1793 verso. Titled and numbered 3 verso, so presumably one of a series. 11.5×6.25 inches.
  • Nené / Mené (Nineteenth Century)
    Italy; Vesuvius from the Bay of Naples. Oil on panel. c.1870. Signed. 4×7.5 inches. Framed: 5.75×9.25 inches.
  • Rothchild, Judith (born 1950)
    ‘The Front Steps Overgrown’. Pastels. 1995. Exhibited: Francis Kyle. 25.5×19.25 inches. Framed: 33.5×27 inches.
  • Rushbury R.A. R.E., Sir Henry (1889 – 1968)
    Scotland; Ben Nevis & Fort William. Watercolour. Signed. 21×30 inches.
  • Sandby R.A., Paul (1731 – 1809)
    A Capriccio Landscape. Pencil and watercolour. Exhibited: Palser Gallery. 10×12 inches. Framed: 15.25×17 inches.
  • Sergeant, Carolyn (born 1937)
    May Oaks and Hedgerow. Oil on card. Signed and dated, 1990. Signed and dated, May 1990 verso. Provenance: Artist’s Estate. 10×12 inches.
  • Slater (c.1780-1847), Josiah
    Portrait of a woman. Pencil and watercolour. c.1800. Signed with initial. Exhibited: Miles Wynn Cato. 10×8 inches. Framed: 14.25×12.25 inches.
  • Smith (Attributed to), John ‘Warwick’ (1749 – 1831)
    A Welsh Landscape. Watercolour. c.1790. 5.75×9 inches.
  • Strang R.A. R.E., William (1859 – 1921)
    ‘Forest Pool’ (WS.496). Etching and drypoint. 1908. Signed by the artist and by the printer, David Strang. 9.5×8 inches.
  • Suddaby, Rowland (1912 – 1978)
    A fisherman and his boat on shore, low skies. Watercolour and gouache. Signed. 15×22 inches. Framed: 28×21 inches.
  • Thornton, Valerie (1931 – 1991)
    France; ‘Village near Amboise’. Pencil, chalk, watercolour and gouache. Exhibited: The Minories, Colchester. 14.5×19.75 inches. Framed: 22×27 inches.
  • Tute R.E. S.W.E., George (born 1933)
    ‘Sunflower Field’. Wood-engraving. Signed, titled, dated and editioned 62/75. 16×12 inches. Framed: 27×22 inches.
  • Varley O.W.S., John (1778 – 1842)
    London; ‘View of London Bridge – Slanting Shadows thrown across it / Strong lights catching on the buildings. Sky Silver Grey / with warm Grey Clouds’. Pencil. Inscribed. Ex. Collection: Edward Croft-Murray. 3.5×7 inches.
  • Underwood, Leon (1890 – 1975)
    ‘Tree of Life’ / ‘This is a Fair World’. Wood-engraving. 1926. Proof. For James Branch Cabell, ‘Music from Behind the Moon’, Publ. John Day, New York, 1926. 6×4 inches. Framed: 14×11.25 inches.
  • Walcot R.E., William (1874 – 1943)
    ‘Changing London – Euston Road at St Pancras’ (EH-L178). Etching and aquatint. 1937. Signed. 6×10 inches.
  • Wright (Attributed to), Thomas (1773 – 1845)
    Yorkshire; ‘Near Wetherby’. Pencil and monochrome wash. Inscribed. Inscribed verso, ‘The Bridge at Wetherby / July 5th 1809’. 11×13 inches.



An Exhibition of Ingredients


LIST 542


Issued 5pm 28th November

We have Lists and Exhibitions planned well into Spring and early Summer 2024.
Here is what is happening in the next couple of months.


Friday 1st – Friday 8th
An event not to be missed!

LIST 543

Will be composed of Groups of works released
at regular intervals throughout December.

Ardizzone, Beerbohm, Bentley, Burra, Du Maurier, Ferrier, Henning, Kay, Sandby … and more.


LIST 544

5pm 16th January

Including … Aldridge, Blamey, Bright, Cameron, Crotch, Davis, Gaunt, Gere, Kramer, Ihlee, Lancaster, Legros, Morland, Munn, Payne, Piper, Pryde, Rowlandson, Sandby, Simpson, Sutherland, Tanner, Vaughan, Ward …

And followed by…

An Exhibition of




26th January – 3rd February
24 East 64th Street, New York
15th February – 9th March
30 Museum Street, London




Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.

They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.

Images: These are intended as an indication of the work – please telephone or email  if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.

Approval Service: We are happy to send works on approval, but this is subject to discussion.



If you would like to receive Email Alerts when ‘Lists’ of new stock and Exhibitions are published online, please Click Here. We NEVER share your information – see our Personal Data Policy.

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