ANON (Eighteenth-Century)‘A View of Richmond Green by Twylight’.Pen, ink and watercolour. 1770. Inscribed and dated to the verso of the original wash line mount. The verso of the watercolour addressed… ‘For / George Knapton Esq / att John Knapton Esq / Richmond Green’. Ex. Collection: George Knapton (1698-1778); […] Edward Croft-Murray (1907-1980).7.25×6 inches.Sold
ANON (Nineteenth-Century)PAIR; Italian Capricci.Pencil and watercolour. c.1840.2.5×4 inches.Framed: 10×11 inches.Sold
ANON (Nineteenth-Century)Ferns and foliage.Pencil and watercolour. c.1870. Ex. Collection: Cyril Fry.5×4.5 inches.Sold
Bratby R.A., John (1928 – 1992)‘Summer Wind’.Oil on canvas. 1961. Signed. Exhibited: Zwemmer Gallery.33.5×47.5 inches.Framed: 41.5×55.5 inches.
£9,750
Buckland-Wright, John (1897 – 1954)‘Bathers’.Wood-engraving. Signed, titled and dated, 1951. Edition of 30. Exhibited: Wolseley Fine Arts.6.5×4.25 inches.Framed: 17×13 inches.Sold
Burr, James (born 1926)‘Three Flowers’.Etching and aquatint. Signed, dedicated and dated July 1962.8×6 inches.Sold
Burney, Edward Francis (1760 – 1848)Study for Laocoön and his Sons.Pen, ink and monochrome wash. c.1800. Related to the vignette by Burney of the same subject in the Brooklyn Museum. Provenance: Sabin Galleries.7.5×4.75 inches.Sold
Cliffe, Henry (1919 – 1983)Abstract composition.Pencil. c.1960. Provenance: a collection of sheets by Cliffe from the ’50s and ’60s, many signed.6.5×8 inches.Framed: 11×12.5 inches.Sold
Daintry, Adrian (1902 – 1988)‘Elizabeth Arden’.Pen, ink and watercolour. Signed, inscribed and dated, 1956.9.5×16.25 inches.Framed: 17.25×23 inches.Sold
Devis, Anthony (1729 – 1816)Pastoral landscape.Pen, ink and wash. c.1810. Signed with initials.5.5×8 inches.Sold
Flint, Robert Purves (1883 – 1947)Italy; Venice, the Doge’s Palace.Charcoal and watercolour. Signed and dated, 1924.9.25×14.5 inches.Sold
Frost, George (1754 – 1821)Travellers on a lake side.Charcoal. c.1800. Ex. Collection: R. P. Morris.8.5×6.5 inches.Sold
Gertler, Mark (1891 – 1939)Life drawing.Pencil. c.1938. Provenance: Vivian Meynell (of Offord & Meynell) for whom the drawing was made.10.5×5 inches.Framed: 17×10 inches.Sold
Gault, Cameron (born 1964)‘Portrait’; a study for ‘Pain and Love’.Charcoal, watercolour and gouache. 1991. Exhibited: Julian Hartnoll; Houldsworth Fine Art.24.5×17.5 inches.Framed: 36×28.5 inches.Sold
Gipin Family? (Eighteenth Century)A landscape capriccio.Pen, ink, monochrome wash and gouache. Previously attributed to Sawrey Gilpin R.A. (1733-1807). Ex. Collection: Arnold Fellows.9×12 inches.Sold
Graham, Fergus (1900 – 1968)‘Serpentine No.3’.Watercolour. Signed with monogram. Signed and title to an artist’s label on the verso of the original frame.9×16 inches.Sold
Hearne, Thomas (1744 – 1817)Hertfordshire; ‘At St Hippolita’s / near Hitchin’.Pencil and watercolour. Signed. Inscribed verso.5×7.5 inches.Sold
Howarth, Albany (1872 – 1936)Venice; the Palazzo Dario.Etching. Signed, Signed and titled in the plate.15.75×8.25 inches.Sold
Hogarth, William (1697 – 1764)SET: ‘A Harlot’s Progress’ (Paulson 121-126).Engraving. 1732. 4th state with cross printed to the border. Very good late life-time or early Mrs Hogarth impressions on Auvergne Paper. Ex. Collection. Sir William Augustus Fraser Bart. Exhibited: Andrew Edmunds. Beautifully framed by the later Justin Skrebowski.12.5×15.5 inches.Framed: 20.5×24.75 inches.Sold
Holloway, Edgar (1914 – 2008)‘Self Portrait No.6’.Etching. 1932. Printers proof to the 1993 edition. Signed, titled and dated.9×6.5 inches.Sold
Huet-Villiers (Traditionally Attributed to), Francois (1772 – 1813)Kent, Canterbury and the Cathedral.Pencil and watercolour. c.1810. Inscribed verso, ‘Canterbury Cathedral / from the Percy[?] Collection / Huet Villiers (Francois) 1772-1813 / Watercolour’.11.75×16.5 inches.Sold
John O.M. R.A., Augustus (1878 – 1961)‘Self Portrait in an Oval’ (CD9).Etching. 1901/02 (published 1906). Signed. State III. Editioned 25/25 under the mount.5×4 inches.Framed: 14×11.25 inches.Sold
Hurry, Leslie (1908 – 1978)Wagner; Götterdämmerung, Scene II.Pen, ink and watercolour. Signed and dated, 1954.18.5×23 inches.Sold
Joyce, Peter (born 1964)Dorset; ‘Kimmeridge Cliffs’.Mixed media on card. 1990. Signed and dated verso. Signed, titled and dated to the old backboard. Exhibited: Anthony Hepworth.18.25×15 inches.Framed: 24.5×21.5 inches.Sold
Landseer R.A., Charles (1799 – 1879)Byron; ‘The Maid of Athens’ / ‘The Greek Girl’.Oil on board. 1845. Exhibited: Royal Academy, 1845, No.144.10×8 inches.Framed: 15.5×13.5 inches.Sold
McFadyen R.A., Jock (born 1950)‘ECR’.Lithograph. Signed, inscribed and editioned, 37/50. From the suite ‘Five Etchings and Five Lithographs’, published 1991.25×17.25 inches.Sold
Linnell, John (1792 – 1882)Harvester.Chalks. Exhibited: Guy Peppiatt.7.25×11 inches.Framed: 15.5×18.5 inches.Sold
Menpes R.E. R.I., Mortimer (1855 – 1938)Elizabeth Robins (1862-1952); an illustrated letter from the artist to the great American actress.Pen, ink, pencil and watercolour. Postmarked 1902 and address to ‘Miss Elizabeth Robins / C/o Miss Hutchison / 46 Price’s Gate / S.W.’.5×8 inches.Framed: 6.5×9.25 inches.Sold
Nattes (c.1765-1839), Jean-ClaudePAIR: Italy; Florence mills, ‘Ponte alle Grazie … presa della parte del mulino della Zecca’ and ‘Mulino sull arno presa della Casa Bruck’.Pencil, pen and ink. Both inscribed and dated, September 1820.9×13.5 inches.Sold
Payne, William (1760 – 1830)Orestone, near Plymouth.Watercolour. Signed with initials.8.25×11.25 inches.Framed: 17×19.5 inches.Sold
RC (Eighteenth-Century)‘Mars’.Watercolour and gouache on card. Signed ‘RC’ and dated, ‘January 18, 1793 verso. Titled and numbered 3 verso, so presumably one of a series.11.5×6.25 inches.
£675
Nené / Mené (Nineteenth Century)Italy; Vesuvius from the Bay of Naples.Oil on panel. c.1870. Signed.4×7.5 inches.Framed: 5.75×9.25 inches.Sold
Rothchild, Judith (born 1950)‘The Front Steps Overgrown’.Pastels. 1995. Exhibited: Francis Kyle.25.5×19.25 inches.Framed: 33.5×27 inches.Sold
Sandby R.A., Paul (1731 – 1809)A Capriccio Landscape.Pencil and watercolour. Exhibited: Palser Gallery.10×12 inches.Framed: 15.25×17 inches.
£4,750
Sergeant, Carolyn (born 1937)May Oaks and Hedgerow.Oil on card. Signed and dated, 1990. Signed and dated, May 1990 verso. Provenance: Artist’s Estate.10×12 inches.Sold
Slater (c.1780-1847), JosiahPortrait of a woman.Pencil and watercolour. c.1800. Signed with initial. Exhibited: Miles Wynn Cato.10×8 inches.Framed: 14.25×12.25 inches.Sold
Strang R.A. R.E., William (1859 – 1921)‘Forest Pool’ (WS.496).Etching and drypoint. 1908. Signed by the artist and by the printer, David Strang.9.5×8 inches.Sold
Suddaby, Rowland (1912 – 1978)A fisherman and his boat on shore, low skies.Watercolour and gouache. Signed.15×22 inches.Framed: 28×21 inches.
£1,500
Thornton, Valerie (1931 – 1991)France; ‘Village near Amboise’.Pencil, chalk, watercolour and gouache. Exhibited: The Minories, Colchester.14.5×19.75 inches.Framed: 22×27 inches.Sold
Tute R.E. S.W.E., George (born 1933)‘Sunflower Field’.Wood-engraving. Signed, titled, dated and editioned 62/75.16×12 inches.Framed: 27×22 inches.Sold
Varley O.W.S., John (1778 – 1842)London; ‘View of London Bridge – Slanting Shadows thrown across it / Strong lights catching on the buildings. Sky Silver Grey / with warm Grey Clouds’.Pencil. Inscribed. Ex. Collection: Edward Croft-Murray.3.5×7 inches.Sold
Underwood, Leon (1890 – 1975)‘Tree of Life’ / ‘This is a Fair World’.Wood-engraving. 1926. Proof. For James Branch Cabell, ‘Music from Behind the Moon’, Publ. John Day, New York, 1926.6×4 inches.Framed: 14×11.25 inches.Sold
Walcot R.E., William (1874 – 1943)‘Changing London – Euston Road at St Pancras’ (EH-L178).Etching and aquatint. 1937. Signed.6×10 inches.Sold
Wright (Attributed to), Thomas (1773 – 1845)Yorkshire; ‘Near Wetherby’.Pencil and monochrome wash. Inscribed. Inscribed verso, ‘The Bridge at Wetherby / July 5th 1809’.11×13 inches.
ANON (Eighteenth-Century)A house and parkland.Pen, ink and watercolour. c.1790. Presumably by someone who had taken lessons from Sandby.13.75×19.5 inches.Sold
ANON (Nineteenth-Century)A bank of dock leaves and grasses.Pencil and watercolour. c.1820. Probably by an artist of the Norwich School.10.5×15 inches.Sold
ANON (Nineteenth-Century)Traveller approaching a mill.Pen, ink and watercolour. c.1810.5.5×8.5 inches.Sold
Bell R.A., Robert Anning (1863 – 1933)Book Plate for Frederic Lord Leighton P.R.A. (1830-1896)Wood-engraving. Signed. Dated 1894 in the plate.7.5×4.25 inches.Sold
Bone N.E.A.C., Stephen (1904 – 1958)London; Havistock Hill in the snow.Oil on panel. c.1945. Provenance: the Artist’s Estate.9.75×14 inches.Framed: 14.75×19 inches.Sold
Buckland-Wright, John (1897 – 1954)‘Venus: From Hymn to Prosperine’.Wood-engraving. Signed and dated 1943. For the collection of poems by Swinburne published by the Golden Cockerel Press, 1944.5.75×4.5 inches.Sold
Callow R.W.S., William (1812 – 1908)An Italian(?) coastal scene with rock castle.Pencil and watercolour. Monogrammed.7.25×14.25 inches.Framed: 15×21.25 inches.Sold
Drury, Paul (1903 – 1987)‘Evening’ (G16).Etching. Signed and dated, 1925. State 3. Edition of 60. Numbered ‘No.36’ and titled under the mount.3×4 inches.Sold
Eldridge R.W.S., Mildred (1909 – 1991)‘Telling the Bees’ / ‘Music’; the artist’s RCA mural painting examination piece.Oil on canvas. 1933. Signed. Inscribed verso. Later worked into the first panel of her great mural cycle ‘The Dance of Life’ (1956), made for the Orthopaedic Hospital at Gobowen and now at Glyndŵr University, Wrexham.62.5×65.5 inches.Sold
Elwell, Francis Kenneth (1905 – 1945)The Artist’s Studio in Beverley, East Yorkshire.Oil on panel. Signed and dated, 1923.33×42 inches.Framed: 38.5×47.5 inches.Sold
Finney, Hubert Arthur (1905 – 1991)A WWII ambulance nurse.Pen, ink and crayon. Inscribed verso, ‘Brush drawing of a Nurse in the Ambulance Service’. Provenance: Duncan Cambell, Hubert Arthur Finney Studio Sale, 2007.20.5×15.5 inches.Sold
Frost, George (1754 – 1821)A thatched East Anglian cottage.Charcoal. c.1800.8×10.5 inches.Framed: 13.5×15.5 inches.Sold
Gibbs, Evelyn (1905 – 1991)Portrait of a Boy.Pen, ink, charcoal and monochrome wash. Signed.16×12 inches.Sold
Girtin (After), Thomas (1775 – 1802)‘Rainbow. A Scene on the River Exe’.Engraving by Charles Turner after Thomas Girtin. Published by W.B. Cooke in 1823.7×10.25 inches.Sold
Goff R.E., Robert (1837 – 1922)East Sussex; ‘Brighton Pier’.Pencil. Signed and inscribed.5×7 inches.Framed: 12.5×14.5 inches.
£600
Greenham R.O.I., Peter (1906 – 1976)Royal Academy Schools Life Drawing.Charcoal. 1960/62. Provenance: John Sergeant (1937-2010). The drawings in a folder inscribed by Sergeant, ‘ … by Peter Greenam / drawn for me at / Royal Academy Schools 1960/61’.6.5×14.5 inches.Sold
Haggis, John (1897 – 1968)Spain; ‘Almeria’.Chalks. Signed. Titled and dated, 1957, verso.9.5×13.5 inches.Framed: 11.5×15.25 inches.Sold
Hardie R.E., Martin (1875 – 1952)France; ‘The Sunny South’, Martigues.Etching. 1924. Edition of 70. From a pencil drawing made at Martigues in 1921.5.5×8.25 inches.Sold
Hart, Barry (1894 – 1954)Art deco ceiling design.Pencil, watercolour and gouache. Circa 1935. Provenance: Artist’s Estate.32×19 inches.Sold
Hastings (Early Nineteenth-Century)East Sussex; a view of Hastings from East Hill looking north over All Saints Church.Pencil and monochrome wash. Early nineteenth-century. Inscribed recto, left to right .. ‘All Saints Church / Halton Church / London Road / Barrack Field / St Mary’s Terrace’.9×20.5 inches.Sold
Hills O.W.S., Robert (1769 – 1844)‘Hastings’; a study of trees and farm buildings.Pencil and monochrome wash. Signed. Inscribed verso.6.75×9.75 inches.Sold
Mabbutt, Mary (born 1951)‘Gina Shoes 2’.Oil on canvas. Signed and dated, 1998 verso. Exhibited: Martin Tinney Gallery.12×12 inches.Sold
Maitland, Paul (1863 – 1909)The Thames; 'Leaden Skies'.Oil on canvas. 1908. Exhibited: Michael Franklin.15.5"x11.5" inches.Framed: 21"x17" inches.
Manessier, Alfred (1911 – 1993)Abstract Figures.Wood-engraving. Signed and dated, 1943 in the plate. Signed with initials in pencil.9.5×7.5 inches.Sold
Nash, Eustace (1886 – 1969)Four Designs for ‘White Horse’ Bleach Board Drip MatsWatercolour and gouache. c.1950. Signed to a label recto.10.25×10 inches.Sold
Norris (Nineteenth Century), FRichmond Hill and Petersham Meadow.Watercolour and white heightening. c.1840. Ex. Collection: Edward Croft-Murray (1907-1980).6.5×10.25 inches.Sold
Payne, William (1760 – 1830)A fisherman and his wife mending their net.Pencil and watercolour. c.1810. Ex. Collection: Arnold Fellows.2.25×5 inches.Sold
Quinlan, Eve (1880 – 1955)‘Magnolias’.Oil on canvas. 1942. By the Suffolk artist who demonstrably spent some time with Cedric Morris at Benton End (she exhibited a view of the Garden at Benton End at the Ipswich Art Club). Artist’s label verso. Exhibited: RBA29.5×23.5 inches.Framed: 37×31 inches.Sold
Yates, Harold (1916 – 2001)A Guards InspectionInk and watercolour. Signed and dated, 1941. Exhibited: Belgrave Gallery, 1991.4.75×6.75 inches.Framed: 10.75×12.25 inches.Sold
We have Lists and Exhibitions planned well into Spring and early Summer 2024. Here is what is happening in the next couple of months.
DECEMBER
Friday 1st – Friday 8th An event not to be missed!
LIST 543
Will be composed of Groups of works released at regular intervals throughout December.
FIRST GROUP 5th DECEMBER
Ardizzone, Beerbohm, Bentley, Burra, Du Maurier, Ferrier, Henning, Kay, Sandby … and more.
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.
Approval Service: We are happy to send works on approval, but this is subject to discussion.
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