SOLD ARCHIVE

This is a selection of works we have sold since 2012. We will be adding more over the coming weeks and months.

Found 12315 Results

Design for a candelabrum. Probably for Rundell, Bridge & Rundell. Pencil, pen and ink. c.1820. This drawing relates to a design by Flaxman. There is also a worked up drawing of the design attributed to Edward Hodges Baily in an album in the V&A. 13x7 inches. Framed: 22x15.5 inches. ●
A. M. (Early Nineteenth Century) Italy; 'View of the Temple of Isis at Pompeii'. Pencil, watercolour and gouache. Extensively inscribed. Dated, 'Sketched on the spot in 1828' and initialled 'A M'. 5x7 inches. Framed: 12.5x14 inches. ●
Abbe, Salomon van (1883 - 1955) PAIR: Women at a well, a print and drawing. Drypoint etching. Signed and editioned '15/50'. Sold with a study for the print in charcoal. 10.5x10.5 inches. ●
ABBEY Edward Austin R.A. (1852-1911) ‘She Stoops to Conquer’. Pen and ink. Signed and dated 1883. Dated beneath the mount ‘Aug.16th (18)84’. Other drawings from this series (published 1887) are in Tate Britain. 10x12 inches. ●
ABBOTT John White (1763-1851) ‘Nutwell’, the grounds of Nutwell Court, Devon. Ink and watercolour. Inscribed by the artist verso ‘Nutwell. Oct. 24th 1796’. 4.5x7 inches. ●
ABBOTT John White (1763-1851) Devon. ‘Northernhay, Exeter’. Pen, brush and ink. Inscribed by the artist 0n the original attached backing. 10.5x7.25 inches. ●
ABBOTT John White (1763-1851) Muchelney Abbey, Somerset. Pen, brush and ink. Exhibited: William Drummond. 5.5x7.75 inches. Framed: 12.5x14.5 inches. ●
ABBOTT John White (1763-1851) Study of parkland, probably Fordland, Devon. Pen, brush and ink. Circa 1820. 11.25x10 inches. ●
ABBOTT John White (1763-1851) ‘Fordland’, Devon. Pen, brush and ink. Inscribed and dated: ‘Aug.19th 1825’. Ex. Collection: Judy Egerton. 9x6 inches. ●
ABBOTT John White (1763-1851) Devon. ‘New Bridge’. Probably at Fordland. Pen, brush and ink. Inscribed and dated verso, ‘New Bridge, Septnd,1821’. Bears artists initials recto in ?another hand. Exh: Spink. ●
ABBOTT John White (1763-1851) Rosslyn Castle. Ink and watercolour on joined paper. 1791. Exhibited: Colnaghi. 7.5x16.75 inches. Framed: 16x25 inches. ●
ABBOTT John White (1763-1851) The farmer. Pen, brush and ink. Exh: Andrew Wyld. Ex. Collection: Judy Egerton. 8x6 inches. ●
ABBOTT John White (1763-1851) Woodlanders, Devon. Pen, brush and ink. Provenance: Family descent. 7.5x6 inches. Framed: 15.25x13.25 inches. ●
ABBOTT John White (1763-1851) Bristol; ‘Clifton, Gloucestershire’. Ink and watercolour. Signed, inscribed and dated, 6th June 1829 verso. Original wash-line mount inscribed ‘xxxiii’. 10.5x7 inches. Framed: 18x15 inches. ●
Abbott, John White (1763 - 1851) The 'Warren', near Exmouth. Pen, brush and ink. Inscribed and dated 7th August, 1810 verso. Exhibited: Squire Gallery. ●
Abbott, John White (1763 - 1851) Devon; 'Fordland', near Exeter. Pen, brush and ink. Inscribed and dated 'August 19th 1825 '. Ex. Collection: Judy Egerton. 9x6 inches. Framed: 12x9 inches. ●
Abbott, John White (1763 - 1851) Devon; 'Fordland'. Pencil, pen and ink. Signed and dated, May 13th 1845. Exhibited: Squire Gallery. 9.5x11.75 inches. ●
Abbott, John White (1763 - 1851) 'Winters(?) Park'. Pencil. Inscribed and dated, 18th July 1806. 12x9 inches. ●
ABELSON Evelyn (1886-1967) ‘Smith Square’. Oil on canvas laid on panel. Exhibited: Evelyn Abelson Retrospective, Royal Society of British Artists. 10x14 inches. Framed: 15x19 inches. ●
ABSOLON John (1815-1895) View over Dieppe from the cliffs above the Chateau. Watercolour and gouache. Circa 1865. Signed. 10.5x20.5 inches. Framed: 19x29 inches. ●
Absolon, John (1815 - 1895) Sky Study. Watercolour and gouache. Ex. Collection: Sir John Witt (1907-1982), his stamp verso. 5.5x14 inches. ●
ACKERMANN Arthur Gerald R.I. (1876-1960) ‘A Calm Evening, Blakeney’. Watercolour. Circa 1935. Signed. Inscribed on the original mount. 9.5x14 inches. ●
ACKERMANN Arthur Gerald R.I. (1876-1960) ‘The Downs at Shoreham’. Watercolour. Signed. 9.5x14 inches. ●
ACKERMANN Arthur Gerald R.I. (1876-1960) Blakeney Cut. Watercolour. Provenance: Mrs Ethel Scully (the artist’s sister) to the Fry Gallery. 6.5x10 inches. ●
ACKERMANN Arthur Gerald R.I. (1876-1960) Essex: ‘Low tide, Maldon’. Watercolour. Signed. 7x10 inches. ●
ACKERMANN Arthur Gerald R.I. (1876-1960) ‘Assisi: San Maddigore’. Ink and watercolour. Signed. 9.5x14.5 inches. ●
ACKERMANN Arthur Gerald R.I. (1876-1960) ‘Blakeney Cut’. Watercolour. Circa 1935. Signed. 10.5x15.5 inches. Framed: 18x22.5 inches. ●
ACKERMANN Arthur Gerald R.I. (1876-1960) ‘Sailing – Blakeney’. Watercolour. Signed. Inscribed on original backing. Exhibited: Fine Art Society, 1952. 9.5x14.5 inches. ●
ACKERMANN Arthur Gerald R.I. (1876-1960) ‘Norwich from the Heath’. Watercolour. Signed. 1913. 13x20 inches. ●
Ackermann R.I., Arthur Gerald (1876 - 1960) 'Sailing - Blakeney'. Watercolour. Signed. Inscribed on original backing. Exhibited: Fine Art Society, 1952. 9.5x14.5 inches. ●

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