SUMMER SELECTION

August 2025

In the year since August 2024 we have introduced almost 1500 works to stock via our Lists, Groups and Exhibitions. Below is a Summer selection of those that are still available!

NB this does not include works from our July List which can be VIEWED HERE

The Gallery is open as usual throughout August. 10am-1pm and 2-5pm Monday to Saturday.

Abbott, John White (1763 – 1851) Devon; ‘Torquay’. Pencil, pen, ink and watercolour. Inscribed and dated, ‘Torquay Aug 27’ verso. Signed with initials, inscribed and dated, ‘August 27th 1800’ to the original mount. Provenance: Christie’s, 9th November 1971, Lot 140. 5.5×8.5 inches. Framed: 12×14.5 inches.
£3,750
Abbott, John White (1763 – 1851) Scotland; ‘The City of Edinburgh from the Top of Arthur’s Seat’. Pen, ink and watercolour. Signed, inscribed and dated, ‘No.7 / June 19. 1791’, verso. Original wash-line mount. 3.75×6 inches. Framed: 11.5×14.5 inches.
Sold
Adam F.R.S.A., Robert (1728 – 1792) Capriccio Landscape with a Castle Ruin. Pen, ink and watercolour. c.1780. Provenance: The majority of Adam’s landscape drawings appeared in the dispersal of his collection at Christie’s, 20th May 1818 and 9th July 1821; […] Kaye Dowland by 1862, his signature (L.691) and inscriptions verso. 6.5×10 inches. Framed: 11.5×15 inches.
Sold
Aglio, Agostino (1777 – 1857) East Sussex; Brighton Beach. Pencil and watercolour. c1825-30. D 9.25×10.75 inches.
£1,250
Alston, Rowland Wright (1895 – 1958) Head of a young woman. Chalks and watercolour. Given by the artist to L. G. Duke c.1940 (D.2074). 11.5×8.5 inches.
£250
Aman-Jean, Edmond (1860 – 1936) ‘Woman with Necklace’. Etching. c.1920. Exhibited: Stoppenbach and Delestre. 11×8.5 inches. Framed: 22×18 inches.
Sold
Anderson (Twentieth Century), David ‘White Wall’. Oil on canvas. 1978. Exhibited: Piccadilly Gallery; Waddington Gallery, Toronto. Provenance: Christie’s, 2/3/1989; to A and H. 7×4.5 inches. Framed: 11.25×8.75 inches.
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Anderson C.B.E. R.A. R.E., Stanley (1884 – 1966) London; Somerset House (MH.31). Etching. 1910. Signed. Edition of 61. Trimmed to the plate by the artist. Commissioned by Frost & Reed of Bristol. This etching was selected as Anderson’s Diploma work upon election to the R.E. in 1910. 9×15.75 inches.
Sold
ANON (Eighteenth-Century) An artist at his easel. Verso: a man in a tricorne hat with his dog. Pencil, pen, brush and ink. c.1760. 8.25×5.75 inches.
£1,500
ANON (Eighteenth-Century) Roman Profile. Pen and ink. c.1790. 6×4.5 inches.
£1,250
ANON (Nineteenth-Century) Turkey; Istanbul, ‘Looking across the Bosphorous’. Pencil and watercolour. c.1860. 9×11.5 inches.
£575
ANON (Twentieth-Century) Still life with onions. Oil on canvas. c.1940. 10×14 inches. Framed: 15×19 inches.
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ANON (Twentieth-Century) WWI; Zinovy Peshkov (1884-1966) the adopted son of Maxim Gorky (1868-1936) while serving for the French Foreign Legion. Pencil. c.1916. Inscribed verso in a later hand. 4.5×6 inches.
£375
Apperley R.I. R.A. (Circle of), George Owen Wynne (1884 – 1960) Spain; Granada, the Gate of Justice. Watercolour. c.1920. Signed with monogram. 7×5 inches.
Sold
Ardizzone R.A., Edward (1900 – 1979) ‘Lovers by the Cattle Bridge’ (NAP.17). Etching. 1950. Signed, titled and editioned 1/20. 5×8 inches. Framed: 13×15 inches.
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Armfield, Maxwell Ashby (1882 – 1972) Guineafowl. Woodcut. c.1913. Proof. 4×3 inches.
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Austin, Frederick George (1902 – 1990) Congregation. Etching. c.1930. Proof. 6×4.5 inches.
£275
Badmin R.W.S. R.E., Stanley Roy (1906 – 1989) ‘Oxfordshire, Cottage’ near Woodstock (CB40). Etching. 1936. Edition of 40. Signed and titled. 4×6 inches.
£675
Beckford (Early Nineteenth Century), William ‘Miss Baily’s Ghost’; an illustrated folk song. Pen, ink and watercolour. Signed ‘Wm. Beckford f’ and dated, 181(9?). We have not been able to establish whether this is THE William Beckford (1760-1844); a popular ghost story certainly fits with his interests. Miss Baily’s Ghost is an old folk song that often appeared as a Broadside Ballad. 14×9 inches. Framed: 18×18 inches.
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Blake, Sir Quentin (born 1932) Harvesters; John the farmer and his wife living happily ever after. Pen, ink and watercolour. c.1971. An illustration for Harwood Thompson, ‘The Witch’s Cat’, Blackie, 1971. Signed. Inscribed by the artist under the mount ‘Preliminary drawing for ‘The Witch’s Cat’. 8×17.25 inches. Framed: 16.5×25 inches.
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Bone N.E.A.C., Stephen (1904 – 1958) A North London view, probably near the artist’s home in Haverstock Hill. Oil on board. Provenance: Artist’s Estate. 13.5×9.5 inches. Framed: 18.5×14.5 inches.
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Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956) ‘The Solent’ (CD.374). Drypoint. 1920. Signed. Seventh state, two impressions printed. 94 impressions total across fourteen states. 7×9.75 inches.
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Brangwyn R.A. R.W.S., Frank (1867 – 1956) ‘The Printers’. Woodcut. 1919. Signed. Numbered ‘V’ lower left. Publ. ‘Modern Woodcutters No.2’, 1920. 5×5.75 inches.
£750
Bratby R.A., John (1928 – 1992) The Stages of Waves. Oil on canvas. Signed. Titled to the stretcher (possibly in another hand). 20×30 inches.
£3,750
Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978) Anaïs II (W.67). Etching. 1930. Signed. 9×7 inches.
Sold
Brodsky, Horace (1885 – 1969) ‘View from the Studio’. Etching. 1930. Printed for London Graphic Arts, 1967. 6×4 inches.
£375
Buchel, Charles (1872 – 1950) Snowdrops. Pencil, pen, watercolour and gouache. Signed. 9×11.75 inches.
Sold
Burra, Edward (1905 – 1976) ‘Two at a Bar’. Woodcut. c.1929. Edition of 45 published in 1971 by Alexander Postan and sold by Observer Art. Exhibited: Goldmark Gallery. 6×4 inches. Framed: 11.5×9 inches.
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Cain, Charles William (1893 – 1962) Iraq; ‘Desert Caravan entering Ctesiphon Arch, Baghdad’. Etching. c.1925. Signed. Provenance: Jim Goodfriend (NYC). 15×10 inches.
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Callow R.W.S., William (1812 – 1908) Belgium; Ghent, the market and castle. Watercolour. Signed and dated, 1862. 13.5×19.5 inches. Framed: 23.5×29 inches.
£3,000
Calvert, Edwin Sherwood (1844 – 1898) Evening. Oil on canvas. c.1870. Signed. 15.5×19.5 inches. Framed: 26.5×30.5 inches.
Sold
Camp R.A., Jeffery (1923 – 2020) ‘Young and Old at Beachy Head’. Pencil and crayons. Squared or transfer. Ex. Collection: Anthony Green R.A. (1939-2023). 19.5×19.5 inches. Framed: 21×21 inches.
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Canney, Michael (1923 – 1999) Cornish Landscape. Watercolour. 1939. Signed. 7×9.5 inches. Framed: 12.5×14.5 inches.
£575
Caribbean Sugar Plantation PAIR: Anonymous hand. Watercolour. c.1800. Provenance: by descent to Ruth Heppel (1926-2023). 11.5×17.5 inches. Framed: 16.5×22 inches.
Clarke, Graham (born 1941) London; ‘Fireworkers’. Etching. Signed, titled and editioned 35/200. From of the artist’s ‘History of England’ set. 17×13.5 inches.
Sold
Continental School (Nineteenth Century) A young landscape painter in his studio. Oil on canvas. Dated 1834, but infuriatingly not signed. An exhibition label verso in Dutch. 30.5×24 inches. Framed: 37.5×31 inches.
£3,750
Copley P.R.B.A., John (1875 – 1950) ‘Jesus Raised on the Cross’ (W.197). Lithograph. 1924. Signed. Edition of 24. 16×9 inches.
£675
Cotman, John Sell (1782 – 1842) East End of the Abbey Church of Saint Georges de Boscherville near Rouen, Normandy. Pencil. c.1818. Made with a camera lucida or Cornelius Varley’s ‘Patent Graphic Telescope’. Provenance: Dr John Sell Cotman (great-great grandson of the artist); his widow, Dorothy Cotman; Sotheby’s 12 July 1967 (lot 190?); […]; Michael and Megan Dawson. 14×9.5 inches. Framed: 18.5×15 inches.
£1,500
Cotman, John Sell (1782 – 1842) Norfolk; Gillingham Hall. Pencil and monochrome wash. Signed and dated, 1818. Illustrated: Thomas Cromwell, ‘Excursions in the County of Norfolk’, Longman 1818, Vol.1, p.76 (engraved by T. Webb). Provenance: Christie’s, November 1977, Lot 67. This is one of the seventy-seven drawings Longman commissioned from Cotman to illustrate their ‘Excursions in the County of Norfolk’, one of the series of guidebooks they intended to cover each county in the country. David Hill regards these Excursion drawings as ‘some of the most sparing and economically beautiful drawings of Cotman’s career. In many ways they represent the aesthetic peak of his early career.’ 6×11 inches. Framed: 13×17 inches.
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Cox O.W.S., David (1783 – 1859) Ploughing. Pencil and watercolour. 1840s. Signed. Exhibited: Spink, ‘David Cox and John Varley’, 1967; Davis Galleries, New York, 1967, Cat. No.5; Lowell Libson, November 2014, Cat No. 32. Ex. Collection: Mimi and Stanford Feld (1967-2012). 7×10.5 inches. Framed: 10.5×14 inches.
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Cozens, Alexander (1717 – 1786) Composition with a Castle and Classical Ruins on a River. Pencil, pen, ink and monochrome wash. The sheet varnished by the artist. c.1765. 13.25×20.25 inches. Framed: 20.5×27.5 inches.
£7,500
Cristall O.W.S. (Attributed to), Joshua (1767 – 1847) Figure Composition, possibly Adam and Eve Mourning the Death of Abel. Oil on paper laid on canvas. c.1805. Provenance: Francis Haskell (1928-2000). 7.5×9.5 inches. Framed: 8×10 inches.
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Croney, John Edward (born 1921) Life Study, Camberwell School of Art. Oil on canvas. c.1939. Provenance: Artist’s Estate. 21.5×14 inches. Framed: 27×19.5 inches.
£1,250
Cruikshank, George (1792 – 1878) Jack and the Beanstalk; The Giant in Fury. Pencil and watercolour. Signed with initials. A study for ‘George Cruikshank’s Fairy Library’, London 1854 (Opp. p.24). Ex Collection: H. W. Bruton (the artist’s executor) according to an old label. 11.5×9.5 inches. Framed: 20.5×16.75 inches.
£1,250
Daintrey, Adrian (1902 – 1988) Still life. Pen, ink and watercolour. Signed and dated, 1949. 9.5×13 inches. Framed: 15.5×19.5 inches.
£675
Desmet R.A., Anne (born 1964) ‘Giraffes’. Wood-engraving. Artist’s Proof. Signed. 3×3 inches.
£575
Detmold, Edward Julius (1883 – 1957) ‘Dawn’. Etching. 1923. Signed. Edition of 100. 7×15.5 inches.
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Drummond, Malcolm (1880 – 1945) A young woman painting. Pencil and watercolour. c.1910. Provenance: Maltzahn Gallery, ‘Malcom Drummmond’, 1975, No.41; Christies, 8th June 1979, Lot 36. 10×7 inches. Framed: 18×14.5 inches.
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Dudley, Robert Charles (1826 – 1900) Alexandra of Denmark (1844-1925); ‘The Landau in which the Princess Alexandra passed through London, March 7th/63’. Pencil, watercolour and gouache. Signed, inscribed and dated. Princess Alexandra arrived in England three days before her wedding to Albert Edward, Prince of Wales (Edward VII) on 10 March 1863. She processed through London to Windsor, where the wedding took place. Further drawings by Dudley recording the events surrounding the Royal marriage are in the Royal Collection. 5.5×9 inches.
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Duncan R.W.S., Edward (1803 – 1882) Harvesters. Pencil and watercolour. Signed. Studio stamped. Ex. Collection: Cyril Fry. 3.5×6 inches.
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Edwards, Edwin (1823 – 1879) France; ‘Le Havre’ Watercolour. Inscribed and dated, ‘Havre Mar 16. 61’ verso. Further signed and inscribed by the artist to a label on the original backing, ‘158 / Havre / March 16th 1861 / Edwin Edwards’. 7×10 inches.
£675
Falcon, Tor 30th November, 2020. Pastels. Signed. 15×11 inches. Framed: 16.25×19.75 inches.
£975
Farleigh R.E., John (1900 – 1965) ‘The Creation of Eve’. Wood-engraving. 1933. Signed, titled, dated 1933 and editioned ’19/50′. 14.5×10.5 inches. Framed: 22.5×17.5 inches.
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Fieldings, Newton Smith Limbird (1799 – 1856) Pheasants at a cottage pond. Watercolour and gouache. 1839. Signed and dated. 8×11 inches.
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Fitton R.E., Hedley (1857 – 1919) France; Porte de la Cadene, St. Emilion. Etching. 1924. Signed. 14×7.5 inches.
£225
Foster R.W.S., Miles Birket (1825 – 1899) Switzerland; Lucerne. Watercolour and gouache. c.1870. 9×6 inches.
£675
Francia, Francois Louis Thomas (1772 – 1839) A scene on the north French coast. Pencil, pen, ink and watercolour. 3×9 inches. Framed: 9.5×15.5 inches.
£1,500
French School (Nineteenth Century) ‘Kaiser / Un Homme qui Survit au Niant’; Wilhelm I posing as Emperor of the French. Pencil and ink. c.1871. 6.75×6.5 inches.
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Gabritschevsky, Eugène (1893 – 1979) Imaginary Landscape. Inks. By the famous Russian biologist who turned to art after being committed to a psychiatric hospital. 5.5×7.5 inches. Framed: 12.5×14.5 inches.
£1,250
Gahagen, Lucius (1773 – 1855) Reformation; John Hooper and Martin Luther. Patinated terracotta. Signed and dated, 1839. 6×6 inches.
£500
Gillick OBE, Mary (1881 – 1965) Potrait medal of the Nottingham artist Wiliam Kiddier (1859-1934) Bronze. c.1922. Signed. Titled ‘William Kiddier. Painter. Poet. Brushmaker’. Exhibited: A cast of this medal was exhibited at the Royal Academy in 1922. Literature: Philip Attwood, ‘Mary Gillick, Sculptor and Medallist’, British Museum / Spink, 2022, Ill. p.24. 5.5×5.5 inches.
£1,500
Glover O.W.S., John (1767 – 1849) London; ‘Hampstead’. Pen, ink and monochrome wash. Ex. Collection: Iolo Williams. 6×12 inches.
£975
Glover O.W.S., John (1767 – 1849) Wales; Llandaff Cathedral. Pencil, pen, ink and watercolour. Inscribed. Verso: two more views made at Llandaff. Ex. Collection: Iolo Williams. 6.5×10 inches.
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Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938) ‘Launds’ (C.39). Etching. 1928. Signed. State V of VIII. 70 impressions in this state. Total edition of 89. Trimmed to the plate by the artist. 7×10 inches.
£1,250
Gross C.B.E. R.A., Anthony (1905 – 1984) ‘Monsieur Bernede’s Vineyard No.1’ (RH.7409). Engraving. 1974. Signed. Edition of 50 with 5 artist’s proofs, the plate cancelled. Titled ‘Vineyard No.2’. Exhibited: Goldmark Gallery. 10×13.5 inches. Framed: 20.5×24 inches.
£675
Hale, William Matthew (1837 – 1929) Cornwall; the Newlyn Fishing Fleet and Pier. Oil on canvas laid on to panel. Dated verso, ‘Sept. 20. 87. 5.30pm’. Exhibited: David Cross Gallery. 5.5×9 inches. Framed: 11×14.5 inches.
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Hayter C.B.E., Stanley William (1901 – 1988) ‘Mantid’. Etching and aquatint. 1963. Signed, titled, dated and editioned 9/12. 15×11.5 inches.
£675
Hearne, Thomas (1744 – 1817) The Vicar of Wakefield: Dr Primrose and his Family at Breakfast. Watercolour. c.1780. Engraved with the title ‘Vicar of Wakefield’ by William Woollet (figures) and William Ellis (landscape) and published by Ellis in 1780. Provenance: Agnews. 13×11 inches. Framed: 19×21 inches.
£3,750
Hills O.W.S., Robert (1769 – 1844) Distant Landscape. Watercolour. c.1818. Provenance: Probably Sotheby’s, London, January 20th 1965, lot 485 or lot 488. 6.5×11 inches. Framed: 15×19 inches.
£875
Holt, Lilian (1898 – 1983) London; Simpsons Tavern. Now sadly under forced closure. Charcoal. Signed and dated, 1968. 13×9.5 inches. Framed: 20×15.5 inches.
£1,200
Huggins (Follower of), William (1820 – 1884) A Lion and Lioness at their Den. Watercolour and gouache. Ex. Collection: Cyril Fry, by whom attributed to William Daniell, but the work is very close to a watercolour of a Lion at his den by Huggins that was sold at Tennants 12/11/2022 (Lot 1004). 4.5×6 inches. Framed: 8×9.5 inches.
£675
King, Jessie Marion (1879 – 1949) Cottages by a roadside. Watercolour. c.1910-11. From a sketchbook exhibited by the Scottish Arts Council. Exhibited: Scottish Arts Council, Jessie M. King Exhibition, 1971-72, No.36 (sketchbook); Ewan Mundy Fine Art. Provenance: Merle Taylor. 8×6 inches. Framed: 18×16 inches.
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Larkins, William Martin (1901 – 1974) Wooded Valley, Wales. Pen, ink and wash. c.1922. 5.5×6.5 inches.
£975
Legge (Attributed to), Lady Anne (1797 – 1885) Portrait study of a young woman. Chalks. c.1830. Signed with monogram. 8×5 inches.
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Linnell, John (1792 – 1882) Moonrise. Chalk, watercolour and gouache. 7×10 inches. Framed: 14.5×16.5 inches.
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Lyon (fl.c.1755-1780), David PAIR. A Summer Peregrination: The Embarkation and Resuscitation. Gouache. Both signed. The first dated, 1777. 5×5.5 inches. Framed: 7.5×8 inches.
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Marchant, Leonard (1929 – 2000) ‘Three Shells’. Mezzotint. Artist’s proof. Signed, titled and editioned. 9.5×10 inches. Framed: 29×22 inches.
£375
Mayor, Fred (1865 – 1916) France; ‘Stormy Day, Cassis’. Oil on canvas. Indistinctly titled to the stretcher. Exhibited: ‘The Mayor Gallery’. 17×21 inches. Framed: 24.5×28 inches.
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McMinn (fl.1890-1920), F. A. ‘Scotch Herring boats unloading at Yarmouth’. Pencil. c.1895. 7×9.75 inches.
£375
Meninsky L.G. N.E.A.C., Bernard (1891 – 1950) ‘The Surprise’. Watercolour and gouache. 1947. Signed. Exhibited: Zwemmer Gallery; Arts Council, ‘Bernard Meninsky Memorial Exhibition’, 1951, No.46 (went by the artist’s wife). 14.5×22 inches. Framed: 20.5×28 inches.
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Menpes R.E. R.I., Mortimer (1855 – 1938) GROUP: London, ‘The Grey River’. 8 of the set of 12 etchings. Made to illustrate Justin McCarthy, Mrs. Campbell Praed & Mortimer Menpes, ‘The Grey River’, Seely & Co., 1889. 4×6 inches.
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Middlehurst, Fred (1918 – 1982) ‘The Valley of the Mist’. Etching and aquatint. Signed and titled. 6.5×8.5 inches.
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Miller Parker, Agnes (1895 – 1980) ‘Fox’. Wood-engraving. 1929 Signed, titled and numbered 25/40. 4.5×5 inches. Framed: 11.5×12 inches.
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Morgan, William Evan Charles (1903 – 1978) Italy; ‘Orvieto Roofs’ (RM.17). Engraving and etching. 1926. Signed, dated and editioned 7/50. 6×7.5 inches.
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Müller, William James (1812 – 1845) ‘A Cholera Funeral – a True Scene’; on the left victims’ clothes are burned, to the right a coffin is carried to a boat to be buried at sea. Watercolour. c.1832. Signed and inscribed verso, ‘A Cholera Funeral – A True Scene’. Verso: a study of a tree on a river bank. Provenance: H. Virtue Tebbs; his sale Christies, March 10th 1900 (Lot. 27) […]; Spink (K37711) […]; A and H 2004; Private Collection, U.S.A. Literature: For another work by Muller related to the 1832 cholera epidemic that ravaged Bristol see, Francis Greenacre and Sheena Stoddard, ‘William James Muller’, Bristol Art Gallery, 1991, Cat No.20. We would like to thank Francis Greenacre for his help in cataloguing this picture. 5.5×9 inches. Framed: 14.5×17 inches.
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Newcombe, Mary (1922 – 2008) Footbridge. Crayons. Signed with initials. 10×12 inches.
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Newton, Richard (1777 – 1798) ‘The General Sentiment’. Etching with original hand colouring. Published March 22nd, 1797 by Fores. 13.5×10 inches. Framed: 22×18 inches.
£1,250
Nicholson O.W.S., Francis (1753 – 1844) Yorkshire; Grimbald Crag near Knaresborough. Pen, ink and watercolour. Signed and dated, 1793. 11.5"x15.5" inches. Framed: 19"x23" inches.
Nicholson O.W.S., Francis (1753 – 1844) Yorkshire; The River Nidd with Knaresborough in the Distance. Watercolour. c.1810. Provenance: Bonhams, 11th March, 2003, Lot. 19; Private Collection. 7.25×10 inches. Framed: 12×15 inches.
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Nicolle, Victor Jean (1754 – 1826) Italy; Venice. Pen, ink and sepia wash. Provenance: An album of Nicolle drawings with A and H in 1974. 2.5×3.25 inches.
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Nixon, John (1755 – 1818) A woman being driven by a coachman (a ‘Jarvey’). Pencil, pen and ink. Circa 1800. Inscribed. 3.5×5 inches. Framed: 11×11.5 inches.
£675
Pellew, Claughton (1890 – 1966) 'The Swans' Wood-engraving. 1925. Signed, titled, dated and editioned 'Imp 2/25'. 3"x4" inches.
Pennell, Joseph (1857 – 1926) ‘The Thames (La Tamise)’. Etching and aquatint. 1894. Signed. Numbered 58. 8.25×10.5 inches. Framed: 14×15.25 inches.
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Piper C.H., John (1903 – 1992) ‘Dylwyn Church’. Lithograph. Signed and editioned ’27/75′. 30.5×22 inches.
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Pyne, George (1800 – 1884) Hampshire; ‘Commoners Buildings’ / The School, Winchester College. Watercolour. Signed and dated, 1852. Inscribed verso. 8×11.75 inches. Framed: 16×19.5 inches.
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Reed, Edward Tennyson (1860 – 1933) ‘Suitable Music for the National Gallery’: ‘Suitable for Landscape: British School’. Pencil. For ‘The Bystander’. Signed and inscribed. 8.5×14 inches.
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Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792) A copy drawings after Reynolds’ ‘The Calling of Samuel’ (Exhibited R.A. 1776). Pastels. c.1790. The prime version of Reynolds’ ‘The Calling of Samuel’ was destroyed by fire at Belvoir Castle in 1816. But the work is known in several iterations including an autograph version in the collection at Knole, Kent. The number of versions listed by Mannings and Postle, and the engravings after the work by John Dean (1777) and John Raphael Smith (1783) demonstrate just how popular the picture was. It has been suggested that this drawing could be the work of the young Thomas Lawrence but we have not been able to confirm this. 17.75×15 inches. Framed: 23.75×21 inches.
£5,750
Robilant, Tristano di (born 1964) Sculpture Forms. Oil on canvas. Signed. 45.5×35 inches.
£750
Roussel, Theodore Casimir (1847 – 1926) London; ‘Parsons Green, Afternoon, End of Winter, The Duke’s Head’. Etching. 1906. Signed. One of about 30 impressions in this the XVI and final state. Total edition of about 60. 7.5×8.5 inches.
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Rowlandson, Thomas (1756 – 1827) Cornwall; villagers returning from market. Pen, ink and watercolour. c.1810. Exhibited: Agnews. 6.5×9.5 inches. Framed: 13×16 inches.
£3,750
Sandby R.A., Paul (1731 – 1809) A Sleeping Man. Pencl and monochrome wash. Provenance: Edward Croft-Murray (1907-1980). 3.75×6.75 inches.
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Sandby R.A., Paul (1731 – 1809) Capriccio landscape. Gouache. c.1800. 9×11 inches. Framed: 15.75×17.5 inches.
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Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942) ‘Dieppe, the Café des Tribuneaux’ (B.56). Etching and drypoint. 1885. Third (final) state. 8×8.25 inches. Framed: 18×17.5 inches.
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Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942) ‘Noctes Ambrosianae’ (B.129); the Middlesex Music Hall, Drury Lane. Etching and aquatint. c.1908. Third (final) state. Edition of 50 numbered impressions, signed in the plate. With with further unnumbered impressions, both signed and unsigned. 9×10.25 inches. Framed: 17.5×18 inches.
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Sorrell R.W.S., Alan (1904 – 1974) Hazor in the time of Tiglath-Pileser, 732BC. Ink and monochrome wash. Signed and dated, 1958. For 'The Illustrated London News'. 13"x20" inches. Framed: 22.5"x29" inches.
£2,500
Sorrell R.W.S., Alan (1904 – 1974) Sudan / Ancient Egypt; 'The Fortress of Buhen'. Watercolour and gouache. Signed and dated, 1959. Illustrated: Margaret Drower, 'Nubia: A Drowning Land', (Longmans Young Books, 1970), p29. 13.25"x21" inches.
Stothard R.A., Thomas (1755 – 1834) A victorious Naval officer in triumphal procession with Triton. Pencil, pen and ink. A study for a vignette or decorative frieze. 1.75×6.5 inches.
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Sutcliffe, John (1944 – 2022) ‘Heretics in Love’ by James Lees-Milne (Chatto & Windus, 1973). Pencil, pen, ink and watercolour dust jacket design. Signed and dated, 1972. Provenance: Artist’s Estate. 13×10 inches. Framed: 20.25×17 inches.
£1,500
Sutherland O.M., Graham (1903 – 1980) ‘Study for a Staring Tree Form’. Pencil. Provenance: Christies, 24th November 2005. Exhibited: Louise Kosman Fine Art, where acquired by the previous owner. 7×6 inches. Framed: 15.5×14 inches.
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Sutton R.A., Philip (born 1928) ‘Glitter and Sunlight and Love (From Sappho)’. Oil on canvas. 1968. Signed, titled and dated, verso. Exhibited: Roland Browse and Delbanco. 40×40 inches. Framed: 43×43 inches.
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Tinling, Rev. George Douglas (1844 – 1880) Italy; Siena, the Campanile of the Duomo. Watercolour. Signed, inscribed and dated, ’28th April, 1880′. 11.25×7.5 inches.
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Vacher, Charles (1818 – 1883) Suffolk; The One Hundred Steps at Shrubland Hall. Watercolour and gouache. Signed and dated, 1854. Exhibited: Hazlitt, Gooden and Fox. 9.5×17 inches. Framed: 17.5×24.5 inches.
Sold
Various Artists PORTFOLIO: ‘The Great Storm of October 1987 and its aftermath’ (Publ. Society of Wood Engravers). Five wood-engravings by Claire Dalby, Monica Poole, Peter Reddick, Peter Smith and George Tute. Each print signed and editioned 245/250. In the original portfolio. 15×12.5 inches.
£2,250
Varley O.W.S., John (1778 – 1842) Lake overhung with trees. Watercolour. Signed. Further signed on its old backing and dated, 1832. 4×5.5 inches. Framed: 12.5×14.5 inches.
Sold
Wagener (Contemporary), Richard ‘Outlook Juniper’. Wood-engraving. 2006. Signed and editioned 5/24. 5×3 inches.
£350
Walcot R.E., William (1874 – 1943) ‘Antony in Egypt No.1 (A visit to Cleopatra)’ (EH-L17). Etching and aquatint. 1913. Signed. Edition of 50. 21×18 inches.
£875
Waterford, Louisa, Marshioness of (1818 – 1891) Madonna and child, after Raphael. Watercolour and gouache. Signed ‘L Stuart’ and dated 1839. Painted while the artist was Louisa Stuart, before her marriage to the 3rd Marquess of Waterford in 1842. 13.5×10 inches. Framed: 24×18 inches.
£1,750
Waterford, Louisa, Marshioness of (1818 – 1891) Woman gathering wood. Pen, ink, monochrome wash and white heightening. Exhibited: Chris Beetles, ‘Summer Show 2004’, No.46. 5.5×2.5 inches. Framed: 13×10.5 inches.
Sold
White N.E.A.C. R.W.S. L.G. S.W.E., Ethelbert (1891 – 1972) ‘The Old Barn’. Wood-engraving. Signed, title and editioned ’45/50′. 5.5×8 inches.
Sold
Wilson, Scottie (1888 – 1972) Bird Tree. Gouache. Signed. Provenance: Bought directly from the artist by Tina Carlile and Pearl King. 19.5×12 inches.
£1,750
Zaharia, Mādālina (born 1985) ‘We Demand Games with Great Gravity’. Photo lithograph and blind relief. 2012. Signed, dated and editioned 28/40 verso. 12×10 inches.
£500
Zinkeisen, Anna Katrina (1901 – 1976) Aries. Oil on canvas. Signed. 26.5×23 inches. Framed: 32.5×29 inches.
£3,750

ELIZABETH CAMPBELL

A Tour in Lazio & Abruzzo, 1826

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PAUL NASH

A Private World

25 photographs (1931-1946) selected by John Piper and printed from the original negatives in 1978 by Fischer Fine Art with the Tate Gallery Archives and the Paul Nash Trustees.

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Coming Soon …

Tuesday 9th September @ 5.30pm

LIST 562 (Part I)

New Stock for September 2025

6pm 18th September – 4th October

GERALD MARKS

PART II: Paintings 1960-80

Thursday 25th September @ 11am

LIST 562 (Part II)

British Art Fair Special

MODERN | BRITISH

LIST 462 – SEPTEMBER 2025 (Part II)

25th -28th September @ British Art Fair, Saatchi Gallery
2nd – 18th October @ 30 Museum Street, WC1A 1LH

Ayrton, Bawden, Clough, Collins, Colquhoun, Craxton, Cuming, Ferguson, Hennell, Hitchens, Jones, Lamb, Lunn, MacKenzie, Mahoney, Minton, Moore, Nash, Nicholson, Orpen, Piper, Reynolds, Rowntree, Sorrell, Soukop, Spare, Spencer, Sutherland, Swanwick, Underwood, Vaughan, Wallis … and more!

PAST MATTERS

The Society of Antiquaries, London

We are thrilled to annouce that this Autumn we will be collaborating with the Society of Antiquaries. Having successfully secured a 999 lease on their premises at Burlington House, the Society is now raising funds to help plan the development of their building so that it can adequately serve them and the public in future.

We will be selling a selection of their historical prints at the gallery and hosting an EXCLUSIVE evening at the Antiquaries to view some of their remarkable and rarely seen treasures!

HOW ‘THE LIST’ WORKS

Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month. They are usually published in two halves, in the first and third weeks of the month.

Most works can be bought online via our ecomm platform, but using this is not mandatory! If you would like to enquire about a work, please email or send a message using the ‘Enquire’ button that appears when you click on an item. We try and treat enquiries about List pictures in strict order of receipt. Given the numerous methods of communications people tend to use nowadays, there will inevitably be times when technological overlaps muddy the system. But we try to be fair!

Please do call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time for you to make a vist.

Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Condition: Please contact us if you would like to know the condition of a work.

Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.

Mailing List: If you would like to receive Email Alerts when ‘Lists’ of new stock and Exhibitions are published online, please Click Here. (We NEVER share your information – see our Personal Data Policy).