SUMMER SELECTION

August 2025

In the year since August 2024 we have introduced almost 1500 works to stock via our Lists, Groups and Exhibitions. Below is a Summer selection of those that are still available!

NB this does not include works from our July List which can be VIEWED HERE

The Gallery is open as usual throughout August. 10am-1pm and 2-5pm Monday to Saturday.

  • Abbott, John White (1763 – 1851)     Devon; ‘Torquay’. Pencil, pen, ink and watercolour. Inscribed and dated, ‘Torquay Aug 27’ verso. Signed with initials, inscribed and dated, ‘August 27th 1800’ to the original mount. Provenance: Christie’s, 9th November 1971, Lot 140. 5.5×8.5 inches. Framed: 12×14.5 inches.
    £3,750
  • Abbott, John White (1763 – 1851)     Scotland; ‘The City of Edinburgh from the Top of Arthur’s Seat’. Pen, ink and watercolour. Signed, inscribed and dated, ‘No.7 / June 19. 1791’, verso. Original wash-line mount. 3.75×6 inches. Framed: 11.5×14.5 inches.
    £3,750
    ◐
  • Adam F.R.S.A., Robert (1728 – 1792)     Capriccio Landscape with a Castle Ruin. Pen, ink and watercolour. c.1780. Provenance: The majority of Adam’s landscape drawings appeared in the dispersal of his collection at Christie’s, 20th May 1818 and 9th July 1821; […] Kaye Dowland by 1862, his signature (L.691) and inscriptions verso. 6.5×10 inches. Framed: 11.5×15 inches.
    £3,750
    Sold
  • Aglio, Agostino (1777 – 1857)     East Sussex; Brighton Beach. Pencil and watercolour. c1825-30. D 9.25×10.75 inches.
    £1,250
  • Alston, Rowland Wright (1895 – 1958)     Head of a young woman. Chalks and watercolour. Given by the artist to L. G. Duke c.1940 (D.2074). 11.5×8.5 inches.
    £250
  • Aman-Jean, Edmond (1860 – 1936)     ‘Woman with Necklace’. Etching. c.1920. Exhibited: Stoppenbach and Delestre. 11×8.5 inches. Framed: 22×18 inches.
    £475
    Sold
  • Anderson (Twentieth Century), David     ‘White Wall’. Oil on canvas. 1978. Exhibited: Piccadilly Gallery; Waddington Gallery, Toronto. Provenance: Christie’s, 2/3/1989; to A and H. 7×4.5 inches. Framed: 11.25×8.75 inches.
    £750
    Sold
  • Anderson C.B.E. R.A. R.E., Stanley (1884 – 1966)     London; Somerset House (MH.31). Etching. 1910. Signed. Edition of 61. Trimmed to the plate by the artist. Commissioned by Frost & Reed of Bristol. This etching was selected as Anderson’s Diploma work upon election to the R.E. in 1910. 9×15.75 inches.
    £675
    Sold
  • ANON (Eighteenth-Century)     An artist at his easel. Verso: a man in a tricorne hat with his dog. Pencil, pen, brush and ink. c.1760. 8.25×5.75 inches.
    £1,500
  • ANON (Eighteenth-Century)     Roman Profile. Pen and ink. c.1790. 6×4.5 inches.
    £1,250
  • ANON (Nineteenth-Century)     Turkey; Istanbul, ‘Looking across the Bosphorous’. Pencil and watercolour. c.1860. 9×11.5 inches.
    £575
  • ANON (Twentieth-Century)     Still life with onions. Oil on canvas. c.1940. 10×14 inches. Framed: 15×19 inches.
    £575
    Sold
  • ANON (Twentieth-Century)     WWI; Zinovy Peshkov (1884-1966) the adopted son of Maxim Gorky (1868-1936) while serving for the French Foreign Legion. Pencil. c.1916. Inscribed verso in a later hand. 4.5×6 inches.
    £375
  • Apperley R.I. R.A. (Circle of), George Owen Wynne (1884 – 1960)     Spain; Granada, the Gate of Justice. Watercolour. c.1920. Signed with monogram. 7×5 inches.
    £175
    Sold
  • Ardizzone R.A., Edward (1900 – 1979)     ‘Lovers by the Cattle Bridge’ (NAP.17). Etching. 1950. Signed, titled and editioned 1/20. 5×8 inches. Framed: 13×15 inches.
    £675
    Sold
  • Armfield, Maxwell Ashby (1882 – 1972)     Guineafowl. Woodcut. c.1913. Proof. 4×3 inches.
    £275
    Sold
  • Austin, Frederick George (1902 – 1990)     Congregation. Etching. c.1930. Proof. 6×4.5 inches.
    £275
  • Badmin R.W.S. R.E., Stanley Roy (1906 – 1989)     ‘Oxfordshire, Cottage’ near Woodstock (CB40). Etching. 1936. Edition of 40. Signed and titled. 4×6 inches.
    £675
  • Beckford (Early Nineteenth Century), William     ‘Miss Baily’s Ghost’; an illustrated folk song. Pen, ink and watercolour. Signed ‘Wm. Beckford f’ and dated, 181(9?). We have not been able to establish whether this is THE William Beckford (1760-1844); a popular ghost story certainly fits with his interests. Miss Baily’s Ghost is an old folk song that often appeared as a Broadside Ballad. 14×9 inches. Framed: 18×18 inches.
    £500
    Sold
  • Blake, Sir Quentin (born 1932)     Harvesters; John the farmer and his wife living happily ever after. Pen, ink and watercolour. c.1971. An illustration for Harwood Thompson, ‘The Witch’s Cat’, Blackie, 1971. Signed. Inscribed by the artist under the mount ‘Preliminary drawing for ‘The Witch’s Cat’. 8×17.25 inches. Framed: 16.5×25 inches.
    £2,750
  • Bone N.E.A.C., Stephen (1904 – 1958)     A North London view, probably near the artist’s home in Haverstock Hill. Oil on board. Provenance: Artist’s Estate. 13.5×9.5 inches. Framed: 18.5×14.5 inches.
    £875
    Sold
  • Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956)     ‘The Solent’ (CD.374). Drypoint. 1920. Signed. Seventh state, two impressions printed. 94 impressions total across fourteen states. 7×9.75 inches.
    £750
    Sold
  • Bramham, Christopher (born 1952)     London; ‘Pond in Richmond Park’. Chalk and pastel. Signed and dated, 1988. Exhibited: Fine Art Society, 1989. 7×5.75 inches. Framed: 15.25×13.5 inches.
    £1,250
  • Brangwyn R.A. R.W.S., Frank (1867 – 1956)     ‘The Printers’. Woodcut. 1919. Signed. Numbered ‘V’ lower left. Publ. ‘Modern Woodcutters No.2’, 1920. 5×5.75 inches.
    £750
  • Bratby R.A., John (1928 – 1992)     The Stages of Waves. Oil on canvas. Signed. Titled to the stretcher (possibly in another hand). 20×30 inches.
    £3,750
  • Bridgeman, John (1916 – 2004)     Figures in a landscape; a study for sculpture. Pen, ink, watercolour and wax resist. Late 1940s / 1950s. Provenance: Nicholas MacDowall. 15×22 inches. Framed: 23.5×30 inches.
    £1,500
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)     Anaïs II (W.67). Etching. 1930. Signed. 9×7 inches.
    £975
    Sold
  • Brodsky, Horace (1885 – 1969)     ‘View from the Studio’. Etching. 1930. Printed for London Graphic Arts, 1967. 6×4 inches.
    £375
  • Buchel, Charles (1872 – 1950)     Snowdrops. Pencil, pen, watercolour and gouache. Signed. 9×11.75 inches.
    £175
    Sold
  • Burra, Edward (1905 – 1976)     ‘Two at a Bar’. Woodcut. c.1929. Edition of 45 published in 1971 by Alexander Postan and sold by Observer Art. Exhibited: Goldmark Gallery. 6×4 inches. Framed: 11.5×9 inches.
    £575
    Sold
  • Cain, Charles William (1893 – 1962)     Iraq; ‘Desert Caravan entering Ctesiphon Arch, Baghdad’. Etching. c.1925. Signed. Provenance: Jim Goodfriend (NYC). 15×10 inches.
    £575
    Sold
  • Callow R.W.S., William (1812 – 1908)     Belgium; Ghent, the market and castle. Watercolour. Signed and dated, 1862. 13.5×19.5 inches. Framed: 23.5×29 inches.
    £3,000
  • Calvert, Edwin Sherwood (1844 – 1898)     Evening. Oil on canvas. c.1870. Signed. 15.5×19.5 inches. Framed: 26.5×30.5 inches.
    £1,750
    Sold
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     France; Paris, ‘Pont Neuf’ (FR.361). Etching. 1904. Signed. Second state. No.1 in the Paris Set. 6×12.25 inches.
    £750
  • Camp R.A., Jeffery (1923 – 2020)     ‘Young and Old at Beachy Head’. Pencil and crayons. Squared or transfer. Ex. Collection: Anthony Green R.A. (1939-2023). 19.5×19.5 inches. Framed: 21×21 inches.
    £3,750
  • Canney, Michael (1923 – 1999)     Cornish Landscape. Watercolour. 1939. Signed. 7×9.5 inches. Framed: 12.5×14.5 inches.
    £575
  • Caribbean Sugar Plantation     PAIR: Anonymous hand. Watercolour. c.1800. Provenance: by descent to Ruth Heppel (1926-2023). 11.5×17.5 inches. Framed: 16.5×22 inches.
    £6,000
  • Clarke, Graham (born 1941)     London; ‘Fireworkers’. Etching. Signed, titled and editioned 35/200. From of the artist’s ‘History of England’ set. 17×13.5 inches.
    £275
    Sold
  • Collins, Elisabeth (1904 – 2000)     Group of Players. Pen, ink and watercolour. c.1940s. Signed. Exhibited: England & Co., ‘Elisabeth Collins’, 2002, No.44. 11×8.5 inches. Framed: 16.5×14 inches.
    £750
  • Continental School (Nineteenth Century)     A young landscape painter in his studio. Oil on canvas. Dated 1834, but infuriatingly not signed. An exhibition label verso in Dutch. 30.5×24 inches. Framed: 37.5×31 inches.
    £3,750
  • Copley P.R.B.A., John (1875 – 1950)     ‘Jesus Raised on the Cross’ (W.197). Lithograph. 1924. Signed. Edition of 24. 16×9 inches.
    £675
  • Cotman, John Sell (1782 – 1842)     East End of the Abbey Church of Saint Georges de Boscherville near Rouen, Normandy. Pencil. c.1818. Made with a camera lucida or Cornelius Varley’s ‘Patent Graphic Telescope’. Provenance: Dr John Sell Cotman (great-great grandson of the artist); his widow, Dorothy Cotman; Sotheby’s 12 July 1967 (lot 190?); […]; Michael and Megan Dawson. 14×9.5 inches. Framed: 18.5×15 inches.
    £1,500
  • Cotman, John Sell (1782 – 1842)     Norfolk; Gillingham Hall. Pencil and monochrome wash. Signed and dated, 1818. Illustrated: Thomas Cromwell, ‘Excursions in the County of Norfolk’, Longman 1818, Vol.1, p.76 (engraved by T. Webb). Provenance: Christie’s, November 1977, Lot 67. This is one of the seventy-seven drawings Longman commissioned from Cotman to illustrate their ‘Excursions in the County of Norfolk’, one of the series of guidebooks they intended to cover each county in the country. David Hill regards these Excursion drawings as ‘some of the most sparing and economically beautiful drawings of Cotman’s career. In many ways they represent the aesthetic peak of his early career.’ 6×11 inches. Framed: 13×17 inches.
    £5,000
    Sold
  • Cox O.W.S., David (1783 – 1859)     Ploughing. Pencil and watercolour. 1840s. Signed. Exhibited: Spink, ‘David Cox and John Varley’, 1967; Davis Galleries, New York, 1967, Cat. No.5; Lowell Libson, November 2014, Cat No. 32. Ex. Collection: Mimi and Stanford Feld (1967-2012). 7×10.5 inches. Framed: 10.5×14 inches.
    £2,750
    Sold
  • Cozens, Alexander (1717 – 1786)     Composition with a Castle and Classical Ruins on a River. Pencil, pen, ink and monochrome wash. The sheet varnished by the artist. c.1765. 13.25×20.25 inches. Framed: 20.5×27.5 inches.
    £7,500
  • Cristall O.W.S. (Attributed to), Joshua (1767 – 1847)     Figure Composition, possibly Adam and Eve Mourning the Death of Abel. Oil on paper laid on canvas. c.1805. Provenance: Francis Haskell (1928-2000). 7.5×9.5 inches. Framed: 8×10 inches.
    £2,750
    Sold
  • Croney, John Edward (born 1921)     Life Study, Camberwell School of Art. Oil on canvas. c.1939. Provenance: Artist’s Estate. 21.5×14 inches. Framed: 27×19.5 inches.
    £1,250
  • Cruikshank, George (1792 – 1878)     Jack and the Beanstalk; The Giant in Fury. Pencil and watercolour. Signed with initials. A study for ‘George Cruikshank’s Fairy Library’, London 1854 (Opp. p.24). Ex Collection: H. W. Bruton (the artist’s executor) according to an old label. 11.5×9.5 inches. Framed: 20.5×16.75 inches.
    £1,250
  • Daintrey, Adrian (1902 – 1988)     Still life. Pen, ink and watercolour. Signed and dated, 1949. 9.5×13 inches. Framed: 15.5×19.5 inches.
    £675
  • Dance-Holland R.A., Nathaniel (1735 – 1811)     Portrait of an Officer. Pencil. c.1767. Dia.12.5 inches. Framed: Dia.15.5 inches.
    £12,500
  • Desmet R.A., Anne (born 1964)     ‘Giraffes’. Wood-engraving. Artist’s Proof. Signed. 3×3 inches.
    £575
  • Detmold, Edward Julius (1883 – 1957)     ‘Dawn’. Etching. 1923. Signed. Edition of 100. 7×15.5 inches.
    £375
    Sold
  • Dixon, George (1731 – 1785)     A Basket of Flowers. Pen, ink, watercolour and gouache. Signed and dated, 1762. 14.5×20.5 inches. Framed: 21×26.5 inches.
    £9,750
  • Drummond, Malcolm (1880 – 1945)     A young woman painting. Pencil and watercolour. c.1910. Provenance: Maltzahn Gallery, ‘Malcom Drummmond’, 1975, No.41; Christies, 8th June 1979, Lot 36. 10×7 inches. Framed: 18×14.5 inches.
    £2,250
    Sold
  • Dudley, Robert Charles (1826 – 1900)     Alexandra of Denmark (1844-1925); ‘The Landau in which the Princess Alexandra passed through London, March 7th/63’. Pencil, watercolour and gouache. Signed, inscribed and dated. Princess Alexandra arrived in England three days before her wedding to Albert Edward, Prince of Wales (Edward VII) on 10 March 1863. She processed through London to Windsor, where the wedding took place. Further drawings by Dudley recording the events surrounding the Royal marriage are in the Royal Collection. 5.5×9 inches.
    £475
    Sold
  • Duncan R.W.S., Edward (1803 – 1882)     Harvesters. Pencil and watercolour. Signed. Studio stamped. Ex. Collection: Cyril Fry. 3.5×6 inches.
    £500
    Sold
  • Edwards, Edwin (1823 – 1879)     France; ‘Le Havre’ Watercolour. Inscribed and dated, ‘Havre Mar 16. 61’ verso. Further signed and inscribed by the artist to a label on the original backing, ‘158 / Havre / March 16th 1861 / Edwin Edwards’. 7×10 inches.
    £675
  • Falcon, Tor     30th November, 2020. Pastels. Signed. 15×11 inches. Framed: 16.25×19.75 inches.
    £975
  • Farleigh R.E., John (1900 – 1965)     ‘The Creation of Eve’. Wood-engraving. 1933. Signed, titled, dated 1933 and editioned ’19/50′. 14.5×10.5 inches. Framed: 22.5×17.5 inches.
    £1,500
    Sold
  • Fieldings, Newton Smith Limbird (1799 – 1856)     Pheasants at a cottage pond. Watercolour and gouache. 1839. Signed and dated. 8×11 inches.
    £975
    Sold
  • Fitton R.E., Hedley (1857 – 1919)     France; Porte de la Cadene, St. Emilion. Etching. 1924. Signed. 14×7.5 inches.
    £225
  • Foster R.W.S., Miles Birket (1825 – 1899)     Switzerland; Lucerne. Watercolour and gouache. c.1870. 9×6 inches.
    £675
  • Francia, Francois Louis Thomas (1772 – 1839)     A scene on the north French coast. Pencil, pen, ink and watercolour. 3×9 inches. Framed: 9.5×15.5 inches.
    £1,500
  • French School (Nineteenth Century)     ‘Kaiser / Un Homme qui Survit au Niant’; Wilhelm I posing as Emperor of the French. Pencil and ink. c.1871. 6.75×6.5 inches.
    £375
    Sold
  • Gabritschevsky, Eugène (1893 – 1979)     Imaginary Landscape. Inks. By the famous Russian biologist who turned to art after being committed to a psychiatric hospital. 5.5×7.5 inches. Framed: 12.5×14.5 inches.
    £1,250
  • Gahagen, Lucius (1773 – 1855)     Reformation; John Hooper and Martin Luther. Patinated terracotta. Signed and dated, 1839. 6×6 inches.
    £500
  • Gillick OBE, Mary (1881 – 1965)     Potrait medal of the Nottingham artist Wiliam Kiddier (1859-1934) Bronze. c.1922. Signed. Titled ‘William Kiddier. Painter. Poet. Brushmaker’. Exhibited: A cast of this medal was exhibited at the Royal Academy in 1922. Literature: Philip Attwood, ‘Mary Gillick, Sculptor and Medallist’, British Museum / Spink, 2022, Ill. p.24. 5.5×5.5 inches.
    £1,500
  • Glover O.W.S., John (1767 – 1849)     Lake District; Ullswater from Patterdale. Watercolour. c.1820. Inscribed verso, ‘Ullswater Lake / Patterdale’. 10×15 inches. Framed: 17.5×22.5 inches.
    £8,000
  • Glover O.W.S., John (1767 – 1849)     London; ‘Hampstead’. Pen, ink and monochrome wash. Ex. Collection: Iolo Williams. 6×12 inches.
    £975
  • Glover O.W.S., John (1767 – 1849)     Wales; Llandaff Cathedral. Pencil, pen, ink and watercolour. Inscribed. Verso: two more views made at Llandaff. Ex. Collection: Iolo Williams. 6.5×10 inches.
    £2,500
    Sold
  • Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)     ‘Launds’ (C.39). Etching. 1928. Signed. State V of VIII. 70 impressions in this state. Total edition of 89. Trimmed to the plate by the artist. 7×10 inches.
    £1,250
  • Gross C.B.E. R.A., Anthony (1905 – 1984)     ‘Monsieur Bernede’s Vineyard No.1’ (RH.7409). Engraving. 1974. Signed. Edition of 50 with 5 artist’s proofs, the plate cancelled. Titled ‘Vineyard No.2’. Exhibited: Goldmark Gallery. 10×13.5 inches. Framed: 20.5×24 inches.
    £675
  • Hale, William Matthew (1837 – 1929)     Cornwall; the Newlyn Fishing Fleet and Pier. Oil on canvas laid on to panel. Dated verso, ‘Sept. 20. 87. 5.30pm’. Exhibited: David Cross Gallery. 5.5×9 inches. Framed: 11×14.5 inches.
    £1,750
    Sold
  • Hamilton, Hugh Douglas (1740 – 1808)     Portrait of a Woman in a Bonnet. Pastels. c.1780. Literature: Neil Jeffares, ‘Dictionary of Pastelists’, J.375.216. 9.5×8 inches. Framed: 14×12.5 inches.
    £6,750
  • Hayter C.B.E., Stanley William (1901 – 1988)     ‘Mantid’. Etching and aquatint. 1963. Signed, titled, dated and editioned 9/12. 15×11.5 inches.
    £675
    ◐
  • Hearne, Thomas (1744 – 1817)     The Vicar of Wakefield: Dr Primrose and his Family at Breakfast. Watercolour. c.1780. Engraved with the title ‘Vicar of Wakefield’ by William Woollet (figures) and William Ellis (landscape) and published by Ellis in 1780. Provenance: Agnews. 13×11 inches. Framed: 19×21 inches.
    £3,750
  • Hills O.W.S., Robert (1769 – 1844)     Distant Landscape. Watercolour. c.1818. Provenance: Probably Sotheby’s, London, January 20th 1965, lot 485 or lot 488. 6.5×11 inches. Framed: 15×19 inches.
    £875
  • Holt, Lilian (1898 – 1983)     London; Simpsons Tavern. Now sadly under forced closure. Charcoal. Signed and dated, 1968. 13×9.5 inches. Framed: 20×15.5 inches.
    £1,200
  • Huggins (Follower of), William (1820 – 1884)     A Lion and Lioness at their Den. Watercolour and gouache. Ex. Collection: Cyril Fry, by whom attributed to William Daniell, but the work is very close to a watercolour of a Lion at his den by Huggins that was sold at Tennants 12/11/2022 (Lot 1004). 4.5×6 inches. Framed: 8×9.5 inches.
    £675
  • King, Jessie Marion (1879 – 1949)     Cottages by a roadside. Watercolour. c.1910-11. From a sketchbook exhibited by the Scottish Arts Council. Exhibited: Scottish Arts Council, Jessie M. King Exhibition, 1971-72, No.36 (sketchbook); Ewan Mundy Fine Art. Provenance: Merle Taylor. 8×6 inches. Framed: 18×16 inches.
    £975
    Sold
  • Larkins, William Martin (1901 – 1974)     Wooded Valley, Wales. Pen, ink and wash. c.1922. 5.5×6.5 inches.
    £975
  • Legge (Attributed to), Lady Anne (1797 – 1885)     Portrait study of a young woman. Chalks. c.1830. Signed with monogram. 8×5 inches.
    £375
    Sold
  • Linnell, John (1792 – 1882)     Moonrise. Chalk, watercolour and gouache. 7×10 inches. Framed: 14.5×16.5 inches.
    £6,000
    Sold
  • Lyon (fl.c.1755-1780), David     PAIR. A Summer Peregrination: The Embarkation and Resuscitation. Gouache. Both signed. The first dated, 1777. 5×5.5 inches. Framed: 7.5×8 inches.
    £2,500
    Sold
  • Marchant, Leonard (1929 – 2000)     ‘Three Shells’. Mezzotint. Artist’s proof. Signed, titled and editioned. 9.5×10 inches. Framed: 29×22 inches.
    £375
  • Mayor, Fred (1865 – 1916)     France; ‘Stormy Day, Cassis’. Oil on canvas. Indistinctly titled to the stretcher. Exhibited: ‘The Mayor Gallery’. 17×21 inches. Framed: 24.5×28 inches.
    £1,250
    Sold
  • McMinn (fl.1890-1920), F. A.     ‘Scotch Herring boats unloading at Yarmouth’. Pencil. c.1895. 7×9.75 inches.
    £375
  • Meninsky L.G. N.E.A.C., Bernard (1891 – 1950)     ‘The Surprise’. Watercolour and gouache. 1947. Signed. Exhibited: Zwemmer Gallery; Arts Council, ‘Bernard Meninsky Memorial Exhibition’, 1951, No.46 (went by the artist’s wife). 14.5×22 inches. Framed: 20.5×28 inches.
    £3,250
    Sold
  • Menpes R.E. R.I., Mortimer (1855 – 1938)     GROUP: London, ‘The Grey River’. 8 of the set of 12 etchings. Made to illustrate Justin McCarthy, Mrs. Campbell Praed & Mortimer Menpes, ‘The Grey River’, Seely & Co., 1889. 4×6 inches.
    £1,250
    Sold
  • Middlehurst, Fred (1918 – 1982)     ‘The Valley of the Mist’. Etching and aquatint. Signed and titled. 6.5×8.5 inches.
    £175
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Fox’. Wood-engraving. 1929 Signed, titled and numbered 25/40. 4.5×5 inches. Framed: 11.5×12 inches.
    £1,750
    Sold
  • Morgan, William Evan Charles (1903 – 1978)     Italy; ‘Orvieto Roofs’ (RM.17). Engraving and etching. 1926. Signed, dated and editioned 7/50. 6×7.5 inches.
    £975
    Sold
  • Müller, William James (1812 – 1845)     ‘A Cholera Funeral – a True Scene’; on the left victims’ clothes are burned, to the right a coffin is carried to a boat to be buried at sea. Watercolour. c.1832. Signed and inscribed verso, ‘A Cholera Funeral – A True Scene’. Verso: a study of a tree on a river bank. Provenance: H. Virtue Tebbs; his sale Christies, March 10th 1900 (Lot. 27) […]; Spink (K37711) […]; A and H 2004; Private Collection, U.S.A. Literature: For another work by Muller related to the 1832 cholera epidemic that ravaged Bristol see, Francis Greenacre and Sheena Stoddard, ‘William James Muller’, Bristol Art Gallery, 1991, Cat No.20. We would like to thank Francis Greenacre for his help in cataloguing this picture. 5.5×9 inches. Framed: 14.5×17 inches.
    £5,750
    Sold
  • Newcombe, Mary (1922 – 2008)     Footbridge. Crayons. Signed with initials. 10×12 inches.
    £575
    Sold
  • Newton, Richard (1777 – 1798)     ‘The General Sentiment’. Etching with original hand colouring. Published March 22nd, 1797 by Fores. 13.5×10 inches. Framed: 22×18 inches.
    £1,250
  • Nicholson O.W.S., Francis (1753 – 1844)     Yorkshire; Grimbald Crag near Knaresborough. Pen, ink and watercolour. Signed and dated, 1793. 11.5"x15.5" inches. Framed: 19"x23" inches.
  • Nicholson O.W.S., Francis (1753 – 1844)     Yorkshire; The River Nidd with Knaresborough in the Distance. Watercolour. c.1810. Provenance: Bonhams, 11th March, 2003, Lot. 19; Private Collection. 7.25×10 inches. Framed: 12×15 inches.
    £2,750
    Sold
  • Nicolle, Victor Jean (1754 – 1826)     Italy; Venice. Pen, ink and sepia wash. Provenance: An album of Nicolle drawings with A and H in 1974. 2.5×3.25 inches.
    £675
    Sold
  • Nixon, John (1755 – 1818)     A woman being driven by a coachman (a ‘Jarvey’). Pencil, pen and ink. Circa 1800. Inscribed. 3.5×5 inches. Framed: 11×11.5 inches.
    £675
  • Pellew, Claughton (1890 – 1966)     'The Swans' Wood-engraving. 1925. Signed, titled, dated and editioned 'Imp 2/25'. 3"x4" inches.
  • Pennell, Joseph (1857 – 1926)     ‘The Thames (La Tamise)’. Etching and aquatint. 1894. Signed. Numbered 58. 8.25×10.5 inches. Framed: 14×15.25 inches.
    £2,750
    Sold
  • Piper C.H., John (1903 – 1992)     ‘Dylwyn Church’. Lithograph. Signed and editioned ’27/75′. 30.5×22 inches.
    £975
    Sold
  • Pyne, George (1800 – 1884)     Hampshire; ‘Commoners Buildings’ / The School, Winchester College. Watercolour. Signed and dated, 1852. Inscribed verso. 8×11.75 inches. Framed: 16×19.5 inches.
    £1,250
    Sold
  • Ravilious, Eric (1903 – 1943)     Trade card for Dunbar Hay. Lithograph. 1938. 5×4.5 inches. Framed: 17.5×13.5 inches.
    £3,000
  • Reed, Edward Tennyson (1860 – 1933)     ‘Suitable Music for the National Gallery’: ‘Suitable for Landscape: British School’. Pencil. For ‘The Bystander’. Signed and inscribed. 8.5×14 inches.
    £875
    Sold
  • Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792)     A copy drawings after Reynolds’ ‘The Calling of Samuel’ (Exhibited R.A. 1776). Pastels. c.1790. The prime version of Reynolds’ ‘The Calling of Samuel’ was destroyed by fire at Belvoir Castle in 1816. But the work is known in several iterations including an autograph version in the collection at Knole, Kent. The number of versions listed by Mannings and Postle, and the engravings after the work by John Dean (1777) and John Raphael Smith (1783) demonstrate just how popular the picture was. It has been suggested that this drawing could be the work of the young Thomas Lawrence but we have not been able to confirm this. 17.75×15 inches. Framed: 23.75×21 inches.
    £5,750
  • Robilant, Tristano di (born 1964)     Sculpture Forms. Oil on canvas. Signed. 45.5×35 inches.
    £750
  • Romney, George (1734 – 1802)     Macbeth, The Banqueting Scene (Act III, Scene 4). Pencil. c.1792. Provenance: by descent to the artist’s son, the Rev. John Romney (1757-1832); by descent to his daughter Elizabeth Romney; her sale, Christie’s, May 1894; […] Sotheby’s November 17th 1975; to Professor Victor Chan (Romney Scholar); from whose estate recently acquired. Exhibited: Kitchener / Waterloo Art Gallery, Ontario, ‘George Romney in Canada’, 1985, Cat No.46 (sketchbook). 7×9.5 inches. Framed: 14.5×16.5 inches.
    £2,750
  • Roussel, Theodore Casimir (1847 – 1926)     London; ‘Parsons Green, Afternoon, End of Winter, The Duke’s Head’. Etching. 1906. Signed. One of about 30 impressions in this the XVI and final state. Total edition of about 60. 7.5×8.5 inches.
    £875
    Sold
  • Rowlandson, Thomas (1756 – 1827)     Cornwall; villagers returning from market. Pen, ink and watercolour. c.1810. Exhibited: Agnews. 6.5×9.5 inches. Framed: 13×16 inches.
    £3,750
  • Sandby R.A., Paul (1731 – 1809)     A Sleeping Man. Pencl and monochrome wash. Provenance: Edward Croft-Murray (1907-1980). 3.75×6.75 inches.
    £1,250
    Sold
  • Sandby R.A., Paul (1731 – 1809)     Capriccio landscape. Gouache. c.1800. 9×11 inches. Framed: 15.75×17.5 inches.
    £3,750
    Sold
  • Shepherd, Sidney Horne (1909 – 1993)     Abstraction. Monotype. Signed and dated, ‘8th June 1956’. 10×15 inches. Framed: 16.5×21.5 inches.
    £475
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)     ‘Dieppe, the Café des Tribuneaux’ (B.56). Etching and drypoint. 1885. Third (final) state. 8×8.25 inches. Framed: 18×17.5 inches.
    £3,500
    Sold
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)     ‘Noctes Ambrosianae’ (B.129); the Middlesex Music Hall, Drury Lane. Etching and aquatint. c.1908. Third (final) state. Edition of 50 numbered impressions, signed in the plate. With with further unnumbered impressions, both signed and unsigned. 9×10.25 inches. Framed: 17.5×18 inches.
    £4,750
    Sold
  • Sorrell R.W.S., Alan (1904 – 1974)     Hazor in the time of Tiglath-Pileser, 732BC. Ink and monochrome wash. Signed and dated, 1958. For 'The Illustrated London News'. 13"x20" inches. Framed: 22.5"x29" inches.
    £2,500
  • Sorrell R.W.S., Alan (1904 – 1974)     Sudan / Ancient Egypt; 'The Fortress of Buhen'. Watercolour and gouache. Signed and dated, 1959. Illustrated: Margaret Drower, 'Nubia: A Drowning Land', (Longmans Young Books, 1970), p29. 13.25"x21" inches.
  • Stothard R.A., Thomas (1755 – 1834)     A victorious Naval officer in triumphal procession with Triton. Pencil, pen and ink. A study for a vignette or decorative frieze. 1.75×6.5 inches.
    £675
    Sold
  • Sutcliffe, John (1944 – 2022)     ‘Heretics in Love’ by James Lees-Milne (Chatto & Windus, 1973). Pencil, pen, ink and watercolour dust jacket design. Signed and dated, 1972. Provenance: Artist’s Estate. 13×10 inches. Framed: 20.25×17 inches.
    £1,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘Study for a Staring Tree Form’. Pencil. Provenance: Christies, 24th November 2005. Exhibited: Louise Kosman Fine Art, where acquired by the previous owner. 7×6 inches. Framed: 15.5×14 inches.
    £975
    Sold
  • Sutton R.A., Philip (born 1928)     ‘Glitter and Sunlight and Love (From Sappho)’. Oil on canvas. 1968. Signed, titled and dated, verso. Exhibited: Roland Browse and Delbanco. 40×40 inches. Framed: 43×43 inches.
    £975
    Sold
  • Tinling, Rev. George Douglas (1844 – 1880)     Italy; Siena, the Campanile of the Duomo. Watercolour. Signed, inscribed and dated, ’28th April, 1880′. 11.25×7.5 inches.
    £575
    Sold
  • Vacher, Charles (1818 – 1883)     Suffolk; The One Hundred Steps at Shrubland Hall. Watercolour and gouache. Signed and dated, 1854. Exhibited: Hazlitt, Gooden and Fox. 9.5×17 inches. Framed: 17.5×24.5 inches.
    £1,750
    Sold
  • Various Artists     PORTFOLIO: ‘The Great Storm of October 1987 and its aftermath’ (Publ. Society of Wood Engravers). Five wood-engravings by Claire Dalby, Monica Poole, Peter Reddick, Peter Smith and George Tute. Each print signed and editioned 245/250. In the original portfolio. 15×12.5 inches.
    £2,250
  • Varley F.R.S.A., Cornelius (1781 – 1873)     Wales; ‘Cader Idris’. Watercolour. 1803. Inscribed verso. ‘Cader Idris N.W.’. Exhibited: Colnaghi, ‘Drawings and Watercolours’ by Cornelius Varley, 1973, Cat No.70; Lowell Libson, ‘Of the Moment: British Landscape and Figure Studies’ …, 2007, Cat No.31. 8×10 inches. Framed: 11×14 inches.
    £8,750
  • Varley O.W.S., John (1778 – 1842)     Lake overhung with trees. Watercolour. Signed. Further signed on its old backing and dated, 1832. 4×5.5 inches. Framed: 12.5×14.5 inches.
    £1,250
    Sold
  • Wagener (Contemporary), Richard     ‘Outlook Juniper’. Wood-engraving. 2006. Signed and editioned 5/24. 5×3 inches.
    £350
  • Walcot R.E., William (1874 – 1943)     ‘Antony in Egypt No.1 (A visit to Cleopatra)’ (EH-L17). Etching and aquatint. 1913. Signed. Edition of 50. 21×18 inches.
    £875
  • Waterford, Louisa, Marshioness of (1818 – 1891)     Madonna and child, after Raphael. Watercolour and gouache. Signed ‘L Stuart’ and dated 1839. Painted while the artist was Louisa Stuart, before her marriage to the 3rd Marquess of Waterford in 1842. 13.5×10 inches. Framed: 24×18 inches.
    £1,750
  • Waterford, Louisa, Marshioness of (1818 – 1891)     Woman gathering wood. Pen, ink, monochrome wash and white heightening. Exhibited: Chris Beetles, ‘Summer Show 2004’, No.46. 5.5×2.5 inches. Framed: 13×10.5 inches.
    £500
    Sold
  • White N.E.A.C. R.W.S. L.G. S.W.E., Ethelbert (1891 – 1972)     ‘The Old Barn’. Wood-engraving. Signed, title and editioned ’45/50′. 5.5×8 inches.
    £475
    Sold
  • Wilson, Scottie (1888 – 1972)     Bird Tree. Gouache. Signed. Provenance: Bought directly from the artist by Tina Carlile and Pearl King. 19.5×12 inches.
    £1,750
  • Zaharia, Mādālina (born 1985)     ‘We Demand Games with Great Gravity’. Photo lithograph and blind relief. 2012. Signed, dated and editioned 28/40 verso. 12×10 inches.
    £500
  • Zinkeisen, Anna Katrina (1901 – 1976)     Aries. Oil on canvas. Signed. 26.5×23 inches. Framed: 32.5×29 inches.
    £3,750

ELIZABETH CAMPBELL

A Tour in Lazio & Abruzzo, 1826

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PAUL NASH

A Private World

25 photographs (1931-1946) selected by John Piper and printed from the original negatives in 1978 by Fischer Fine Art with the Tate Gallery Archives and the Paul Nash Trustees.

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Coming Soon …

Tuesday 9th September @ 5.30pm

LIST 562 (Part I)

New Stock for September 2025

6pm 18th September – 4th October

GERALD MARKS

PART II: Paintings 1960-80

Thursday 25th September @ 11am

LIST 562 (Part II)

British Art Fair Special

MODERN | BRITISH

LIST 462 – SEPTEMBER 2025 (Part II)

25th -28th September @ British Art Fair, Saatchi Gallery
2nd – 18th October @ 30 Museum Street, WC1A 1LH

Ayrton, Bawden, Clough, Collins, Colquhoun, Craxton, Cuming, Ferguson, Hennell, Hitchens, Jones, Lamb, Lunn, MacKenzie, Mahoney, Minton, Moore, Nash, Nicholson, Orpen, Piper, Reynolds, Rowntree, Sorrell, Soukop, Spare, Spencer, Sutherland, Swanwick, Underwood, Vaughan, Wallis … and more!

PAST MATTERS

The Society of Antiquaries, London

We are thrilled to annouce that this Autumn we will be collaborating with the Society of Antiquaries. Having successfully secured a 999 lease on their premises at Burlington House, the Society is now raising funds to help plan the development of their building so that it can adequately serve them and the public in future.

We will be selling a selection of their historical prints at the gallery and hosting an EXCLUSIVE evening at the Antiquaries to view some of their remarkable and rarely seen treasures!

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HOW ‘THE LIST’ WORKS

Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month. They are usually published in two halves, in the first and third weeks of the month.

Most works can be bought online via our ecomm platform, but using this is not mandatory! If you would like to enquire about a work, please email or send a message using the ‘Enquire’ button that appears when you click on an item. We try and treat enquiries about List pictures in strict order of receipt. Given the numerous methods of communications people tend to use nowadays, there will inevitably be times when technological overlaps muddy the system. But we try to be fair!

Please do call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time for you to make a vist.

Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Condition: Please contact us if you would like to know the condition of a work.

Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.

Mailing List: If you would like to receive Email Alerts when ‘Lists’ of new stock and Exhibitions are published online, please Click Here. (We NEVER share your information – see our Personal Data Policy).

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