LIST 562

September 2025

PART II

BRITISH ART FAIR SPECIAL!

11am Thursday 25th September

The following works will be at the British Art Fair, Saatchi Gallery, until Sunday 28th September
A selection will then hang at 30 Museum Street from Thursday 2nd – Saturday 18th October

  • Ayrton, Michael (1921 – 1975)
    Three Trees and Sun. Pen, brush, ink and white heightening. Signed and dated, April 1945. 21.5×15.5 inches. Framed: 30×23.5 inches.
    £4,500
    Sold
  • Bawden C.B.E. R.A., Edward (1903 – 1989)
    ‘Enna, Sicily’. Pen, ink, watercolour and gouache. 1952. Provenance: The Fine Art Society; Private Collection. NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 17.5×22 inches. Framed: 25.5×30.25 inches.
    Sold
  • Brown R.A., John Arnesby (1866 – 1955)
    Sketch for ‘The Big River’ / ‘The Smug and Silver Trent’ (Exhibted R.A. 1924, No.188). Oil on panel. 1924. Signed. Exhibited: Arnesby Brown Memorial Exhibition, Norwich Castle Museum, 1959. 6.5×9 inches. Framed: 10×12 inches.
    £4,500
    Sold
  • Clough, Prunella (1919 – 1999)
    ‘Still Life with Tools’. Oil on canvas. 1948. Signed. Provenance: Roland, Browse and Delbanco; Dr T. W. Sutherland; The Fine Art Society; Private Collection. NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 15.5×15.5 inches. Framed: 21.5×21.5 inches.
    £20,000
    Sold
  • Collins, Cecil (1908 – 1989)
    ‘Adam Blessing the Kingdom’. Pencil and white heightening. Signed and dated, 1935. Exhibited: Tate, ‘Cecil Collins’, 1989, Cat No.73; Anthony d’Offay, ‘Cecil Collins, Early Drawings’, 1991, No.6. 15.25×10.5 inches. Framed: 21.5×16.5 inches.
    Sold
  • Collins, Cecil (1908 – 1989)
    ‘In the Forest’. Pen, ink and watercolour. 1944. Signed and dated. Exhibited: Lefevre Gallery. 5.5×7.5 inches. Framed: 10×11.5 inches.
    Sold
  • Colquhoun, Robert (1914 – 1962)
    Man and Woman. Pen, brush and ink. Signed and dated, 1959. Exhibited: Redfern Gallery, 1987. 21.25×16.5 inches. Framed: 23.5×27.5 inches.
    £4,500
    Sold
  • Craxton R.A., John (1922 – 2009)
    ‘Figure Under a Tree’. Oil on paper laid on canvas. 1943. Signed and dated. Exhibited: Christopher Hull Gallery, 1993. NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 8.5×13.25 inches. Framed: 14×19 inches.
    £18,000
    Sold
  • Cuming R.A., Fred (born 1930)
    Cornwall; ‘Fowey, The Jetty’. Oil on board. Signed. Exhibited: W. H. Patterson. 16×20 inches. Framed: 21×24.5 inches.
    £4,750
  • Fedorovitch, Sophie (1893 – 1953)
    Harbour, South of France, possibly Toulon. Mixed media; monotype and drawing. Circa 1930. Possibly conceived during a trip to Toulon with Edward Burra and others in 1931. Provenance: Dr John Hayes (1929-2005) (former director of the NPG). Exhibited: 'The Seven and Five Society: 1920-35', travelling exhibition, 1979/80, Atkinson Art Gallery, National Museum of Wales, The Minories, Colchester, Parkin Gallery (Label verso), Newlyn-Orion Gallery, Penzance. 7"x8.5" inches. Framed: 13.5"x16.5" inches.
  • Ferguson, John Duncan (1874 – 1961)
    ‘Low Tide, North Berwick’. Oil on panel. 1903. Provenance: Christie’s, Scotland, 27th November 1996, Lot 703; The Fine Art Society; Private Collection. NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 4.5×5.5 inches. Framed: 11×12 inches.
    £15,000
    Sold
  • Headlam, Mary (1873 – 1959)
    Portrait of a woman seated at a window of the artist’s Barton Street flat, Westminster. Chalks. c.1906. Provenance: Artist’s Estate. 13×9.5 inches. Framed: 20.75×16.5 inches.
    £2,750
  • Hennell, Thomas (1903 – 1945)
    ‘Sowing Bag Manure’. Probably near Ridley, Kent. Oil on canvas. c.1940. Signed. Titled verso. Exhibited: probably National Gallery, London, during the Second World War (canvas edge stamped: ‘Central Institute of Art and Design / National Gallery London WC2’); Folkestone Art Trust, ‘Thomas Hennell, Writer, Painter, Kent Countryman’, 2012, No. 40. Literature: ‘Thomas Hennell, Writer, Painter, Kent Countryman’, Folkestone Art Trust Ex. Cat., 2012, pp.12 and 20 (illustrated). Provenance: Brian Oxley Collection, West Hythe; Rosebery’s, 25th March 2025, Lot 68; Private Collection, London. 17×21 inches. Framed: 22×26 inches.
    £5,750
    Sold
  • Hitchens, Ivon (1893 – 1979)
    ‘Still Life – Poppies in a Vase’. Oil on canvas. 1933. Signed and dated. Provenance: possibly Lefevre Gallery; Arthur Wheen; England & Co; Private Collection. NOTE: This works is subject to ARR ON THE SALE PRICE. 35×24.5 inches. Framed: 43.75×33.5 inches.
    £75,000
    Sold
  • Jones, David (1895 – 1974)
    ‘Celestiall Fowlis’. Pencil and watercolour. c.1955. Exhibited: Tate Gallery, ‘David Jones’, 1981, Cat. No. 167. Ex. Collection: Jack Sweeney. 6.5×8 inches. Framed: 15.25×16 inches.
    £8,000
    Sold
  • Jones, David (1895 – 1974)
    ‘English Window’. Pencil, watercolour and gouache. 1931. Signed. Inscribed verso. Exhibited: Arts Council (Welsh Committee), ‘An Exhibition of Paintings, Drawings and Engravings by David Jones’, 1954, No.38 (Lent by Arthur Wheen); England & Co., where acquired by the previous owner. Provenance: Arthur Wheen (1897-1971); Private Collection. 25×19 inches. Framed: 38×31 inches.
    £75,000
    Sold
  • Lunn, Augustus (1905 – 1986)
    Design for a Mural. Gouache. 1957. Signed with monogram. Inscribed verso ‘This was approved subject to minor modifications / to be […] by D Hughes / 8/8/57 / G[…] Sutherland’. 9×21 inches. Framed: 17.5×29.5 inches.
    £3,500
    Sold
  • MacKenzie, Alexander (1923 – 2002)
    Abstract. Oil on board. c.1960. Signed verso. 3.5×5 inches. Framed: 7×8 inches.
    £2,750
    Sold
  • Mahoney, Charles (1903 – 1968)
    Old Roses Arranged in a Orange Box. Oil on card. c.1955. Exhibited: The Fine Art Society, ‘Charles Mahoney’, 2000, No.111. 16.25×9.75 inches. Framed: 25×18 inches.
    £3,750
  • Minton, John (1917 – 1957)
    ‘A Leafy Lane’. Pen, brush and ink. c.1946. Provenance: Austin Desmond; Private Collection. NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 17×11.5 inches. Framed: 25×19 inches.
    £18,000
    Sold
  • Moore O.M. C.H., Henry (1898 – 1986)
    Studies for Sculpture. Pen, brush and ink. 1932. Signed and dated. NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 14.5×6.5 inches. Framed: 23.75×15.75 inches.
    £24,000
  • Morley A.R.A., Harry (1881 – 1943)
    ‘The Rehearsal (The Singing Lesson)’. Oil and tempera on canvas. 1920. Exhibited: City of Bradford Art Gallery, 1950. Provenance: The artist’s family, by descent. 20×24 inches. Framed: 25.5×29.5 inches.
    £7,500
  • Nash R.A., John (1893 – 1977)
    Low tide on an estuary. Pencil, crayons and watercolour. Inscribed by the artist. 9.5×13.5 inches. Framed: 17.5×21 inches.
    £3,000
    Sold
  • Nash, Paul (1889 – 1946)
    Wooded Terrace. Pencil and watercolour. 1937. Signed and dated. 22×15 inches. Framed: 32×25 inches.
    £14,000
  • Nicholson, Ben (1894 – 1982)
    Italy, San Gimignano; ‘Sept 56 (San Jacopo)’. Pencil and oil wash on paper, mounted on the artist’s prepared board. Signed, inscribed and dated verso, ‘Sept 56 (san Jacopo) / Ben Nicholson / Nicholson / Hotel al / Cisterna / S. Gimignano’. Provenance: Gimpel Fils, ‘Recent Works by Ben Nicholson’, 1957, No. 17; Galerie Charles Lienhard, Zurich, ‘Ben Nicholson’, 1959, No. 36; Josepj Wolpe Fine Art, Cape Town; South African National Gallery, Cape Town, ‘Master Works on Paper’, 1984; Christie’s 26th June 2014, Lot 214; Private Collection. Literature: Norbert Lynton, ‘Ben Nicholson’, London, 1993, p 307 (Plate 295). NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 14.25×17.5 inches. Framed: 22.5×26.25 inches.
    £25,000
    Sold
  • ORPEN Sir William R.A. N.E.A.C. (1878-1931) - Arabian Nights.
    ORPEN Sir William R.A. N.E.A.C. (1878-1931)
    Arabian Nights. Pen, brush and sepia ink. Circa 1899. Provenance: Sybil Dunlop. Mrs Audrey Harris. Exhibited: Colnaghi. Related to his ‘Samson and Delilah’ owned by Tonks. 8.5×8 inches. Framed:16.5×15 inches. £1950
    £0
    Sold
  • Pacheco, Ana Maria (born 1943)
    Study for ‘Shadows of the Wanderer’ (Sculpture, 2008). Pen, ink, charcoal, watercolour and gouache. Signed, inscribed and dated, 2001. 15×17.5 inches. Framed: 19×21.5 inches.
    £1,750
    Sold
  • Piper C.H., John (1903 – 1992)
    ‘Derelict Barn in Chalk Country’. Oil on panel. 1942. Signed. Signed and titled, verso. Exhibited: Leicester Galleries, ‘Imaginative Art’, 1942, No.23. NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 15.5×19.25 inches. Framed: 25.5×28.75 inches.
    £40,000
    Sold
  • Piper C.H., John (1903 – 1992)
    ‘Drop Curtain, Loxford’; design for Benjamin Britten’s ‘Albert Herring’ (Glyndebourne, 1947). Pen, ink, watercolour, gouache and collage. Signed. Inscribed and titled to the original backboard. Provenance: George Lascelles, 7th Earl of Harewood (1923-2011) and by descent. Exhibited: Faber and Faber, ‘John Piper: Paintings, Drawings and Theatre Designs 1932-1954’, 1955, No. 227, Ill. p.129; Tate Gallery, ‘John Piper’, 1984, No.77. NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 15×20 inches. Framed: 22.5×27.75 inches.
    £15,000
  • Piper C.H., John (1903 – 1992)
    ‘Somerset Place, Bath (after Bombing)’. Pen, ink and watercolour. 1941. Signed and inscribed, ‘Somerset Place / burnt out’. This watercolour formed the basis of Piper’s larger composition given by the War Artist’s Advisory Committee to the Tate (N05720). Provenance: Sotheby’s, 17th November 2004, Lot 45; Private Collection. 8.25×11 inches. Framed: 17×19.5 inches.
    £8,750
    Sold
  • Reynolds, Alan (1926 – 2014)
    Four studies of Poppies and Moss. Pen, ink and watercolour. Signed and dated, 1958. Exhibited: Agnews. 9×6.5 inches. Framed: 17.5×13.75 inches.
    £4,000
    Sold
  • Rowntree, Kenneth (1915 – 1997)
    ‘Study for a Mural’. Oil on paper. c.1956. A study for the mural commissioned for the Centre for Cancer Treatment, Mount Vernon Hospital, Northwood, Middlesex (V&A). 9×8 inches. Framed: 12×11 inches.
    Sold
  • Sorrell R.W.S., Alan (1904 – 1974)
    ‘Night Falls on the Village’. Watercolour and gouache. Signed and dated, 1947. Exhibited: Royal Academy, ‘Summer Exhibition’, 1968, No.260. 9×17.5 inches. Framed: 16.5×25 inches.
    £3,000
    Sold
  • Soukop R.A., Willi (1907 – 1995)
    ‘Two Figures – Three Faces’. Pen, ink and watercolour. Signed with initials. Inscribed “A” and dated 24th November 1940. 8.75×12 inches. Framed: 20×23 inches.
    £2,750
    Sold
  • Spare, Austin Osman (1886 – 1956)
    ‘Abstract Automatic Drawing’. Oil, pencil and crayon on panel. Signed and dated, 1955. Further signed, titled and dated, verso. 10.5×8.5 inches. Framed: 18×16 inches.
    £7,500
  • Spencer R.A., Sir Stanley (1891 – 1959)
    Study for ‘John Donne Arriving in Heaven’. Oil on card. Squared for transfer. 1911. Provenance: this is probably item 13 in Spencer’s ‘List of Painting 1911-1914’, annotated ‘Sold to Bluett’; probably exhibited Grafton Galleries, ‘Second Post-Impressionist Exhibition’, 1912, Cat. No. 203, leant by Mr Bluett and shown alongside the finished composition owned by Jacques and Gwen Raverat and now in the Fitzwilliam Museum, Cambridge (PD.12-2013); Arthur Tooth & Sons (their label, verso); Sotheby’s, 30th June, 1993, Lot 21; Private Collection. NOTE: This works is subject to ARR ON THE SALE PRICE. 6.5×6.5 inches. Framed: 9×9 inches.
    £80,000
    Sold
  • Sutcliffe, John (1944 – 2022)
    ‘The National Trust in East Anglia’. Watercolour on Windsor and Newton prepared board. Signed and dated, 1980. Provenance: Artist’s Estate. 30.5×20.5 inches. Framed: 38.5×28 inches.
    £5,000
    Sold
  • Sutherland O.M., Graham (1903 – 1980)
    ‘Rock and Hills’. Pen, ink, watercolour, gouache and charcoal. 1944. Signed and dated. Provenance: Redfern Gallery, 1955; where acquired by Audrey Keats; Christie’s London 6th June 2003, Lot 170; where acquired by Sir Duncan Oppenheim; Crane Kalman; Private Collection, London; Sotheby’s, 29th June 2017, Lot 2; Private Collection. NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 11.5×14.25 inches. Framed: 20×23 inches.
    £30,000
  • Sutherland O.M., Graham (1903 – 1980)
    ‘Study for Furnaces’. Pen, ink, watercolour, gouache and wax crayon. 1944. Provenance: The Redfern Gallery, 1955; Sir Frederick Gibberd F.R.I.B.A.; […] Sotheby’s, 26th June 1985, Lot 437; […] Christie’s, 8th June 1990, Lot 273; The Fine Art Society; Private Collection, London. NOTE: This works is subject to 4% ARR ON THE SALE PRICE. 10.75×21.75 inches. Framed: 18.5×29 inches.
    £45,000
  • Sutherland O.M., Graham (1903 – 1980)
    Study for ‘Damp Tree Roots’. Pen, ink and watercolour. 1936. Signed and dated. Provenance: Marlborough Fine Art; Raymond Lister; The Fine Art Society; Private Collection. 2.5×5 inches. Framed: 7.25×9.25 inches.
    £8,500
    Sold
  • Swanwick R.A. R.W.S., Betty (1915 – 1989)
    The Brass Bed. Pencil. provenance: The artist’s Studio Sale, Bonhams, 31st January, 1990. 19×19.5 inches. Framed: 27.5×27.5 inches.
    £1,750
    Sold
  • Underwood, Leon (1890 – 1975)
    ‘Black Sun’. Oil on canvas in a frame designed by the artist. 1946. Signed and dated. 12×14 inches. Framed: 19×23 inches.
    £3,750
    Sold
  • Vaughan, Keith (1912 – 1977)
    ‘Landscape Study’. Pen, ink, watercolour and wax crayon. Signed. Exhibited: National Museum of Wales, ‘John Piper and English Neo-Romanticism’, 1982/83, Cat. No.39; Fischer Fine Art, ‘The British Neo-Romantics 1935-1950’, 1983, Cat. No.68. 2.5×3.5 inches. Framed: 11×12 inches.
    £3,750
    Sold
  • Vaughan, Keith (1912 – 1977)
    ‘Nuit de l’Enfer’; an illustration to Rimbaud’s ‘Une Saison en Enfer’. Pen, brush, ink and gouache. 1943. Exhibited: Agnews. 9×6 inches. Framed: 16.5×13 inches.
    Sold
  • Vaughan, Keith (1912 – 1977)
    ‘Un Bâteau Frêle’; an illustration to Rimbaud’s ‘Une Saison en Enfer’. Watercolour, ink and gouache. Signed and dated, 1943. Exhibited: Agnews. 10.5×6.5 inches. Framed: 16.5×13 inches.
    £6,750
  • Wallis, Alfred (1855 – 1942)
    ‘There was a Donkey’. Oil on board. Inscribed verso. Provenance: Charlotte – Galerie für Naive Kunst, Munich; Galerie Michael Haas, Berlin; Yamoto Fine Arts, Japan; James Huntington-Whiteley. Exhibited: Tate, St Ives and the Irish Museum of Modern Art, ‘Alfred Wallis and James Nixon’, 1999/2000. 12×20 inches. Framed: 19.5×27.5 inches.
    £40,000
    Sold

GERALD MARKS

Abstract Paintings 1960-62

Continuing until Saturday 4th October

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LIST 562

September 2025 (Part I)

Adams, Andrews, Ardizzone, Bowers, Brangwyn, Cleverley, De Wint, Ferguson, Freedman, Frink, Girtin, Hilton, Newcombe, Piper, Raverat, Rice, Rowlandson, Sandby, Sickert, Tanner, Vaughan, Walcot, Waterford … and more!

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Coming Soon …

Tuesday 7th October @ 5.30pm

LIST 563 (Part I)

New Stock for Otcober 2025

Wednesday 15th October @ 5.30pm

PAUL DRURY

Etchings 1923-59

Tuesday 21st October @ 5.30pm

PAST MATTERS

The Society of Antiquaries

PAST MATTERS

The Society of Antiquaries, London

We are thrilled to annouce that this Autumn we will be collaborating with the Society of Antiquaries. Having successfully secured a 999 lease on their premises at Burlington House, the Society is now raising funds to help plan the development of their building so that it can adequately serve them and the public in future.

We will be selling a selection of their historical prints at the gallery and hosting an EXCLUSIVE evening at the Antiquaries to view some of their remarkable and rarely seen treasures!

Read More

CURRENT GROUPS

ELIZABETH CAMPBELL

A Tour in Lazio & Abruzzo, 1826

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HOW ‘THE LIST’ WORKS

Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month. They are usually published in two halves, in the first and third weeks of the month.

Most works can be bought online via our ecomm platform, but using this is not mandatory! If you would like to enquire about a work, please email or send a message using the ‘Enquire’ button that appears when you click on an item. We try and treat enquiries about List pictures in strict order of receipt. Given the numerous methods of communications people tend to use nowadays, there will inevitably be times when technological overlaps muddy the system. But we try to be fair!

Please do call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time for you to make a vist.

Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Condition: Please contact us if you would like to know the condition of a work.

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