LIST 541

OCTOBER 2023


PART I

Issued 5pm 10th October

Scroll down for Part II


JOHN ALDRIDGE

A GROUP OF DRAWINGS
from a Private Collection

CLICK HERE


LIST 541

PART II

Issued 5pm 24th October

  • ANON (Eighteenth-Century)
    ‘Oh Button, Button; Recv’d […] in the delicious ardor of exquisite sensibility’. Ink and watercolour. Circa 1790. Indistinctly inscribed verso. Ex. Collection: Ronald Searle, who believed this to be a sketch for ‘Madame Josephine’. 7.25×5.25 inches.
  • ANON (Eighteenth-Century)
    An Artist at his window. Pen, ink and watercolour. c.1795. Monogrammed ‘DP’ or ‘PD’. Provenance: Robin and Rupert Hambro. 9×6.75 inches. Framed: 17×14.75 inches.
  • ANON (Nineteenth-Century)
    London; Old Billingsgate Market and Bacon’s Tavern. Watercolour. Inscribed verso. For, or after, the print published by Vizetelly in 1849. 4.5×6.5 inches. Framed: 13.5×15.25 inches.
  • Archer R.W.S. R.E., Frank (1912 – 1995)
    Italy; a busy Naples street. Pen and ink. Signed, inscribed and dated, 1948. 12×18.5 inches.
    £375
  • Banks R.I.B.A., Robert (1911 – 2000)
    Italy; Venice, the Palazzo Grimani di San Luca, with the Chiesa di San Luca on the right. Watercolour. Signed. Exhibited: Trafford Gallery. 26.5×19.25 inches. Framed: 28.5×21.5 inches.
  • Barret Jnr, George (1767 – 1842)
    London; Westminster from a landing place at Vauxhaull, the Thames busy with shipping and ‘upstream’ Thames barges. Watercolour. c.1830. 12×17 inches. Framed: 20×25 inches.
    £2,500
  • Beaumont, Sir George (1753 – 1827)
    Suffolk; ‘Onehouse’. Pencil, pen, ink and monochrome wash. Inscribed and dated, ‘Thursday 17th August 1791’. 7×9.5 inches. Framed: 11×13 inches.
  • Blamey O.B.E. R.A., Norman (1914 – 2000)
    ‘The Vice Chancellor’; Study for the portrait of Sir Harry Pitt (1914-2005) Vice-Chancellor of Reading University (1964-1978), now in the University Collection. Pencil, watercolour and gouache. Exhibited: The Discerning Eye, 1997; The Fine Art Society, March 2003. 9.5×9.5 inches.
    £875
  • Blundell, Alfred (1883 – 1968)
    ‘Early morning, Cuckoo Wood’. Oil on panel. Signed, titled and dated, 1939 verso. 14.5×18.5 inches. Framed: 21.5×25 inches.
  • Buckland-Wright, John (1897 – 1954)
    ‘Baigneuses Balinaises’. Wood-engraving. 1931. Signed, titled, dated and editioned ’27/30′. 11×8.5 inches.
  • Chappell, Dick (born 1954)
    ‘Evening West – July’. Oil on panel. 1997. Signed, titled and dated, verso. Martin Tinney, Cardiff. 12.5×10 inches. Framed: 15.5×13.25 inches.
  • Chinnery, George (1774 – 1852)
    A Portrait Study. Pencil. c.1820. 5.5×3.25 inches.
  • Cocteau, Jean (1889 – 1963)
    'L'Esprit Minéral'. Teracotta plate with coloured engobe. 1962. Signed, marked and numbered 'Edition originale de Jean Cocteau Atelier Madeline-Jolly 10/10'. Accompanied by a certificate of authenticity, signed by Marie-Madeleine Jolly and dated, 10/1/1962. Dia.13" inches.
  • Collins, Roland (1918 – 2015)
    London; ‘Cannon St from South Bank’. Gouache. Signed. Titled verso. 14.5×20.5 inches. Framed: 23.5×29 inches.
    £3,500
  • Cotman R.I. R.O.I., Frederick George (1850 – 1920)
    ‘Cala Rossi’, the ‘famous’ life model. Oil on paper. Inscribed verso. Provenance: The Cotman family and by descent. 7×5.5 inches.
  • Cox O.W.S., David (1783 – 1859)
    A coastal or estuary landscape; possibly the Solent from the Downs? The twin ‘pepper-pot’ domes presumably identifiable! Watercolour. c.1830. Signed. Provenance: given by Dudley Snelgrove to the pervious owners. 7×10.25 inches.
  • Craig C.H., Edward Gordon (1872 – 1966)
    Bath; ‘The lap dog of the maid of the Daughter of the Duchess of Canterbury’. Pen and ink. Signed and inscribed verso. 3.5×4 inches.
  • Cromek, Thomas Hartley (1809 – 1873)
    An Italian Piper. Pencil and watercolour. c.1840. Signed. 13.25×8.75 inches. Framed: 21×16 inches.
  • Cumming R.B.A., Peter (1916 – 1993)
    East Sussex; ‘Brighton Rooftops’. Oil on board. Signed and dated, 1950. Titled to the artist’s label verso. Exhibited: Brighton Art Gallery, ‘Joint Exhibition’, 1951, Cat No.89. 16.5×20.5 inches. Framed: 23×27 inches.
  • Davis, Edward Thomson (1833 – 1867)
    Head, hands and pipe. Chalks. Signed and dated, ‘Dec /56’. 5.5×7.5 inches. Framed: 13.75×17 inches.
  • De Tirtoff (‘Erte’), Romain (1892 – 1990)
    ‘Décor Bar’. Gouache. Signed ‘Erte’. Studio stamped, ’15 464′. 4.75×10.5 inches. Framed: 11×8 inches.
  • Desmet R.A., Anne (born 1964)
    ‘Balliol College, Oxford’. Wood-engraving. 1995. Signed, titled and editioned ‘X/XXV’. 7×10 inches. Framed: 15×17.5 inches.
  • Drury, Paul (1903 – 1987)
    ‘French Cemetery’. Etching. 1939. Signed. 9.5×11 inches. Framed: 20.5×21.5 inches.
  • Frost, George (1754 – 1821)
    Siblings. Charcoal. Provenance: Simon Carter; Iris Weaver. 3.5×3.5 inches. Framed: 10×9.5 inches.
  • Fry, Roger (1866 – 1934)
    ‘Langle sur l’Anglin’. From ‘Twelve Original Woodcuts by Roger Fry’, hand-printed by Leonard and Virginia Woolf at the Hogarth Press. From the second or third editions, printed in 1922 on white, coated paper. The first edition was 150 copies. The second and third possibly totalled 200. Exhibited: The Bloomsbury Workshop. 5×3.5 inches.
  • Fry, Roger (1866 – 1934)
    ‘Self Portrait’. From ‘Twelve Original Woodcuts by Roger Fry’, hand-printed by Leonard and Virginia Woolf at the Hogarth Press. From the second or third editions, printed in 1922 on white, coated paper. The first edition was 150 copies. The second and third possibly totalled 200. Exhibited: The Bloomsbury Workshop. 4×3.25 inches.
  • Fry, Roger (1866 – 1934)
    ‘The Striped Dress’. From ‘Twelve Original Woodcuts by Roger Fry’, hand-printed by Leonard and Virginia Woolf at the Hogarth Press. From the second or third editions, printed in 1922 on white, coated paper. The first edition was 150 copies. The second and third possibly totalled 200. Exhibited: The Bloomsbury Workshop. 5.5×3.5 inches.
  • Hardie R.E., Martin (1875 – 1952)
    Italy; Liguria, ‘The Bathing Place, Bordighera’ (L/W92). Etching. 1922. Signed. Edition of 80. 8×11 inches.
  • Hey, Cicely (1896 – 1980)
    A portrait study. Pen and ink. Squared for transfer. Provenance: Tony Goble (1943-2007), who inherited the contents of the artist’s studio, and by descent. 10×8.25 inches.
  • Howard (9th Earl of Carlisle), George (1843 – 1911)
    France; Burgundy, ‘Macon’. Watercolour. Inscribed and date ‘Nov.9th’ by the artist. Provenance: Sissons, 20.8.1992. 7×9.75 inches.
  • Hoyton, Edward Bouverie (1900 – 1988)
    ‘Bindon Pool’. Etching. Signed and titled. 8.25×10.75 inches.
  • Keene, Charles (1823 – 1891)
    Portrait of a man in a scarf and hat. Pen and ink. c.1860. Studio stamped. Illustrated: Joseph Pennell, ‘The Work of Charles Keene’, Fisher-Unwin, London, 1887. 6×5 inches. Framed: 12×10 inches.
    £1,750
  • Leighton, Clare (1898 – 1989)
    ‘Lambing’ (MH26). Wood-engraving. 1926. Signed, titled and editioned ’18/50′. Provenance: The Artist’s Estate; A and H (2018). 6.5×4.75 inches. Framed: 9.5×7.5 inches.
  • Long (Lady Farnborough), Amelia (1762 – 1837)
    A river scene. Chalk and white heightening. Signed. 10×13.5 inches.
  • MacNab R.E., Iain (1890 – 1967)
    ‘Summer Bouquet’. Wood-engraving. 1947. Signed and titled. 8×10 inches.
  • Maynard, Robert Ashwin (1888 – 1966)
    Harbour Scene. Wood-engraving. 1927. Signed and editioned ‘1/35’. 6.25×8.5 inches.
  • Methuen R.A., Lord Paul (1886 – 1974)
    Italy; ‘Caprarola: Villa Farnese (Vignola), No.1’. Pen, ink and watercolour. Signed, titled and dated, 3rd July 1963. Exhibited: Colnaghi, 1964. 11.75×16.25 inches. Framed: 20.25×25.25 inches.
  • Newcomb, Tessa (born 1955)
    ‘Ill in Paris’. Oil on card. Signed and dated, 2005. 13.25×5.5 inches. Framed: 17.5×10 inches.
    £750
  • Paynter M.B.E., Hilary (born 1943)
    ‘Tapeley Park’. Wood-engraving. Signed, titled and editioned 6/100. 3.5×4.5 inches. Framed: 14.5×13.5 inches.
    £95
  • Prout O.W.S., Samuel (1783 – 1852)
    Coastal sketching. Pencil. Provenance: North Devon Athenaeum. 3×3.5 inches. Framed: 11.75×10.75 inches.
  • Ryohei, Tanaka (1933 – 2019)
    ‘White Wall Village’. Etching and aquatint. 1991. Signed, dated, and editioned ’45/150′. 6.5×8 inches.
  • Short P.R.E. R.A., Sir Frank (1857 – 1945)
    Warwickshire; ‘Kenilworth Castle’ (H98). Mezzotint after Peter De Wint OWS (1784-1840). Signed. Trial proof. Inscribed and dated, ‘24.7.32’. The plate begun 1910 and completed 1933. 8×11.5 inches.
  • Smirke, Mary (1779 – 1852)
    The Thames near Richmond. Watercolour. Exhibited: The Manning Galleries. Ex. Collection: Judy Egerton. 4.5×7.75 inches. Framed: 10×12.5 inches.
  • Smith (Circle of), John ‘Warwick’ (1749 – 1831)
    Rome; Castel Sant’Angelo. Watercolour. c.1810. 4.5×7 inches.
  • Thornton, Valerie (1931 – 1991)
    Somerset, ‘Pulteney Bridge, Bath’. Etching and aquatint. 1983. Signed, titled, dated and editioned ’23/100. 9.25×14 inches.
  • Tunnicliffe R.A. R.E., Charles Frederick (1901 – 1978)
    ‘The Harvesters’ (MH21). Etching. 1925. Signed and editioned ’73/75′. 8.25×11 inches.
  • Uwins R.A. R.W.S., Thomas (1782 – 1857)
    A woman of Naples spinning. Pencil. Signed, inscribed and dated, 1827. Exhibited: John Baskett. 15.5×10 inches. Framed: 23×17 inches.
    £750
  • Varley O.W.S., John (1778 – 1842)
    Fishmermen checking their nets. Pencil and monochrome wash. Exhibited: Colnaghi, where provenance given as Mrs J.F.S. Linnell. 2.5×4 inches.
  • Walton, Henry (1746 – 1813)
    Thomas Kerrich (1748-1809) of Geldeston Hall, Beccles, Suffolk. Oil on panel. c.1780. The sitter identified to a label verso. 10×8 inches. Framed: 12.5×10.5 inches.
  • Welch, Denton (1915 – 1948)
    A Bird in the Hand. Pen, ink, watercolour and crayon. Exhibited: ‘Watercolours and Drawings by Denton Welch’, A and H, 1984. Provenance: Eric Oliver; Geoffrey Dunn. 9.25×12 inches. Framed: 16.5×18.5 inches.


We have Lists and Exhibitions planned well into Spring and early Summer 2024.
Here is what is happening in the next few months.


MICHAEL SMITH

CHEF’S KITCHEN

An Exhibition of Ingredients

Continues to 2nd December

CLICK HERE


LIST 542

PART I

5pm 14th November

PART II

5pm 28th November

Including … Bawden, Bratby, Callow, Cotman, Cox, Cristall, Drury, Eldridge, Frost, Gertler, Gilpin, Glover, Greenham, Hamilton, Hogarth, John, Joyce, Landseer, Linnell, Maitland, Menpes, Romney, Spencer, Varley, Walcot …


DECEMBER


Friday 1st – Friday 8th
An event not to be missed!


LIST 543

Will be composed of Groups of works released
at regular intervals throughout December.

Ardizzone, Beerbohm, Bentley, Burra, Du Maurier, Ferrier, Henning, Kay, Sandby … and more.



JANUARY 2024


LIST 544

5pm 16th January

Including … Aldridge, Blamey, Bright, Cameron, Crotch, Davis, Gaunt, Gere, Kramer, Ihlee, Lancaster, Legros, Morland, Munn, Payne, Piper, Pryde, Rowlandson, Sandby, Simpson, Sutherland, Tanner, Vaughan, Ward …

And followed by…


An Exhibition of

BRITISH WORKS ON PAPER

for

MASTER DRAWINGS NEW YORK


26th January – 3rd February
24 East 64th Street, New York
and
15th February – 9th March
30 Museum Street, London


ADAM, BLAKE, BONINGTON, BURNE-JONES, CALVERT, CHINNERY, COOPER, COTMAN, COX, COZENS, DANCE, EDRIDGE, ETTY, FRANCIA, GAINSBOROUGH, GILLRAY, GIRTIN, GLOVER, HAMILTON, HAYTER, KERRICH, LEAR, LEIGHTON, LINNELL, MALTON, OPIE, PAYNE, RENTON, ROMNEY, ROOKER, RUNCIMAN, SANDBY, SHOTTER BOYS, STANFIELD, TURNER, VARLEY, WARD, WILKIE …


 

HOW ‘THE LIST’ WORKS

Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.

They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.

Images: These are intended as an indication of the work – please telephone or email  if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.

Approval Service: We are happy to send works on approval, but this is subject to discussion.

 

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