LIST 563

October 2025

5.30pm Tuesday 7th October

  • Ackermann R.I., Arthur Gerald (1876 – 1960)
    Barges, Low Tide. Pencil and watercolour. Exhibited: Chris Beetles. 4.5×7 inches. Framed: 13×17 inches.
    £375
  • Agar, Eileen (1899 – 1991)
    Tenerife, Puerto de la Cruz. Watercolour. 1953. Signed. 6×8 inches. Framed: 12.5×15.5 inches.
    £1,750
  • ANON (Eighteenth-Century)
    London; Old London Bridge after the widening of the central arch (1757) and removal of its houses (1761), with the second Fishmonger’s Hall, the Monument, the City, its spires and shipping in the Pool of London in the distance. Oil on canvas. Circa 1790 after an earlier eighteenth century painting, probably by Samuel Scott (c.1702-1772) and made as a pair to accompany one showing London Bridge before the house were removed (see Bonhams 8/12/21 Lot 48). A version of this composition attributed to John Dean Paul (1775-1852) was sold by the Gavin Graham Gallery. 23.5×39.5 inches. Framed: 30×46 inches.
    Sold
  • ANON (Nineteenth-Century)
    Harvesters at lunch. Watercolour. c.1820. 4.5×7 inches. Framed: 11×14 inches.
    Sold
  • ANON (Nineteenth-Century)
    London; Whitehall, The Banqueting House. Watercolour. c.1830. Ex. Collection: Cyril Fry (by whom attributed to Cox). 3.5×5 inches.
    Sold
  • Ardizzone R.A., Edward (1900 – 1979)
    Trinity College, Oxford (NAP36). Lithograph. 1954. Signed and titled in the plate. Provenance: the artist’s estate and by descent. 11.5×13.5 inches. Framed: 23×19 inches.
    Sold
  • Bawden C.B.E. R.A., Edward (1903 – 1989)
    Italy; ‘The Fountains at Aldo Brandini Palace’ (sic). Watercolour. Exhibited: The Minories, Colchester, ‘The World of Edward Bawden’, 1973-1974, Cat. No.43 (Leant by J Kimber). 16×6.5 inches. Framed: 20×11 inches.
    £3,000
  • Blackmore, Clive (born 1940)
    ‘Mimosa’. Oil on canvas. Signed and dated, 1992. Exhibited: The New Academy Gallery. 19.5×28.5 inches. Framed: 26×35 inches.
    Sold
  • Bone N.E.A.C., Stephen (1904 – 1958)
    Nottingham; St Mary’s from the Lace Market. Oil on card. c.1930. Provenance: the artist’s family, by descent. 13.5×9.25 inches. Framed: 18×14 inches.
    Sold
  • Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956)
    ‘Foster’s Boathouse, Cambridge’. (CD.159) Drypoint. 1903. Signed. 5.5×10 inches.
    Sold
  • Brangwyn R.A. R.W.S., Frank (1867 – 1956)
    ‘Brentford Bridge’. Pencil, pen, ink and monochrome wash. Signed and dated, 1901. This drawing formed the basis of Brangwyn’s print of the same name (1904). Exhibited: Beaux Arts Gallery; Richard McDougall Fine Art. 13×15.75 inches. Framed: 20×22.5 inches.
    Sold
  • Brangwyn R.A. R.W.S., Frank (1867 – 1956)
    ‘Tramps’. Lithograph. 1920. Inscribed ‘1 Black, 2 Raw Umber 1/2/35’. Made for the ‘Brangwyn Portfolio’ (No.25), Richepin, Steinlen & Verhaeren, Paris and d’Alignan and Turpin, London, 1923. 16×14 inches.
    Sold
  • Carter R.B.A. R.I., John (1908 – 1993)
    Venice; Piazzo San Marco. Pencil, watercolour and gouache. Signed. Exhibited: Chris Beetles. 11×13 inches. Framed: 21×28.5 inches.
    £675
  • Cotman, John Sell (1782 – 1842)
    France; Normany, the North Transept of St Georges de Boscherville. Pencil. c.1818. Made with a camera lucida or Cornelius Varley’s ‘Patent Graphic Telescope’. Provenance: Dr John Sell Cotman (great-great grandson of the artist); his widow, Dorothy Cotman; Sotheby’s 12 July 1967 (lot 190?); […]; Michael and Megan Dawson. 10×12.5 inches. Framed: 18×20 inches.
    £975
  • Dickey, Edward Montgomery O’Rorke (1894 – 1977)
    Cottage in a steep valley, probably Ireland. Oil on canvas. Signed. Signed and dated, 1921 verso. Provenance: Lord and Lady Chorley (c.1930s); and by descent. 14.5×19.5 inches. Framed: 20×23.5 inches.
    £2,750
  • Farington R.A., Joseph (1747 – 1821)
    Lancashire; ‘The Old Bridge at Lancaster’. Pencil, pen, ink and monochrome wash. Signed, inscribed and dated ‘August 4th 1786’. Exhibited: Isaac and Ede. 8×14.5 inches. Framed: 15.5×21.5 inches.
    Sold
  • Fewell (Contemporary), Dave
    ‘Terracotta Rose’. Watercolour and gouache. Signed with initials. Exhibited: Denington Gallery. 6×4 inches. Framed: 14×12 inches.
    £575
  • Foster R.W.S., Miles Birket (1825 – 1899)
    Italy; Milan Cathedral. Pencil and watercolour. Signed with monogram. Exhibited: M. Newman Fine Art 4×5.5 inches.
    £2,250
  • Ghilchik, David Louis (1892 – 1972)
    Cinema; ‘The Last Straw’. Pen and ink. For ‘Punch’. Signed. 14.5×11 inches.
    Sold
  • Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)
    ‘Castor’ (C.38). Etching. 1927. Signed. Sixth and final state. Eighty-nine impressions printed. 5.5×4.5 inches.
    Sold
  • Hitchens, Ivon (1893 – 1979)
    Sketch for the Cecil Sharp House (English Folk Dance and Song Society) mural. Pencil, pen and ink. c.1951. 10.5×6 inches. Framed: 16×11.5 inches.
    Sold
  • Hoare of Bath R.A., William (1707 – 1792)
    A rapid study of a seated woman. Chalks. c.1780. Exhibited: Charles Plante at Mallet, New York, 2011. 7×4.5 inches. Framed: 10.5×8 inches.
    Sold
  • Hunt, William Holman (1827 – 1910)
    ‘The Father’s Leavetaking’ (B.26); Edith, the artist’s wife, holding their daughter, Gladys. Etching. 1879. 2nd state of 2. Made for the Etching Club. Dedicated, signed and dated 1880 by the artist in pencil. 7.5×10 inches.
    Sold
  • Jones, Peter (1917 – 2008)
    ‘Dive Soberly’. Pencil, pen, ink, watercolour, wax resist and collage. c.1945. Later signed on the backing sheet. Exhibited: England & Co., ‘Jack Bilbo & The Moderns’, 1990. Cat. No.40. 10×14.5 inches. Framed: 18×23 inches.
    £750
  • Lamb R.A., Henry (1883 – 1960)
    A life study of Pansy, the artist’s wife. Pencil. c.1930. Provenance: by descent in the artist’s family; Private Collection. 19×8 inches. Framed: 27×16 inches.
    £1,250
  • MacKenzie, Alexander (1923 – 2002)
    ‘Cottages’. Oil on board. c.1975. Exhibited: Austin Desmond. 7.5×19.5 inches. Framed: 16.5×28.5 inches.
    Sold
  • Marks, Gerald (1921 – 2018)
    Self portrait. Oil on board. 1942. Provenance: artist’s estate. 18×14.5 inches. Framed: 19.75×15.75 inches.
    Sold
  • McNulty, William Charles (1884 – 1963)
    New York; ‘Jersey From The Banker’s Club’. Etching. 1931. Edition of 75. Signed, titled and dedicated. 13×8 inches.
    Sold
  • Moore R.A. R.W.S., Henry (1831 – 1895)
    ‘Storm Clouds’, a study for ‘Every Cloud Hath a Silver Lining’ (R.A. 1870). Watercolour. c.1870. Signed and inscribed verso. Exhibited: Julian Hartnoll. 9×12.5 inches. Framed: 17×20 inches.
    Sold
  • Nevinson, Christopher Richard Wynne (1889 – 1946)
    WWI: ‘Swooping on a Taube’. Lithograph. 1917. Made for Nevinson’s ‘Making Aircraft’ set, for the series ‘The Great War: Britain’s Efforts and ideals’. One of 100 unsigned impressions. 16×12 inches. Framed: 24×19.5 inches.
    Sold
  • Oxtoby, David (born 1938)
    Bob Dylan; ‘Dylan Book Project’. Etching. 1977. Signed, titled and inscribed ‘1st proof / 2nd plate – (1st after title page)’. 10×8 inches. Framed: 18×15.5 inches.
    £375
  • Piper C.H., John (1903 – 1992)
    Bristol; the ‘Crown and Anchor’ pub, Hotwell Road (now demolished). Mixed media and collage. c.1940. Signed. 11.5×15 inches. Framed: 20×23 inches.
    Sold
  • Prout O.W.S. (After), Samuel (1783 – 1852)
    ‘Interior of Dover Harbour’. Watercolour. Probably a pupil of Prout copying Charles Hullmandel’s (1789-1850) print of 1822. 10.5×13.5 inches. Framed: 18.5×21 inches.
    £875
  • Pyne, George (1800 – 1884)
    Oxford; New Building, Magdalen College Pencil and watercolour. Signed and dated, 1859. 6×8.5 inches. Framed: 13×15 inches.
    Sold
  • Raverat S.W.E., Gwen (1885 – 1957)
    Hans Christian Andersen; ‘Andersen Cutting out Pictures’ (SN491). Wood engraving. 1939. Proof. Andersen often made cut-outs from sheets of paper as he told children stories, illustrating the narrative as he went. See the MET for an example of one of his creations. Provenance: an album of Gwen Raverat’s prints, compiled by the artist, and by descent. 6×4 inches.
    Sold
  • Reuss, Albert (1889 – 1975)
    ‘Sand Dunes, Cornwall (Study)’. Pencil. c.1958/60. Signed. Provenance: O’Hana Gallery. 11×12.5 inches. Framed: 19×20 inches.
    £575
  • Reynolds, Alan (1926 – 2014)
    Churchyard. Watercolour. 1952. Signed and dedicated ‘to Owen’. 7×10 inches. Framed: 14×16.5 inches.
    Sold
  • Richter R.A., James Henry (1772 – 1857)
    Milton; an illustration for Paradise Lost. Pencil and monochrome wash. c.1794. A vignette for Book VII, Verses 1-10, for J. & H. Richter’s 1794 edition. 3.5×4 inches.
    £575
  • Sandby R.A., Paul (1731 – 1809)
    Berkshire; Windsor from Snow Hill. Pencil, pen, ink and watercolour. Exhibited: Agnews; Karen Taylor. 4.5×10 inches. Framed: 12×17 inches.
    £1,750
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)
    ‘O Sole Mio’, Maple Street, Fitzrovia, London (B.213). Etching. c.1923. Signed. 4.5×2.5 inches.
    Sold
  • Spare, Austin Osman (1886 – 1956)
    ‘E.J. is Dead’. Pencil and sepia wash. 1910. Signed, titled and dated, verso. Inscribed in the picture … ‘E.J. / […] / Hanged Himself / Oct […] 1896’. Provenance: A and H c.1967. 8.5×11 inches. Framed: 16.5×18 inches.
    £3,750
  • Sutherland O.M., Graham (1903 – 1980)
    ‘Cottage in Dorset’ / ‘Wood End’ (T.28) Etching. 1929. Signed, editioned 21/60 and inscribed ‘Wood End’ beneath the mount. Exhibited: Colnaghi; Redfern Gallery. 5.5×7 inches. Framed: 12.5×13.5 inches.
    Sold
  • Taylor, Charles William (1878 – 1960)
    East Sussex; ‘Winchelsea’. Wood-engraving. Signed. 6×8 inches.
    Sold
  • Thomas, Percy (1846 – 1922)
    London; the Thames east of the Tower. Etching. 1889. Signed and dedicated to Frederick Goulding (1842-1909). Further inscribed ‘Coll. F Goulding Imp’. 4×5.5 inches.
    Sold
  • Tippett, Bruce (1933 – 2017)
    ‘Untitled’; abstract drawing. Charcoal. August 1957. Signed and dated. Exhibited: England & Co., ‘Bruce Tippett: Paintings and Drawings 1950-1980’, 1992, Cat No.11. 30×22 inches. Framed: 26.5×34.5 inches.
    £975
  • Tunnicliffe R.A. R.E., Charles Frederick (1901 – 1978)
    ‘The Water Trough’ (RH.36). Etching. 1926. Signed and editioned 33/75. 6×6 inches.
    Sold
  • Varley O.W.S., John (1778 – 1842)
    Wales; The Llangollen / Pontcysyllte Aqueduct. Watercolour. c.1820. 7×10 inches. Framed: 16×19 inches.
    Sold
  • Walcot R.E., William (1874 – 1943)
    Liverpool, the Cunard Building. Etching. 1923. Signed. 3.5×6 inches.
    Sold
  • Watson, Harry (1871 – 1936)
    Scotland; a Summer Landscape. Watercolour. Studio Stamped verso. Provenance: Bonhams, ‘Harry Watson Studio Sale’, October 1994; to A and H; Private Collection. 9×11.5 inches. Framed: 17×18.5 inches.
    Sold
  • Wood, Thomas Peploe (1817 – 1845)
    Staffordshire; a Greek temple in the gardens of Bishton Hall. Watercolour. 1837. Signed and dated. Exhibited: Covent Garden Gallery. 6×11.5 inches.
    Sold

Hercules Brabazon BRABAZON (1821 – 1906)

Hercules Brabazon Brabazon (1821–1906) was educated at Harrow and Trinity College, Cambridge, then trained as a barrister. Financial independence, however, meant he could abandon the Law in favour of art. He spent much of his life travelling in Europe and North Africa, making quick, impressionistic drawings and watercolours. He painted privately for decades and it was only in his 70s – encouraged by his friend John Singer Sargent – that he began to exhibit.

Brabazon’s God, was Turner, and it was from his work he developed an obsession with capturing atmospheric conditions and fleeting effects of light and colour. This small group of fine examples of Brabazons work is representative of his range, and his interests.


MODERN | BRITISH

LIST 562 – SEPTEMBER 2025 (Part II)

25th -28th September @ British Art Fair, Saatchi Gallery
2nd – 18th October @ 30 Museum Street, WC1A 1LH

Ayrton, Bawden, Clough, Collins, Colquhoun, Craxton, Cuming, Ferguson, Hennell, Hitchens, Jones, Lamb, Lunn, MacKenzie, Mahoney, Minton, Moore, Nash, Nicholson, Orpen, Piper, Reynolds, Rowntree, Sorrell, Soukop, Spare, Spencer, Sutherland, Swanwick, Underwood, Vaughan, Wallis … and more!

VIEW NOW

GERALD MARKS

Abstract Paintings 1960-62

PRIVATE VIEW
6-8pm Thursday 18th September
Continuing until Saturday 4th October

VIEW NOW

Coming Soon …

Wednesday 15th October @ 5.30pm

PAUL DRURY

Thirty Etchings 1923-59

Tuesday 21st October @ 5.30pm

PAST MATTERS

The Society of Antiquaries

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Tuesday 7th October @ 5.30pm

LIST 564 (Part I)

New Stock for November 2025

PAST MATTERS

The Society of Antiquaries, London

We are thrilled to annouce that this Autumn we will be collaborating with the Society of Antiquaries. Having successfully secured a 999 lease on their premises at Burlington House, the Society is now raising funds to help plan the development of their building so that it can adequately serve them and the public in future.

We will be selling a selection of their historical prints at the gallery and hosting an EXCLUSIVE evening at the Antiquaries to view some of their remarkable and rarely seen treasures!

Read More

HOW ‘THE LIST’ WORKS

Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month. They are usually published in two halves, in the first and third weeks of the month.

Most works can be bought online via our ecomm platform, but using this is not mandatory! If you would like to enquire about a work, please email or send a message using the ‘Enquire’ button that appears when you click on an item. We try and treat enquiries about List pictures in strict order of receipt. Given the numerous methods of communications people tend to use nowadays, there will inevitably be times when technological overlaps muddy the system. But we try to be fair!

Please do call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time for you to make a vist.

Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Condition: Please contact us if you would like to know the condition of a work.

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