7. Aylmer, Thomas Brabazon (1806 – 1858)Italy; ‘Florence’ from the Arno.Pencil, watercolour and white heightening. Signed and titled. For Byron’s ‘Childe Harolde’s Pilgrimage’, Finden’s Edition, 1833 (Plate 42). Exhibited: Agnews (DB3173).4×6.25 inches.Framed: 11.5×13 inches.●
9. Battershill, Norman (1922 – 2010)Kent; ‘Sailing off Shoreham’.Oil on board. Signed and dated, 1969. Titled to artist’s label verso.5×7.5 inches.Framed: 8.5×10.5 inches.●
10. Benois, Nadia (1896 – 1974)Italy; ‘Near Montisi, Tuscany’.Pen, ink and watercolour. Signed inscribed and dated, 1947.10.25×14.5 inches.●
13. Callow R.W.S., William (1812 – 1908)Italy; ‘Vallee de Gragnano’ near Castellammare.Pencil, made on Callow’s 1840 walking tour of Italy. Monogrammed and indistinctly dated, ’12 Oct 1840′.9.5×13.75 inches.●
15. Crane, Lancelot (1880 – 1918)Egypt; Temple of Ramesses III at Medinet Habu, Luxor.Watercolour. Signed with monogram. Circa 1910-11. Some spotting, but a beautiful record.7.25×7.75 inches.Framed: 12.25×13 inches.●
16. Crotch, Dr William (1775 – 1847)Berkshire; ‘Hearne’s Oak, Windsor Park’ (sic).Pencil and watercolour. Inscribed verso and dated, ‘July 10 1832 / 1/2 past 7’. Further inscribed with the lines from Shakespeare’s ‘Merry Wives of Windsor’.5.25×8.5 inches.●
17. Dachinger, Hugo (1908 – 1995)‘Devotion’.Ink and watercolour. Signed and dated, 1941. Dachinger was interned as an ‘enemy alien’ from June to October 1940 at Huyton near Liverpool and from October 1940 to January 1941 at the Mooragh Camp at Ramsey on the Isle of Man. In November 1940 he held an exhibition of his internment drawings ‘Art Behind Barbed Wire’ in the camp. He was released in January 1941 and held a second exhibition of his internment drawings entitled ‘Art Behind Wire’ at the Redfern Gallery in April 1941.8×9.5 inches.●
20. Derso, Alois (1888 – 1964)GROUP: Fifteen caricatures of 1920s League of Nations Representatives, Politicians and Diplomats.Including … Paul Boncour, von Rheinbaben, von Hoesch, Sahm, Paderewski, Cecil, Stresemann, Briand, Chamberlain, Scialoja and Palacios. Pencil, pen and ink by the Hungarian caricaturist who worked at the League of Nations for fifteen years. Signed. Along with an original portfolio Labelled ‘S. D. N. 1926’ and signed ‘A Derso’. Also with a framed print after one of Derso’s League of Nations illustrations. Provenance (the fifteen drawings and portfolio only): Sothebys, 15th July, 1998, lot 221.10×8 inches.●
21. Dod-Withers, Isabelle Ann (1876 – 1939)Berkshire; ‘Windsor Castle, Morning’.Pastels. c.1920. Signed. Exhibited: The Pastel Society.8.5×10.5 inches.Framed: 16.5×18 inches.●
24. Gág, Wanda (1893 – 1946)‘Moonlight’; an American Landscape.Lithograph. Edition of 60. Inscribed and dated, 1926.14×17 inches.Framed: 22×24.5 inches.●
29. Hopkins R.W.S., Arthur (1847 – 1930)‘Study for open air effect of white drapery’.Watercolour. Inscribed and dated, ’15 Aug 78′. Provenance: from a sketchbook dated, 1878.3×1.75 inches.●
32. Leonard, Michael (born 1933)David Newman (1936-2012), dealer in Japanese Art, as a Godfrey Kneller.Pencil. Signed and dated, 1986. Exhibited: ‘Drawn to the Past’, Thomas Gibson Fine Art, 1991.15.5×12 inches.Framed: 22×18 inches.●
34. Nisbet R.I., Noel Laura (1887 – 1956)PAIR: A self-portrait and portrait of the artist’s husband Harry Bush (1883-1957)The first inscribed ‘Self’ and dated ‘June / 29’. The second inscribed ‘Harry’, Both bearing the Noel Nisbet studio stamp (1984).8.75×6.75 inches.●
35. Manners, Duchess of Rutland, Violet (1856 – 1937)Self study at the easel.Pencil. c.1895. Provenance: a group of studies by James Jebusa Shannon and Violet Grandby by descent in the Shannon family.10.5×4.5 inches.●
36. Nixon, John (1755 – 1818)London; ‘At Robins’s Auction Rooms / Covent Garden’.Pen, brush and monochrome wash. Signed and inscribed. The rooms would have been those belonging to Henry Robins, father of George Henry Robins, the famous auctioneer who sold the contents of Strawberry HIll.5×4.25 inches.●
39. Rowlandson, Thomas (1756 – 1827)‘Richmond in Yorkshire’; Market Day.Pencil, pen, ink and watercolour. Signed and dated, 1818. Another version of this composition is in the National Gallery of Art Washington DC.8.25×14 inches.Framed: 17.75×23.25 inches.●
40. Sandby R.A. (Attributed to), Paul (1725 – 1809)Sublime Landscape.Chalks, watercolour and white heightening. Exhibited: Colnaghi (as Sandby); Palser Gallery (as Sandby).11.5×15.5 inches.Framed: 19.5×23 inches.●
44. Tobin, Rear-Admiral George (1768 – 1838)St Helena; a view of James Town made aboard the East India Company ship ‘Sulivan’.Watercolour. Inscribed verso: ‘James Town, Island of St Helena – G Tobin – 1790 – Sulivan’. Related to the view Tobin published in his ‘Views in St Helena’ (1815). Provenance: Bill Thomson, Albany Gallery.8×10.75 inches.
£875
45. Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)The New Tie (B201).Etching. Second (final) state. Signed. 1922. Signed, titled and dated in the plate. Ex. Collection: Henri Marie Petiet (1894-1980) (his stamp verso).10.5×6.75 inches.●
46. Turnbull, Peter (born 1950)‘Dressing’.Tempera on board. Triptych. 1978. Exhibited: The Piccadilly Gallery.6×9.5 inches.Framed: 12.5×16 inches.
£975
47. Washington A.R.E., William (1885 – 1956)PAIR: A study for ‘Winter Fuel’, with a proof of the print.The first pencil. The second engraving. Both 1944. The print issued as a presentation plate for the Print Collectors’ Club, 1945.9.5×12.25 inches.●
49. Webb, Joseph (1908 – 1962)London; ‘Harrow’.Etching. Signed and inscribed and editioned ‘1st State’.8.75×11.5 inches.●
50. Young (Nineteenth Century), C BA continental valley.Watercolour. Signed and dated, 1836. Provenance: The Newall Collection, Christies 13th and 14th December 1979, lot 249 (album).4.5×6.5 inches.●
LIST 527 – JUNE 2022
(PART I)
Will be published here at 5pm on Tuesday 7th June
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
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