LIST 514

MAY 2021

PART I

Issued Wednesday 5th May to celebrate
LONDON ORIGINAL PRINT WEEK

Leighton, Clare (1898 – 1989) Illustration for ‘The Return of the Native’, Thomas Hardy. Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc. 1×3 inches. Framed: 8.75×10 inches.
Sold
Leighton, Clare (1898 – 1989) Illustration for ‘The Return of the Native’, Thomas Hardy. Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc. 1×2.5 inches. Framed: 8.5×9.5 inches.
Sold
Leighton, Clare (1898 – 1989) Illustration for ‘The Return of the Native’, Thomas Hardy. Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc. 1×3 inches. Framed: 8.75×10 inches.
Sold
Austin R.A. R.E., Robert Sargent (1895 – 1973) ‘Summer Night’. Post CD-109 iii/iii. Engraving. 1935. Signed. Provenance: Norman Tennant. 6.5×4 inches.
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Ardizzone R.A., Edward (1900 – 1979) WWII Tilbury underground bomb shelter at Stepney. Lithograph printed by the Bayard Press and published by the National Gallery in 1941. 26"x35.5" inches. Framed: 44.5"x34.5" inches.
Sold
Anderson C.B.E. R.A. R.E., Stanley (1884 – 1966) ‘Hurdle-makers’. Engraving. Signed. Inscribed beneath the mount. Edition of 50. 7.5×6 inches.
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Bawden N.E.A.C. R.E., Richard (born 1936) Suffolk; ‘Crag Path, Aldeburgh’ Linocut. 2006. Signed, titled and numbered 27/85. 8.5×13.75 inches. Framed: 17×21 inches.
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Beer, Richard (1928 – 2017) All Souls, Oxford. Etching and aquatint printed in colours. Signed, titled and editioned, 79/100. 23.5×18 inches.
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Badmin R.W.S. R.E., Stanley Roy (1906 – 1989) ‘Richmond (from above the town), Yorks’. Etching printed on green/grey handmade paper. Inscribed ‘from above the town’ and dated, 1935 under the mount. Signed, inscribed and dated. 3×8 inches.
£1,500
Binder (Lady Elwyn-Jones), Pearl (1904 – 1990) ‘Miss Nellie Wallace’ (1870-1948). Lithograph. Signed, dated 1933, editioned 2/10 and dedicated ‘For dear Bill xxx’. Possibly to illustrate ‘Back-Stage, A Survey of the Contemporary English Theatre from Behind the Scenes’ by Philip Godfrey. Publ 1933. 11×8.75 inches.
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Binder (Lady Elwyn-Jones), Pearl (1904 – 1990) London; ‘Prompt Corner (Adelphi Theatre)’. Lithograph. Signed, dated 1933, editioned 1/10 and dedicated ‘For Bill xxx Polly’. Possibly to illustrate ‘Back-Stage, A Survey of the Contemporary English Theatre from Behind the Scenes’ by Philip Godfrey. Publ 1933. 11×7.25 inches.
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Binder (Lady Elwyn-Jones), Pearl (1904 – 1990) ‘Balieff’; Nikita F. Balieff (1873-1936) Lithograph. Signed, dated 1933, editioned 9/10 and dedicated ‘For dear Bill / a moment of time gone’. Possibly to illustrate ‘Back-Stage, A Survey of the Contemporary English Theatre from Behind the Scenes’ by Philip Godfrey. Publ 1933. 10.75×7.5 inches.
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Bresslern-Roth, Norbertine (1891 – 1978) ‘St Hubert I’. Linocut printed in colours. 1925. Signed. 11×11 inches.
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Brangwyn R.A. R.W.S., Frank (1867 – 1956) London; Cannon street Station, Exterior (G.188). Etching. 1911. Signed. 28.5×27.5 inches. Framed: 36.5×36.25 inches.
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Brunsdon A.R.C.A., John (1933 – 2014) Yorkshire; ‘Gordale Scar’. Etching and aquatint. Signed, titled and editioned 49/150. 17.5×23 inches.
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Detmold, Edward Julius (1883 – 1957) ‘The Jewels of the Deep’. Etching printed in colours on japan paper. Signed and inscribed.
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Cameron R.S.A. R.E., Sir David Young (1865 – 1945) ‘Horse Guards, St James’s Park’ Etching. Signed and inscribed ‘Trial Proof – unfinished’. Inscribed verso. 4.5×4.75 inches.
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Besnard, Albert (1849 – 1934) ‘La Visiteuse’ (C.92/G.200/S&K.5). Lithograph. 1893. Signed in ink. Blind stamped ‘L’Estampe Originale (Lugt 819)
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Chapman, George (1908 – 1993) ‘Looking Up’ (or ‘Wet Roofs’). Etching and aquatint. Signed and editioned 3/100. Exhibited: Zwemmer Gallery. 18×23.5 inches.
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Burra, Edward (1905 – 1976) Cambridge Arms. Etching. Signed and numbered 36/75. Printed by the Print Workshop and published as part of a folio of three etchings by Alexander Postan in 1972. 11.5×10 inches. Framed: 25.5×20.75 inches.
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Clausen R.A. R.W.S., Sir George (1852 – 1944) ‘Early Morning in September ‘ (G.18). Etching. c.1917. Signed. 5×6.75 inches.
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Church, Katherine (1910 – 1999) ‘The Lake, Critchel’, Dorset. Etching and aquatint. Inscribed ‘Artist’s proof’ by the artist. Inscribed and dated, 1962, verso of frame. Provenance: Artist’s Estate. 5.5×7.5 inches.
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Craig C.H., Edward Gordon (1872 – 1966) The Stage from a darkened auditorium. Wood engraving. 1905. Signed and dated 1905 and (printing date) 1924, also ‘Only 50 copies printed by hand, Copy No.10’. 4×4.25 inches.
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Fitton R.E., Hedley (1857 – 1919) Italy; Sienna, Casino di Nobile. Etching. 1912/13. Signed. 17.5×11.5 inches.
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Copley P.R.B.A., John (1875 – 1950) Refugees No.1: (W114). Lithograph. 1915. Signed. Edition of 19. 19.75×11.5 inches.
£650
Copley P.R.B.A., John (1875 – 1950) Refugees No.2: Good and Chattels (W115). Lithograph. 1915. Signed. Edition of 20. 14×19.5 inches.
Sold
Clarke Hall, Edna (1879 – 1979) Wuthering Heights; Kathy and Heathcliffe at the fireside. Etching. Provenance: Denis Clarke Hall. 5.75×10 inches. Framed: 14.5×17.5 inches.
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Cohen, Alfred (1920 – 2001) Harlequin. Etching and aquatint with hand colouring. Artist’s proof. Signed, titled and editioned. 4.5×5 inches.
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Fairclough R.W.S. R.E., Wilfred (1907 – 1996) Royal Opera House; ‘Covent Garden, Grand Tier’. Etching. Signed and dated, 1957. Monogrammed in the plate. 7×8 inches.
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Grant, Alastair (1925 – 1997) Ophelia. Lithograph. 1964. From the Shakespeare portfolio. Signed, inscribed and numbered 1/50. 24.75×19.5 inches. Framed: 26.75×21.25 inches.
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Gibbings, Robert (1889 – 1958) London Bridges (EB 22, 23, 24, 25). The complete 1921 Set of four wood-engravings commissioned by Findlater, Mackie, Todd & Co. Each signed and titled in pencil. 5.5×7.75 inches.
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Farge, Henri (1884 – 1970) France; Paris, Rue de Rivoli Etching. Circa 1930. Signed and editioned 12 of 40 impressions. 7.5×7.25 inches.
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Grimm, Ludwig Emil (1790 – 1863) A Farmer from Egern (Rottach-Egern, on lake Tegernsee) with her two little girls. (Bauerin aus Egern am Tegernsee mit ihren zwei Kleinen Madchen); Stoll 109, first state of two. Etching. Signed and dated, 1813. Inscribed ‘2t Probe D’ (2nd Proof made?) in pencil. Ex. Collection: E. Stanley. 5×7.25 inches.
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Gross C.B.E. R.A., Anthony (1905 – 1984) Dwarf Oak (H5704). Etching. 1957. Signed, inscribed and numbered 12/50. 12.5×16 inches.
Hall Thorpe, John (1874 – 1947) ‘Marigolds’. Woodcut. Signed and titled. 9×11.5 inches.
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Hardie R.E., Martin (1875 – 1952) France; ‘A River of Normandy’ (L118). Etching. 1927. Signed. Edition of 50 (plate destroyed). Printed by David Strang. This print was made from a sketch taken at Mont Saint-Michel in June 1927. 4.5×9 inches.
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Holmes (Nee Fenning), Marjorie (1907 – 1992) Italy: Venice, San Giorgio from the Piazzetta. Etching. Signed. 5×6.5 inches.
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Holmes, Kenneth (1902 – 1994) Italy; Behind the Capitol, Rome. Etching. Signed. 11.5×7.5 inches.
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Hoyle, Walter (1922 – 2000) Cambridge; ‘Jesus College’. Linocut. Signed, titled and editioned 11/50. Inscribed ‘Artist’s Proof’. 29.5×19.5 inches.
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Hoyton, Edward Bouverie (1900 – 1988) ‘The Golden Hind’. Etching and aquatint. c.1974. Signed and inscribed. 11.5×17.25 inches.
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Hughes-Stanton, Blair (1902 – 1981) ‘The Cenotaph’. Wood-engraving. Signed, titled and dated,1926. Inscribed by the artist beneath the mount, ‘Hand Proof. HS’. 5.5×4 inches.
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John O.M. R.A., Augustus (1878 – 1961) ‘Rambling by the lake’ (CD.96). Etching. Circa 1909. Signed. Printed in 1919. Inscribed and editioned ?19/50 beneath the mount. 7×5 inches.
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Kaplan, Anatoli lvovich (1902 – 1980) The Family of Tevia Lithograph. Signed. Edition 114/125. For Tevia the Milkman (Vol 1). Published by the Grosevnor Galleries, 1961. Exh: Grosvenor Galleries. 16.5×13 inches. Framed: 27×21 inches.
£225
Keith, Elizabeth (1887 – 1956) ‘Peking’. Woodcut printed in colours. Signed. 15×11 inches.
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Komjati, Julius (1894 – 1958) The Sportsman. Etching. Signed and dated, 1931. Dedicated to ‘Mr Humphrey’ in Hungarian. 7.75×5.75 inches. Framed: 14.5×12 inches.
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Kunze, Alfred (1866 – 1943) ‘Wachtstube’ (Guard Room). Woodcut. Signed, inscribed and dated, 1912. 10×12.75 inches. Framed: 23×25 inches.
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La Dell A.R.A., Edwin (1940 – 1970) ‘Mason’s Farm’. Lithograph. Inscribed and signed. 14×27 inches. Framed: 21.5×33.5 inches.
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La Dell A.R.A., Edwin (1940 – 1970) Cambridge; ‘Queens’ College. Lithograph. Signed and inscribed. 8×14 inches.
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Lane Foster, Marcia (1897 – 1983) Workers. Wood-engraving. Singed and editioned 12/25. 7×6.5 inches.
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Lee R.A., Sydney (1866 – 1949) ‘The Mountain Fortress’; Sion, Switzerland, the Castles Tourbillon and Valère. Etching and aquatint. 1914. Signed. Inscribed ‘Edition Limited 100 proofs’. Lee exhibited an oil painting of the same composition titled ‘Tourbillon and Valère’ at the Royal Academy in 1910 (no. 109). 17×20.5 inches.
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Leighton, Clare (1898 – 1989) Illustration for ‘The Return of the Native’, Thomas Hardy. Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc. Framed: 10×10.25 inches.
Sold
Leighton, Clare (1898 – 1989) Illustration for ‘The Return of the Native’, Thomas Hardy. Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc. 1.75×3 inches. Framed: 9.25×10 inches.
Sold
Leighton, Clare (1898 – 1989) Illustration for ‘The Return of the Native’, Thomas Hardy. Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc. 2.75×2.25 inches. Framed: 10×9 inches.
Sold
Leighton, Clare (1898 – 1989) Illustration for ‘The Return of the Native’, Thomas Hardy. Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc. 1.25×3 inches. Framed: 8.75×9.75 inches.
Sold
Leighton, Clare (1898 – 1989) Illustration for ‘The Return of the Native’, Thomas Hardy. Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc. 1×3 inches. Framed: 8.75×10 inches.
Sold
Leighton, Clare (1898 – 1989) Illustration for ‘The Return of the Native’, Thomas Hardy. Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc. 2.5×2.5 inches. Framed: 10×9.5 inches.
Sold
Lewin R.W.S., Angie (born 1963) ‘Skye to Harris’. Wood-engraving printed in colours. Artist’s proof. Signed, titled and editioned ‘AP’. 2×3.25 inches.
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Lomenech Gill (Contemporary), Olivia Whale and Arctic Terns. Etching and drypoint with found chine collé and watercolour. Touched proof. Signed and editioned ‘A/P’. 2019. 21×30.5 inches. Framed: 23.5×33.5 inches.
£2,000
Malet, Guy Seymour (1900 – 1973) The Farm, possibly on Sark. Wood engraving. Circa 1935. Proof outside the edition of 30. Provenance: Malet Studio Sale, Christies, c.1980 7×10 inches.
£225
May R.E., Gwen (1903 – 1992) London; ‘Scene Dock. The Old Vic’. Etching. Signed and titled. 9.5×7.25 inches.
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Morgan, William Evan Charles (1903 – 1978) ‘Orvieto’ (G.26) Etching. Signed, inscribed, dated 1926 and editioned 28/50. 6.75×11.25 inches.
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Osbourne, James T A (1907 – 1979) Italy; Venice, ‘The Splendour of St Marks’. Linocut. Signed, titled and numbered 2/25. 34×21.5 inches. Framed: 39.75×27.25 inches.
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Pellew, Claughton (1890 – 1966) The Moonlit Pine. Wood engraving. Inscribed ’14/20′. Signed and dated, 1925′. 3.25×3 inches.
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Peter R.E., Robert Charles (1888 – 1980) Figure Group. Mezzotint. Signed and inscribed ‘1st State’. 14.25×17 inches.
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Piper C.H., John (1903 – 1992) Exton, Rutland; A monument by Grinling Gibbons. (L.126) Lithograph. Signed and numbered 32/70. 30×20.5 inches. Framed: 38×28 inches.
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Piper C.H., John (1903 – 1992) North Grimstone, Yorks. (L.138) Lithograph. Signed and numbered 66/70. 30×21 inches. Framed: 38×28 inches.
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Pollak, Max (1886 – 1970) ‘San Francisco, California Street’. Etching. 1930. Signed, title and editioned 55/150. 17.5×8 inches. Framed: 25.5×15.5 inches.
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Procktor R.A., Patrick (1936 – 2003) ‘Queen’s necklace, Bombay’; from the ‘India / Mother’ suite. Aquatint. 1970. Artist’s proof. Signed. 17×24.5 inches.
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Rothenstein R.A., Michael (1908 – 1993) White Horse. Screenprint. Signed and editioned, 147/150. 26×20 inches.
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Roussel, Theodore Casimir (1847 – 1926) Battersea from Chelsea (H21). Etching. 1888/89. Signed. Edition of approx 30 impressions. 2.5×3.5 inches.
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Richards, Ceri (1903 – 1971) ‘Origin of a Rose’. Screen Print. 1967. Signed and numbered 13/70. 22×26 inches.
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Rushbury R.A. R.E., Sir Henry (1889 – 1968) London; ‘Horse Guards, Whitehall’ (JR.85). Etching. 1947. Signed. 8.5×10.75 inches.
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Schwabe R.W.S. N.E.A.C., Randolph (1885 – 1948) London; 'No.14 Regent Street'. Etching. c.1918. Signed and titled. 13.5"x9" inches. Framed: 21.5"x16.5" inches.
£575
Scott, Gordon (1914 – 2016) The Omnibus. Lithograph. Proof. Provenance: artist’s estate. 7.25×5 inches.
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Shephard R.S.P.P., Rupert (1909 – 1992) ‘Policeman’. Linocut printed in colours. Signed and editioned 55/60 of the Set ‘London-The Passing Scene’, Patrick Seale Prints, 1975. 12×8.75 inches.
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Shephard R.S.P.P., Rupert (1909 – 1992) ‘The Bus’. Linocut printed in colours. Signed and editioned 53/60 of the Set ‘London-The Passing Scene’, Patrick Seale Prints, 1975. 16×11.75 inches.
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Shephard R.S.P.P., Rupert (1909 – 1992) ‘The Serpentine’. Linocut printed in colours. Signed and editioned 50/60 of the Set ‘London-The Passing Scene’, Patrick Seale Prints, 1975. 12.5×10 inches.
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Slade (1908-1941), Anthony ‘Landscape towards Surrey’. Etching. Signed. Signed and dated, 1931 in the plate. Titled underneath the mount and possibly editioned ‘5/5’. 3.5×4.75 inches.
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Smart, Douglas Ion (1879 – 1970) London; Low-tide, Thames. Etching. Signed. 5×7 inches.
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Smith, Percy Delf (1882 – 1948) ‘Thiepval Chateau’. Drypoint. Signed, inscribed and dated, January 1917. 6.25×7.25 inches.
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Squirrell R.E. R.W.S., Leonard Russell (1893 – 1979) Scotland; Edinburgh from Calton Hill. Etching and aquatint. Signed. 9×14 inches.
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Taylor, Charles William (1878 – 1960) Country Lane Woodcut. Signed and editioned 6/50. 5×6.75 inches.
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Thornton, Valerie (1931 – 1991) France; ‘Cloister’ at Arles. Etching and aquatint. 1980. Signed, titled, dated and editioned 68/75. 25.75×16.25 inches.
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Tunnicliffe R.A. R.E., Charles Frederick (1901 – 1978) ‘The Black Bull’. Etching. 1929. Edition of 75. Signed. 8×9.5 inches.
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Walcot R.E., William (1874 – 1943) Italy; Rome, ‘A Performance in the Colosseum’. Etching. 1918. Signed. 20.5×24.25 inches.
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Washington A.R.E., William (1885 – 1956) ‘Clocks to Mend’, a protrait of the artist’s father. Engraving. Signed. Edition of around 85. 10.5×8.75 inches.
£975
Wedgwood R.E., Geoffrey (1900 – 1977) ‘Piazza Campo di Fiore, Rome’. Engraving. Signed, inscribed and dated, 1926. 6×6.25 inches.
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Wheatley A.R.A., John (1892 – 1955) ‘Mother and Child’; Grace Wheatley the artist’s wife and their daughter, Elizabeth. (HW.11) Etching. 1915. Signed. 1 of 30 impressions in the 2nd state. See his chalk study for the subject in the Tate. 8×6 inches. Framed: 13×10.75 inches.
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White N.E.A.C. R.W.S. L.G. S.W.E., Ethelbert (1891 – 1972) London; ‘The Vale Pond, Hampstead’. Wood engraving. 1923. Signed, inscribed and editioned 6/50. 5.5×7 inches.
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Wyllie R.A. R.E., William Lionel (1851 – 1931) London; Shipping on the Thames with the Monument, St Paul’s and Cannon Street. Etching. Signed and inscribed ‘Trial Proof’. 4.5×13 inches.
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FRANCIS WISHART
– Monotypes –

We had intended to hold an exhibition of Francis Wishart’s monotypes in April 2020. For obvious reasons, this could not happen. We hope to hang an Exhibition later this year, or early next. But, in the meantime, this group of nine prints is intended as as introduction to his work.

CLICK HERE TO VIEW

LIST 514
PART II

Issued Wednesday 19th May

ANON (Eighteenth-Century) ‘Head of Horace’. Watercolour and gouache on vellum. Signed ‘The Hon. Mrs [Musgrave?]’, dated 1796 and titled verso. Possibly by Elizabeth-Anne Musgrave (nee Archer) (1763-1847). Original frame. 4.25×3.5 inches. Framed: 8.25×7.5 inches.
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Aldridge R.A., John (1905 – 1983) Bedroom interior; the artist’s wife, Lucie Aldridge. Oil on board. c.1940? Provenance: The artist’s estate via his executor Ian Tregarthen Jenkin. 8.25×11 inches. Framed: 12×15 inches.
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ANON (Eighteenth-Century) Head of ‘Virgil’. Watercolour and gouache on vellum. Signed ‘The Hon. Mrs [Musgrave?]’, dated 1796 and titled verso. Possibly by Elizabeth-Anne Musgrave (nee Archer) (1763-1847). Original frame. 4.25×3.5 inches. Framed: 8.25×7.5 inches.
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Alexander R.S.A., Robert (1840 – 1923) ‘The Stud Groom’s Chair at Middleham’. Oil on canvas laid on board. Titled, and possibly dated 1892 verso. Inscribed ‘Given to L. Crawshaw by Robt Alexander RSA May 1919’. 9.5×6 inches. Framed: 12.5×9.5 inches.
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Beer, Richard (1928 – 2017) France; Paris, ‘Isle St Louis’ (sic) and Notre Dame from Port de Montebello. Oil on canvas. Signed. Signed and titled to a label verso. 29×41 inches. Framed: 36×48 inches.
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Booth, Raymond (1929 – 2015) ‘Bluebells and Bracken Fronds’. Oil on board. Signed and dated, 2003. Exhibited: The Fine Art Society. 16.5×6.5 inches. Framed: 20.5×10.5 inches.
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ANON (Eighteenth-Century) Landscape, possibly a view of Matlock Tor, Derbyshire. Watercolour. The support sheet printed with aquatint wash lines. c.1790. 7.5×10 inches. Framed: 15.5×18.25 inches.
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ANON (Nineteenth-Century) Italy; Rome, The Forum. Watercolour. 4×6 inches.
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Austin R.A. R.E., Robert Sargent (1895 – 1973) Norfolk; Burnham Overy Staithe. Watercolour. Signed. 9×10 inches.
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Bransom (Late Eighteenth-Century), John A Man-o-War. Watercolour. Signed and dated, 1791. Exhibited: Leger Galleries, 1968. 5.5×8.5 inches.
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Bransom (Late Eighteenth-Century), John Two Small Sailing Craft. Watercolour. Signed and dated, 1791. Exhibited: Leger Galleries, 1967. 5.5×8.5 inches.
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Clarke R.I. (Late Nineteenth-Century), J Italy; ‘Piazza della Cisterna, San Gimignano’. Charcoal, watercolour and gouache. Signed and titled verso. 9.75×14.5 inches.
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Cattermole, George (1800 – 1868) Courtiers; two generations. Watercolour and gouache. Monogrammed. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249 9.5×7 inches.
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Cohen, Alfred (1920 – 2001) France; ‘The Seine at Laudebec’. Oil on board. Signed. Titled verso. 11×13 inches. Framed: 18×20 inches.
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Carr, Matthew (1953 – 2011) Ed Victor CBE (1939-2017). Conte pencil on a charcoal ground. Exhibited: Marlborough Fine Art, 2008 35.5×24 inches. Framed: 42.5×31 inches.
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Crane, Walter (1845 – 1915) Sicily; Syracuse, Spring Blossom. Watercolour and gouache. Monogrammed, titled and dated? recto.Provenance: Bought in 1904 from an exhibition held in the artist’s house, according to a label verso. Exhibited: The Fine Art Society, ‘Morris and Company’, 1979, no.195. 10.5×7.75 inches. Framed: 18×15.5 inches.
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Cristall OWS, Joshua (1767 – 1847) ‘Hastings’; a boy holding his bindle. Pencil. Signed, inscribed and dated 1807. Exhibited: Martyn Gregory. 8.5×4.5 inches. Framed: 13.25×9.25 inches.
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Daintry, Adrian (1902 – 1988) Desk Still Life. Pen, ink and watercolour. Signed and dated, 1958. 8×5 inches. Framed: 16×12.5 inches.
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De Wint O.W.S., Peter (1784 – 1849) Lincoln Cathedral from Brayford Head. Watercolour. After 1808, when the west-end towers of the Cathedral were removed. Provenance: Agnews (DB5500). 12×15.5 inches. Framed: 21×23.75 inches.
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Dunstan R.A., Bernard (1920 – 2017) Nude, jug and window. Chalks. 3.5×5.5 inches. Framed: 9.5×10.5 inches.
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Farington R.A., Joseph (1747 – 1821) Lake District; a view ‘Near Langdale, Cumberland’, with Lingmoor Fell and Langdale Fell. Pen, ink and monochrome wash. Inscribed verso. Provenance: Iolo Williams. Exhibited: Michael Spratt. 9×12 inches. Framed: 17×20.5 inches.
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Forbes F.S.A., James (1749 – 1819) Italy; ‘Ruins of the Baths of Caracalla at Rome’. Watercolour. Signed with initials and dated 1796 on the original wash-line mount. 8.25×10.5 inches.
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Gross C.B.E. R.A., Anthony (1905 – 1984) ‘Sea Shore’. Pen, ink watercolour and gouache. Signed and titled. 11×16.5 inches. Framed: 18×23 inches.
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Guthrie, John ‘The Pilgrim’. Oil on card. 1922. Signed. Signed, titled and dated verso. 13.5×10.75 inches. Framed: 16×13 inches.
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Hall, Patrick (1906 – 1992) ‘Poppy’ still life. Watercolour. Signed. Signed and titled verso. 20×15.25 inches. Framed: 28×23.5 inches.
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Hardman and Co. (1838 – 2008) ‘Dachau Crematorium 8 Concr/Camp’. Graphite, brush and ink stained glass design for the Western Synagogue (now the Western Marble Arch Synagogue, London). 34×16 inches.
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Hare, Augustus (1834 – 1903) Italy; Bologna, San Stefano. Watercolour. ‘3rd June 1870’ transcribed in a modern hand to the previous frame. 7×10 inches.
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Hodson, Laurence (1864 – 1933) Wales; ‘Mountains above the Junction’, the Mawddach near Barmouth. Chalks. Signed, titled and dated, ‘11.06.09’. 7.5×9.5 inches.
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Hunt V.P.R.W.S. R.B.A., Cecil Arthur (1873 – 1965) ‘Macleods Tables’; Isle of Skye. Watercolour. Signed. Exhibited: The Fine Art Society, July 1981. 10.5×13 inches. Framed: 18.5×21.5 inches.
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Jonzen R.B.A. A.R.B.S., Karen (1914 – 1998) Reclining Nude. Terracotta. Signed. Provenance: John Abbott. 15x19xD8 inches.
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Keene, Charles (1823 – 1891) Self Portrait. Pen and ink. Exhibited: ‘Exhibition of pen and ink drawings by Charles Keene’, A and H, Jan 1989: Collection of George Somes Layard’. 5×3 inches. Framed: 13×10 inches.
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Lancaster O.B.E., Sir Osbert (1908 – 1986) Greece; Seriphos. Pen, ink and watercolour. Exhibited: Arthur Jeffress (Cat no.32). 10×14.5 inches. Framed: 16×21 inches.
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Leitch, William Leighton (1804 – 1883) Scotland; Edinburgh Castle. Watercolour. Provenance: a large group of drawings by Leitch bought at Christies 13.09.89. 2×3 inches.
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Magnin and Co. (1930s) Fashion Design. Pencil and watercolour. c.1935. For the San Francisco Department Store, I Magnin & Co. 13.5×10 inches.
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Marlow, William (1740 – 1813) Italy; A Carriage being loaded onto a Barge. Pencil. 1765/66. Provenance: A group of 42 Marlow studies of Rome with Mrs Elizabeth Finch to 1910; Bought by A and H from Sotheby’s, 17.11.1988. 6.5×9.25 inches. Framed: 14×16.5 inches.
Sold
Medlycott, Hubert James (1841 – 1920) ‘Battersea’ Bridge. Watercolour. Signed (twice) and titled. 4×8 inches.
Sold
Meninsky L.G. N.E.A.C., Bernard (1891 – 1950) Mother and Child. Pen, brush and ink. Signed. 9.25×6.5 inches.
Sold
Miller R.S.A., James (1893 – 1987) Italy; Venice, I Gesuiti. Pencil, ink and watercolour. Signed. 21×15 inches. Framed: 26.5×21 inches.
Sold
Mitchell, Peter Todd (born 1929) Still life with basket and eggs. Pen, ink and gouache. Signed. 18.5×24.25 inches.
Sold
Newcomb, Tessa (born 1955) ‘Storm Damage’. Oil on board. Signed and dated, ’88. Title verso. 3.75×8.25 inches. Framed: 4.5×9.25 inches.
Sold
Peat (fl.1791-1831), Thomas Portrait of a boy in red. Oil on copper. c.1791. Signed verso, ‘Painted by / Thos Peat of 209 Holborn’ and further inscribed in a different hand ‘Major … / 10th Hussars’. Peat’s address changed to 184 Oxford St in the 1792 Royal Academy Exhibition Catalogue. 11×9 inches. Framed: 13.5×11.5 inches.
Sold
Pitchforth R.A. R.W.S., Roland Vivian (1895 – 1982) Weather passing. Watercolour. Signed. 17.25×23.75 inches.
£225
Richardson Jnr, Thomas Miles (1813 – 1890) Scotland; Loch Aa’an. Pen, ink and grey wash. Provenance: an album of Richardson studies collected by the 3rd Earl of Eldon. 5×8 inches. Framed: 13×15 inches.
Sold
Sayer, Derrick (1917 – 1992) Family cat. Chalk, watercolour and gouache illustration to ‘Beverley Nichol’s Cats A.B.C.’ , Beverley Nichols, publ.1960. Signed. Irregular paper backed on card. Ex. Coll: Peter Ward-Jackson (1916-2015) 7×9.5 inches.
Sold
Scott, Gordon (1914 – 2016) Portrait of an Indian Man. Oil on canvas. c.1950. Provenance: Artist’s Estate. 24×19.5 inches. Framed: 28×24 inches.
Sold
Shepard M.C., Ernest Howard (1879 – 1976) Drummer Boy. Pencil. Provenance: Estate of the artist’s daughter, Mary Knox. 5.5×3.25 inches. Framed: 13×10 inches.
Sold
Sutton R.A., Philip (born 1928) ‘Still Life’. Oil on canvas. Signed. Signed, titled and dated, 1959 verso. 48×36 inches.
Sold
Varley O.W.S., John (1778 – 1842) Northumberland; Lindisfarne. Chalk and watercolour. Signed. Verso: study of reeds. Provenance: from an album formerly belonging to the the great-great-grand-daughter of John Linnell. Exhibited: Michael Spratt. 4×5.5 inches. Framed: 10.5×13.5 inches.
Sold
Ward C.B.E., John (1917 – 2007) ‘The Bird Shop, Bangalore’. Pen, ink and watercolour. Signed, titled and dated, ’21 Feb 1981′. 9×12 inches.
Wells, Denys George (1881 – 1973) France; ‘Church Cottilon’, the immediate aftermath of WWI. Watercolour. Signed. Inscribed and dated, ‘17.11.1918’ verso. Wells served with the Artist’s Rifles in France during WWI. 9.5×6 inches.
Sold
Williams, Penry (1798 – 1885) ‘A Peasant from the Abruzzi’. Pencil. Exhibited: Agnews. 6.5×4 inches. Framed: 13×9.5 inches.
£650

PETER STILWELL

SPRINGTIME
HEREFORDSHIRE
2020

– In Memory of Alister –

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LIST 514

MAY 2021

PART I

LIST 514PART II

LIST 514
PART II