2. Ardizzone R.A., Edward (1900 – 1979)WWII Tilbury underground bomb shelter at Stepney.Lithograph printed by the Bayard Press and published by the National Gallery in 1941.26"x35.5" inches.Framed: 44.5"x34.5" inches.●
5. Beer, Richard (1928 – 2017)All Souls, Oxford.Etching and aquatint printed in colours. Signed, titled and editioned, 79/100.23.5×18 inches.●
6. Badmin R.W.S. R.E., Stanley Roy (1906 – 1989)‘Richmond (from above the town), Yorks’.Etching printed on green/grey handmade paper. Inscribed ‘from above the town’ and dated, 1935 under the mount. Signed, inscribed and dated.3×8 inches.
£1,500
7. Binder (Lady Elwyn-Jones), Pearl (1904 – 1990)‘Miss Nellie Wallace’ (1870-1948).Lithograph. Signed, dated 1933, editioned 2/10 and dedicated ‘For dear Bill xxx’. Possibly to illustrate ‘Back-Stage, A Survey of the Contemporary English Theatre from Behind the Scenes’ by Philip Godfrey. Publ 1933.11×8.75 inches.●
8. Binder (Lady Elwyn-Jones), Pearl (1904 – 1990)London; ‘Prompt Corner (Adelphi Theatre)’.Lithograph. Signed, dated 1933, editioned 1/10 and dedicated ‘For Bill xxx Polly’. Possibly to illustrate ‘Back-Stage, A Survey of the Contemporary English Theatre from Behind the Scenes’ by Philip Godfrey. Publ 1933.11×7.25 inches.●
9. Binder (Lady Elwyn-Jones), Pearl (1904 – 1990)‘Balieff’; Nikita F. Balieff (1873-1936)Lithograph. Signed, dated 1933, editioned 9/10 and dedicated ‘For dear Bill / a moment of time gone’. Possibly to illustrate ‘Back-Stage, A Survey of the Contemporary English Theatre from Behind the Scenes’ by Philip Godfrey. Publ 1933.10.75×7.5 inches.●
15. Besnard, Albert (1849 – 1934)‘La Visiteuse’ (C.92/G.200/S&K.5).Lithograph. 1893. Signed in ink. Blind stamped ‘L’Estampe Originale (Lugt 819)●
16. Chapman, George (1908 – 1993)‘Looking Up’ (or ‘Wet Roofs’).Etching and aquatint. Signed and editioned 3/100. Exhibited: Zwemmer Gallery .18×23.5 inches.
£1,800
17. Burra, Edward (1905 – 1976)Cambridge Arms.Etching. Signed and numbered 36/75. Printed by the Print Workshop and published as part of a folio of three etchings by Alexander Postan in 1972.11.5×10 inches.Framed: 25.5×20.75 inches.●
19. Church, Katherine (1910 – 1999)‘The Lake, Critchel’, Dorset.Etching and aquatint. Inscribed ‘Artist’s proof’ by the artist. Inscribed and dated, 1962, verso of frame. Provenance: Artist’s Estate.5.5×7.5 inches.●
20. Craig C.H., Edward Gordon (1872 – 1966)The Stage from a darkened auditorium.Wood engraving. 1905. Signed and dated 1905 and (printing date) 1924, also ‘Only 50 copies printed by hand, Copy No.10’.4×4.25 inches.●
27. Grant, Alastair (1925 – 1997)Ophelia.Lithograph. 1964. From the Shakespeare portfolio. Signed, inscribed and numbered 1/50.24.75×19.5 inches.Framed: 26.75×21.25 inches.●
28. Gibbings, Robert (1889 – 1958)London Bridges (EB 22, 23, 24, 25).The complete 1921 Set of four wood-engravings commissioned by Findlater, Mackie, Todd & Co. Each signed and titled in pencil.5.5×7.75 inches.●
29. Farge, Henri (1884 – 1970)France; Paris, Rue de RivoliEtching. Circa 1930. Signed and editioned 12 of 40 impressions.7.5×7.25 inches.●
30. Grimm, Ludwig Emil (1790 – 1863)A Farmer from Egern (Rottach-Egern, on lake Tegernsee) with her two little girls.(Bauerin aus Egern am Tegernsee mit ihren zwei Kleinen Madchen); Stoll 109, first state of two. Etching. Signed and dated, 1813. Inscribed ‘2t Probe D’ (2nd Proof made?) in pencil. Ex. Collection: E. Stanley.5×7.25 inches.●
33. Hardie R.E., Martin (1875 – 1952)France; ‘A River of Normandy’ (L118).Etching. 1927. Signed. Edition of 50 (plate destroyed). Printed by David Strang. This print was made from a sketch taken at Mont Saint-Michel in June 1927.4.5×9 inches.●
38. Hughes-Stanton, Blair (1902 – 1981)‘The Cenotaph’.Wood-engraving. Signed, titled and dated,1926. Inscribed by the artist beneath the mount, ‘Hand Proof. HS’.5.5×4 inches.●
39. John O.M. R.A., Augustus (1878 – 1961)‘Rambling by the lake’ (CD.96).Etching. Circa 1909. Signed. Printed in 1919. Inscribed and editioned ?19/50 beneath the mount.7×5 inches.●
40. Kaplan, Anatoli lvovich (1902 – 1980)The Family of TeviaLithograph. Signed. Edition 114/125. For Tevia the Milkman (Vol 1). Published by the Grosevnor Galleries, 1961. Exh: Grosvenor Galleries.16.5×13 inches.Framed: 27×21 inches.
42. Komjati, Julius (1894 – 1958)The Sportsman.Etching. Signed and dated, 1931. Dedicated to ‘Mr Humphrey’ in Hungarian.7.75×5.75 inches.Framed: 14.5×12 inches.●
43. Kunze, Alfred (1866 – 1943)‘Wachtstube’ (Guard Room).Woodcut. Signed, inscribed and dated, 1912.10×12.75 inches.Framed: 23×25 inches.●
47. Lee R.A., Sydney (1866 – 1949)‘The Mountain Fortress’; Sion, Switzerland, the Castles Tourbillon and Valère.Etching and aquatint. 1914. Signed. Inscribed ‘Edition Limited 100 proofs’. Lee exhibited an oil painting of the same composition titled ‘Tourbillon and Valère’ at the Royal Academy in 1910 (no. 109).17×20.5 inches.●
48. Leighton, Clare (1898 – 1989)Illustration for ‘The Return of the Native’, Thomas Hardy.Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc.Framed: 10×10.25 inches.●
49. Leighton, Clare (1898 – 1989)Illustration for ‘The Return of the Native’, Thomas Hardy.Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc.1.75×3 inches.Framed: 9.25×10 inches.●
50. Leighton, Clare (1898 – 1989)Illustration for ‘The Return of the Native’, Thomas Hardy.Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc.2.75×2.25 inches.Framed: 10×9 inches.●
51. Leighton, Clare (1898 – 1989)Illustration for ‘The Return of the Native’, Thomas Hardy.Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc.1.25×3 inches.Framed: 8.75×9.75 inches.●
52. Leighton, Clare (1898 – 1989)Illustration for ‘The Return of the Native’, Thomas Hardy.Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc.1×3 inches.Framed: 8.75×10 inches.●
53. Leighton, Clare (1898 – 1989)Illustration for ‘The Return of the Native’, Thomas Hardy.Wood-engraving. Proof. 1928. One of 46 head and tail-pieces Leighton made for Macmillan’s 1929 edition. Provenance: Hilaire Belloc.2.5×2.5 inches.Framed: 10×9.5 inches.●
54. Lewin R.W.S., Angie (born 1963)‘Skye to Harris’.Wood-engraving printed in colours. Artist’s proof. Signed, titled and editioned ‘AP’.2×3.25 inches.●
55. Lomenech Gill (Contemporary), OliviaWhale and Arctic Terns.Etching and drypoint with found chine collé and watercolour. Touched proof. Signed and editioned ‘A/P’. 2019.21×30.5 inches.Framed: 23.5×33.5 inches.
£2,000
56. Malet, Guy Seymour (1900 – 1973)The Farm, possibly on Sark.Wood engraving. Circa 1935. Proof outside the edition of 30. Provenance: Malet Studio Sale, Christies, c.19807×10 inches.
59. Osbourne, James T A (1907 – 1979)Italy; Venice, ‘The Splendour of St Marks’.Linocut. Signed, titled and numbered 2/25.34×21.5 inches.Framed: 39.75×27.25 inches.●
62. Piper C.H., John (1903 – 1992)Exton, Rutland; A monument by Grinling Gibbons. (L.126)Lithograph. Signed and numbered 32/70.30×20.5 inches.Framed: 38×28 inches.●
63. Piper C.H., John (1903 – 1992)North Grimstone, Yorks. (L.138)Lithograph. Signed and numbered 66/70.30×21 inches.Framed: 38×28 inches.●
64. Pollak, Max (1886 – 1970)‘San Francisco, California Street’.Etching. 1930. Signed, title and editioned 55/150.17.5×8 inches.Framed: 25.5×15.5 inches.●
72. Shephard R.S.P.P., Rupert (1909 – 1992)‘Policeman’.Linocut printed in colours. Signed and editioned 55/60 of the Set ‘London-The Passing Scene’, Patrick Seale Prints, 1975.12×8.75 inches.●
73. Shephard R.S.P.P., Rupert (1909 – 1992)‘The Bus’.Linocut printed in colours. Signed and editioned 53/60 of the Set ‘London-The Passing Scene’, Patrick Seale Prints, 1975.16×11.75 inches.●
74. Shephard R.S.P.P., Rupert (1909 – 1992)‘The Serpentine’.Linocut printed in colours. Signed and editioned 50/60 of the Set ‘London-The Passing Scene’, Patrick Seale Prints, 1975.12.5×10 inches.●
75. Slade (1908-1941), Anthony‘Landscape towards Surrey’.Etching. Signed. Signed and dated, 1931 in the plate. Titled underneath the mount and possibly editioned ‘5/5’.3.5×4.75 inches.●
85. Wheatley A.R.A., John (1892 – 1955)‘Mother and Child’; Grace Wheatley the artist’s wife and their daughter, Elizabeth. (HW.11)Etching. 1915. Signed. 1 of 30 impressions in the 2nd state. See his chalk study for the subject in the Tate.8×6 inches.Framed: 13×10.75 inches.●
We had intended to hold an exhibition of Francis Wishart’s monotypes in April 2020. For obvious reasons, this could not happen. We hope to hang an Exhibition later this year, or early next. But, in the meantime, this group of nine prints is intended as as introduction to his work.
88. ANON (Eighteenth-Century)‘Head of Horace’.Watercolour and gouache on vellum. Signed ‘The Hon. Mrs [Musgrave?]’, dated 1796 and titled verso. Possibly by Elizabeth-Anne Musgrave (nee Archer) (1763-1847). Original frame.4.25×3.5 inches.Framed: 8.25×7.5 inches.●
89. Aldridge R.A., John (1905 – 1983)Bedroom interior; the artist’s wife, Lucie Aldridge.Oil on board. c.1940? Provenance: The artist’s estate via his executor Ian Tregarthen Jenkin.8.25×11 inches.Framed: 12×15 inches.●
90. ANON (Eighteenth-Century)Head of ‘Virgil’.Watercolour and gouache on vellum. Signed ‘The Hon. Mrs [Musgrave?]’, dated 1796 and titled verso. Possibly by Elizabeth-Anne Musgrave (nee Archer) (1763-1847). Original frame.4.25×3.5 inches.Framed: 8.25×7.5 inches.●
91. Alexander R.S.A., Robert (1840 – 1923)‘The Stud Groom’s Chair at Middleham’.Oil on canvas laid on board. Titled, and possibly dated 1892 verso. Inscribed ‘Given to L. Crawshaw by Robt Alexander RSA May 1919’.9.5×6 inches.Framed: 12.5×9.5 inches.●
92. Beer, Richard (1928 – 2017)France; Paris, ‘Isle St Louis’ (sic) and Notre Dame from Port de Montebello.Oil on canvas. Signed. Signed and titled to a label verso.29×41 inches.Framed: 36×48 inches.●
93. Booth, Raymond (1929 – 2015)'Bluebells and Bracken Fronds'.Oil on board. Signed and dated, 2003. Exhibited: The Fine Art Society.16.5"x6.5" inches.Framed: 20.5"x10.5" inches.
£5,750
94. ANON (Eighteenth-Century)Landscape, possibly a view of Matlock Tor, Derbyshire.Watercolour. The support sheet printed with aquatint wash lines. c.1790.7.5×10 inches.Framed: 15.5×18.25 inches.
100. Cattermole, George (1800 – 1868)Courtiers; two generations.Watercolour and gouache. Monogrammed. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 2499.5×7 inches.
£175
101. Cohen, Alfred (1920 – 2001)France; ‘The Seine at Laudebec’.Oil on board. Signed. Titled verso.11×13 inches.Framed: 18×20 inches.●
102. Carr, Matthew (1953 – 2011)Ed Victor CBE (1939-2017).Conte pencil on a charcoal ground. Exhibited: Marlborough Fine Art, 200835.5×24 inches.Framed: 42.5×31 inches.●
103. Crane, Walter (1845 – 1915)Sicily; Syracuse, Spring Blossom.Watercolour and gouache. Monogrammed, titled and dated? recto.Provenance: Bought in 1904 from an exhibition held in the artist’s house, according to a label verso. Exhibited: The Fine Art Society, ‘Morris and Company’, 1979, no.195.10.5×7.75 inches.Framed: 18×15.5 inches.●
104. Cristall OWS, Joshua (1767 – 1847)‘Hastings’; a boy holding his bindle.Pencil. Signed, inscribed and dated 1807. Exhibited: Martyn Gregory.8.5×4.5 inches.Framed: 13.25×9.25 inches.●
106. De Wint O.W.S., Peter (1784 – 1849)Lincoln Cathedral from Brayford Head.Watercolour. After 1808, when the west-end towers of the Cathedral were removed. Provenance: Agnews (DB5500).12×15.5 inches.Framed: 21×23.75 inches.●
108. Farington R.A., Joseph (1747 – 1821)Lake District; a view ‘Near Langdale, Cumberland’, with Lingmoor Fell and Langdale Fell.Pen, ink and monochrome wash. Inscribed verso. Provenance: Iolo Williams. Exhibited: Michael Spratt.9×12 inches.Framed: 17×20.5 inches.●
109. Forbes F.S.A., James (1749 – 1819)Italy; ‘Ruins of the Baths of Caracalla at Rome’.Watercolour. Signed with initials and dated 1796 on the original wash-line mount.8.25×10.5 inches.●
111. Guthrie, John‘The Pilgrim’.Oil on card. 1922. Signed. Signed, titled and dated verso.13.5×10.75 inches.Framed: 16×13 inches.●
112. Hall, Patrick (1906 – 1992)‘Poppy’ still life.Watercolour. Signed. Signed and titled verso.20×15.25 inches.Framed: 28×23.5 inches.●
113. Hardman and Co. (1838 – 2008)‘Dachau Crematorium 8 Concr/Camp’.Graphite, brush and ink stained glass design for the Western Synagogue (now the Western Marble Arch Synagogue, London).34×16 inches.●
114. Hare, Augustus (1834 – 1903)Italy; Bologna, San Stefano.Watercolour. ‘3rd June 1870’ transcribed in a modern hand to the previous frame.7×10 inches.●
115. Hodson, Laurence (1864 – 1933)Wales; ‘Mountains above the Junction’, the Mawddach near Barmouth.Chalks. Signed, titled and dated, ‘11.06.09’.7.5×9.5 inches.
118. Keene, Charles (1823 – 1891)Self Portrait.Pen and ink. Exhibited: ‘Exhibition of pen and ink drawings by Charles Keene’, A and H, Jan 1989: Collection of George Somes Layard’.5×3 inches.Framed: 13×10 inches.●
120. Leitch, William Leighton (1804 – 1883)Scotland; Edinburgh Castle.Watercolour. Provenance: a large group of drawings by Leitch bought at Christies 13.09.89.2×3 inches.●
121. Magnin and Co. (1930s)Fashion Design.Pencil and watercolour. c.1935. For the San Francisco Department Store, I Magnin & Co.13.5×10 inches.●
122. Marlow, William (1740 – 1813)Italy; A Carriage being loaded onto a Barge.Pencil. 1765/66. Provenance: A group of 42 Marlow studies of Rome with Mrs Elizabeth Finch to 1910; Bought by A and H from Sotheby’s, 17.11.1988.6.5×9.25 inches.Framed: 14×16.5 inches.●
127. Newcomb, Tessa (born 1955)‘Storm Damage’.Oil on board. Signed and dated, ’88. Title verso.3.75×8.25 inches.Framed: 4.5×9.25 inches.●
128. Peat (fl.1791-1831), ThomasPortrait of a boy in red.Oil on copper. c.1791. Signed verso, ‘Painted by / Thos Peat of 209 Holborn’ and further inscribed in a different hand ‘Major … / 10th Hussars’. Peat’s address changed to 184 Oxford St in the 1792 Royal Academy Exhibition Catalogue.11×9 inches.Framed: 13.5×11.5 inches.●
130. Richardson Jnr, Thomas Miles (1813 – 1890)Scotland; Loch Aa’an.Pen, ink and grey wash. Provenance: an album of Richardson studies collected by the 3rd Earl of Eldon.5×8 inches.Framed: 13×15 inches.●
131. Sayer, Derrick (1917 – 1992)Family cat.Chalk, watercolour and gouache illustration to ‘Beverley Nichol’s Cats A.B.C.’ , Beverley Nichols, publ.1960. Signed. Irregular paper backed on card. Ex. Coll: Peter Ward-Jackson (1916-2015)7×9.5 inches.●
132. Scott, Gordon (1914 – 2016)Portrait of an Indian Man.Oil on canvas. c.1950. Provenance: Artist’s Estate.24×19.5 inches.Framed: 28×24 inches.●
135. Varley O.W.S., John (1778 – 1842)Northumberland; Lindisfarne.Chalk and watercolour. Signed. Verso: study of reeds. Provenance: from an album formerly belonging to the the great-great-grand-daughter of John Linnell. Exhibited: Michael Spratt.4×5.5 inches.Framed: 10.5×13.5 inches.●
137. Wells, Denys George (1881 – 1973)France; ‘Church Cottilon’, the immediate aftermath of WWI.Watercolour. Signed. Inscribed and dated, ‘17.11.1918’ verso. Wells served with the Artist’s Rifles in France during WWI.9.5×6 inches.
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