Bradley (Nineteenth Century), J‘Revd W Fletcher / Stepney’. A son of the famous Stepney minister Joseph Fletcher (1784-1843)?Pencil and watercolour. Signed and inscribed.6×4.25 inches.Framed: 9×7.25 inches.Sold
Brammer R.E., Leonard Griffith (1906 – 1994)Staffordshire; Stoke-on-Trent, Etruria Hall, home of Josiah Wedgwood.Soft ground etching and mezzotint. c.1946-48. Signed. Edition of 25.8.25×10 inches.Sold
Corbould, Richard (1757 – 1831)Cupid receiving his bow and arrows.Pencil, pen and ink. Exhibited: Christopher Powney.3×8 inches.Sold
Cox O.W.S., David (1783 – 1859)Hereford; Butcher’s Row.Pencil and watercolour. 1814/1815. Two sheets of paper, joined by the artist with a further repair to the top right section. Provenance: Spink (K11125); Private Collection until 2011; Guy Peppiatt, 2012; Private Collection.
There is a smaller version of the same subject by Cox of a year later in the Hereford Museum.8.5×11.75 inches.Framed: 15.25×18.25 inches.Sold
Desmet R.A., Anne (born 1964)Italy; Rome, ‘Temple of Vesta’.Wood-engraving. 1993. Signed, titled and editioned 9/20.5×5 inches.Framed: 12.5×12.5 inches.Sold
Downman, John (1750 – 1824)Portrait of a Gentleman.Oil on copper. c.1785.6.75×5.5 inches.Framed: 9×8.25 inches.Sold
Dunford, W Cecil (1885 – 1969)France; ‘Ypres, 1919’.Ink and watercolour. Signed, inscribed and dated.9.5×12.75 inches.Sold
Eurich R.A., Richard (1903 – 1992)Harvest Festival.Oil on panel. Signed and dated, 1976. Signed, title and dated, verso. Exhibited: N.E.A.C.; The Fine Art Society.7.75×5.75 inches.Framed: 12×9.75 inches.Sold
Flower (of Leicester), John (1793 – 1861)London; ‘On the Thames, Westminster’.Signed and inscribed to the original backing. Exhibited: Appleby Bros.7.5×13.5 inches.Sold
Grant L.G., Duncan (1885 – 1978)Portrait of a man.Pencil. c.1921/22. Exhibited: Sandra Lummis (as a self-portrait, which it is not).6.75×8 inches.Framed: 12.25×11.25 inches.Sold
Halliwell, Albert Edward (1905 – 1987)Poster Design for the RCA Sketch Club Exhibition, 1929.Pencil and gouache. Signed and dated, 1929. Provenance: the Artist’s Estate.18×11.5 inches.Framed: 26.5×19 inches.Sold
Hey, Cicely (1896 – 1980)Seated Model; the Ballerina.Pen and ink. Signed and dated, 1923. Provenance: Tony Goble (1943-2007), who inherited the contents of the artist’s studio, and by descent.10×8.25 inches.Sold
Holiday, Henry (1839 – 1927)Lake District; ‘Easedale, Westmoreland’.Oil on canvas. Inscribed and dated, 1906, on the original frame.18.5×28.5 inches.Framed: 29×39 inches.Sold
Komjati, Julius (1894 – 1958)‘Hunting Bag’.Etching. Signed and dated, 1932. Titled and dedicated to ‘Mrs Salaman’ (Annie Salaman, wife of Malcolm Salaman).7.5×11 inches.Sold
Le Brun P.R.A., Christopher (born 1951)‘Study for Fafner’.Oil on canvas. 1993-94. Exhibited: Marlborough Fine Art.19.75×27.5 inches.Framed: 21×28.75 inches.Sold
Mayer, Luigi (1755 – 1803)Suffolk; ‘Casa di Contadini Vicino il Park di Woolverstone in Suffolk’.Pencil and watercolour. Signed. c.1799. The sheet folding out to show isometric and bird’s-eye plans. One of Mayer’s drawings made for the Berners family of Woolverstone Park. He had accompanied Charles Berners on a 1792 tour of Egypt, Palestine and Syria.7×10.5 inches.Sold
Piper, Edward (1938 – 1990)Italy; Venice, ‘From the Accademia Bridge’.Charcoal and watercolour. Signed and dated, ’30IX + 1X 89′.17.5×23.25 inches.Framed: 30.5×35.75 inches.Sold
Romney, George (1734 – 1802)Two Female Figures.Pencil. c.1760. Probably a preliminary idea for ‘Two sisters Contemplating on Mortality’, 1767 (Lost).6.25×4.5 inches.Sold
Roussel, Theodore Casimir (1847 – 1926)London; ‘Parson’s Green, Afternoon, End of Winter, The Duke’s Head’.Etching. 1906. Trimmed to the plate with tab prepared for signature.7.25×8.75 inches.Sold
Sandby R.A., Paul (1731 – 1809)Woodsmen removing a fallen tree from damming river.Pencil and monochrome wash. c.1800.5×7.25 inches.Sold
Shackleton, May (1874 – 1957)William Shackleton N.E.A.C. (1872-1933), the artist’s husband, cutting a sculpture at Malham, Yorkshire.Watercolour and gouache. Circa 1925. Provenance: Artist’s family by descent.19×13.75 inches.Sold
Varley O.W.S., John (1778 – 1842)Landscape with windmill.Charcoal and sepia wash. Exhibited: Fry Gallery, Feb. 1972.4.25×6 inches.Sold
Welch, Denton (1915 – 1948)Symbolist Figure.Watercolour. Signed. c.1946 and closely related to Welch’s two other deeply symbolic watercolours of bonneted ladies completed in the same period (although both started earlier); ‘A Beauty Waiting in the Fields’ and ‘Now I have only my Dog’ (or possibly ‘Love me, Love my Dog’).20.5×14.25 inches.Framed: 29×22.75 inches.Sold
Beaumont, Sir George (1753 – 1827)Oxfordshire; ‘N. Aston’.Pencil and monochrome wash. Signed and dated, 1799. Inscribed and dated, ‘Dec 6 1799’, verso.8×11 inches.Sold
Chancellor Pope, Hilda (1913 – 1976)Surrey; ‘Farm in the Valley, Newlands Corner’.Pen, ink watercolour and gouache, Inscribed and dated, 1958.16×21 inches.Framed: 22×26.5 inches.Sold
Cotman R.I. R.O.I., Frederick George (1850 – 1920)Thomas William Cotman (1847-1925); architect, brother of F. G. and H. E. Cotman and nephew of John Sell Cotman.Oil on canvas board. c.1870. Inscribed verso in a modern hand. Provenance: By descent in the Cotman family.10×8 inches.Framed: 12.25×10 inches.Sold
Dowling R.A. Hon. R.B.A., Jane (1925 – 2023)France; Paris, ‘Jardin des Plantes’.Tempera. Inscribed and dated, 1979. Exhibited: New Grafton Gallery, 1983.11.5×11.5 inches.Framed: 16.5×16.5 inches.Sold
Frost, George (1754 – 1821)Ancient East Anglian trees and donkey.Charcoal. Ex. Collection: William Esdaile (by repute); Stanhope Shelton.15.5×11.25 inches.Sold
Gardiner, Gerald (1902 – 1959)‘Drawing on the beach’; the artist’s wife, Evelyn sketching.Oil on panel. Signed and dated, 1932. Exhibited: New English Art Club.11.75×15.5 inches.Framed: 15.75×19.75 inches.Sold
Houston, John Adam (1812 – 1884)Head of a girl.Oil on board. Inscribed verso in a nineteenth century hand, ‘Study by John A Houston’ and ‘by J A Houston’. Provenance: Edward Hargitt (1835-1895); his Studio Sale, Christie’s, 22-24 February 1896 (possibly lot 55 where attributed to Sir William Fettes Douglas).6.5×5 inches.Framed: 10.5×9 inches.
Kite, Joseph Milner (1862 – 1946)A girl in clogs, probably Brittany where Kite spent a lot of time.Charcoal. Ex. Collection: Arnold Fellows.17×10 inches.Sold
Lear, Edward (1812 – 1888)Italy; a hilltop Castello.Pencil. c.1838. Numbered ’91’ lower right. Provenance: Christies, 1969; Stanhope Shelton.7.5×10.75 inches.Sold
Lee, Joseph (1901 – 1974)‘Golly! Look at this. Got to have Brakes on ’em after September First!’.Pen, ink and watercolour. Signed and inscribed. For ‘The London Evening News’. Dated verso ’28th 7. 1954′.20.28×13.78 inches.Sold
Leighton, Clare (1898 – 1989)‘Grape Harvest’ (MH118).Wood-engraving. 1928. Signed, titled and editioned ‘7/60’. Exhibited: The Redfern Gallery, 1928.7.5×9 inches.Sold
McBey, James (1883 – 1959)Scotland; Aberdeenshire, ‘The Quay, Macduff’.Ink and watercolour. Signed, inscribed and dated, ‘3rd September, 1914’. Exhibited: Fine Art Society, 1976.14.5×9.5 inches.Sold
Prout O.W.S., Samuel (1783 – 1852)A seventeenth century farm house.Pencil and watercolour. Provenance: Christies, Oct 21st, 1980.10×16.5 inches.
£1,250
Raine-Barker, Anthony (1880 – 1963)‘Three Windmills’.Etching. Signed and inscribed ‘Edition 75 proofs’. Titled below the mount.9×13 inches.Sold
Raven-Hill, Leonard (1867 – 1942)Vendor of Pirated Songs: “‘Ere j’are Lidy! ‘Oly City’, ‘Star of Bethlehem’, ‘Hi cawn’t think why hi luvs yer, but hi do’…Pen and ink. Signed and inscribed. For ‘Punch’, 1902.9.75×7 inches.Sold
Rosoman R.A, Leonard (1913 – 2012)‘Sleeping Sentinal, Diaghilev’.Watercolour. Signed. Inscribed verso. Study for the mural ‘Diaghilev’, Edinburgh College of Art, 1954. Literature: Tanya Harrod, ‘Leonard Rosoman’, 2017, p.83. Provenance: Artist’s Estate.13.39×6.1 inches.Sold
Rothchild, Judith (born 1950)‘The Marette, End of Summer’.Pastels. 1994. Signed and dated. Exhibited: Francis Kyle.25×19.5 inches.Framed: 33.5×27 inches.Sold
Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)John Addison Q.C. M.P. (1838-1907)Pen and ink. 1890. Illustrated: ‘The Whirlwind’, 6th September, 1890, p.169. Sickert drew character studies and wrote reviews for The Whirlwind between August and December 1890.8×8 inches.Framed: 16×16 inches.Sold
Smith (Circle of), John ‘Warwick’ (1749 – 1831)Standing Stones; a Sublime (Welsh?) Landscape.Pencil and watercolour. c.1790. Ex. Collection: John Pearce Higgins; L. G. Duke (D3629); Stanhope Shelton.8×6 inches.Sold
Stokes, Adrian (1902 – 1972)Italy; ‘Porto D’Ischia’.Oil on canvas. 1951/52. Exhibited: Marlborough Fine Art.17.75×21.25 inches.Framed: 18.5×22 inches.Sold
Stone (Contemporary), Dylan JonasBegonia.Pencil and watercolour. 1991. Painted in the Herbarium of the Botanical Gardens in Mont Juic, Barcelona. Some of Dylan Jonas Stone’s work will be on display at the Hunt Institute of Botanical Documentation at Carnegie Mellon University until December. The exhibition, ‘Looking Back: An International Retrospective, Part 1’, celebrates some of the artists the Hunt Institute has worked with over the years. Dylan Jonas Stone’s watercolours of Daffodils can be viewed on out page of Available Stock.13.75×19.75 inches.
£750
Sunderland, Thomas (1744 – 1828)Lake District; ‘Glenridding House, Ullswater’.Pencil, pen, ink and watercolour. c.1820. Exhibited: Agnews, 1971.6.25×9.75 inches.Sold
Tudor, Thomas (1785 – 1855)Tintern Abbey.Pencil on prepared paper. Exhibited: Stanhope Shelton.17×12 inches.Sold
Fry, Roger (1866 – 1934)France; St Front, Perigueux.Lithograph from ‘Ten Architectural Lithographs’, 1930.14.5×10.5 inches.Sold
LIST 541
PART I
Will be published at 5pm on the 10th October
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
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