In addition to this List, we will be introducing GROUPS of NEW STOCKat 5PM on MONDAYS, WEDNESDAY and FRIDAYS until Christmas.
Abbott, John White (1763 – 1851)Portrait of a reclining woman.Pen, ink and monochrome wash. Titled in Greek and dated, ‘Feb 3 1838’.7×5 inches.
£175
Adams R.A., Norman (1927 – 2005)What Peace between the Rich and Poor?.Pencil. Signed and dated, 1976. To illustrate Ecclesiasticus.8.25×7.5 inches.Framed: 16.5×15.5 inches.●
Allom, Thomas (1804 – 1872)Lincoln Cathedral.Pencil and sepia wash. Provenance: a large group of Allom drawings with Henry Potts.8×6 inches.Framed: 12×13.5 inches.●
ANON (Eighteenth-Century)A sheet of Botanical Studies.Watercolour and gouache. c.1800. A label on the verso of the frame we acquired this in read ‘Marquis de Suffren’. Provenance: Sir John Witt.11.25×8.25 inches.●
ANON (Eighteenth-Century)Profile of a woman.Pencil and pastel. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 2497.25×5.25 inches.●
ANON (Nineteenth-Century)‘A Race on the Sands at Weymouth; George III and … ?Etching and hand colouring. Published by William Holland, September 21st 1791. Ex. Collection: Ronald Searle.11×18.5 inches.●
ANON (Nineteenth-Century)A Small Bird.Watercolour. Late eighteenth / early nineteenth century.8×6.75 inches.●
ANON (Nineteenth-Century)A Steam Engine.Pencil, pen, ink and watercolour. Signed and dated, June 1st 1870.6.75×9.5 inches.Framed: 15×17.5 inches.●
ANON (Nineteenth-Century)Cottage on a country lane.Pencil. Inscribed / signed ‘Edridge’. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 2499×7.5 inches.●
ANON (Nineteenth-Century)Silhouette; ‘Frances Badeley formerly Boycott’.Gouache. Inscribed verso with the sitter’s name.2.75×2.25 inches.Framed: 6×5 inches.●
ANON (Nineteenth-Century)Travellers on a flooded lane.Pencil. c.1810. The support sheet inscribed ‘E. Edridge’. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 2498×10.25 inches.●
ANON (Nineteenth-Century)Wooded Landscape.Monro School drawing in monochrome wash. c,18107×9.75 inches.●
ANONBook Illustration / Decoration.Pen and ink. Signed with monogram. Ex. Collection (and possibly by?): George Percy Jacomb-Hood (1857-1929).10×15 inches.●
ANONJapanese prints. A Pair.Wood-cuts printed in colour.●
ANONNapoleon; a sheet of decoupage.Hand coloured engravings. c.1850.10×7.5 inches.
£125
ANONTwo sheets of marbling (A PAIR).Gouache on laid paper.20×16 inches.●
Ardizzone R.A., Edward (1900 – 1979)W.Pen and ink. Illustrated: G. W. Stonier, ‘Pictures on the Pavement’, Publ. Michael Jospeh, 1955, p.112. Provenance: the Artist’s family.4.5×4 inches.Framed: 12×11 inches.●
Arnald A.R.A., George (1763 – 1841)France; ‘Environs of Paris from Belle Vue – with the town of St Cloud and mount Calvary.Pencil and monochrome wash. Inscribed. Exhibited: Covent Garden Gallery.5.75×12.5 inches.Framed: 13×19.75 inches.●
Arnald A.R.A., George (1763 – 1841)France; A town and castle on a river.Pencil and monochrome wash. Inscribed. Exhibited: Covent Garden Gallery.5.75×12.5 inches.Framed: 13×19.75 inches.●
Balkanyi, Suzanne (1922 – 2005)Le Gardian de Zoo Chez Lui.Etching. Signed, inscribed and editioend ‘7/50’.6×7 inches.Framed: 15×15 inches.
£275
Banks R.I.B.A., Robert (1911 – 2000)Side entry to Enshu’s Garden, Sangen-in, Daitoku-ji, Japan.Watercolour. Signed. Exhibited: Trafford Gallery.26.5×19.5 inches.Framed: 31.5×24.5 inches.●
Batty F.F.S., Lieut. Col. Robert (1789 – 1848)Wye Valley; the Wyndcliff.Pencil and monochrome wash. Dated, ’20 July’. Probably 1829. Provenance: Bill Thomson, Albany Gallery.6.25×9 inches.●
Beaton, Sir Cecil (1904 – 1980)Corner of the garden.Pen and ink. Provenance: The Estate of Eileen Hose, Beaton’s secretary,Christies, 21.6.1988.11×9 inches.●
Berners (Gerald Tyrhitt-Wilson), Lord (1883 – 1950)Italy; ‘Como, near Menaggio’.Pencil and watercolour from a sketchbook dated, 1912. Inscribed on verso of opposite page. Provenance: Faringdon Sale 12.4.2018.8.5×11.5 inches.●
Brangwyn R.A. R.W.S., Frank (1867 – 1956)France; Notre Dame La Riche, Tours (Gaunt 211).Etching (taken on the spot). 1912. Edition of 125. Signed.10.75×8.75 inches.●
Buckland-Wright, John (1897 – 1954)Christmas Card; ‘L en K Asselbergs – Kerstmis – 1936’.Wood cut. Initialled in the plate. Exhibited: Pallant House, ‘Conscience and Conflict: British Artists and the Spanish Civil War’.4.75×3 inches.●
Burney, Edward Francis (1760 – 1848)Girl writing.Pencil. Provenance: a sketchbook of drawings by Burney with the Covent Garden Gallery.5.25×4 inches.●
Burra, Edward (1905 – 1976)Life drawing.Pen and ink. Provenance: Sketchbook of figure studies, circa 1925. Burra Sale, Sotheby’s, 3.7.2002.16.5×10 inches.●
Cheney, (Robert) Henry (1801 – 1866)Essex; ‘Down Hall’. The gardens laid out by C Bridgeman (d.1738) for Matthew Prior.Pencil and watercolour. Inscribed verso. Provenance: by descent through the family of the artist’s sister Frederica Capel Cure’s family.14×10.5 inches.●
Clark, Thomas (1777 – 1858)London, ‘In Hyde Park’ and ‘Looking towards Bayswater’ (A PAIR).Chalk and watercolour. 1839. The support sheets inscribed. Exhibited: Bill Thompson.4.5×6 inches.●
Cox O.W.S., David (1783 – 1859)A summer landscape.Pencil. 1840s. Provenance: Hannah Cox, the artist’s granddaughter. Exhibited: Craddock and Barnard, 1960s.7.5×10.5 inches.●
Cox O.W.S., David (1783 – 1859)A woman binding up faggots.Pencil and watercolour. Provenance: Col. J. D. Hills. Exhibited: Agnews Annual Exhibition, 1984.2.5×3 inches.Framed: 8×8.25 inches.●
Crichton-Stuart, Lady James (Née Hannah Tighe) (1800 – 1872)Mother and child in a kitchen.Pencil and watercolour. Inscribed ‘Study from living model – background by Miss White’. Provenance: an album of drawings by Hannah Crichton-Stuart.10.75×13.5 inches.●
Crotch, Dr William (1775 – 1847)Cambridgeshire; ‘To the Grove Shelford / June 4th 1829’.Pen, ink and monochrome wash. Inscribed and dated verso.4×6.5 inches.●
Denning, Stephen Poyntz (1795 – 1864)Dulwich; Figure Studies.Pencil. By the curator of the Dulwich Picture Gallery 1821-1864. Signed. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 24912.5×7.5 inches.●
Devis, Anthony (1729 – 1816)Mr Girling’s House.Pencil, pen, ink and watercolour. Inscribed beneath the mount.5.5×8 inches.●
Dietterlin, Wendel (1551 – 1599)The Orders; ‘Corinthian and ‘Composite’ (A PAIR).From his ‘Archtectura’, 1598. Ex. Collection: David Scrase.10×7.25 inches.●
Dietterlin, Wendel (1551 – 1599)Wall Monument.Plate 157 from his ‘Archtectura’, 1598. Ex. Collection: David Scrase.9.5×7.25 inches.●
Drury, Paul (1903 – 1987)France; Brittany, ‘Le Vieux Pont, D’Auray’.Soft ground etching and aquatint. The plate begun 1965, completed 1974. Signed and dated 1974. Inscribed ‘Artist’s Proof III State 4/6’.9.75×12.5 inches.●
Fanshawe, Elizabeth (1778 – 1856)Switzerland; ‘from Simplon Inn / Upper part of Sal de Vedro’.Pen, ink and monchrome wash. Dated ‘Oct 18’. Provenance: a collection of the artist;s work sold at Christies 3.10.2007. The Fanshawe sisters were in Italy and Switzerland 1829-1831.5×8.25 inches.●
Felix (fl.1860s), AugusteHeaddress design.Ink and watercolour. 1866. Provenance: Workshop of (Emile) Poirier, Modiste, 1860-1970, (rue de l’Ecole-de-Medecine, then rue de l’Ancienne-Comedie).4×5.5 inches.●
Flight, Claude (1881 – 1955)Illustration to “The Bitch and Italian Pictures”.Pen and ink. Provenance: a large collection of works by Flight bought at Bonhams in 1998.5×5.75 inches.●
Giles, Carl (1916 – 1995)The Giles family and Harold Wright wearing the Certificate of Education Achievement.Pen, ink and watercolour. Signed. Inscribed, ‘To Harold this flattering epic / With Best Wishes / From Giles / ’63’.●
Gill, Eric (1882 – 1940)Concerning Dragons.Wood-engravings. The (1919?) single sheet version printed for the Poetry Book Shop, Great Russell Street, of the 1916 bound pamphlet with text by Douglas Pepler, wood-engravings by Gill and published by S. Dominic’s Press, Ditchling, Sussex.7.5×13.25 inches.●
Gill, Eric (1882 – 1940)Gordian.Wood-engraving. 1924. From Douglas Cleverdon, ‘Engravings by Eric Gill’, 1929.8×5.75 inches.●
Gillray, James (1756 – 1815)‘Anacreontick’s in full song’.Etching and aquatint. First published by Hannah Humphrey in 1801. This impression pulled from Gillray’s plate by Thomas McLean for The Genuine Works of James Gillray, Engraved by Himself, 1830.9.5×12 inches.●
Haines, Wilfred Stanley (1905 – 1944)Design for a Needlework Chair Seat in the Chinoiserie manner of the XVIII century.Gouache. Signed and dated, March 1941.10.5×7.25 inches.
£250
Halliday, Alan (born 1952)Shakespeare; A Midsummer Night’s Dream, ‘Bottom’.Pen, ink and watercolour. Signed and dated, 1953. Inscribed, ‘The Royal Ballet / The Dream / Bottom / drawn in dress rehearsal’.14.7×10.75 inches.●
Hey, Cicely (1896 – 1980)Mother and child reading.Provenance: Tony Goble (1943-2007), who inherited the contents of the artist’s studio, and by descent.10×8.25 inches.●
Howarth, Albany (1872 – 1936)Italy; Venetian well head.Etching. Signed. Signed, inscribed ‘Venice’ and dated, 1913 in the plate.7.5×5 inches.●
Hughes-Stanton, Blair (1902 – 1981)Heading for Chapter 13 of Samuel Butler’s ‘Erewhon’ (1872), published by the Gregynog Press 1932.Wood-engraving. Signedm dated, 1931 and editioned ’11/12′.3×3.25 inches.●
Jeudwine (Twentieth Century), EsmePostman Cat.Gouache for Royal Publications, 1955. Provenance: An album of Keene studies belonging to Lord ‘Civilisation’ Clark.7.5×9.5 inches.Framed: 13.5×11.25 inches.●
Kramer, Jacob (1892 – 1962)Sir Jacob Epstein.Lithograph. Signed in the plate. Titled and editioned ’30/50′ in pencil.19.5×15.5 inches.Framed: 23.75×18.75 inches.●
Le Sueur, Nicolas (1691 – 1764)Dessein de Paul Farinti / Le Soleil dans son char. (Le Blanc 23).Chiaroscuro wood-cut.15.5×10.5 inches.●
Leete, Alfred (1882 – 1933)Schmidt the Spy: 'An extraordinary thing happened during the Christmas holidays. I was nearly arrested as a mint spy'.Pen and ink for the 'London Opinion'. Signed. With caption. Dated stamped 16 Jan 1915 verso. Illustrated: Alfred Leete, 'Schmidt the Spy …', Duckworth, 1916, p.5310"x12" inches.●
Leighton, Clare (1898 – 1989)Lumber Camp Series; ‘Limbing’.Wood-engraving. Fractured and repaired. 1933. Signed, titled and editioned ’23/30′.8.5×12 inches.●
Malet, Guy Seymour (1900 – 1973)Narrow bridge, possibly Sark.Wood-engraving. Circa 1935. Proof. Outside the edition of 50. Provenance: Malet Studio Sale, Christies, c.1980.7.5×4.5 inches.●
Nixon, John (1755 – 1818)Portrait.Pencil. Signed and dated, 1786. Exhibited: William Drummond.4.25×3.75 inches.Framed: 10.75×10 inches.●
Pellew, Claughton (1890 – 1966)North Norfolk; Trunch, ‘The Radio Times Christmas Number’.Wood engraving. A later impression of Pellew’s 1930 print.9.5×7.5 inches.●
Prouet Leroux (Rouen)A small console table.Pencil and watercolour. With the company stamp.9.5×4.5 inches.
£25
Richmond R.A., George (1809 – 1896)Rev. Wilfrid Lawson Jarrett (1803-1880) and Marianne Wightwick-Knightley (1807-1893). A PAIR. The couple were married in 1839.Watercolour. Signed and dated, 1834. Spotted, but beautiful portraits. Provenance: Newbold Pacey Hall, Warwickshire.8×7.5 inches.●
Scott, Gordon (1914 – 2016)Three sheets of sketches.Pencil. A group of 1930s studies, presumably for illustrations. The group is sold unmounted. Provenance: Artist’s Estate.22×15 inches.●
Silk, Henry (1883 – 1947)A farm worker's hut.Watercolour. Circa 1930. Provenance: Artist's family by descent.4.5"x10" inches.Framed: 13.5"x18.5" inches.●
Strang R.E., Ian (1886 – 1952)‘Bond Street and Stafford Street’.Etching. Circa 1929. Printed from the original plate by the Artichoke Press for Abbott and Holder. Edition of 2510.25×12.5 inches.●
Strang R.E., Ian (1886 – 1952)Cannon Street Station.Etching. 1923. Printed from the original plate by the Artichoke Press for Abbott and Holder. Edition of 25.7.75×12.25 inches.●
Strang R.E., Ian (1886 – 1952)Harley Street.Etching. 1928. Printed from the original plate by the Artichoke Press for Abbott and Holder in an edition of 25.
£50
Sturgis, Jean (1931 – 2018)Italy; ‘From a WIndow Pisa’.Etching and aquatint. Signed, titled and editioned ‘1/20’.4.75×4 inches.Framed: 11.5×10 inches.●
Topolski R.A., Feliks (1907 – 1989)Michael Redgrave as Davis Charleston.The lead part in Robert Boulting’s film of Robert Ardrey’s play ‘Thunder Rock’, 1942. Pen, brush and ink. Signed and inscribed.6.5×5 inches.
Vignola, Giacomo Barozzi da (1507 – 1573)Rome; St Peter’s.Engraved plate from ‘The general rules of the five orders of architecture of M. Giacomo Barozzio da Vignola; with a new addition of Michael Angelo Buonaroti’ Amsterdam (1642).13.5×8 inches.●
Waller, Pickford (1849 – 1930)Three Art Deco Designs.Pen, ink and watercolour. c.1910. Provenance: a sketchbook of drawings by Pickford Waller.4×7 inches.●
Young (Nineteenth Century), C BWindy Day.Watercolour. Provenance: Newall Collection (in which there were other watercolours by C B Young).4×6.5 inches.●
We are THRILLED to be welcoming THE VIOLET HOUR to the gallery in December. This collaborative enterprise run by curators Sarah Reynolds and Alex Wellesley Wesley showcases the work of contemporary artists in the early to mid stages of their careers. They will be taking over an entire floor of the gallery in Museum Street with PAGEANT, a group exhibition of paintings drawing and prints. www.violethour.org
THURSDAY LATES
Abbott and Holder and The Violet Hour look forward to welcoming you to 30 Museum Street in December, where you will find many hundreds of works of art from the Eighteenth to Twenty-First Centuries, ALL PRICED WITH CHRISTMAS IN MIND.
For those of you who would struggle to get to us during our normal hours Monday to Saturday 10am – 1pm and 2pm – 5pm
the Gallery will be open until 8pm on Thursdays throughout December. Please join us and raise a glass!
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.
Approval Service: We are happy to send works on approval, but this is subject to discussion.
JOIN THE MAILING LIST
If you would like to receive Email Alerts when ‘Lists’ of new stock and Exhibitions are published online, please Click Here. We NEVER share your information – see our Personal Data Policy.
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