LIST 532

DECEMBER 2022

£500 and UNDER
CHRISTMAS SPECIAL

Issued 5pm 30th November

In addition to this List, we will be introducing GROUPS of NEW STOCK at
5PM on MONDAYS, WEDNESDAY and FRIDAYS until Christmas.

1. Abbott, John White (1763 – 1851) Portrait of a reclining woman. Pen, ink and monochrome wash. Titled in Greek and dated, ‘Feb 3 1838’. 7×5 inches.
£175
2. Adams R.A., Norman (1927 – 2005) What Peace between the Rich and Poor?. Pencil. Signed and dated, 1976. To illustrate Ecclesiasticus. 8.25×7.5 inches. Framed: 16.5×15.5 inches.
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3. Adnams, Marion (1899 – 1995) France; ‘Nyons’ the belfry. Pencil. Signed and dated, 1964. 13.5×9.5 inches.
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4. Alexander, Jean (1911 – 1994) New Zealand; Auckland, ‘Brown’s Bay’. Watercolour and gouache. Inscribed and dated, 1970 verso. 10.5×14.5 inches.
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5. Alken, Samuel Henry (1810 – 1894) Leading a horse to its stable. Pencil and watercolour. Signed. Seffrien Alken Jnr (1821-1873) 3.5×5.25 inches.
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6. Alldrinton (Nineteenth Century) East Sussex; Ruins at ‘Portslade’. Watercolour. Signed and inscribed. 11.5×17.5 inches.
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7. Allingham R.W.S., Helen (1848 – 1926) Figure studies. Pencil. From a sketchbooks of drawings by the artist with A and H. 5×3 inches.
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8. Allom, Thomas (1804 – 1872) Lincoln Cathedral. Pencil and sepia wash. Provenance: a large group of Allom drawings with Henry Potts. 8×6 inches. Framed: 12×13.5 inches.
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9. ANON (Eighteenth-Century) A sheet of Botanical Studies. Watercolour and gouache. c.1800. A label on the verso of the frame we acquired this in read ‘Marquis de Suffren’. Provenance: Sir John Witt. 11.25×8.25 inches.
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10. ANON (Eighteenth-Century) Dutch Costume Study. Pen, ink and watercolour. Inscribed ‘…a dutch Sea[…].’ 3.5xD2.5 inches.
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11. ANON (Eighteenth-Century) Profile of a woman. Pencil and pastel. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249 7.25×5.25 inches.
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12. ANON (Nineteenth-Century) ‘A Race on the Sands at Weymouth; George III and … ? Etching and hand colouring. Published by William Holland, September 21st 1791. Ex. Collection: Ronald Searle. 11×18.5 inches.
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13. ANON (Nineteenth-Century) A Small Bird. Watercolour. Late eighteenth / early nineteenth century. 8×6.75 inches.
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14. ANON (Nineteenth-Century) A Steam Engine. Pencil, pen, ink and watercolour. Signed and dated, June 1st 1870. 6.75×9.5 inches. Framed: 15×17.5 inches.
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15. ANON (Nineteenth-Century) An Italian Capriccio. Chalk. c.1800. 2.75×7.5 inches.
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16. ANON (Nineteenth-Century) An Oak. Watercolour. c.1880. 5×7 inches.
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17. ANON (Nineteenth-Century) Botanical Study; a Fir. Pencil and watercolour. c.1820. 17.5×13 inches.
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18. ANON (Nineteenth-Century) Candle light.  Oil on panel.  8.25×6.25 inches.
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19. ANON (Nineteenth-Century) Child and Doll. Pen and ink. Initialled ‘CK” (not, we think, Charles Keene). 5×4 inches.
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20. ANON (Nineteenth-Century) Coastal Landscape near Dover. Watercolour. c.1810. 8.75×13.5 inches.
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21. ANON (Nineteenth-Century) Cottage on a country lane. Pencil. Inscribed / signed ‘Edridge’. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249 9×7.5 inches.
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22. ANON (Nineteenth-Century) Highland hares. Watercolour and gouache. 4.75×7 inches.
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23. ANON (Nineteenth-Century) Industrial buildings on the Seine. Watercolour. 8×12.5 inches.
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24. ANON (Nineteenth-Century) Lake Disrict; ‘Grasmere’ Pencil. c.1800. Inscribed. 7.5×9.5 inches.
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25. ANON (Nineteenth-Century) Loggia; and architectural caprice. Pencil and watercolour. c.1820. 3.75×6 inches.
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26. ANON (Nineteenth-Century) Sailing vessels. Watercolour. 3×2.5 inches.
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27. ANON (Nineteenth-Century) Silhouette; ‘Frances Badeley formerly Boycott’. Gouache. Inscribed verso with the sitter’s name. 2.75×2.25 inches. Framed: 6×5 inches.
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28. ANON (Nineteenth-Century) Somerset; ‘Bath’. Pencil. c.1820. Inscribed verso. 9×14.5 inches.
£125
29. ANON (Nineteenth-Century) South Coast. Chalk and watercolour. c.1840. 3.5×6 inches.
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30. ANON (Nineteenth-Century) Study of a woman washing. Pencil and watercolour. c.1860. 3.5×2.25 inches.
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31. ANON (Nineteenth-Century) Sunset. Oil on card. c.1860. Monogrammed ‘LP’. 5×8 inches.
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32. ANON (Nineteenth-Century) Travellers on a flooded lane. Pencil. c.1810. The support sheet inscribed ‘E. Edridge’. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249 8×10.25 inches.
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33. ANON (Nineteenth-Century) Wooded Landscape. Monro School drawing in monochrome wash. c,1810 7×9.75 inches.
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34. ANON (Nineteenth-Century) Young woman at a table. Watercolour. Monogrammed ‘RR’. 9.26×6.89 inches.
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35. ANON (Twentieth-Century) A Winter Set Design. Watercolour and gouache. c.1950. 8×10.25 inches.
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36. ANON (Twentieth-Century) Alphabet. Lithograph. c.1970.
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37. ANON (Twentieth-Century) City Scape. Woodcut. c.1970. 5.5×7 inches.
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38. ANON (Twentieth-Century) Interior with cat. Linocut. c.1960. 8×6 inches.
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39. ANON (Twentieth-Century) Rocky coast and rough sea. Watercolour and gouache, 9.5×13.5 inches.
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40. ANON Book Illustration / Decoration. Pen and ink. Signed with monogram. Ex. Collection (and possibly by?): George Percy Jacomb-Hood (1857-1929). 10×15 inches.
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41. ANON Japanese prints. A Pair. Wood-cuts printed in colour.
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42. ANON Napoleon; a sheet of decoupage. Hand coloured engravings. c.1850. 10×7.5 inches.
£125
43. ANON Two sheets of marbling (A PAIR). Gouache on laid paper. 20×16 inches.
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44. Archer R.W.S. R.E., Frank (1912 – 1995) ‘Children Playing in the Market Place’. Etching. Signed, titled and dated, 1938. 3.5×7 inches.
£175
45. Ardizzone R.A., Edward (1900 – 1979) W. Pen and ink. Illustrated: G. W. Stonier, ‘Pictures on the Pavement’, Publ. Michael Jospeh, 1955, p.112. Provenance: the Artist’s family. 4.5×4 inches. Framed: 12×11 inches.
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46. Armitage, Jean (1895 – 1988) Owl. Wood-cut. Signed. 10.25×8 inches.
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47. Arnald A.R.A., George (1763 – 1841) France; ‘Environs of Paris from Belle Vue – with the town of St Cloud and mount Calvary. Pencil and monochrome wash. Inscribed. Exhibited: Covent Garden Gallery. 5.75×12.5 inches. Framed: 13×19.75 inches.
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48. Arnald A.R.A., George (1763 – 1841) France; A town and castle on a river. Pencil and monochrome wash. Inscribed. Exhibited: Covent Garden Gallery. 5.75×12.5 inches. Framed: 13×19.75 inches.
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49. Arnold, Graham (born 1932) Fields and Sky. Pencil. Provenance: 8.5×7 inches.
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50. Ashley, George Armand (1898 – 1989) Fireplace. Watercolour. 8.5×6 inches.
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51. Ashley, George Armand (1898 – 1989) Interior Design Watercolour and Gouache. Signed under the mount. 9.5×8.25 inches.
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52. Austin R.A. R.E., Robert Sargent (1895 – 1973) Norfolk: Burnham Overy. Pencil and watercolour. Signed. 8.5×10.25 inches.
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53. Balkanyi, Suzanne (1922 – 2005) Le Gardian de Zoo Chez Lui. Etching. Signed, inscribed and editioend ‘7/50’. 6×7 inches. Framed: 15×15 inches.
£275
54. Banks R.I.B.A., Robert (1911 – 2000) Side entry to Enshu’s Garden, Sangen-in, Daitoku-ji, Japan. Watercolour. Signed. Exhibited: Trafford Gallery. 26.5×19.5 inches. Framed: 31.5×24.5 inches.
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55. Batty F.F.S., Lieut. Col. Robert (1789 – 1848) Wye Valley; the Wyndcliff. Pencil and monochrome wash. Dated, ’20 July’. Probably 1829. Provenance: Bill Thomson, Albany Gallery. 6.25×9 inches.
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56. Beaton, Sir Cecil (1904 – 1980) Corner of the garden. Pen and ink. Provenance: The Estate of Eileen Hose, Beaton’s secretary,Christies, 21.6.1988. 11×9 inches.
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57. Becker (fl.1790-1810), Ferdinand (Ex. Edmund) A stream near ‘Worcester’. Pencil and monochrome wash. 1808. Inscribed on the support sheet. 6×8.25 inches.
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58. Berners (Gerald Tyrhitt-Wilson), Lord (1883 – 1950) Italy; ‘Como, near Menaggio’. Pencil and watercolour from a sketchbook dated, 1912. Inscribed on verso of opposite page. Provenance: Faringdon Sale 12.4.2018. 8.5×11.5 inches.
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59. Bianchini Ferier (fl.1888-c.1995) Fabric Design; ‘Sandwich Pattern’. Gouache. 1936/37. Provenance: The Bianchini Ferrier Archive Sale. 9.75×9.75 inches. Framed: 19.5×19 inches.
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60. Bonnard, Pierre (1867 – 1947) Le Parc Monceau (B114). Etching. Edition of 500. Signed in the plate. 13×10 inches.
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61. Bourgeois-Borgex, Louis (1873 – 1959) Suna. Chalks. Inscribed and dated, 1894. 9.5×12 inches.
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62. Brangwyn R.A. R.W.S., Frank (1867 – 1956) France; ‘The Bridge at Millau’ (Gaunt 250). Etching and aquatint. 1919. Signed. 19.5×24.5 inches.
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63. Brangwyn R.A. R.W.S., Frank (1867 – 1956) France; Notre Dame La Riche, Tours (Gaunt 211). Etching (taken on the spot). 1912. Edition of 125. Signed. 10.75×8.75 inches.
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64. Buckland-Wright, John (1897 – 1954) Christmas Card; ‘L en K Asselbergs – Kerstmis – 1936’. Wood cut. Initialled in the plate. Exhibited: Pallant House, ‘Conscience and Conflict: British Artists and the Spanish Civil War’. 4.75×3 inches.
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65. Burney, Edward Francis (1760 – 1848) Girl writing. Pencil. Provenance: a sketchbook of drawings by Burney with the Covent Garden Gallery. 5.25×4 inches.
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66. Burra, Edward (1905 – 1976) Life drawing. Pen and ink. Provenance: Sketchbook of figure studies, circa 1925. Burra Sale, Sotheby’s, 3.7.2002. 16.5×10 inches.
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67. Butcher, Enid (1902 – 1991) Christmas Card Design. Pencil and watercolour. Signed with initals. 7×4.5 inches.
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68. Calvert N.E.A.C., Diana (born 1941) First Snow. Oil on board. Signed. Exhibited: N.E.A.C., 2003. 7×9.5 inches. Framed: 11×14 inches.
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69. Carter R.O.I., Samuel John (1835 – 1892) Horse, Terrier and Pug Christmas Card Sepia wash. Signed with initials and dated, 1884. 6×4.5 inches.
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70. Carter R.O.I., Samuel John (1835 – 1892) Pug Christmas Card. Sepia wash. Signed with initials and dated, 1884. 6×4.5 inches.
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71. Casson P.R.A., Sir Hugh (1910 – 1999) ‘Road to the Sea’. Soft ground etching and aquatint. Signed, titled and editioned ’76/90′. 6×7.5 inches.
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72. Cheney, (Robert) Henry (1801 – 1866) Essex; ‘Down Hall’. The gardens laid out by C Bridgeman (d.1738) for Matthew Prior. Pencil and watercolour. Inscribed verso. Provenance: by descent through the family of the artist’s sister Frederica Capel Cure’s family. 14×10.5 inches.
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73. Clark, Joseph (1834 – 1926) Still Life. Watercolour. Signed. 5×7.5 inches. Framed: 7.75×10 inches.
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74. Clark, Thomas (1777 – 1858) London, ‘In Hyde Park’ and ‘Looking towards Bayswater’ (A PAIR). Chalk and watercolour. 1839. The support sheets inscribed. Exhibited: Bill Thompson. 4.5×6 inches.
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75. Clarke Hall, Edna (1879 – 1979) Boating in Cornwall. Crayon. Provenance: Artist’s Estate. 8×10 inches.
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76. Cliffe, Henry (1919 – 1983) Woman and Bird / Fish. Pencil. c.1950. 8×6 inches.
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77. Clifford, Edward (1844 – 1907) Still life and landscape. Watercolour and gouache. Provenance: 12×15.5 inches.
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78. Cox O.W.S., David (1783 – 1859) A summer landscape. Pencil. 1840s. Provenance: Hannah Cox, the artist’s granddaughter. Exhibited: Craddock and Barnard, 1960s. 7.5×10.5 inches.
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79. Cox O.W.S., David (1783 – 1859) A woman binding up faggots. Pencil and watercolour. Provenance: Col. J. D. Hills. Exhibited: Agnews Annual Exhibition, 1984. 2.5×3 inches. Framed: 8×8.25 inches.
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80. Crampton, Ronald (1905 – 1985) An East Anglian Field. Watercolour. Signed. 14.5×21.25 inches.
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81. Crichton-Stuart, Lady James (Née Hannah Tighe) (1800 – 1872) Gibraltar – The Rock. Watercolour. Provenance: An album of paintings by the artist made on trip to Spain and Italy. 7×5 inches.
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82. Crichton-Stuart, Lady James (Née Hannah Tighe) (1800 – 1872) Mother and child in a kitchen. Pencil and watercolour. Inscribed ‘Study from living model – background by Miss White’. Provenance: an album of drawings by Hannah Crichton-Stuart. 10.75×13.5 inches.
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83. Crotch, Dr William (1775 – 1847) Cambridgeshire; ‘To the Grove Shelford / June 4th 1829’. Pen, ink and monochrome wash. Inscribed and dated verso. 4×6.5 inches.
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84. Cundall R.A. R.W.S., Charles (1890 – 1971) River bank and poplars. Watercolour and gouache. Provenance: The Artist’s Studio Sale, 2003. Estate stamped. 13.5×17.5 inches.
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85. Dance R.A., George (1740 – 1823) A gentleman reading. Pencil. Inscribed ‘Mr Hall’. 8×7 inches.
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86. Denning, Stephen Poyntz (1795 – 1864) Dulwich; Figure Studies. Pencil. By the curator of the Dulwich Picture Gallery 1821-1864. Signed. Provenance: The Newall Collection, Christies, 13, 14 December 1979, Album, lot 249 12.5×7.5 inches.
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87. Devis, Anthony (1729 – 1816) Mr Girling’s House. Pencil, pen, ink and watercolour. Inscribed beneath the mount. 5.5×8 inches.
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88. Dietterlin, Wendel (1551 – 1599) Entablature. From his ‘Archtectura’, 1598. Ex. Collection: David Scrase. 10×7 inches.
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89. Dietterlin, Wendel (1551 – 1599) The Orders; ‘Corinthian and ‘Composite’ (A PAIR). From his ‘Archtectura’, 1598. Ex. Collection: David Scrase. 10×7.25 inches.
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90. Dietterlin, Wendel (1551 – 1599) Wall Monument. Plate 157 from his ‘Archtectura’, 1598. Ex. Collection: David Scrase. 9.5×7.25 inches.
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91. Dodd R.A., Francis (1874 – 1949) Admiral Lord Fisher (1841-1920) Etching. 1916. Signed. 13.5×10 inches.
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92. Dodgson O.W.S., George Haydock (1811 – 1880) Outside a village inn. Charcoal. Provenance: Newall Collection. 4.5×5.75 inches.
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93. Drury, Paul (1903 – 1987) France; Brittany, ‘Le Vieux Pont, D’Auray’. Soft ground etching and aquatint. The plate begun 1965, completed 1974. Signed and dated 1974. Inscribed ‘Artist’s Proof III State 4/6’. 9.75×12.5 inches.
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94. Du Plessis, Enslin (1894 – 1978) The Nile near Kassil Kheir. Pencil and watercolour. Signed and inscribed. 10×13.75 inches.
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95. Dunstan R.A., Bernard (1920 – 2017) Heast study. Watercolour and chalks. Signed with intials. 3.75×3.25 inches.
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96. Eldridge R.W.S., Mildred (1909 – 1991) Whitethroat – Sylvia communis. Pencil and watercolour. Signed and inscribed. 11.75×9.25 inches.
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97. Fanshawe, Elizabeth (1778 – 1856) Switzerland; ‘from Simplon Inn / Upper part of Sal de Vedro’. Pen, ink and monchrome wash. Dated ‘Oct 18’. Provenance: a collection of the artist;s work sold at Christies 3.10.2007. The Fanshawe sisters were in Italy and Switzerland 1829-1831. 5×8.25 inches.
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98. Felix (fl.1860s), Auguste Headdress design. Ink and watercolour. 1866. Provenance: Workshop of (Emile) Poirier, Modiste, 1860-1970, (rue de l’Ecole-de-Medecine, then rue de l’Ancienne-Comedie). 4×5.5 inches.
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99. Fisher, Major General Benjamin (1753 – 1814) Jersey; ‘Elizabeth Castle’. Etching. Provenance: Bonhams 4/11/2003. 7×10 inches.
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100. Flight, Claude (1881 – 1955) Illustration to “The Bitch and Italian Pictures”. Pen and ink. Provenance: a large collection of works by Flight bought at Bonhams in 1998. 5×5.75 inches.
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101. Frost, George (1754 – 1821) A Suffolk House. Charcoal. 5.5×6.75 inches.
£375
102. Frost, William Edward (1810 – 1877) Fairies. Pencil, pen and ink. Provenance: Sotheby’s 1981. 4.5×7.25 inches.
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103. Fry, Roger (1866 – 1934) Cloisters Entrance. Lithograph. 1928. 14×10.5 inches.
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104. Gigault de Crisenoy, Baron Pierre Emile (1827 – 1902) A harbour and fleet. Pencil, watercolour and gouache. Signed. 4×6.25 inches.
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105. Giles, Carl (1916 – 1995) The Giles family and Harold Wright wearing the Certificate of Education Achievement. Pen, ink and watercolour. Signed. Inscribed, ‘To Harold this flattering epic / With Best Wishes / From Giles / ’63’.
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106. Gill, Eric (1882 – 1940) Concerning Dragons. Wood-engravings. The (1919?) single sheet version printed for the Poetry Book Shop, Great Russell Street, of the 1916 bound pamphlet with text by Douglas Pepler, wood-engravings by Gill and published by S. Dominic’s Press, Ditchling, Sussex. 7.5×13.25 inches.
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107. Gill, Eric (1882 – 1940) Gordian. Wood-engraving. 1924. From Douglas Cleverdon, ‘Engravings by Eric Gill’, 1929. 8×5.75 inches.
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108. Gillray, James (1756 – 1815) ‘Anacreontick’s in full song’. Etching and aquatint. First published by Hannah Humphrey in 1801. This impression pulled from Gillray’s plate by Thomas McLean for The Genuine Works of James Gillray, Engraved by Himself, 1830. 9.5×12 inches.
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109. Good, Thomas Sword (1789 – 1872) Study after Murillo. Watercolour. c.1840. 4.5×3.5 inches.
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110. Green (fl.1950-1965), Donald Poe A Biography, by William Bittner. Gouache dust jacket design. 1962. 8.75×6.75 inches.
£175
111. Green (Nineteenth Century), M Wye Valley; ‘Chepstow’. Pencil. inscribed verso. 4.5×7 inches.
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112. Hagreen, Philip (1890 – 1988) River Landscape. Wood-enrgaving. Proof. 3.5×5 inches. Framed: 16×13 inches.
£95
113. Haines, Wilfred Stanley (1905 – 1944) Design for a Needlework Chair Seat in the Chinoiserie manner of the XVIII century. Gouache. Signed and dated, March 1941. 10.5×7.25 inches.
£250
114. Halliday, Alan (born 1952) Shakespeare; A Midsummer Night’s Dream, ‘Bottom’. Pen, ink and watercolour. Signed and dated, 1953. Inscribed, ‘The Royal Ballet / The Dream / Bottom / drawn in dress rehearsal’. 14.7×10.75 inches.
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115. Harrison, John Theodore (1914 – 2002) Bather II Watercolour. 1944. Provenance: 10.5×13 inches.
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116. Harrison, John Theodore (1914 – 2002) Bather. Watercolour. Signed and dated, 1944.
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117. Hey, Cicely (1896 – 1980) Mother and child reading. Provenance: Tony Goble (1943-2007), who inherited the contents of the artist’s studio, and by descent. 10×8.25 inches.
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118. Hills O.W.S., Robert (1769 – 1844) A Foal. Pencil and watercolour, Ex. Collection: Cyril Fry. 4×5 inches.
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119. Hitchcock, Malcolm (1929 – 1998) Trainline. Oil on board. Inscribed verso. 7.5×7.5 inches. Framed: 9.25×9.25 inches.
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120. Hoare of Bath R.A., William (1707 – 1792) Seated woman Chalk. Exhibited: Charles Plante. 7×4.25 inches. Framed: 10.75×7.75 inches.
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121. Holloway, Edgar (1914 – 2008) Nude. Etching. Signed and editioned ‘Trial Proof (No.3) 8.75×5 inches.
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122. Hoppner R.A. (Formerly attributed to), John (1758 – 1810) Head of a boy. Chalks. Repaired and retouched. This drawing came with another (sold long ago) also attributed to Hoppner. 9×8.25 inches.
£225
123. Howarth, Albany (1872 – 1936) Italy; Venetian well head. Etching. Signed. Signed, inscribed ‘Venice’ and dated, 1913 in the plate. 7.5×5 inches.
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124. Hughes-Stanton, Blair (1902 – 1981) Heading for Chapter 13 of Samuel Butler’s ‘Erewhon’ (1872), published by the Gregynog Press 1932. Wood-engraving. Signedm dated, 1931 and editioned ’11/12′. 3×3.25 inches.
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125. Hurry, Leslie (1908 – 1978) Figures and City. Pen, ink, watercolour and gouache. Signed. 19.5×22.5 inches.
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126. Hutchison P.R.S.A., Sir William Oliphant (1889 – 1970) Landscape. Oil on canvas board. Provenance: Artist’s estate. 12×9 inches.
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127. Jeudwine (Twentieth Century), Esme Postman Cat. Gouache for Royal Publications, 1955. Provenance: An album of Keene studies belonging to Lord ‘Civilisation’ Clark. 7.5×9.5 inches. Framed: 13.5×11.25 inches.
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128. Jullian, Philippe (1919 – 1977) The Bride; an illustration to a Fairy Tale. Pen and ink. 3×5.5 inches.
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129. Kaplan, Anatoli lvovich (1902 – 1980) The Bourse. Lithograph. From ‘Tevya the Milkman’. Signed inscribed and editioned ’92/125′. 16×12 inches.
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130. Keene (fl.1830-1895), Mary Cat on a window sill. Pencil. Dated, ’12 Sept ’60’. From a sketchbooks of drawings by the artist with A and H.
£125
131. Keene, Charles (1823 – 1891) Maize. Pencil. Provenance: an album of Keene studies belonging to Lord Clark. 8.25×5.25 inches.
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132. Keene, Charles (1823 – 1891) Woman on a staircase. Pencil. Provenance: an album of Keene studies belonging to Lord Clark. 4.5×4.5 inches.
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133. Kempster, Bridget (1910 – 1998) Owl. Etching and aquatint. Signed. 7.75×5.75 inches.
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134. Kramer, Jacob (1892 – 1962) Sir Jacob Epstein. Lithograph. Signed in the plate. Titled and editioned ’30/50′ in pencil. 19.5×15.5 inches. Framed: 23.75×18.75 inches.
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135. Lack R.E., Henry Martyn (1909 – 1979) A London Doorway. Etching. Signed. 8.25×5.25 inches.
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136. Landells, Ebenezer (1808 – 1860) Coastal Shipping. Pencil and watercolour. 4×8 inches.
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137. Le Strange, Henry L’Estrange Styleman (1815 – 1862) Egypt: ‘Philae’. Pencil. Inscribed verso. 9.5×12.5 inches.
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138. Le Sueur, Nicolas (1691 – 1764) Dessein de Paul Farinti / Le Soleil dans son char. (Le Blanc 23). Chiaroscuro wood-cut. 15.5×10.5 inches.
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139. Leete, Alfred (1882 – 1933) Schmidt the Spy: ‘An extraordinary thing happened during the Christmas holidays. I was nearly arrested as a mint spy’. Pen and ink for the ‘London Opinion’. Signed. With caption. Dated stamped 16 Jan 1915 verso. Illustrated: Alfred Leete, ‘Schmidt the Spy …’, Duckworth, 1916, p.53 10×12 inches.
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140. Leighton, Clare (1898 – 1989) Lumber Camp Series; ‘Limbing’. Wood-engraving. Fractured and repaired. 1933. Signed, titled and editioned ’23/30′. 8.5×12 inches.
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141. Lewin (and Sons), William (1747 – 1795) Harrier. Gouache. Gouache. Stamped ‘W.Lewin, 1789’. 8.5×7 inches.
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142. Lines, Vincent Henry (1909 – 1968) Margaret Fisher Prout ARA (1875-1963) painting. Etching. 7.5×9.5 inches.
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143. Lound (Attributed to), Thomas (1802 – 1861) Boat house on a river bank. Chalks. Ex. Collection: Cyril Fry. 3×4 inches.
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144. Malet, Guy Seymour (1900 – 1973) Narrow bridge, possibly Sark. Wood-engraving. Circa 1935. Proof. Outside the edition of 50. Provenance: Malet Studio Sale, Christies, c.1980. 7.5×4.5 inches.
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145. Malet, Guy Seymour (1900 – 1973) View through a window. Watercolour. Studio stamped. 10.5×10 inches.
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146. Matania, Ugo (1888 – 1979) Germans fleeing a British Tank. Gouache. Inscribed verso: ‘2/12/16’, ‘No.42, Dec.1916’. 16.5×11 inches.
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147. Mordaunt, Lady Marianne (1778 – 1842) A Harbour. Watercolour. Exhibited: Fry Gallery. 3.5×5 inches.
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148. Nisbet R.I., Noel Laura (1887 – 1956) Mary and Joseph outside the Stable. Pencil and watercolour. Studio stamped. 14×8.5 inches.
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LIST 532

DECEMBER 2022

£500 and UNDERCHRISTMAS SPECIAL

£500 and UNDER
CHRISTMAS SPECIAL