Armfield, Stuart (1916 – 1999)‘The Carpenter’ / The Frame Maker.Oil on canvas. Signed and dated, September 1943. Exhibited: The Fine Art Society; Michael Hasenclever (Munich).13.5×10 inches.Framed: 18×14 inches.Sold
Ayrton, Michael (1921 – 1975)Greece; ‘Delos – Morning in October’.Oil on board. 1957. Signed and dated. Signed, titled and dated, verso.19×29 inches.Framed: 25×35 inches.Sold
Bell, Vanessa (1879 – 1961)Young Boy Reading.Brush, ink and conte crayon. 1948. Exhibited: Davis and Langdale, ‘Bloomsbury: Recent Acquisitions’, 1997, No.13a; Herbert F Johnson Museum, Cornell University, ‘A Room of Their Own: The Artists of Bloombsury in American Collections’, 2009, No.23 (lent by Patricia and Donald Oresman).12×9 inches.Framed: 20.5×17.5 inches.Sold
Bomberg, David (1890 – 1957)‘Study for Bathers’.Charcoal. 1920. Inscribed verso, ‘Authenticated by Lilian Bomberg’. Further inscribed to a label verso of the frame ‘Authenticated by Dinora Davies-Rees’.16.5×14.5 inches.Framed: 26.5×23.5 inches.Sold
Cheyne, Ian (1895 – 1955)Scotland; ‘Loch Duich’.Woodcut. 1937. Signed, titled and dated.11×13 inches.Framed: 18.5×20 inches.Sold
Grant L.G., Duncan (1885 – 1978)Cambridgeshire; ‘Under the Bridge at St Ives’.Oil on canvas. Signed and dated, 1931. Futher signed and titled to a label verso. Used for a ‘You can be Sure of Shell’ poster for St Ives Huntingdon. This works is subject to 4% ARR ON THE SALE PRICE.15×18 inches.Framed: 20.5×23.5 inches.Sold
Hennell, Thomas (1903 – 1945)Dorset; Cerne Abbas Giant.Watercolour. Signed and dated, 1940. Provenance: the artist’s sister.15.5×19 inches.Framed: 24×27.5 inches.Sold
Herman O.B.E., Josef (1911 – 2000)‘Afternoon in Andalusia’.Pencil, pen, brush and ink. c.1950. Exhibited: Timothy Hobart Fine Art.7×9 inches.Framed: 17.5×19 inches.Sold
Hermes R.A., Gertrude (1901 – 1983)‘Avocets’.Wood-cut. Signed, titled and dated, 1948. Further editioned and dated, ’25/25, 2nd Edt. 1952′.13.5×13.5 inches.Framed: 22.5×21 inches.Sold
Jones, David (1895 – 1974)Arm and Antelope.Pencil and chalk. Signed.13.5×10 inches.Framed: 23.5×17.5 inches.Sold
Keir, James Carnegie (1893 – 1977)‘Helen’.Oil on board. c.1920. Signed with monogram. Signed and titled to an exhibition label verso. Exhibited: probably the artist’s 1922 exhibition in Rutherglen, Glasgow.14×10 inches.Framed: 18.5×14.5 inches.Sold
Lancaster, Lilian Adelaide (1887 – 1973)Eleanor Finlayson (b.1887).Oil on canvas. Signed and dated 1910. Lancaster studied at the Slade 1906-1910, and at the Royal Academy 1910-1914. Eleanor Finlayson emigrated to Buenos Aires in 1914.29.5×19.5 inches.Framed: 35×25 inches.
£5,750
MacDonald, Frances (1914 – 2002)Italy; ‘Venice’.Oil on canvas. Signed and dated, 1948.15.5×19.5 inches.Framed: 21×25 inches.Sold
Malthouse, Eric (1914 – 1997)‘Amaryllis’.Oil on canvas. Signed. Titled and dated, 1958 verso.29.5×21.5 inches.Framed: 36×28 inches.
£3,500
Marks, Gerald (1921 – 2018)Abstract Composition X.Oil on canvas. Signed and dated, 1962, verso. Provenance: Artist’s Estate.40×30 inches.Framed: 42×32 inches.
£1,750
Maze, Paul (1887 – 1979)Still life with fruit.Pastels. Signed. Provenance: ‘From the 9th Earl of Sandwich’s collection at Hinshingbrook’, according to a label verso.10.5×19.5 inches.Framed: 16.5×25.5 inches.Sold
McLean, John (1939 – 2019)‘London Bridge’.Oil on canvas. 1988. Signed, titled and dated verso. Exhibited: Francis Graham-Dixon Gallery.29.5×89.5 inches.Framed: 30.5×90.5 inches.Sold
Medley R.A., Robert (1905 – 1994)‘Landscape of Fragments’.Oil on canvas. c.1965. Signed verso.34×60 inches.Framed: 36×62 inches.Sold
Miller Parker, Agnes (1895 – 1980)‘Fox’.Wood-engraving. 1929. Signed, dated, titled and editioned ’12/40′.4.5×5 inches.Framed: 11.5×12 inches.Sold
Minton, John (1917 – 1957)‘The Bullfighter / Pepe Dominguin’.Lithograph. c.1951. Signed. Exhibited: Arts Council, ‘John Minton’, 1957 (lent by Rex Nan Kivell); Redfern Gallery, 1966 (where purchased by Rigby Graham); ‘John Minton, a Commemorative Exhibition’, Leicester, 1967 (lent by Rigby Graham); Private Collection.19×22.5 inches.Framed: 24×28 inches.Sold
Moore O.A., Henry (1898 – 1986)‘Reclining Figure III’ (C.194).Etching and aquatint. 1970/72. Signed. Inscribed by the artist, ‘Bon a Tirer – Essai 5’. The fifth and final proof before the edition of 50, published 1973. Printed at Atelier Lacouriere, Paris. Exhibited: William Weston Gallery.4.5×9.5 inches.Framed: 16.5×21 inches.Sold
Nash R.A., John (1893 – 1977)‘The Broken Sluice’; Wormingford Mill.Oil on canvas. 1962. Signed. Exhibited: Leicester Galleries, ‘New Year Exhibition’, 1962, No.72. Sold with a preparatory drawing for the composition in pen and monochrome wash. This picture is subject to 4% ARR ON THE SALE PRICE.23.5×29.5 inches.Framed: 28.5×34.5 inches.Sold
Nash, Paul (1889 – 1946)‘Coronilla’.Wood-engraving. 1925. Signed, dated, titled and editioned ’10/25′.4.5×3.5 inches.Framed: 11×9 inches.Sold
Oliver, Peter (1927 – 2006)‘Still Life in August’.Oil on board. c.1955. Signed. Titled to an artist’s label verso. Exhibited: Redfern Gallery, 1956.17.5×23.5 inches.Framed: 25.5×31.5 inches.Sold
Organ, Bryan (born 1935)Kingfisher Butcher (Sea Fly).Wax crayons. Signed and dated, 1965.10×6.5 inches.Framed: 17×13.5 inches.Sold
Pearson-Wright, Stuart (born 1975)‘Love Heart’.Oil on panel. 2006. Signed and dated. Signed, titled and dated, verso. Exhibited: ‘Things Still Standing Still’, Browse and Darby, 2006, No.39.6×5.5 inches.Framed: 8.5×8 inches.Sold
Procktor R.A., Patrick (1936 – 2003)The band Traffic, with percussionist Reebop Kwaku Baah, probably performing their ‘Welcome To The Canteen’ album at The Fairfields Hall, Croydon, 6th June 1971.Watercolour. Signed and dated, 1971. The concert was a benefit gig to support the magazine ‘Oz’ in their famous obscenity trial. Many thanks to Ian Massey for his help in cataloguing this picture.11×8.5 inches.Framed: 17.5×14.5 inches.Sold
Richards, Ceri (1903 – 1971)‘Origin of Species’.Watercolour and gouache. 1945. Signed and dated. Exhibited: Martin Tinney.15×11 inches.Framed: 23.5×19 inches.
Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)Bust of Nero, the Artist’s Garden, Neuville (B.151.1).Oil on panel. 1903/06. Signed. Provenance: Mark Oliver; Christie’s London, 30th June 1933, Lot. 122; J. L. Behrend; Christie’s London, 14th December 1973, Lot. 182; R. Buckle; Christie’s London, 22nd February 1980, Lot. 46; Christie’s South Kensington, 25th March 2009, Lot. 63. Exhibited: Redfern Gallery, ‘Early Paintings Walter Sickert’, 1937, No. 41; Leicester Galleries, ‘Artists of Fame and Promise’, 1941, No.4; Leicester Galleries, ‘The J. L. Behrend Collection’, 1962, No. 3.9.5×5.5 inches.Framed: 13.25×9.25 inches.Sold
Suddaby, Rowland (1912 – 1978)Still Life.Oil on board. Signed and dated, 1931. Inscribed ‘Suddaby / Section A / ‘Still Life”, to a label verso. Presumably made while Suddaby was studying at Sheffield College of Art. Sold with a study for the composition in pencil, squared for transfer.10×14 inches.Framed: 15×19 inches.
£975
Sutherland O.M., Graham (1903 – 1980)‘Study for a Staring Tree Form’.Pencil. Provenance: Christies, 24th November 2005. Exhibited: Louise Kosman Fine Art, where acquired by the previous owner.7×6 inches.Framed: 15.5×14 inches.Sold
Town, Norman (1915 – 1987)‘Riverside Fishing’.Pen, ink watercolour and gouache. 1948. Signed and dated. Exhibited: Peter Nahum.10×8 inches.Framed: 18×14 inches.Sold
Trench, Marianne Lucy (1888 – 1939)Italy; ‘Corner of the Piazza, Venice’.Oil on canvas. c.1915. Signed. Exhibited: Fine Art Society, 1987.11×8.5 inches.Framed: 16.5×14.5 inches.Sold
Trevelyan R.A., Julian (1910 – 1988)Sicily; ‘Road to Etna’.Lithograph. 1950. Signed and editioned ‘1/25’. Exhibited: Jenna Burlingham.17×22.5 inches.Framed: 23.5×28.5 inches.Sold
Vaughan, Keith (1912 – 1977)‘Soldiers in a Billet’.Pen, brush and ink. 1942. Titled and dated by the artist to an old backing. Exhibited: Hamet Gallery.10×13.75 inches.Framed: 19×22.5 inches.Sold
White N.E.A.C. R.W.S. L.G. S.W.E., Ethelbert (1891 – 1972)Night Sky; an illustrations for Richard Jeffries, ‘The Story of my Heart’, Duckworth, 1923.Wood-engraving. 1923. Signed and editioned ‘Edition 10 Sets’ / ‘Set III’.3.5×4.5 inches.Framed: 7×8 inches.Sold
Camp R.A., Jeffery (1923 – 2020)‘Beachy Head, Daybreak’.Oil on board. 1985. Signed. Oil on panel. Exhibited: John Moores, Exhibition 14, 1985; Nigel Greenwood; Art Space Gallery, 2005. Ex. Collection: Anthony Green R.A. (1939-2023).96×24 inches.Framed: 98×26 inches.Sold
AND ALSO ON OUR STAND
… is this selection from our existing stock.
Battersby, Martin (1914 – 1982)‘Fire II’.Gouache. Exhibited: Arthur Jeffress, and still in their frame. Price to include re-framing.3.25×4.25 inches.Framed: 8.5×9 inches.
£2,750
Bawden C.B.E. R.A., Edward (1903 – 1989)PAIR: Studies of Brighton Pier.Pen and ink. c.1952. Studies for ‘The English Scene – The Sundour Diary 1953 (May)’. Provenance: John Russell-Taylor.8.5×10.75 inches.Framed: 16.5×18 inches.Sold
Birch R.A., John Samuel ‘Lamorna’ (1869 – 1955)‘Sunday Night, St John’s Wood’; previously identified as painted from Dame Laura Knight’s house.Oil on canvas. Signed. Inscribed on the stretcher. Exhibited: Royal Academy, 1930, no.523. Provenance: Christies King Street, 8/3/1990, lot 43/b.20×24 inches.Framed: 27×30 inches.
£7,500
Bone N.E.A.C., Stephen (1904 – 1958)London: ‘River Police’ on the Thames under Hungerford Bridge.Oil on panel. c.1930. Signed. Signed and titled verso. Exhibited: Leicester Galleries.9.5×13.5 inches.Framed: 15×19 inches.Sold
Collins, Roland (1918 – 2015)London; ‘Cannon St from South Bank’.Gouache. Signed. Titled verso.14.5×20.5 inches.Framed: 23.5×29 inches.Sold
Denaro, Melita (born 1950)'Lower Lagerhurry (I)'.Oil on board. November 1996. Exhibited: Contemporary Art Society Market, 1996.6.5"x8.5" inches.Framed: 13.25"x15.25" inches.Sold
Fraser, Eric (1902 – 1984)‘Blood Wedding’.Pen and ink. Signed. An illustration for Federico García Lorca’s tragedy ‘Blood Wedding’, made for the Radio Times, 1/7/1949.5×4 inches.Framed: 12.5×10.5 inches.
Grant L.G., Duncan (1885 – 1978)Life studies.Brush and Indian ink. Provenance: one of the artist’s sketchbooks from the 1920s. Exhibited: Spink, ‘Duncan Grant and Vanessa Bell – Design and Decotation 1910-1960’, November 1991, No.379×12 inches.Framed: 17.5×20 inches.Sold
Hanley, Liam (1933 – 2019)Blue Flowers.Oil on board. Signed and dated, 1966.18.5×13.25 inches.Framed: 23×18 inches.Sold
Hartrick O.B.E. R.W.S., Archibald Standish (1864 – 1950)‘Women’s work’.The full set of six prints from the Series ‘The Great War: Britain’s Efforts and Ideals’. Lithographs. 1917. All signed by the artists and printed in a limited edition of 200 in 1917. Please refer to the ‘Efforts and Ideals’ exhibition page for full details of each work. Provenance: commissioned by the British Government via ‘Wellington House’ (later the Department of Information / Ministry of Information); transferred to the Imperial War Museum after the MOI was shut down in December 1918; transferred to His Majesty’s Stationery Office in 1923; returned to the Imperial War Museum where un-accessioned and stored for future sale, and on whose behalf now sold.Sold
Hubbard, John (1931 – 2017)Studies for ‘Midsummer’ (Royal Ballet at the Royal Opera House, 1983).Oil on paper. Signed, inscribed and dated, 1983. Exhibited: Fischer Fine Art.7.25×9 inches.Framed: 23.5×27.5 inches.Sold
Jackson A.R.A., Francis Ernest (1872 – 1945)Defence Against Aggression (England and France – 1914).Lithograph. 1917. Edition of 200. Signed.25"x17.5" inches.Framed: 34.5"x26" inches.
£750
John O.M. R.A., Augustus (1878 – 1961)‘The Hawkers Van’ (CD.125).Etching. Etched at Matching Green, Essex 1904/5. Signed. Editioned ‘3/25’.6.5×8 inches.Framed: 15×15.5 inches.
£1,750
Kennington R.A., Eric (1883 – 1960)‘Making Soldiers’.The full set of six prints from the Series ‘The Great War: Britain’s Efforts and Ideals’. Lithographs. 1917. All signed by the artists and printed in a limited edition of 200 in 1917. Please refer to the ‘Efforts and Ideals’ exhibition page for full details of each work. Provenance: commissioned by the British Government via ‘Wellington House’ (later the Department of Information / Ministry of Information); transferred to the Imperial War Museum after the MOI was shut down in December 1918; transferred to His Majesty’s Stationery Office in 1923; returned to the Imperial War Museum where un-accessioned and stored for future sale, and on whose behalf now sold.
£7,200
Lees N.E.A.C., Derwent (1885 – 1931)Dorset; view over a lake at Creech.Pencil and watercolour. 1909. Exhibited: Abbott and Holder pre-1972. Ex. Collection: John Russell-Taylor.9.5×13.5 inches.Framed: 18×21.75 inches.
£2,250
Nash, Paul (1889 – 1946)Trees and Pond.Pencil and watercolour. c.1922. Provenance: John Russell-Taylor.4.75×8 inches.Framed: 13×15.5 inches.
£3,500
Nash, Tom Saunders (1891 – 1968)Moses Ascending Mount Sinai.Pen, ink and gouache on paper. 1930. Signed. Exhibited: Probably the artist’s posthumous retrospective, Reading Art Gallery, 1980, No.17.15×21.5 inches.Framed: 23.25×29.5 inches.
£2,750
Nevinson, Christopher Richard Wynne (1889 – 1946)1. Making the Engine.Lithograph. 1917. Edition of 200. Signed. NOTE: this print has a repair on right hand edge, From ‘Making Aircraft’, the set of six prints for the Series ‘The Great War: Britain’s Efforts and Ideals’. Provenance: commissioned by the British Government via ‘Wellington House’ (later the Department of Information / Ministry of Information); transferred to the Imperial War Museum after the MOI was shut down in December 1918; transferred to His Majesty’s Stationery Office in 1923; returned to the Imperial War Museum where un-accessioned and stored for future sale, and on whose behalf now sold.
£7,500
Nevinson, Christopher Richard Wynne (1889 – 1946)2. Assembling Parts.Lithograph. 1917. Edition of 200. Signed. From ‘Making Aircraft’, the set of six prints for the Series ‘The Great War: Britain’s Efforts and Ideals’. Provenance: commissioned by the British Government via ‘Wellington House’ (later the Department of Information / Ministry of Information); transferred to the Imperial War Museum after the MOI was shut down in December 1918; transferred to His Majesty’s Stationery Office in 1923; returned to the Imperial War Museum where un-accessioned and stored for future sale, and on whose behalf now sold.
£7,500
Nevinson, Christopher Richard Wynne (1889 – 1946)3. Acetylene Welder.Lithograph. 1917. Edition of 200. Signed. From ‘Making Aircraft’, the set of six prints for the Series ‘The Great War: Britain’s Efforts and Ideals’. Provenance: commissioned by the British Government via ‘Wellington House’ (later the Department of Information / Ministry of Information); transferred to the Imperial War Museum after the MOI was shut down in December 1918; transferred to His Majesty’s Stationery Office in 1923; returned to the Imperial War Museum where un-accessioned and stored for future sale, and on whose behalf now sold.
£7,500
Nevinson, Christopher Richard Wynne (1889 – 1946)4. In the Air.Lithograph. 1917. Edition of 200. NOTE: We only have unsigned prrofs, stamped 'Specimen' remaining of this print. From 'Making Aircraft', the set of six prints for the Series 'The Great War: Britain's Efforts and Ideals'. Provenance: commissioned by the British Government via 'Wellington House' (later the Department of Information / Ministry of Information); transferred to the Imperial War Museum after the MOI was shut down in December 1918; transferred to His Majesty's Stationery Office in 1923; returned to the Imperial War Museum where un-accessioned and stored for future sale, and on whose behalf now sold.Sold
Nevinson, Christopher Richard Wynne (1889 – 1946)London; ‘The Rising City’ (JB125).Etching. Signed. c.1926-27. Literature: Jonathan Black, ‘C.R.W. Nevinson The Complete Prints’, Lund Humphries, 2014, cat. no. 125, pp. 56 and 176 (Ill p.177).12.5×9.25 inches.Sold
Pryde, James Ferrier (1866 – 1941)Woman and Shadows.Brush, Indian ink and gouache. c.1912. Provenance: John Russell-Taylor.11×7.5 inches.Framed: 19×15 inches.
£1,750
Raverat S.W.E., Gwen (1885 – 1957)‘Boat Race’ (SN558).Wood-engraving. 1949. Signed and titled. State II. Edition of 21. Provenance: an album of Raverat’s prints, compiled by the artist and by descent.6.25×9.25 inches.Framed: 14.25×16.5 inches.Sold
Reynolds, Alan (1926 – 2014)Kent; ‘Study Oak’ / ‘Study at Shoreham’.Pen, brush, ink and watercolour. Signed and dated, 1953. Inscribed ‘Study Oak’ recto. Further inscribed ‘Study at Shoreham April 53’ no the old backing. Exhibited: Redfern Gallery, 1960.6.75×5.75 inches.Framed: 15×13.25 inches.Sold
Roussel, Theodore Casimir (1847 – 1926)Monaco; ‘The Terrace, Monte Carlo, End of Afternoon, April 1905’ (H62).Dry-point etching. Signed. About 20 impressions in this, the final State.6.5×9.25 inches.Framed: 14.25×16.5 inches.Sold
Salter P.R.A., Rebecca (born 1955)‘Untitled J5’.Acrylic on canvas. Signed, titles and dated 1994, verso. Exhibited: Jill George Gallery.8×8 inches.
Shepperson, Claude Allin (1867 – 1921)‘Tending the Wounded’.The full set of six prints from the Series ‘The Great War: Britain’s Efforts and Ideals’. Lithographs. 1917. All signed by the artists and printed in a limited edition of 200 in 1917. Please refer to the ‘Efforts and Ideals’ exhibition page for full details of each work. Provenance: commissioned by the British Government via ‘Wellington House’ (later the Department of Information / Ministry of Information); transferred to the Imperial War Museum after the MOI was shut down in December 1918; transferred to His Majesty’s Stationery Office in 1923; returned to the Imperial War Museum where un-accessioned and stored for future sale, and on whose behalf now sold.
£1,500
Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)France: Paris, study of heads at L’Eldorado.Pen, ink and chalks. Signed and inscribed ‘Paris, 1907’. L’Eldorado (demolished 1932) was a popular Cafe Concert, established in the mid-nineteenth-century. Provenance: Jack Beddington; his sale, Christie’s, 25th March, 1960 (lot 100); LG; Denys Sutton; Christie’s , 25th August 2005 (lot 18); with Simon Hilton, 2005; David Fullen; Goldmark Gallery; Bonhams, 2nd November 2010 (lot 114). Literature: Wendy Baron, ‘Sickert Paintings and Drawings’, 2006, Cat. No. 293.1.10×7 inches.Framed: 20×15.5 inches.Sold
Spencer R.A., Gilbert (1892 – 1979)Devon; Thurleston.Pencil and watercolour. Signed and dated, ‘March 1947’. Exhibited: Atkinson Art Gallery, Southport, 1953; Reading Guild of Artists.13.5×18.5 inches.Framed: 22×26.5 inches.
£2,500
Tchelichev, Pavel (1898 – 1957)‘Théâtre Français’.Pen and ink. A study for the large oil sold at Sotheby’s 2/6/2015. Signed and dated, 1931.8.25×10.5 inches.Framed: 13.5×15.25 inches.Sold
Tomlin, Stephen (1901 – 1937)Duncan Grant (1885-1975)Bronze. Edition of 15. Cast in 2020/21 from the original bronze by Bronze Age London for Abbott and Holder JV. Stamped ‘AHJV’, editioned ‘…/15’, foundry stamped and hallmarked using the DACS Bronzechain hallmarking scheme. Price: £6000 (+vat).14.5×11.5xD9 inches.
£7,200
Turnbull, Peter (born 1950)Bedroom Interior.Tempera on board. Sold with a pencil drawing study the composition. Ex. Collection: Anthony Green RA (1939 – 2023)10×3.5 inches.Framed: 9×16 inches.Sold
Webb, Joseph (1908 – 1962)‘Shepherd’s Haven’.Etching. 1929. Signed, dated, titled and editioned ‘1st State Trial Proof’.5.5×10 inches.Framed: 11.75×16.25 inches.Sold
ONLINE and in the GALLERY 30th October – 16th November
LIST 553
NOVEMBER 2024
PART I Online 5pm Tuesday 5th
PART II Online 5pm Tuesday 19th
MARY HEADLAM (1874-1959)
An Artist Rediscovered
PRIVATE VIEW 6-8pm Thursday 28th November
The exhibition will continue until Monday 23rd December
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat enquiries about List pictures in strict order of receipt.
Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
Images: These are intended as an indication of the work – please telephone or email if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.
Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.
Approval Service: We are happy to send works on approval, but this is subject to discussion.
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