LIST 534

FEBRUARY 2023

PART I

Issued 5pm 7th February

1. ANON (Nineteenth-Century) Isle of Wight; ‘Shanklin Chine’ Watercolour. Inscribed and dated, 1800 verso. 7.5×10.75 inches.
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2. Ackroyd C.B.E. R.A., Norman (born 1938) ‘Incidental Black’ Etching and aquatint. Signed, titled and editioned ‘Artist’s proof (Final State)’. 21×19.5 inches.
£475
3. ANON (Twentieth-Century) London; Chelsea Old Church. Watercolour. c.1900. Indistinctly signed. 10.5×14.25 inches. Framed: 18.5×21.75 inches.
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4. Bone N.E.A.C., Stephen (1904 – 1958) Gavin Bone (1903-1942) reading. Oil on canvas. Signed and dated, 1925. 35×21 inches. Framed: 40.75×26.5 inches.
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5. Bratby R.A., John (1928 – 1992) ‘Lilies II’. Oil on canvas. 1966. Signed. Exhibited: Zwemmer Gallery, ‘New Paintings by John Bratby’, 1966, No.14. 56×32 inches. Framed: 56.5×32.5 inches.
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6. Bone R.W.S. N.E.A.C., Sir Muirhead (1876 – 1956) Spain; ‘The Convent of San Payo, Santiago de Compostela’ (Dogson 434). Drypoint etching. 1929. Signed. Inscribed under the mount ‘IV state (1 of 2 impressions thus)’. 12.25×7.25 inches.
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7. ANON Lighthouse or Watch Tower. Pencil and monochrome wash, after (or possibly by) Thomas Wijk / Wyck (1616-1677). Inscribed ‘Tomas Wyck’. 6.5×9.5 inches.
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8. Brooke, William Henry (1772 – 1860) North Pole; ‘Captain Parry’ (Sir William Edward Parry 1790-1855) … ‘Surrounded with Oak and Laurel leaves, supported by the four … of the Globe _ The Rising sun from behind dispelling the clouds of ignorance from the North Polar regions, with which it has been hitherto enveloped _ beneath [the] principal scene from Parry’s Voyage, Ships enclosed among the Ice-bergs’. Parry made expeditions to discover a Northwest Passage (1819-1820), and to the North pole (1827). He set the record for the farthest north human expedition until 1875. Pen, ink and monochrome wash. Signed. 9×6.5 inches.
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9. Byrne, John (born 1940) ‘Head, Drawer, Fish’. Lithograph. Signed, titled and editioned, ’16/24′. 15.5×20 inches.
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10. Chinnery, George (1774 – 1852) Children and dog; either a study for a portrait, or perhaps a study for Chinnery’s illustrations to Fielding’s ‘Amelia’. Pen and ink. c.1800. 3.5×4 inches.
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11. Cramp, Elizabeth (1929 – 2010) ‘Rooks’. Watercolour. Exhibited: Royal Society of Painters in Watercolours. 20.75×23.75 inches. Framed: 31.5×34 inches.
£575
12. Crouch (fl.1817-1850), William Capriccio. Pencil and watercolour. 3.5×5.25 inches.
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13. De Wint O.W.S., Peter (1784 – 1849) Kent; The Old Rectory, Ashtead. Pencil and watercolour. Provenance: the Howard Album; Matthew Pryor. 7.25×11 inches. Framed: 15×17.75 inches.
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14. Downman, John (1750 – 1824) ‘Mrs Hugh Watts’. Chalk, stump and watercolour. Signed and dated, 1779. Inscribed on the original backboard ‘This portrait of Mrs Hugh Watts was done / for … by Downman’. 7.5×5.75 inches. Framed: 15.25×13 inches.
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15. Farge, Henri (1884 – 1970) ‘Le Charlatan’. Etching. c.1925. Signed. 6.5×7 inches.
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16. Farleigh R.E., John (1900 – 1965) ‘Pinks’. Lithograph. Signed, titled dated 1938 and editioned ‘8/12’. Illustrated: Sacheverell Sitwell, ‘Old Fashioned Flowers’, 1939, opp. p.90 (where titled ‘Two Old Laced Pinks / with A. J. Macself on the right’). Sold with a copy of the book. 9.5×6.5 inches.
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17. Finney, Hubert Arthur (1905 – 1991) Learning to write. Indian ink. Exhibited: Duncan Cambell, Hubert Arthur Finney Studio Sale, 2007. 10.5×15 inches.
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18. Gill (1895-?) (Attributed to), Margaret Evangeline (Angela) Portrait of Rachel Rothenstein (Daughter of William Rothenstein). Pencil, after the 1926 engraving by Eric Gill (Physick 370, Cleverdon 92 and 85). Initialled ‘AG”. 10.5×7 inches.
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19. Gosse, Sylvia (1881 – 1968) Table top still life. Pen, ink, crayon and white heightening. c.1913. Exhibited: Sandra Lummis Fine Art. 14.25×10 inches. Framed: 22×17.5 inches.
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20. Greenwood, Timothy (1947 – 2010) Field Mouse. Etching. Signed and editioned ’10/50′. 4.25×2.75 inches. Framed: 4.25×3 inches.
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21. Hey, Cicely (1896 – 1980) ‘Orders for Dinner’. Oil on canvas board by Sickert’s friend and model, who married Robert Tatlock (Editor of the Burlington Magazine). Titled to an artist’s label verso. Provenance: Tony Goble (1943-2007), who inherited the contents of the artist’s studio, and by descent. 14×10 inches. Framed: 15.5×11 inches.
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22. Hearne, Thomas (1744 – 1817) Hertfordshire; ‘Hemel Hempstead’. Pencil and watercolour. Signed. Inscribed verso. 9.75×12.75 inches.
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23. Hilder OBE, Rowland (1905 – 1993) Fishing Boat. Etching. Signed and editioned, ’62/84′. 6.5×11 inches.
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24. Hopkins R.W.S., Arthur (1847 – 1930) Surrey; Near Walton-on-Thames, December 22nd 1872. Pencil. Exhibited: Abbott and Holder. 4.75×6 inches. Framed: 7×8 inches.
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25. Houthuesen, Albert (1903 – 1979) ‘Cascading Wave’. Acrylic on board. August 1969. Titled and dated on the backboard.Exhibited: Mercury Gallery, 1977. 9×11 inches. Framed: 19×21 inches.
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26. Howarth, Albany (1872 – 1936) Italy; Florence, ‘Ponte Vecchio No.2’. Etching. Signed. 5×4.75 inches.
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27. Howitt, Samuel (1756 – 1822) Horse and Cart. Pen, ink and monochrome wash. Provenance: Sotheby’s 30/11/1978, lot 170. 7×10.5 inches.
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28. Jonzen R.B.A. A.R.B.S., Karen (1914 – 1998) A girl dressing her hair. Glazed terracotta. Signed. 13x9xD3.5 inches.
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29. Lancaster O.B.E., Sir Osbert (1908 – 1986) Costumes for Donizetti’s ‘Don Pasquale’, Sadlers Wells 1952. Pen, ink and gouache. 5×8 inches.
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30. Jaques, Pierre (1913 – 2000) ‘Un Chêne’ / ‘An Oak’. Oil on canvas. Signed. Signed and dated, 1958 verso. 9×6.25 inches. Framed: 12×9 inches.
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31. Müller, William James (1812 – 1845) Italy; Pompeii, the Bay of Naples. Pencil, watercolour and gouache. Exhibited: Squire Gallery. 3×5 inches. Framed: 9.5×11 inches.
£575
32. Leete, Alfred (1882 – 1933) Schmidt the Spy: ‘Wire entanglements are being erected to guard against our aerial attacks’. Pen and ink for the ‘London Opinion’. Signed. With caption. Date stamped ’27 March 1915′. Illustrated: Alfred Leete, ‘Schmidt the Spy and his messages to Berlin’, Duckworth, 1916. 10×12.5 inches.
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33. Nash, Joseph (1809 – 1878) London; Decimus Burton’s screen at Hyde Park corner (c.1825). Pencil and watercolour. Signed, inscribed ‘Screen to the entrance of Hyde Park’ and dated, 1827. Exhibited: Squire Gallery. 7×13 inches.
£575
34. Palmer, Samuel (1805 – 1881) ‘The Herdsman’s Cottage’ (L3 ii/ii). Etching. 1850. 2nd and final state as published in ‘The Portfolio’, 1872. Exhibited: Craddock & Barnard, 1972. 3.75×3 inches.
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35. Procktor R.A., Patrick (1936 – 2003) Portrait of a man. Aquatint. Proof. c.1988. Signed and inscribed ‘1st State’. 5.5×4.75 inches.
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36. Prout O.W.S., Samuel (1783 – 1852) East Sussex; Hastings, the East Cliff. Watercolour. Inscribed verso ‘Hastings / S. Prout’. Exhibited: Andrew Wyld, ‘Watercolours and Drawings 1750-1950, The Annual Exhibition 2006’, no.26. 11.75×8.5 inches. Framed: 20×16.5 inches.
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37. Procter A.R.A., Ernest (1886 – 1935) WWI; ‘Ypres / Cloth Hall, Town Gate / Ruins of Cathedral’. Watercolour and gouache. Signed and inscribed. Painted in October 1918. 9.5×12.5 inches.
£1,750
38. Reynolds, Alan (1926 – 2014) Kent; ‘Study Oak’ / ‘Study at Shoreham’. Pen, brush, ink and watercolour. Signed and dated, 1953. Inscribed ‘Study Oak’ recto. Further inscribed ‘Study at Shoreham April 53’ no the old backing. Exhibited: Redfern Gallery, 1960. 6.75×5.75 inches.
£4,250
39. Redman, Henry (AKA Harry) Victor (1920 – 1994) Kent; design for the cover of a ‘Map and Guide’. Pencil, pen, ink and watercolour. c.1940. Provenance: The artist’s Estate. 5.5×9 inches.
£500
40. Sandby R.A., Paul (1731 – 1809) A rider and his dog leading horses. Pencil, pen, ink and watercolour. 5.5×6.75 inches.
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41. Rowlandson (Attributed to), Thomas (1756 – 1827) Windsor Castle; sketches taken ‘From some Paintings at Windsor Castle’. Verso: elevations from a room ‘Fronting Hyde Park…’. Pen and ink. Extensively inscribed. 4.75×3.5 inches.
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42. Schill, Emil (1870 – 1958) Swiss Landscape. Oil on panel. Signed. Dated ’20 Juli 1917′ and indistinctly inscribed verso. 9×12 inches. Framed: 13.5×16.75 inches.
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43. Strang R.A. R.E., William (1859 – 1921) ‘Man with a Cloak’, a self portrait (B110). Etching. 30 impressions. Signed and dated, 1883. 6.5×4.5 inches.
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44. Taylor, Charles William (1878 – 1960) West Sussex; Horsham, ‘Beyond Steyning’. Wood engraving, Signed, Inscribed, and editioned 12/50. 9×11.25 inches.
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45. Thornhill, Sir James (1675 – 1734) A sketch taken from a portrait. Possibly a studio record. The sitter before the East Range of the King Charles Court at Greenwich Hospital, with the ‘turret’ added to support a flag on the roof in 1713, which was taken down in 1733. Pen and ink. Ex. Collection: Bill Drummond. 5.5×3.5 inches. Framed: 12.75×10.75 inches.
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46. Thornton, Valerie (1931 – 1991) Pembrokeshire; ‘St Davids’. Etching and aquatint. 1971. Signed, titled, dated and editioned ’57/75′. 15.5×21 inches.
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47. Trevelyan R.A., Julian (1910 – 1988) London; ‘Westminster’. Etching and aquatint. 1969. From the Thames Suite. Signed, titled and editioned ‘Artist’s proof’. 13.5×18.5 inches.
£1,250
48. Varley F.R.S.A., Cornelius (1781 – 1873) Tree studies at the edge of a field. Pencil and monochrome wash. Exhibited: Squire Gallery. 9.5×13.5 inches.
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49. Wale (Attributed to), Samuel (1721 – 1786) A portrait of an military officer with one of his engagements in a cartouche below. Pencil and monochrome wash. Ex. Collection: Bill Drummond, who identified the sitter as John Burgoyne (1722-1792), (AKA ‘Gentleman Johnny’). 6.5×4 inches. Framed: 11.5×8.25 inches.
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50. Ward R.A., James (1769 – 1859) A Hound. Pencil. Signed. 4×4.75 inches.
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WILLIAM DANIELL R.A. (1769-1837)

Portraits of Artists and Writers

after

GEORGE DANCE R.A. (1741-1825)

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LIST 534

FEBRUARY 2023

PART II

Issued 5pm 21st February

51. ANON (Nineteenth-Century) Two profiles; a horse and his rider. Watercolour. Ex. Collection: Cyril Fry, by whom attributed to Martin Archer Shee (1769-1850). 6×4 inches.
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52. ANON (Nineteenth-Century) A Foreign Pheasant. Pencil and watercolour. Ex. Collection: Cyril Fry. 3.5×2 inches.
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53. ANON (Nineteenth-Century) Reclining Moroccan Man. Pencil, watercolour and gouache. 7.5×10.75 inches.
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54. Austin, Frederick (1902 – 1990) The Flight into Egypt. Etching. 1927. Signed. 6.75×8 inches.
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55. Baynes, Anthony (1921 – 2003) Studio interior. Oil on board. Signed. 8.5×6.5 inches. Framed: 11.75×9.75 inches.
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56. Batten, John Dickson (1860 – 1932) Tiger. Wood-cut. 1899. Signed. 5.5×7.75 inches.
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57. Beechey (attributed to), Sir William (1753 – 1839) A Royal Navy Commander in undress uniform. Oil on canvas. c.1780. Inscribed ‘Admiral Kempenfeldt / … Aug 1782’ to the stretcher, and ‘Admiral Kempenfeldt drowned in the Royal George at Spithead’ to a label on the stretcher. The sitter is certainly not Admiral Kempenfelt. 11×9.5 inches. Framed: 15×13 inches.
£3,750
58. Birch R.A., John Samuel ‘Lamorna’ (1869 – 1955) ‘Sunday Night, St John’s Wood’; previously identified as painted from Dame Laura Knight’s house. Oil on canvas. Signed. Inscribed on the stretcher. Exhibited: Royal Academy, 1930, no.523. Provenance: Christies King Street, 8/3/1990, lot 43/b. 20×24 inches. Framed: 27×30 inches.
£7,500
59. Bussy, Simon-Albert (1870 – 1954) Italy; ‘Lac de Molveno, Tyrol, No.1’. Pastels. c.1910. Signed. Exhibited: Carfax Gallery, Pastels by Simon Bussy, June 1913, Cat No.6. 7.75×6 inches. Framed: 19×16.75 inches.
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60. Cooper C.V.O. R.A., Thomas Sidney (1803 – 1902) Sheep. Chalks. A study for Plate 4 of Cooper’s ‘Studies of Cattle, Drawn from Nature’, S&J Fuller, London c.1837. (NB Cooper’s studies of ‘Cattle’ included Horse, Sheep and other livestock).
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61. Cotman, John Sell (1782 – 1842) ‘Tintern Monmouthshire’. Pencil. Signed and inscribed. Circulation number ‘2741’. Stamped: ‘Cotman King’s College London’. Related to a watercolour by Cotman in the British Museum (BM 1902,0514.38) 7×9 inches.
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62. Cox O.W.S., David (1783 – 1859) Warwickshire; ‘Kenilworth Castle’. Charcaol. Inscribed. 7×10.75 inches.
£750
63. Creswell, Alexander (born 1957) Italy; Rome, the Piazza del Popolo. Watercolour. Signed. 21×29 inches. Framed: 36×43 inches.
£875
64. Craig (c.1787-1827), William Marshall Cain and Abel. Pencil and monochrome wash. 7.75×5 inches.
£375
65. Denaro, Melita (born 1950) ‘Johnny Mickey’s Twin Calves; If the Calves are Lying they will Stay a While’. Oil and panel. August 16, 2003. Exhibited: John Martin, 2004. 7×8.5 inches. Framed: 15.25×16.5 inches.
£2,250
66. Desmet R.A., Anne (born 1964) ‘Tree with Snow (Oxford)’. Wood-engraving. 1985. Signed, titled and editioned ‘VIII/X’. 11.75×7 inches. Framed: 21×16 inches.
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67. Devis, Anthony (1729 – 1816) Surrey; ‘Near Godstone’. Pencil, pen, ink and watercolour. Inscribed. 5.25×8 inches.
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68. Dubsky, Mario (1939 – 1985) Two Figures; a life drawing. Charcoal. Signed and dated, 1962. 31×22 inches. Framed: 32.5×23.75 inches.
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69. Eagleton, Aileen (1902 – 1984) Hellebores. Oil on canvas. Signed. 12.25×14.25 inches. Framed: 15.5×17.75 inches.
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70. Finch (4th Earl of Aylesford) F.S.A. F.R.S, Heneage (1751 – 1812) Ireland; Co. Monaghan, ‘View from Mr Shirley’s of Carrickmacross & Lord Bath’s estate extending to the wood in the distance to the right’. Pen, brush and ink. Inscribed on the original wash line mount. 10×13 inches. Framed: 18.5×21.5 inches.
£675
71. Francia, Francois Louis Thomas (1772 – 1839) Wharf Buildings. Monochrome wash and white heightening. Ex. Collection: John Percy (1818-1889), his stamp verso. 4.25×7.25 inches.
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72. Gabain, Ethel (1883 – 1950) ‘Rêves d’Après-Midi’ (W227). Lithograph. 1921. Edition of 24. Signed. Provenance: Artist’s Estate. 12.25×9.25 inches. Framed: 22×18 inches.
£975
73. Halliwell, Albert Edward (1905 – 1987) U.S.A.; ‘White Star Line to New York’. An original poster design. Pencil and gouache. c.1930. Provenance: the Artist’s Estate. 30×18.75 inches.
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74. Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938) ‘Anglia Perdita’ (C28). Etching. IV State. 1925. One of fifteen impressions (nine of which are in public collections). Signed. Dedicated to Hilaire Belloc. 10.25×7.5 inches.
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75. Hanley, Liam (1933 – 2019) ‘Yellow Flowers’. Oil on canvas. Signed and dated, 1967. 20.48×26.39 inches. Framed: 22×28 inches.
£975
76. Hey, Cicely (1896 – 1980) Woman reading. Pencil. c.1920. Provenance: 10×7 inches. Framed: 10×7 inches.
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77. Hennell, Thomas (1903 – 1945) Scotland; Perthshire, the River Garry. Watercolour. Exhibited: Andrew Sim. 10.5×14.75 inches. Framed: 17.5×21.5 inches.
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78. Hern, Charles Edward (1848 – 1894) Bristol; Small Street. Watercolour. c.1890. Signed. 8.5×5.5 inches. Framed: 11.25×7.75 inches.
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79. Hiremy-Hirschl, Adolf (1860 – 1933) Reading the morning paper; the artist’s lover. Watercolour. c.1910. Acquired by the previous owner at an Exhibition of Hiremy Hirschl’s work in 1984. 7.5×11.5 inches.
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80. Hollingsworth, Ruth (1880 – 1945) Wales; ‘Breconshire Landscape’. Oil on canvas. c.1910. Signed. 35×40 inches. Framed: 45.5×51 inches.
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81. Jonzen, Basil (1913 – 1967) Still Life; Foxgloves. Gouache. Signed and dated, 1945. 18.5×13.4 inches. Framed: 21×16.5 inches.
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82. Larkins, William Martin (1901 – 1974) ‘Underwood Street, Whitechapel’. Etching. 1922. Signed, titled and inscribed, ‘3rd State. Imp 34. No 9/25’. 2.75×3 inches. Framed: 3×3 inches.
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83. Keene, Charles (1823 – 1891) Model in costume. Pencil. Provenance: Album of Keene drawings from Estate of Lord Clark. 5×3 inches.
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84. Monro School (Early Nineteentth Century) Wales; Harlech Castle. Pencil and watercolour. Possibly by one of the family of Dr Thomas Monro (1759-1833). 11×15 inches.
£475
85. Nicholson, Sir William (1872 – 1949) London; Bloomsbury, ‘The Foundling / Night’. Pencil. Signed and inscribed. 6×8.5 inches. Framed: 14.25×16 inches.
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86. Monro School (Early Nineteentth Century) Italy; Rome, Castel Sant’Angelo. Pencil and watercolour in the Henderson / Turner Monro School manner. Ex. Collection: Cyril Fry. 4×5.5 inches.
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87. Procktor R.A., Patrick (1936 – 2003) Life study. Pen and ink. Signed and dated, November 1963. 9.5×7 inches.
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88. Redman, Henry (AKA Harry) Victor (1920 – 1994) Landing and linen press. Pen, ink, chalk and watercolour. Signed. 1951. Provenance: Artist’s Estate. 17×9.5 inches.
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89. Rushbury R.A. R.E., Sir Henry (1889 – 1968) Italy; ‘Fascisti, Roma’ (JR.44). Dry-point. 1923. Signed. Edition of 50. 14.25×8.25 inches.
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90. Oram (c.1711-1777), William Capriccio landscape. Pencil and watercolour. Signed. Exhibited: Squire Gallery. 8.5×10.75 inches.
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91. Stacpoole A.R.A., Frederick (1813 – 1907) ‘The Shadow of Death’. Engraving after the 1870-73 painting by William Holman Hunt (1827-1910). Proof before title lettering. Signed in pencil by both Holman Hunt and Stacpoole. Bearing the Printsellers Association blindstamp. Original, newly restored frame. This print was begun by Stacpoole in 1874 and published by Agnews (who owned the painting) in 1878. A similar proof impression signed by artist and printmaker is in the Art Institute of Chicago. 29×23 inches. Framed: 43×37 inches.
£3,750
92. Shannon R.A., Charles Haslewood (1863 – 1937) ‘With Viol and Flute’ (R10). Lithograph. Signed. 1892. Inscribed ‘No.10’. Edition of 25 impressions in grey. Published separately in ‘The Dial’ No.2 (1892). Ex. Collection: Paul Delaney (author of ‘The Lithographs of Charles Shannon’). 6.5×9 inches.
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93. Stark (Attributed to), Arthur James (1831 – 1902) Sunset. Watercolour. Ex. Collection: Cyril Fry. 4.5×4 inches.
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94. Tanner A.R.E., Robin (1904 – 1988) ‘Harvest Festival’. Etching. 1930. One of 12 etchings from the Memorial Portfolio printed from the original plates and published in 1989 by Merivale Editions/Garton and Cook. Stamped and pencil editioned 13/100. 13×12 inches. Framed: 20.5×17.25 inches.
£575
95. Topolski R.A., Feliks (1907 – 1989) Derby Day. Pen, brush ink and watercolour. Signed. Verso: an artist painting on a continental street. Provenance: Artist’s Estate. 19.5×14.5 inches. Framed: 22×17 inches.
£1,250
96. Wyld N.W.S., William (1806 – 1889) Italy; Venice, the Rialto. Pencil and watercolour. Ex. Collection: Cyril Fry. 1.75×3.25 inches.
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97. Tunnicliffe R.A. R.E., Charles Frederick (1901 – 1978) ‘The White Horse’ (MH46). Etching and drypoint. 1927. Signed and editioned, ’47/75′. 8×9.25 inches.
£975
98. Varley O.W.S., John (1778 – 1842) Capriccio. Pencil and watercolour. Exhibited: Squire Gallery. 3.75×8.75 inches.
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99. Vaughan, Keith (1912 – 1977) Nude; a Grafitti Drawing [sic]. Pencil. Dated, ’26 IX’. c.1970. Estate stamp verso. 11×7.75 inches. Framed: 18.5×15.5 inches.
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100. Yarrow-Jones, Ernest (1872 – 1951) France; Bormes-les-Mimosas. Watercolour. Circa 1925. Signed. Provenance: Yarrow Jones Studio Sale, Bonhams, 3.3.1993. 11×8.5 inches. Framed: 21×18 inches.
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LIST ARCHIVE

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LIST 535 (Part I) will be published at 5pm on Tuesday 7th March.

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