LIST 558

April 2025

PART I

5pm Tuesday 8th April

  • ANON (Eighteenth-Century)
    An artist at his easel. Verso: a man in a tricorne hat with his dog. Pencil, pen, brush and ink. c.1760. 8.25×5.75 inches.
    £1,500
  • ANON (Eighteenth-Century)
    Roman Profile. Pen and ink. c.1790. 6×4.5 inches.
    £1,250
  • ANON (Nineteenth-Century)
    Indian watercolour after a Pietra Dura panel. Watercolour and gouache. Mid Nineteenth Century. 6.5×4 inches.
    Sold
  • Bampfylde, Coplestone Warre (1720 – 1791)
    Henley from the east side of the Thames. Pencil, pen, ink and watercolour. 12.5×19.5 inches. Framed: 21×27.5 inches.
    Sold
  • Baring-Gould (Early Nineteenth Century), M
    A precarious stone bridge crossing a raging torrent (Not the Devil’s Bridge, Wales and inscribed verso). Pencil and watercolour. Signed, inscribed, dedicated and dated ‘July 10th 1826 / Lewtrenchard / To / He own dear Ellen’ verso. 8.5×6 inches.
    Sold
  • Bone N.E.A.C., Stephen (1904 – 1958)
    Blackpool; deconstructing the Giant Wheel. Pencil and watercolour. 1928. Signed. 10×14.5 inches. Framed: 13×17 inches.
    Sold
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)
    ‘Ursula’ (F.55). Etching. 1926. Edition of 111. Signed. Exhibited: Frederick Baker, Chicago. 6×3 inches. Framed: 14.5×11.5 inches.
    Sold
  • Burra, Edward (1905 – 1976)
    ‘Two at a Bar’. Woodcut. c.1929. Edition of 45 published in 1971 by Alexander Postan and sold by Observer Art. Exhibited: Goldmark Gallery. 6×4 inches. Framed: 11.5×9 inches.
    Sold
  • Continental School (Eighteenth Century)
    Italy; the second Temple of Hera at Paestum. Pencil and watecolour. c.1790. 9×15 inches.
    Sold
  • Crookshank, Emily (born 1989)
    PAIR: Isle of Skye, the Cuillins. Charcoaol. 2017. Signed, titled and dated verso. 4×5 inches.
    Sold
  • Davies, Arthur Bowen (1862 – 1928)
    ‘Blue Twilight’. Watercolour. Signed under the mount. Exhibited: Ferargil Gallery, New York; Davis Galleries, New York; Babcock Galleries. Ex. Collection: Frederick Newland Rice. 9.5×12.5 inches. Framed: 19×22 inches.
    Sold
  • East R.A., Sir Alfred (1844 – 1913)
    Summer Landscape. Oil on panel. Signed with initials. 10.5×13.5 inches. Framed: 17.5×20.5 inches.
    Sold
  • Edridge A.R.A., Henry (1769 – 1821)
    Cumbria; Furness Abbey. Watercolour. Signed and dated, 1814. Illustrated: Denis Thomas and Ian Bennett, ‘The Price Guide to English Watercolours 1750-1900’, 1971, p.155. 12.5×17.5 inches. Framed: 20.5×25.5 inches.
    Sold
  • Fisher, Bishop of Salisbury, John (1745 – 1825)
    Devon; ‘Vallery of Rocks, Lynton’ Pencil, pen, ink and watercolour. c.1800. Ex. Collection: Iolo Williams. 6×9 inches.
    Sold
  • Fitton R.E., Hedley (1857 – 1919)
    France; Rouen. Etching. 1921. Signed. 14×7.5 inches.
    Sold
  • Fry, Anthony (1927 – 2016)
    Greece; ‘Nude on an Iron Bed, Corfu’. Oil and dry pigment on paper. Exhibited: Browse and Darby. 22×30 inches. Framed: 30×38 inches.
    Sold
  • Gillick OBE, Mary (1881 – 1965)
    Potrait medal of the Nottingham artist Wiliam Kiddier (1859-1934) Bronze. c.1922. Signed. Titled ‘William Kiddier. Painter. Poet. Brushmaker’. Exhibited: A cast of this medal was exhibited at the Royal Academy in 1922. Literature: Philip Attwood, ‘Mary Gillick, Sculptor and Medallist’, British Museum / Spink, 2022, Ill. p.24. 5.5×5.5 inches.
    £1,500
  • Glover O.W.S., John (1767 – 1849)
    A Lakeland Landscape. Pencil, pen and ink. c.1820. Ex. Collection: Iolo Williams. 3.5×6 inches.
    Sold
  • Gross C.B.E. R.A., Anthony (1905 – 1984)
    ‘Sunrise, Sussex’ (RH.2302). Etching. Spring 1923. Signed. Edition of 50. 4×8 inches.
    Sold
  • Hambling C.B.E., Maggi (born 1945)
    ‘Wave Breaking, January I’. Oil on canvas. Signed and dated 2004, verso. 12×10 inches. Framed: 18×16 inches.
    £7,750
  • Hayter, Sir George (1792 – 1871)
    Hampshire; ‘East Window Netley Abbey’. Pencil, monochrome wash and white heightening. Monogrammed and dated, August 29th 1862. 9.5×14 inches.
    Sold
  • Helleu, Paul César (1859 – 1927)
    ‘Young Woman Sewing’ (Madame Helleu). Etching. 1892. Published in the ‘Gazette des Beaux-Arts’. 7.5×6 inches. Framed: 20.5×18.5 inches.
    Sold
  • Howard (9th Earl of Carlisle), George (1843 – 1911)
    Italy; an Etruscan School landscape. Oil on panel. c.1885. Provenance: A group of works by Howard believed to have belonged to his daughter Lady Cecilia Howard (1869-1947) (m.Charles Henry Roberts 1891). 8×14 inches. Framed: 10×16 inches.
    Sold
  • JD (Mid-Nineteenth Century)
    France; ‘West Front / Bayeux’. Pencil. Monogrammed ‘JD’, inscribed and dated ‘September 18th 1859’. 12×9.5 inches.
    Sold
  • Krier, Etienne (1875 – 1953)
    Egyptian Sculptures in the basement of a museum. Presumably the Louvre? Oil on canvas. Provenance: Private Collection, New York. 13.75×10.75 inches. Framed: 19×16 inches.
    Sold
  • Lamb R.A., Henry (1883 – 1960)
    Pansy Lamb. Pencil. c.1930. Provenance: by descent in the artist’s family; Private Collection. 19.5×12.5 inches. Framed: 25.5×18 inches.
    Sold
  • Legge (Attributed to), Lady Anne (1797 – 1885)
    Portrait study of a young woman. Chalks. c.1830. Signed with monogram. 8×5 inches.
    Sold
  • Leonard, John Henry (1834 – 1904)
    Surrey; Thursley, possibly the Little Pond at Frensham. Watercolour. c.1890. Provenance: with A and H, 1999. 7×15 inches.
    £475
  • MacGregor S.W.E., Miriam (born 1935)
    ‘Dovehole’. Wood-engraving. 2014. Signed, titled, dated and editioned 27/50. 5.5×5.5 inches.
    Sold
  • May, Phil (1864 – 1903)
    Street conversation. Brush and ink. c.1890. 10×8.5 inches.
    Sold
  • McPherson, Alan (born 1943)
    Figures and lane. Oil on board. c.1975. 10×14 inches. Framed: 14×18 inches.
    Sold
  • More (Circle of) (c.1740-1793), Jacob
    View on Italian Lake. Watercolour. c.1790. Indistinctly inscribed lower left (possibly, ‘Pina’ on Lake Iseo?). 10×14 inches.
    Sold
  • Müller, William James (1812 – 1845)
    ‘A Cholera Funeral – a True Scene’; on the left victims’ clothes are burned, to the right a coffin is carried to a boat to be buried at sea. Watercolour. c.1832. Signed and inscribed verso, ‘A Cholera Funeral – A True Scene’. Verso: a study of a tree on a river bank. Provenance: H. Virtue Tebbs; his sale Christies, March 10th 1900 (Lot. 27) […]; Spink (K37711) […]; A and H 2004; Private Collection, U.S.A. Literature: For another work by Muller related to the 1832 cholera epidemic that ravaged Bristol see, Francis Greenacre and Sheena Stoddard, ‘William James Muller’, Bristol Art Gallery, 1991, Cat No.20. We would like to thank Francis Greenacre for his help in cataloguing this picture. 5.5×9 inches. Framed: 14.5×17 inches.
    Sold
  • Nicolson, John (1891 – 1951)
    Horse feeding. Etching. c.1925. Signed and editioned 2/50. 7×8.5 inches.
    Sold
  • O’Rawe, Ann (born 1955)
    ‘Still Life 1984 (1)’. Pencil. Signed and dated, 1984. Exhibited: James Kirkman. 35×28 inches. Framed: 41×34 inches.
    Sold
  • Pellew, Claughton (1890 – 1966)
    'The Cow' Wood-engraving. 1925. Proof. Signed, titled and dated. 2"x2.75" inches.
  • Pellew, Claughton (1890 – 1966)
    ‘The Plough’. Wood-engraving. 1929. Signed, titled, dated and editioned ‘Imp 5/25’. 4×5 inches.
    Sold
  • Pellew, Claughton (1890 – 1966)
    'The Swans' Wood-engraving. 1925. Signed, titled, dated and editioned 'Imp 2/25'. 3"x4" inches.
  • Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792)
    A copy drawings after Reynolds’ ‘The Calling of Samuel’ (Exhibited R.A. 1776). Pastels. c.1790. The prime version of Reynolds’ ‘The Calling of Samuel’ was destroyed by fire at Belvoir Castle in 1816. But the work is known in several iterations including an autograph version in the collection at Knole, Kent. The number of versions listed by Mannings and Postle, and the engravings after the work by John Dean (1777) and John Raphael Smith (1783) demonstrate just how popular the picture was. It has been suggested that this drawing could be the work of the young Thomas Lawrence but we have not been able to confirm this. 17.75×15 inches. Framed: 23.75×21 inches.
    £5,750
  • Richardson Jnr, Thomas Miles (1813 – 1890)
    Italy; A view in the Lakes. Watercolour and gouache. Signed with monogram and dated, 1886. 6×8 inches. Framed: 13.75×16 inches.
    Sold
  • Shotter Boys (Attributed to), Thomas (1803 – 1874)
    A Tower capriccio. Pen, ink and watercolour. Ex. Collection: Cyril Fry. 3×5 inches.
    £375
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)
    London; ‘Sussex Place, Regent’s Park’ (B.197). Etching. 1920 (published 1929). Third (published) state of three. 7×8.5 inches.
    Sold
  • Smart, Douglas Ion (1879 – 1970)
    The industrial Thames or Medway. Etching. Signed. 5×10 inches.
    Sold
  • Smith, John 'Warwick' (1749 – 1831)
    Italy; Coastal lake, possibly near Naples. Watercolour. c.1800. 5"x7.5" inches. Framed: 12.5"x14.5" inches.
  • Strien, Sam van (born 1992)
    ‘A/S Bjolvefossen’. Graphite. Exhibited: Mall Galleries, ‘The Pastel Society Annual Exhibition’ 2020. 14.5×14.5 inches.
    Sold
  • Sutherland O.M., Graham (1903 – 1980)
    ‘Sunset’. Pen, brush and ink. c.1926. Verso: a study for Sutherland’s etching ‘St Mary Hatch’. Exhibited: Fine Art Society. 4.5×4.5 inches. Framed: 16.5×12 inches.
    Sold
  • Varley F.R.S.A., Cornelius (1781 – 1873)
    A Loaded Wagon. Pen and ink. The paper watermarked 1803. 6×5 inches.
    Sold
  • Varley O.W.S., John (1778 – 1842)
    Lake overhung with trees. Watercolour. Signed. Further signed on its old backing and dated, 1832. 4×5.5 inches. Framed: 12.5×14.5 inches.
    Sold
  • Vaughan, Keith (1912 – 1977)
    Standing figure with outstretched arm. Gouache. c.1955. Signed. 9×11 inches. Framed: 16.25×17.5 inches.
    Sold
  • Waldron R.B.S.A., Dylan (born 1953)
    ‘Saucer with Blackcurrants’. Egg tempera. Signed and dated, 1984. Exhibited: Piccadilly Gallery. 4.5×5.5 inches. Framed: 7.5×9 inches.
    Sold

JOHN SUTCLIFFE

A Celebration

Private View 6-8pm Thursday 24th April. The exhibition continues until 10th May.

Read more

LIST 558

PART II

5pm Tuesday 22nd April

HOW ‘THE LIST’ WORKS

Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.

They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.

Images: These are intended as an indication of the work – please telephone or email  if you have any questions about the photograph’s relationship to the original. We are always happy to send further photos – frames, versos, inscriptions, something to give scale – so please do ask.

Postage: Most works can be packed and posted, inland and abroad. Quotes can be sent.

Approval Service: We are happy to send works on approval, but this is subject to discussion. JOIN THE MAILING LIST If you would like to receive Email Alerts when ‘Lists’ of new stock and Exhibitions are published online, please Click Here. We NEVER share your information – see our Personal Data Policy.

Forthcoming

JOHN SUTCLIFFE

A Celebration

Private View 6-8pm Thursday 24th April. The exhibition continues until 10th May.

Read more

Tuesday 6th May @ 5pm

LIST 559 (Part I)

New Stock for May 2025

15th May – 7th June

GEORGINA ALLEN

Landscape Paintings

See More

Tuesday 20th May @ 5pm

LIST 559 (Part II)

New Stock for May 2025

Services

Item added to cart.
0 items - £0