ANON (Nineteenth-Century)A traveller or wall-mender at the entrance to a field.Pen, ink and watercolour. Previously attributed to ‘Jonathan Fisher’. c.1800. Ex. Collection: Cyril Fry.4×5 inches.●
ANON (Nineteenth-Century)Buckinghamshire; ‘Palladian Bridge Stowe’.Pencil and monochrome wash. Inscribed recto. Further inscribed and dated verso, ‘View of the Palladian Bridge from the ground near Browne’s Cascade / Stowe Oct 24th 1830’. Ex. Collection: Cornish Torbock.13×16.75 inches.●
Benois, Nadia (1896 – 1974)‘Nature Morte’.Oil on canvas. 1953. Exhibited: Arthur Tooth and Sons (titled and dated to the original gallery label).12×17.75 inches.●
Austin R.A. R.E., Robert Sargent (1895 – 1973)Italy: ‘San Domenico, Perugia’ (CD58).Etching. 1925. Edition of 35. Signed, titled and dated in the plate. Provenance: the artist’s daughter Rachel c.1990. Prints from the editions remained in the artist’s collection unsigned until they were sold.3.75×5.5 inches.●
Beer, Richard (1928 – 2017)Italy; Venice, La Zitelle.Etching. Signed, titled and editioned ‘Artist’s Proof’.23.5×17.75 inches.●
Bell, Vanessa (1879 – 1961)Cover design for ‘Monday or Tuesday’ by Virginia Wolf (Hogarth Press, 1921).Woodcut. Printed from the original block (now in the Hogarth Press Archive, Reading University) at The Fleece Press and published by The Wood Lea Press, 1998.7.5×5 inches.●
ANON (Nineteenth-Century)Hollyhocks.Pen, ink, watercolour and white heightening. Indistinctly inscribed / signed and dated, 1853. Formerly attributed to James Holland and to George Bryant Campion. Ex. Collection: Cornish Torbock.14.5×9.75 inches.●
Bianchini Ferier (fl.1888-c.1995)Textile Design (1826).Watercolour. Provenance: Bianchini Ferrier Archive Sale, Christies, July 2001.16×14.5 inches.Framed: 24×22 inches.●
Brett A.R.A., John (1831 – 1902)Italy; Florence, ‘Nannie Mulock’.Pencil. Inscribed and dated ‘Palazzo Frescobaldi Feb 1863’. Further inscribed ‘Nannie Mulock’. Exhibited: J S Maas & Son (W11292).9.5×6.75 inches.Framed: 16.75×13.5 inches.●
Brangwyn R.A. R.W.S., Frank (1867 – 1956)‘Les Usines’ (Factories), an illustration to Verhaeren’s ‘Villes Tentaculaires’ (Sprawling Cities).Brush, ink and chalk. c.1919. A preparatory study for one of Brangwyn’s prints for Verhaeren’s ‘Villes Tentaculaires’ (Sprawling Cities), 1919, p.87.10×12.5 inches.●
Carr, David (1915 – 1968)Mechanism.Watercolour from a sketchbook signed and inscribed ‘Mechanical’. c.1965.7.5×11.5 inches.
£150
Carrick, James Mulcaster (1833 – 1896)France; ‘Chateau de la Napoule, near Cannes, Var, France / Maritime Alps in the Distance / From a sketch on the spot’.Oil on board. Signed and dated, 1892. Signed, inscribed and dated verso.8.5×11.5 inches.Framed: 13.25×16.25 inches.●
Clarke Hall, Edna (1879 – 1979)Cathy; a study for Wuthering Heights.Pen, brush and ink. c.1925. Provenance: Denis Clarke Hall.5.75×9 inches.Framed: 14×16.5 inches.
£475
Cox O.W.S., David (1783 – 1859)Wiltshire; Deer in Draycot Park, near Chippenham.Watercolour. Signed. c.1830. Exhibited: Charles Nugent, by whom the location identified.8.5×11.75 inches.Framed: 16×19 inches.●
Hardie R.E., Martin (1875 – 1952)Cornwall; boat shed in ‘Penberth Cove’.Etching. 1907. Signed and dedicated ‘to H C Andrews’. Signed, titled and dated in the plate.6×7.75 inches.●
Dunstan R.A., Bernard (1920 – 2017)‘Sunbather on Dunes’.Oil on board. Signed with initials. Titled verso.10×9.75 inches.Framed: 17×16.5 inches.●
Hennell, Thomas (1903 – 1945)‘Ploughed Field – Distant Rain’.Watercolour. Exhibited: Fine Art Society, 1988, no.36.11.75×18.5 inches.Framed: 20.5×26.5 inches.●
Holloway, Edgar (1914 – 2008)Wales; Pembrokeshire, ‘St David’s’ Cathedral (RM211).Etching. 1973. Signed. Titled in the plate. Edition of 50.3.5×4 inches.Framed: 9.5×10 inches.●
MacLagan, Philip Douglas (1901 – 1972)‘Autumn’.Oil on canvas. Signed with initials. Partial artist’s label verso titled ‘Autumn by the …’.15.5×19.5 inches.Framed: 20×24.5 inches.●
Messel, Oliver (1904 – 1978)Priestess; a costume design for the Royal Opera House production of The Magic Flute, 1947.Pencil, watercolour and gouache. 1947. Signed. Exhibited: Wright Hepburn.13×8 inches.
Nixon, John (1755 – 1818)‘James Geary in the Cabin of Robert Stewart’s Boat the Aurora of Belfast Committing a Breach of Dutyby falling asleep on his Post at the Kettle Haulyards. Tryd (sic) by the Crew in Douglas Bay and the man found Guilty and Sentenced to go without a chew of Tobcacco for 24 Hours’. Pen, ink and watercolour. Signed and dated, 1793.9×5.5 inches.●
Piper C.H., John (1903 – 1992)Italy; Rome, ‘Trajan’s Forum II’.Watercolour and gouache. Signed and dated, ‘10.3.61’. Titled to the original exhibition label. Exhibited: Arthur Jeffress, ‘Paintings and Watercolours of Rome by John Piper’, 1962, No. 39 (purchaser Norman Bezzant).14×21 inches.Framed: 20×27.5 inches.●
Rushbury R.A. R.E., Sir Henry (1889 – 1968)France; ‘Low Tide, La Rochelle’ (JR59).Drypoint etching. 1927. Edition size unknown. Signed. Signed and dated in the plate.9×12.75 inches.●
Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)London; Camden, ‘Cruikshanks House on Coronation Day’ (B140).Etching. Only State. 1911. Signed. Signed, dated and dedicated ‘Rutland Street Miss Christine Angus / Coronation Day’ in the plate. Sickert dedicated the plate to Christine Angus on the 23rd June. They were married on 29th July. Cruikshank’s House is on the immediate left, with Sickert’s Wellington house Academy beyond. The trees in the distance are on Mornington Crescent.6.5×4 inches.●
Spender, Humphrey (1910 – 2005)Panel design for P&O Liner ‘Canberra’.Mixed media. c.1952. Signed. Exhibited: ‘Art and Liners’, Southampton City Art Gallery, 198612×18 inches.●
White, Franklin (1892 – 1975)Kent; ‘River Eden at Penshurst’.Pencil and watercolour. Signed with initials. Inscribed and dated, 1946. Studio stamp verso.3.25×6.75 inches.●
Harry Redman grew up in Broadstairs and Margate. He trained at the Thanet School of Art and Architecture from 1937-1940, and attended Walter Sickert’s afternoon Salons in Broadstairs. He signed up for the RAF at the beginning of WWII and was passed for Officer training as a pilot. However, it was discovered he had a heart condition so he opted for a place in the RAF Signals as an NCO. He served in West Africa (Sierra Leone / Freetown) for two years, then was sent to the North West Frontier where he set up Direction Finding Stations.
During 1943 Redman studied part-time at the Ruskin School of Drawing (Oxford), the Central School of Art and the Slade. He returned to full-time education at the University of Reading School of Fine Art in 1948, receiving a Ministry of Education Diploma in Design and a Ministry of Education Art Teacher’s Diploma. Redman was subsequently appointed as a lecturer at the University of Reading were he stayed until his retirement in 1985 and where he is still remembered with great admiration and fondness.
In the 1950s Redman established the print-making workshop at Reading University. In the 1960s, when Claude Rogers was Professor of Fine Art, he took a sabatical to work at Stanley Hayter’s Atelier 17 in Paris. We will be showing a group of the abstract prints he made from the 1960s-1980s later in the month.
Redman, Henry (AKA Harry) Victor (1920 – 1994)WWII; an RAF Mess.Pencil, pen, ink, watercolour and gouache. Squared for transfer. Provenance: The artist’s Estate.10×13.75 inches.Framed: 15.5×19 inches.●
Redman, Henry (AKA Harry) Victor (1920 – 1994)WWII; Kent, ‘Sketch. Torpedo / Mine Survivors Margate ’40’.Pencil, chalk, Indian ink and gouache. Inscribed and dated, 1940. Provenance: The artist’s Estate.7.5×13 inches.
£975
Redman, Henry (AKA Harry) Victor (1920 – 1994)WWII; Kent, ‘Torpedo / Mine Survivors Margate’ 1940.Pencil, chalk, watercolour and gouache. 1940. Provenance: The artist’s Estate.12×23 inches.
Aitchison R.A. R.S.A., Craigie (1926 – 2000)Life drawings from a black model.Pencil. Signed, inscribed ‘Drawings of a Negro Model’ by the artist and dated, 1965.13.75×20 inches.Framed: 19×25 inches.
£1,750
Aldridge R.A., John (1905 – 1983)Italy; L’Aquila.Pencil. Inscribed and dated, ’22 Jul 45′. Exhibited: New Grafton Gallery, 1987.8.25×11 inches.Framed: 15.5×18 inches.●
Austin R.A. R.E., Robert Sargent (1895 – 1973)Two Girls on a Balcony (CD118).Engraving. 1937. Provenance: the artist’s daughter Rachel c.1990. Prints from the editions remained in the artist’s collection unsigned until they were sold.7×5 inches.●
ANON (Nineteenth-Century)Tree study, by a Dutch hand.Pencil and monochrome wash. Inscribed verso and dated, 1802.12.5×7.5 inches.●
ANON (Nineteenth-Century)An Officer of the 60th Rifles/Duke of York’s Own Rifle Corps, or perhaps the 5th Battalion, 60th (Royal American) Regiment.Watercolour. c.1816-18289.75×7 inches.●
Baboulène, Eugène (1905 – 1994)France; Toulon, ‘La Loge des Danseuses’Oil on canvas. c.1950. Signed. Signed, titled and inscribed ‘Toulon’ verso. Exhibited: Arthur Tooth and Sons.39×25 inches.Framed: 49×35.25 inches.●
ANON (Nineteenth-Century)A handsome, new (as yet unidentified!) bridge.Pen and ink. c.1820.9×13.5 inches.●
Brandard, Robert (1805 – 1862)South Coast chalk cliffs.Pencil and waterolour. c.1840. Ex. Collection: Cyril Fry.4×6 inches.●
Beaton, Sir Cecil (1904 – 1980)Corner of the garden at Ashcombe.Pen and ink. Provenance: The Estate of Eileen Hose, Beaton’s secretary, Christies, 21.6.1988.18×20.5 inches.Framed: 25×27.5 inches.●
Barrow, Julian (1939 – 2012)London; Chiswick, Strand on the Green.Oil on canvas. Singed and dated, 1965.15.5×23 inches.Framed: 21×29 inches.●
Devis, Anthony (1729 – 1816)Cumbria; ‘Waterfall near Kirkby Stephen, Westmorland’.Chalk and monochrome wash and white heightening. Inscribed verso.8.75×12.5 inches.●
Hoyton, Edward Bouverie (1900 – 1988)Cornwall; ‘Penberth’.Oil on canvas. Signed. Inscribed and dated, 1930 verso.20.5×27 inches.Framed: 25×31.5 inches.●
Holloway, Edgar (1914 – 2008)‘Self Portrait No 7’ (M106).Etching. 1936. Signed and numbered, ’45/50′. Exhibited: Wolseley Fine Art (2005).10×12 inches.Framed: 18×19.25 inches.●
Norden, Gerald (1912 – 2000)Italy; Orvieto, ‘Palazzo Michelangeli’.Pencil and watercolour, Signed and dated, 1984. Titled to an old label by the artist.9×7.5 inches.●
Palmer, Samuel (1805 – 1881)The Sleeping Shepherd (Lister E6).Etching. Final, 4th state as published in Etching for the Art Union of London by the Etching Club, 1857 (plate 5).5.25×4.25 inches.●
Porter, Sir Robert Ker (1777 – 1842)Study for an Historical Composition.Pencil and watercoloiur. Signed with initials. Provenance: Newall Collection.6×4.5 inches.●
Petherick, James AWWI; ‘Strafe England’ / ‘Punish England’.Ink and watercolour. Signed, inscribed and dated, ’15’. A submission to the Liverpool Courier cartoon competition.10×7 inches.●
Peri, Peter Laszlo (1899 – 1967)WWII; ‘Let me Stay with Him’.Etching and aquatint. Signed, dated 1943 and editioned ‘3/100’. Ex. Collection: Dr Jeffrey Sherwin.6.5×8.25 inches.●
Prout O.W.S., Samuel (1783 – 1852)France; a busy harbour.Pencil and watercolour. Signed and dated 1820, verso. Ex. Collection: Henry Scipio Reitlinger (1882-1950), his sale 26/5/54; Cornish Torbock.8.25×13 inches.●
Segonzac, Andre Dunoyer de (1884 – 1974)France; Saint Tropez, ‘Les Cyrpres de la “Belle Isnarde”‘Pen and ink. Signed. Exhibited: Arthur Tooth and Sons.15.5×23 inches.Framed: 29.5×37.5 inches.●
Sozonov, Valerie (1899 – 1960)Surrey; The Epsom Oaks.Watercolour and gouache. c.1935. Signed. Inscribed verso?16×22 inches.
£1,250
Strang R.E., Ian (1886 – 1952)France; ‘Perros Guirec, North Coast of Brittany’.Oil on panel. 1911. Signed. Inscribed verso.12.5×16 inches.●
Thienon (1812-c.1884), LouisSwitzerland; ‘Unterseen’.Watercolour. Signded and dated, 1875. Ex. Collection: Singer and Friedlander.16×21.5 inches.●
Terry C.B.E., Quinlan (born 1937)Hertfordshire; King’s Walden Bury.Linocut. Signed. Cut 1972, printed 1986 for the Judd Street Gallery. Exhibited: Judd Street Gallery, ‘Real Architecture’.19×53 inches.Framed: 27.5×61.5 inches.●
Washington A.R.E., William (1885 – 1956)Romanseque Capital; a South Kensington Schools examination drawing.Charcoal. c.1906-1910. With the ‘ESK’ blind-stamp.17×21 inches.●
Alexander Pemberton will be In Conversation with Tom Edwards at 6pm on Wednesday 13th July, in the Gallery and Online. Please contact us if you would like to attend. CLICK HERE to sign up for the online broadcast.
HOW ‘THE LIST’ WORKS
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
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