SUMMER SELECTION

Recent Stock Under £1000

In the year since August 2025 we have introduced more than 1500 works to stock via our Lists, Groups and Exhibitions.

Below is a Summer Selection of those that are still available, all priced below £1000!

The Gallery is open as usual throughout August. Monday to Saturday 10am-1pm and 2-5pm.

  • Ackermann R.I., Arthur Gerald (1876 – 1960)     Barges, Low Tide. Pencil and watercolour. Exhibited: Chris Beetles. 4.5×7 inches. Framed: 13×17 inches.
    £375
  • Adams R.A., Norman (1927 – 2005)     ‘St Peter’. Oil on canvas. 1951. Signed, titled and dated, verso. 10×9.75 inches. Framed: 19×18.5 inches.
    £500
  • Anderson (Twentieth Century), David     Autumn Forest. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 4.5×3.5 inches. Framed: 9.5×8 inches.
    £375
    Sold
  • Anderson (Twentieth Century), David     Norfolk; Sennowe Park. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 6×6.25 inches.
    £475
  • Anderson (Twentieth Century), David     North Norfolk Landscape. Oil on canvas. c.1980. Signed verso. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5"x5.5" inches.
    £475
  • Anderson (Twentieth Century), David     Through the Hedges. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 7×7 inches. Framed: 8×8 inches.
    £675
  • Austen, Winifred (1876 – 1964)     ‘Days of Leisure’. Etching. Signed and titled. Provenance: Laurie Vance Johnson (Princeton, New Jersey). 8.5×12.25 inches.
    £475
  • Barker, Kit (1916 – 1988)     ‘Fireworks / Catherine Wheels’. Offset drawing with hand colouring. 1951. Signed and dated. Titled recto and verso. 13.25×19.5 inches. Framed: 18×24 inches.
    £875
  • Barker, Kit (1916 – 1988)     New Mexico; ‘A woman of the Taos Pueblo’. Offset drawing with hand colouring. 1951. Signed, titled and dated. Provenance: the artist’ family, by descent. 18.75×10.75 inches. Framed: 23.5×15 inches.
    £750
  • Barker, Kit (1916 – 1988)     Saratoga Springs, New York; ‘Running Horse’. String print (monotype). 1951. Signed, titled and dated verso. Provenance: the artist’ family, by descent. 13.5×19.25 inches. Framed: 19×24 inches.
    £675
  • Barnard, Rev. William Henry (1767 – 1818)     Italy; ‘The Rock at Terracina which separates the Kingdom of Naples from Roman …’. Pencil and monochrome wash. c.1780. Inscribed verso. 16.5×12.75 inches.
    £950
  • Beer, Richard (1928 – 2017)     Italy; ‘Venetian Church’ (San Moise). Etching and aquatint. 1964. Signed, titled and numbered 77/100. 24.5×18 inches.
    £375
    Sold
  • Beer, Richard (1928 – 2017)     Oxford; Oriel College. Etching and aquatint from the ‘Oxford Series’. 1964/65. Signed, titled and numbered 9/100. 16.5×22.5 inches.
    £250
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)     ‘Anais II’ (F.67). Etching. 1930. Signed. Provenance: the Estate of the artist’s wife. 9×7 inches. Framed: 20×16 inches.
    £975
  • Cameron, Katherine (1874 – 1965)     ‘The Tired Bee’. Etching. 1928. Signed and titled. 6×5 inches.
    £575
    Sold
  • Camp R.A., Jeffery (1923 – 2020)     Laetitia Yhap in the Bath. Lithograph. Signed. Editioned, ‘III V AP’ and inscribed ‘For Len’ (Leonard McComb R.A. 1913-2018). 13.5×13 inches. Framed: 27.5×25 inches.
    £750
  • Carline L.G., Sydney (1888 – 1929)     Oxford; ‘Approaching Storm, Oxford’. Etching. 1911. Signed. From Carline’s set of six views of Oxford. 5.5×7 inches.
    £275
  • Chantrey R.A. and Jones R.A.     A double friendship portrait; George Jones R.A. (1786-1869) drawn by Sir Francis Chantrey R.A. (1781-1841) and Sir Francis Chantrey R.A. (1781-1841) by George Jones R.A. (1786-1869) Pencil. c.1815. Inscribed. Provenance: Professor David Bindman (1940-2025) 12×7.5 inches.
    £875
    Sold
  • Chapman (fl.1792-1823), John     Mechanics; an allegory of mechanical philosophy (i.e. 18th century physics). Engraving. Published April 13th 1816 by G Jones. 9×7 inches.
    £375
  • Christopherson, John (1921 – 1996)     ‘Flowers in a Room’. Mixed media. 1982. Signed and dated. Exhibited: England & Co. 14×10 inches. Framed: 22×18.5 inches.
    £575
  • Clarke Hall, Edna (1879 – 1979)     Cathy at the hearth; a study for Wuthering Heights. Pen and ink. c.1902. Provenance: Dennis Clarke Hall. 11.75×9.5 inches. Framed: 20×17.25 inches.
    £750
  • Collins, Elisabeth (1904 – 2000)     Group of Players. Pen, ink and watercolour. c.1940s. Signed. Exhibited: England & Co., ‘Elisabeth Collins’, 2002, No.44. 11×8.5 inches. Framed: 16.5×14 inches.
    £750
  • Copley P.R.B.A., John (1875 – 1950)     ‘A Bather About to Dive’ (C.59). Etching. 1932. Estate Stamped. 13.08×8.11 inches.
    £700
  • Copley P.R.B.A., John (1875 – 1950)     ‘A Group of Actors’ (W.207). Lithograph. 1925. Signed. Edition of 31. 19.5×10.5 inches.
    £950
  • Cotman, John Sell (1782 – 1842)     France; Normandy, the North Transept of St Georges de Boscherville. Pencil. c.1818. Made with a camera lucida or Cornelius Varley’s ‘Patent Graphic Telescope’. Provenance: Dr John Sell Cotman (great-great grandson of the artist); his widow, Dorothy Cotman; Sotheby’s 12 July 1967 (lot 190?); […]; Michael and Megan Dawson. 10×12.5 inches. Framed: 18×20 inches.
    £975
  • Cullimore, Michael (1936 – 2021)     Figure and Spiral. Pen, ink and watercolour. Signed and dated, 1993. 5.5×7.5 inches.
    £975
  • Dayes, Edward (1763 – 1804)     PAIR: Bloomsbury Square and Grosvenor Square. Hand coloured etching and aquatints. 1787 and 1789. Engraved and published by R. Pollard & F. Jukes after works by Edward Dayes. 16×21 inches. Framed: 25×29.5 inches.
    £2,000
    Sold
  • De Morgan, William (1839 – 1917)     ‘Sapientia’ / Wisdom. Pencil. Provenance: the collection of Nicholas McDowall. 2.5×6 inches. Framed: 10.5×13 inches.
    £875
  • Dodd R.A., Francis (1874 – 1949)     Spain; ‘Pamplona’. Etching. 1928. Signed. Further signed and dated in the plate. 8.5×13.5 inches.
    £375
  • Ellis, Noel (1917 – 1995)     Self-portrait in a French helmet. Oil on panel. Provenance: Artist’s Estate; Private Collection; Rosebery’s, 12th March 2024, Lot 205; Private Collection. 14.5×9.5 inches. Framed: 20×15 inches.
    £700
  • Fewell (Contemporary), Dave     ‘Terracotta Rose’. Watercolour and gouache. Signed with initials. Exhibited: Denington Gallery. 6×4 inches. Framed: 14×12 inches.
    £575
  • Gibson R.A. (Circle of / Studio of), John (1790 – 1866)     Design for a Monument. Pencil and watercolour. c.1830? Professor David Bindman (1940-2025). 6×8.25 inches.
    £675
  • Gilmore, Maeve (1917 – 1983)     Drama! Pencil, pen, ink and pastel. c.1960. Study for a painting dated 1960. Exhibited: Victor Wynd. 14.5×10.5 inches. Framed: 19.5×15.5 inches.
    £975
  • Goeneutte, Norbert (1854 – 1894)     ‘Somnolence’. Etching. 1888. Signed. 6×9 inches. Framed: 11.5×15 inches.
    £975
  • Grimm, Samuel Hieronymus (1733 – 1794)     Scene in a Continental village. Pencil, pen, ink and watercolour. Signed and dated, 1772. Provenance: James Tobin 1818; Sir John Fitzherbert, Bt. Exhibited: St Helier Galleries. 9.5×12.25 inches. Framed: 16×20.5 inches.
    £975
  • Gross C.B.E. R.A., Anthony (1905 – 1984)     ‘Rustic Pupils’ (H.2407), the Val aux Clercs, at Fecamp. Etching. 1928. Edition of 60. Signed, titled and dated. Exhibited: Austin Desmond. 8×7 inches.
    £500
  • Harrison, John Theodore (1914 – 2002)     Still life with guitar. Watercolour and gouache. Signed and dated, 1941. Provenance: Artist’s Estate. 14.5×17.5 inches.
    £675
  • Hey, Cicely (1896 – 1980)     Portrait of a woman. Black chalk. c.1935. Provenance: Tony Goble (1943-2007), who inherited the contents of the artist’s studio, and by descent. 15×10.5 inches.
    £375
  • Hunter RBA, George Sherwood (1846 – 1919)     Cornwall; A Harbour (probably Newlyn) at dawn. Oil on canvas. Provenance: the Artist’s studio sale. 11.5×17.5 inches. Framed: 14×20 inches.
    £750
  • Jones, Peter (1917 – 2008)     ‘Dive Soberly’. Pencil, pen, ink, watercolour, wax resist and collage. c.1945. Later signed on the backing sheet. Exhibited: England & Co., ‘Jack Bilbo & The Moderns’, 1990. Cat. No.40. 10×14.5 inches. Framed: 18×23 inches.
    £750
  • Lamont, Edie (1899 – 1983)     Hill Country. Watercolour. 1980. Signed and dated. 8×11 inches.
    £225
  • Larkins, William Martin (1901 – 1974)     ‘Coopers Court’ (C.47). Etching. 1925. Inscribed by the artist under the mount, ‘6th State. Imp.21. No.11’. 3×2.75 inches.
    £675
  • Larkins, William Martin (1901 – 1974)     London; ‘Bush House by Night’. Etching. 1927. Signed, titled and editioned ‘No.5’. NOTE: please contact the gallery for a condition report on this print. 9.5×8 inches.
    £675
    ◐
  • Lomenech Gill (Contemporary), Olivia     ‘The Messenger’. Softground etching. Artist’s proof. Signed. 4×6 inches. Framed: 12×16 inches.
    £375
  • Marchand, Jean Hippolyte (1883 – 1940)     Nocturne. Pen and ink. Verso: figures at a window. Studio stamped. 12×9.5 inches.
    £375
  • Marlow, William (1740 – 1813)     Studies of French Soldiers and a horse and carriage. Pencil. Marlow visited the continent 1765-6. Exhibited: Martyn Gregory. Provenance: Mrs Elizabeth French and by descent to her granddaughter. 4×6.5 inches. Framed: 10.5×13.5 inches.
    £375
  • Marx, Enid (1902 – 1998)     ‘Fish’. Linocut. 1970. Signed and editioned 5/50. From ‘Six Linocuts’, published in an edition of 50 by The Judd Street Gallery in 1998. 18×29 inches.
    £875
  • Marx, Enid (1902 – 1998)     ‘Folly Swans, Starcross, Devon’. Linocut. 1936. Signed, titled and editioned 5/50. From ‘Six Linocuts’, published in an edition of 50 by The Judd Street Gallery in 1998. 12.5×20 inches.
    £975
  • McEvoy (née Spencer Edwards), Mary (1870 – 1941)     Portrait of Augustus John O.M. R.A. (1878-1961). Chalk. c.1897/98. There is another drawing of John made by Mary McEvoy while both were at the Slade in the Fitzwilliam Museum (Acc.No.1753). 8.5×6.5 inches.
    £975
  • McEvoy A.R.A., Ambrose (1878 – 1927)     Figure in a Shawl. Pen, ink and watercolour. Studio stamped. Provenance: Wyndham T Vint. 15×9.5 inches.
    £975
  • McMinn (fl.1890-1920), F. A.     GROUP: Seven drawings to illustrate ‘The Lighthouse’ by Henry Wadsworth Longfellow. Pencil. c.1895. Each inscribed verso with lines from the poem. 7×10 inches.
    £975
  • Menpes R.E. R.I., Mortimer (1855 – 1938)     Wiltshire; Salisbury Cathedral. Etching. Proof. 11.5×8 inches.
    £250
    Sold
  • Meteyard, Sidney Harold (1868 – 1947)     The Lion of St Mark. Watercolour. Inscribed. A design for stained glass. 9.5×8.25 inches. Framed: 14.5×11.5 inches.
    £375
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Foxgloves, Honeysuckle, and Fronds’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates ‘Through the Woods’. 7.5×5 inches.
    £675
  • Miller Parker, Agnes (1895 – 1980)     ‘Passage of tiny feet’. Wood-engraving. 1936. Proof. Signed and titled. Designed for H. E. Bates, ‘Through the Woods’. 3×2 inches.
    £475
  • Miller Parker, Agnes (1895 – 1980)     ‘Two Rabbits’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 5.5×5 inches.
    £750
  • Monnington P.R.A., Sir Walter Thomas (1902 – 1976)     Evelyn Monnington, the artist’s wife, beside the mirror at Leyswood, their home in Groombridge, East Sussex. Pen and ink. c.1950. Provenance: Liss Fine Art. 11×8.5 inches.
    £750
  • Nachshen, Donia (1903 – 1987)     The First of May … the Primavera. Pen, brush and ink. c.1930. Illustration for Anatole France, ‘The Red Lily’, Mead’s 1930 edition, p.188 … ‘It is the first of May … the Primavera … you must celebrate it according to the custom of our ancestors in rites depicted by the old masters’. 8.5×6 inches. Framed: 12.5×9 inches.
    £875
  • Nevinson, Christopher Richard Wynne (1889 – 1946)     ‘The Spirit of Progress’ (PB148). Lithograph. 1933. Used as the front cover of the April 1933 ‘Studio’ Magazine. 11×8 inches.
    £750
  • Nixon, Job (1891 – 1938)     Italy; Florence, ‘The Arno’. Etching. 1924. Signed. 10.25×8.5 inches.
    £575
  • Nixon, Job (1891 – 1938)     London; Bank Holiday, Hampstead Heath. Etching. 1929. Signed. 10×14.5 inches. Framed: 12×16.5 inches.
    £975
  • Nixon, John (1755 – 1818)     ‘Bantram. a Butcher at Exeter’. Pen and ink. 1794. Signed, inscribed and dated. 6×4 inches.
    £675
  • Nixon, John (1755 – 1818)     Drawings of military men. Pen, pen, ink and wash. c.1780. Exhibited: Spink. 6.5×4 inches.
    £375
  • Oxtoby, David (born 1938)     Bob Dylan; ‘Dylan Book Project’. Etching. 1977. Signed, titled and inscribed ‘1st proof / 2nd plate – (1st after title page)’. 10×8 inches. Framed: 18×15.5 inches.
    £375
  • Palmer, Samuel (1805 – 1881)     ‘The Homeward Star’ (L.14); an illustration to Virgil’s Eclogue I. Etching. c.1880. Completed by A. H. Palmer before 1883. State II of IV. As published in the small paper edition of ‘An English version of the Eclogues of Virgil’ (1883). 4×6 inches.
    £875
  • Ramberg, Johann Heinrich (1763 – 1840)     ‘The Beaux’; seeing off the suitors. Pen, ink and watercolour. 1790. Signed and dated. Inscribed verso. Provenance: Professor David Bindman (1940-2025). 9.25×13.4 inches.
    £875
  • Richter R.A., James Henry (1772 – 1857)     Milton; an illustration for Paradise Lost. Pencil and monochrome wash. c.1794. A vignette for Book VII, Verses 1-10, for J. & H. Richter’s 1794 edition. 3.5×4 inches.
    £575
  • Rigaud O.W.S., Stephen Francis (1771 – 1861)     Ossian; an illustration to ‘Temora’ (Book 6). Ossian lays Fillan’s body in a cave. Pen, brush, ink and monochrome wash. c.1800. Signed. Inscribed verso ‘Temora Book 6’ and further signed with initials. Provenance: Professor David Bindman (1940-2025). 8×11.25 inches.
    £675
  • Rosoman R.A, Leonard (1913 – 2012)     ‘The Chagall Kiss No.2’. Pencil and watercolour. Signed. 13×16.5 inches. Framed: 19.5×23 inches.
    £975
  • Rothenstein R.A., Michael (1908 – 1993)     ‘Agony in the Garden’. Pen, ink and wash. 1939. Signed and dated. Exhibited: Redfern Gallery. 8.5×6.25 inches. Framed: 16×13.25 inches.
    £975
    Sold
  • Roussel, Theodore Casimir (1847 – 1926)     Cornwall; ‘Boats Asleep, Fowey’ (H.97). Etching. 1911. Signed. Edition of about 17 impressions. Exhibited: Agnews; Austin Desmond. 5.5×7 inches. Framed: 9×11 inches.
    £675
  • Runciman, Alexander (1736 – 1785)     Figure Figure in Classical Dress. Pencil, pen and ink. c.1775. Signed. Provenance: Professor David Bindman (1940-2025). 6.5×5.25 inches.
    £975
    Sold
  • Smirke, Mary (1779 – 1852)     ‘Near Hastings’. Pencil, watercolour and gouache. Exhibited: Agnews, where provenance given as Miss Boothby, as descendant of the artist. 6.5×9.75 inches.
    £675
  • Smith, John Raphael (1752 – 1812)     ‘Miss Montague’; Harriet Montague. Mezzotint. 1777. ‘Painted & Engraved by J. R. Smith / Pubd 24 June 1777 by W. Humphrey, Gerrard Street Soho, & J. R. Smith No 10 Batemans Buildings Soho Square’. 9×8 inches. Framed: 12.5×10.5 inches.
    £500
  • Soper R.I., George (1870 – 1942)     Bringing in the Hay. Woodcut. c.1920. Signed and editioned 2/50. 7.5×5.5 inches.
    £675
  • Strang R.E., Ian (1886 – 1952)     London; ‘Harley Street’. Etching. 1927. Signed and dated. 10×13.5 inches.
    £175
    Sold
  • Suddaby, Rowland (1912 – 1978)     Autumn Park. Pen, ink, watercolour and crayons. Signed and dated, 196(8?). 15×22.5 inches. Framed: 17.5×25 inches.
    £875
  • Tanner A.R.E., Robin (1904 – 1988)     ‘Wiltshire Hedger’. Etching. 1928. Trial proof. Signed, inscribed and dated. 4.5×5.5 inches.
    £975
  • Tippett, Bruce (1933 – 2017)     ‘Untitled’; abstract drawing. Charcoal. August 1957. Signed and dated. Exhibited: England & Co., ‘Bruce Tippett: Paintings and Drawings 1950-1980’, 1992, Cat No.11. 30×22 inches. Framed: 26.5×34.5 inches.
    £975
  • Tippett, Bruce (1933 – 2017)     ‘Untitled’; abstract drawing. Charcoal. August 1957. Signed and dated. Exhibited: England & Co., ‘Bruce Tippett: Paintings and Drawings 1950-1980’, 1992, Cat No.10. 30×22 inches. Framed: 26.5×34.5 inches.
    £975
  • Trevelyan R.A., Julian (1910 – 1988)     London; ‘Richmond Park’. Etching, aquatint and softground. 1969/70. For the London Parks Suite. Signed, titled and editioned ’14/75′. 13.75×18.75 inches.
    £475
  • Underwood, Leon (1890 – 1975)     Illustration for Phillips Russell, ‘John Paul Jones man of Action’. Wood-engraving. 1927. Signed and dated. 8.5×11 inches.
    £575
  • Urushibara, Yoshijiro (1889 – 1953)     ‘Court of the Mosque of Memory’ (UB34). Woodcut after Frank Brangwyn R.A. R.W.S. R.B.A. (1867-1956) for the ‘Ten Woodcuts’ portfolio (1924). Signed. Provenance: the artist’s family, by descent; from whom acquired by the previous owner. 6.5×8.5 inches.
    £475
  • Urushibara, Yoshijiro (1889 – 1953)     ‘Outskirts of a Flemish Town’ (UB39). Woodcut after Frank Brangwyn R.A. R.W.S. R.B.A. (1867-1956) for the ‘Ten Woodcuts’ portfolio (1924). Signed. Provenance: the artist’s family, by descent; from whom acquired by the previous owner. 5.75×8.25 inches. Framed: 14.5×16.5 inches.
    £475
    Sold
  • Urushibara, Yoshijiro (1889 – 1953)     Belgium; ‘Bridge of the Predikheren, Bruges’ (UB18). Woodcut after Frank Brangwyn R.A. R.W.S. R.B.A. (1867-1956) for the ‘Bruges’ portfolio (1919). Keyblock. Signed by Urushibara with seal, signed by Brangwyn. Provenance: the artist’s family, by descent; from whom acquired by the previous owner. 15×19.5 inches.
    £575
  • Urushibara, Yoshijiro (1889 – 1953)     Belgium; ‘Bridge of the Predikheren, Bruges’ (UB18, smaller version). Woodcut after Frank Brangwyn R.A. R.W.S. R.B.A. (1867-1956) for the ‘Japanese Portfolio’ (1940). Signed. Provenance: the artist’s family, by descent; from whom acquired by the previous owner. 9.5×12.5 inches.
    £975
  • Urushibara, Yoshijiro (1889 – 1953)     Belgium; ‘Loving Couple at the Jan Van Eyckplein, Bruges’ (UB14). Woodcut after Frank Brangwyn R.A. R.W.S. R.B.A. (1867-1956) for the ‘Bruges’ portfolio (1919). Provenance: the artist’s family, by descent; from whom acquired by the previous owner. 15×19.5 inches. Framed: 22×27 inches.
    £500
  • Urushibara, Yoshijiro (1889 – 1953)     Egypt; ‘Mosque Ibn Tulun’ (UB31). Woodcut after Frank Brangwyn R.A. R.W.S. R.B.A. (1867-1956) for the ‘Ten Woodcuts’ portfolio (1924). Signed with seal. Provenance: the artist’s family, by descent; from whom acquired by the previous owner. 6.5×8.25 inches. Framed: 15×16.5 inches.
    £475
  • Urushibara, Yoshijiro (1889 – 1953)     Sicily; ‘Messina, Life Amongst the Ruins’ (UB71, smaller version). Woodcut after Frank Brangwyn R.A. R.W.S. R.B.A. (1867-1956) for the ‘Japanese Portfolio’ (1940). Signed by Urushibara, stamped Brangwyn signature. Provenance: the artist’s family, by descent; from whom acquired by the previous owner. 10×13 inches.
    £975
  • Urushibara, Yoshijiro (1889 – 1953)     Wiltshire; ‘Stonehenge by Day’ (OS20). Woodcut. Signed and numbered 29. Signed with seal. Provenance: the artist’s family, by descent; from whom acquired by the previous owner. 10×15 inches.
    £975
  • Varley F.R.S.A., Cornelius (1781 – 1873)     Ireland; Killarney, Innisfallen Island on Lough Leane. Pencil and watercolour. c.1808. Indistinctly inscribed bottom right and lower left of centre. For similar works of the lakes at Killarney see – Mallams, 9th March 2016 (Lot 6) and Anderson and Garland, 5th March 2026 (Lot 593), both works ex. Agnews. Another graphic telescope drawing of Mulcross Abbey, Killarney is in the YBCA (B1977.14.4668). 7×18.25 inches.
    £975
  • Varley O.W.S., John (1778 – 1842)     Wales; Caernarfon Castle. Pencil. c.1810. Provenance: Andrew Wyld. 3×4.25 inches.
    £575
  • Wheatley R.A., Francis (1747 – 1801)     Cries of London; ‘Strawberrys Scarlet Strawberrys’ [sic]. Engraving. Published by Colnaghi & Co., 25th June, 1795. 14×11 inches.
    £175
  • White N.E.A.C. R.W.S. L.G. S.W.E., Ethelbert (1891 – 1972)     France; Paris, Barges on the Seine. Pen and ink. c.1912. Provenance: the artist’s family; Denis Wilcox / The Court Gallery; Private Collection. 3×4.25 inches. Framed: 5×6 inches.
    £300
    Sold
  • White N.E.A.C. R.W.S. L.G. S.W.E., Ethelbert (1891 – 1972)     London; Hampstead Fair. Pencil. c.1924. Provenance: the Artist’s Estate. Exhibited: Denys Wilcox. 7.5×8.5 inches. Framed: 12.5×13.5 inches.
    £275
    Sold
  • Wilkie R.A., Sir David (1785 – 1841)     ‘The Lost Receipt’. Etching. c.1815. 4.5×5.5 inches.
    £475
  • Wilton, Joseph (1722 – 1803)     Design for architectural detailing. Pencil. c.1760. Provenance: Professor David Bindman (1945-2025). 10.5×12.75 inches.
    £675
  • Winter R.E., Francis John (1901 – 1996)     ‘Otter’. Woodcut. 1966. Signed, titled, dated and editioned 21/50. 10×8 inches.
    £250
  • Wyatt, Henry (1794 – 1840)     ‘Sleeping man’, candle light. Pencil. Inscribed ‘Executed [i.e. drawn!] at Gibraltar’. 6.75×4 inches. Framed: 15×12 inches.
    £250

Coming Soon …

5.30pm Tuesday 8th September

LIST 571 (Part I)

New stock for September 2026

17th September – 3rd October

EVIE WILLIAMS (1929-2012)

Drawings 1974 – 1979, from the Artist's Estate

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Saatchi Gallery 24th – 27th September

BRITISH ART FAIR

LIST 571 (Part II) New Modern British stock for the 2026 Fair!

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Saatchi Gallery 24th – 27th September

JEAN JONES (1927-2012)

A special showcase for the British Art Fair 2026

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1st – 17th October

HANS TISDALL (1910-1997)

Paintings 1930s-1960s, from the Artist's Estate

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5.30pm Tuesday 6th October

LIST 572

New stock for October 2026

9th October – 8th November

TROIS CRAYONS

Houston | Dallas | Forth Worth

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27th October – 7th November

ALFRED JANES (1911-1999)

Paintings 1930s – 1980s, from the Artist's Estate

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5.30pm Tuesday 3rd November

LIST 573

New stock for November 2026

RECENT GROUPS

LIST 570 – JULY 2026

Switzerland 1833-1834

Our final instalment of works by the extraordinary Elizabeth Campbell (1783-1861). It follows on from two previous groups of watercolours recording her visits to Sicily in 1825 and Italy in 1826.

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