PART I
5.30pm Tuesday 8th September
EVELYN WILLIAMS (1929-2012)
Master Drawings 1974-1979, from the Artist’s Estate
PRIVATE VIEW: Thursday 17th September 6-8pm
The exhibition continues until Saturday 3rd October
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Austin R.A. R.E., Robert Sargent (1895 – 1973)
‘Before Mass’ (CD64).
Engraving. 1926. Signed and dated. Edition of 60.
5×4.5 inches.
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Austin R.A. R.E., Robert Sargent (1895 – 1973)
‘Mid-day Rest’.
Engraving. 1932. Signed and dated.
6×7.5 inches.
Framed: 13.5×14 inches.
Sold
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Austin, Frederick George (1902 – 1990)
The Flight into Egypt.
Etching. 1927. Signed and dated. The composition that won Austin the Prix de Rome.
7×8 inches.
£750
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Badmin R.W.S. R.E., Stanley Roy (1906 – 1989)
Still life with Clivia, Hyacinth and Geranium.
Pen, ink, watercolour and pastel. Signed. Provenance: The Artist’s family, by descent.
16.5×10.5 inches.
Framed: 28×22 inches.
£975
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Brett A.R.A., John (1831 – 1902)
Italy; Florence, ‘Nannie Mulock’.
Pencil. Inscribed and dated ‘Palazzo Frescobaldi Feb 1863’. Further inscribed ‘Nannie Mulock’. Exhibited: J S Maas & Son (W11292).
9.5×6.75 inches.
Framed: 16.75×13.5 inches.
£1,500
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Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)
‘Noemie’ (F.57).
Etching. 1926. Signed. Provenance: the Estate of Kathleen Brockhurst, the artist’s wife.
7×4.25 inches.
£475
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Calvert, Charles (1785 – 1852)
‘The Bride’ (L.8c).
Engraving. 1828. Third state. Printed for the ‘Memoir’, 1893. Edition of 350.
4.5×6.5 inches.
Framed: 15×16 inches.
£3,000
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Clarke Hall, Edna (1879 – 1979)
‘Catherine and Heathcliffe sitting in a field’.
Etching. 1920s. Signed.
10.25×8.25 inches.
£675
Sir David Young CAMERON R.S.A. R.E. (1865-1945)
Cameron first established his reputation as an etcher but gradually turned to making paintings and watercolours of the Scottish landscape. These views of Mull and the Western Highlands are typical of his use of simple, decisive lines and restrained washes to evoke the changing light, weather and monumental character of the Scottish landscape.
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Cameron R.S.A. R.E., Sir David Young (1865 – 1945)
Scotland; ‘Sound of Mull’.
Pencil, pen, ink and watercolour. Signed and inscribed. Extensively inscribed under the mount.
6×10.5 inches.
£575
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Cameron R.S.A. R.E., Sir David Young (1865 – 1945)
Scotland; ‘Loch Lomond’.
Pencil, pen, ink and watercolour. Signed and inscribed.
7×9.5 inches.
£375
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Cameron R.S.A. R.E., Sir David Young (1865 – 1945)
Scotland; ‘Melfort’.
Pencil, pen, ink and watercolour. Signed and inscribed.
7×10 inches.
£375
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Cameron R.S.A. R.E., Sir David Young (1865 – 1945)
Scotland; ‘Sound of Mull’.
Pencil, pen, ink and watercolour. Signed and extensively inscribed.
7×10 inches.
£750
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Cameron R.S.A. R.E., Sir David Young (1865 – 1945)
Scotland; ‘Black Mount’.
Pencil, pen, ink and watercolour. Signed.
6×10.5 inches.
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Sir George CLAUSEN R.A. R.W.S. (1852-1944)
Clausen trained both in London, at the South Kensington Schools, and under Bouguereau at the Academie Julian in Paris. Consequently, French painting had an enormous impact on him; first Naturalism (from where he learnt to paint humble subjects) and subsequently, Impressionism. He was the British painter of light par excellence. These works demonstrate he was equally skilled working on paper as he was on canvas.
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Cliffe, Henry (1919 – 1983)
Designs for abstract painting.
Pencil. Late 1950s / early 1960s. Provenance: a large group of drawings by Cliffe, all from the 1950s and 1960s.
7.5×11 inches.
£175
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Crotch, Dr William (1775 – 1847)
Lincolnshire; St Botolph’s, Boston.
Watercolour and graphite. 1806. Inscribed and initialled under the mount, ‘Boston Linc. from Ed Lack MGS / WC / 300 feet high’ and verso, ‘Tower or near it _ WC Sept 30 1806 3pm’.
3.25×5.75 inches.
Framed: 11×13 inches.
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Downman, Isabella Chloe (born 1787)
The artist and ‘a very gallant Beau’ winding yarn at the Hotel at Thorp-Arch, Yorkshire.
Pencil and watercolour, by the daughter of John Downman A.R.A. (1749-1824). c.1810. Signed. Extensively inscribed … ‘During my residence at the Hotel at Thorp-Arch, I had a very gallant Beau, who used to employ himself in various acts of attention, one day he sat with all patience and held a quantity of yarn for me to wind, and as our general appearance was thought particularly interesting, I have represented the scene in Drawing’. Literature: Ralph Edwards, ‘Portraits by Downman of his Realtions’, Apollo, Vol. XVIII, No.105, Sept. 1933, (Ill. p.180). Provenance: Christies, 12th April 1920, Lot.17; to Pawsey and Payne; […] Mrs Hubert Cordes; […] Sotheby’s, 24th September 1997; to A and H; Private Collection.
7.5×9 inches.
Framed: 21×20 inches.
£2,750
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Feild, Maurice (1905 – 1988)
W. H. Auden (1907-1973).
Lithograph. 1982. Signed. Based on a portrait of c.1935
9×6 inches.
£275
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Foster R.W.S., Miles Birket (1825 – 1899)
Venice; the Doge’s Palace and Piazzetta San Marco.
Pencil and watercolour. Signed with monogram.
4.5×6 inches.
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Fulleylove, John (1845 – 1908)
Italy; the Piazza at Asolo.
Pencil and watercolour. 27th June 1891. Signed, inscribed and dated. Exhibited: Agnews.
7×10 inches.
Framed: 14.5×17.5 inches.
£750
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Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)
‘Laneham’ (C.30).
Etching. 1923. Signed.
5×4.5 inches.
Framed: 13×12.25 inches.
£675
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Hockney O.M. C.H. R.A., David (born 1937)
‘Beautiful and White Flowers’.
Etching and aquatint. 1966. From the ‘Illustrations for Fourteen Poems from C.P. Cavafy’ suite. Edition of 500. Exhibited: Goldmark Gallery.
13.5×9 inches.
Framed: 24.5×19 inches.
£1,500
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Holloway, Edgar (1914 – 2008)
‘The Etcher No.18 (The Etcher II)’ (M.239); a self-portrait of the artist at work.
Etching. From the 1979 reworking of the 1932 plate. Signed and dedicated.
5.25×5 inches.
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Howitt, Samuel (1756 – 1822)
Isle of Wight; Carisbrooke Castle.
Watercolour. Signed and dated, 1791. Provenance: Col. F W G Gore (1906/7); Sir herbert Merrett (1937); […] Private Colletion. Exhibited: Heather Newman.
8.5×12 inches.
Framed: 17×20 inches.
£1,250
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John O.M. R.A., Augustus (1878 – 1961)
‘The Hawkers Van’ (CD.125).
Etching. Etched at Matching Green, Essex 1904/5. Signed. Edition of 25. Exhibited: Goldmark Gallery.
6.5×8 inches.
Framed: 16×17 inches.
£1,750
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Marks, Gerald (1921 – 2018)
Chain and Gears I.
Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate.
14×10 inches.
Framed: 22.5×17.5 inches.
£475
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Marks, Gerald (1921 – 2018)
Chain and Gears II.
Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate.
14×10 inches.
Framed: 22.5×17.5 inches.
£475
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Marks, Gerald (1921 – 2018)
Self Portrait.
pencil. Signed and dated, 1939. Provenance: the Artist’s Estate.
19×14 inches.
Framed: 29×24 inches.
£1,500
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McMinn (fl.1890-1920), F. A.
Kent; ‘Whitstable Oyster Boats returning from the fishing grounds. The Anna underweigh’.
Pencil. c.1895. Inscribed verso. Provenance: a sketchbook of drawings, signed in the front.
7×10 inches.
£150
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Meryon, Charles (1821 – 1868)
France; Paris, ‘La Pompe Notre Dame’.
Etching. 1852.
7×10 inches.
£275
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Moira, Gerald (1867 – 1959)
Barrel Makers.
Gouache. Signed and dated, 1941. Inscribed verso.
15×21 inches.
£125
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Pellew, Claughton (1890 – 1966)
Holland; ‘Amsterdam’.
Wood-engraving. 1927. Signed, titled, dated and editioned 19/30.
4.5×5 inches.
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Poole R.E., Monica (1921 – 2003)
‘Gully’.
Wood-engraving. Signed, titled and editioned ‘117/150’. Exhibited: Bank Street Gallery.
10×6.25 inches.
Framed: 18×13 inches.
£1,750
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Poole R.E., Monica (1921 – 2003)
‘Summer’.
Wood-engraving. 1987. Signed and edition 7/100.
7.25×4.75 inches.
Framed: 15.25×1225 inches.
£750
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Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792)
‘The Misses Crewe’ (Mannings 450).
Mezzotint. 1768. Made by John Dixon (1740 – c.1811). A beautiful, scratch lettered proof impression before publication. Exhibited: Agnews.
18.25×14 inches.
Framed: 29×23 inches.
£875
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Richmond R.A., George (1809 – 1896)
‘The Agony in the Garden’.
Oil on panel. 1875. After the c.1504 predella panel by Raphael (MET 32.130.1), then in the collection of Angela Burdett-Coutts, 1st Baroness Burdett-Coutts (1814-1906) and presumably copied while on loan to the Royal Academy ‘Winter Exhibition’ 1875/1876. Provenance: gift of the artist in 1882 to Dr. John Ogle (1824-1905); Bonham’s, Chester, 5th March 2013, Lot 395; Private collection; Chiswick Auctions 24th April 2025, Lot 5; from where aquired by the previous owner.
9.5×11 inches.
Framed: 14×15.5 inches.
£6,500
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Roussel, Theodore Casimir (1847 – 1926)
London; Parson’s Green,’The Snow, My Front Garden, March 2nd, 1909′ (H.85).
Softrground etching and aquatint. 1909. Signed.
9×7 inches.
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Thomas ROWLANDSON (1756-1827)
These prints were made by Rowlandson at the height of his artistic powers. They include two famous Pairs and the rare complete Set of his Cries of London. All come from a private collection of Rowlandson prints, built over many years.
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Rowlandson, Thomas (1756 – 1827)
GROUP: A rare complete set of Rowlandson’s 8 ‘Cries of London’.
Hand-coloured etching and aquatint. 1799. The prints by Henri Merke (fl.1798-1814) and published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection.
13×10 inches.
£4,500
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Rowlandson, Thomas (1756 – 1827)
PAIR: ‘An Italian Family’ and ‘A French Family’.
Hand-coloured etching and aquatint. 1785 and 1786. The prints made and published by Samuel Alken (1756-1815) after Rowlandson’s Royla Acdemy exhibition watercolours of 1784. Provenance: Andew Farryon Collection.
13.5×18 inches.
£2,500
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Rowlandson, Thomas (1756 – 1827)
PAIR: ‘St Giles’s Courtship’ / ‘St James’s Courtship’.
Hand-coloured etching and aquatint. 1799. The print made by Rowlandson, as well as the designs. Published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection.
13×10.75 inches.
£2,250
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Shackleton N.E.A.C., William (1872 – 1933)
Yorkshire; ‘Beamsley’.
Etching. 1896. Signed.
5×7 inches.
£125
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Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)
‘Kitty K’., Red Lion Square’, playing the piano (B.164).
Etching and engraving. c.1915 (completed 1922/23). State II of II. Signed in the plate.
7×5 inches.
Framed: 14×12 inches.
£500
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Smith, John Raphael (1752 – 1812)
‘Miss Chambers’.
Mezzotint. 1777. ‘Painted & Engraved by J. R. Smith / Pubd 8 July 1777 by W. Humphrey, Gerrard Street Soho, & J. R. Smith No 10 Batemans Buildings Soho Square’.
10.5×8 inches.
Framed: 12.5×10 inches.
£500
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Stoutshanks (fl.1828-29), S
A Pluralist; ‘A Tithe Pig Swallow’d without Grace’.
Pen and ink. 1828. Signed and dated, ‘S Stoutshanks / Invent et Fecit / AD 1828’.. Drawing for the satirical print published by S. Gans in 1830 (see impression in the Lewis Walpole Library). It is possible ‘Stoutshanks’ was the illustrator Robert Seymour (1798-1836), who published prints under the name ‘Shortshanks’ for a while, until Cruikshank objected!
9.5×13.25 inches.
£975
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Strang R.E., Ian (1886 – 1952)
France; Paris, ‘Place du Pont-Neuf’.
Etching. c.1925. Signed.
8×11 inches.
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Verpilleux, Emile Antoine (1888 – 1964)
‘The Last Furrow’.
Woodcut. 1924. Signed.
14×18 inches.
Framed: 22.5×26 inches.
£750
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Whistler, James Abbott McNeill (1834 – 1903)
London; Wapping, ‘Black Lion Wharf’.
Etching. 1859. Fourth state. As published in ‘A Series of Sixteen Etchings of Scenes on the Thames’ (AKA the ‘Thames Set’) by Ellis & Green in 1871. This print appears on the wall in ‘Arrangement in Grey and Black No. 1’, Whistler’s famous portrait of his mother.
6×9 inches.
Framed: 19×21.5 inches.
£1,250
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Wilkie R.A., Sir David (1785 – 1841)
‘The Sedan Chair’ (CD.8).
Etching. c.1815-1819.
5×3.5 inches.
£175
ENID MARX (1902-1998)
Enid Marx was a versatile artist and designer, working across printmaking, book illustration, textiles and pattern design. She was apprenticed to Barron and Larcher in the 1920s and made fabrics for London Transport. These linocuts were completed in 1979 but not published until 2000 as ‘Marco’s Animal Alphabet’ (Incline Press). The bold designs, patterns and vigorous working into the lino are distinctive of her graphic imagination.
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Marx, Enid (1902 – 1998)
A – Aardvark.
Linocut. Editioned ‘5/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£225
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Marx, Enid (1902 – 1998)
B – Bear.
Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
7.5×5 inches.
£300
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Marx, Enid (1902 – 1998)
C – Cockerel.
Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
7.5×5 inches.
£250
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Marx, Enid (1902 – 1998)
D – Dog.
Linocut. 1977. Signed and dated. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£350
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Marx, Enid (1902 – 1998)
E – Elephant.
Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£300
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Marx, Enid (1902 – 1998)
F – Fish.
Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£175
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Marx, Enid (1902 – 1998)
G – Goat.
Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
7.5×5 inches.
£275
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Marx, Enid (1902 – 1998)
H – Horse.
Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
7.5×5 inches.
£300
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Marx, Enid (1902 – 1998)
I – Ibex.
Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£250
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Marx, Enid (1902 – 1998)
J – Jaguar.
Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£250
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Marx, Enid (1902 – 1998)
K – Kangaroo.
Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
7.5×5 inches.
£275
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Marx, Enid (1902 – 1998)
L – Lion.
Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£275
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Marx, Enid (1902 – 1998)
M – Monkey.
Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
7.5×5 inches.
£300
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Marx, Enid (1902 – 1998)
N – Newt.
Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£225
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Marx, Enid (1902 – 1998)
O – Owl.
Linocut. Editioned ‘6/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
7.5×5 inches.
£350
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Marx, Enid (1902 – 1998)
P – Porcupine.
Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£250
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Marx, Enid (1902 – 1998)
Q – Quail.
Linocut. Editioned ‘3/6’ [the 3 scored through]. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£225
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Marx, Enid (1902 – 1998)
R – Rhino.
Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£175
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Marx, Enid (1902 – 1998)
S – Swan.
Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£300
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Marx, Enid (1902 – 1998)
T – Turtle.
Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£300
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Marx, Enid (1902 – 1998)
U – Unau.
Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£225
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Marx, Enid (1902 – 1998)
V – Vicunas.
Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
7.5×5 inches.
£250
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Marx, Enid (1902 – 1998)
W – Walrus.
Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£175
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Marx, Enid (1902 – 1998)
X – Xenopus.
Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
7.5×5 inches.
£175
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Marx, Enid (1902 – 1998)
Y – Yaffle.
Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
7.5×5 inches.
£225
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Marx, Enid (1902 – 1998)
Z – Zebra.
Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000.
5×7.5 inches.
£250
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