Clarke Hall, Edna (1879 – 1979)Kathy on the moors; a study for Wuthering Heights.Chalk. c.1920. Provenance: Denis Clarke Hall.9×14 inches.Framed: 18×22 inches.
£875
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Grant L.G., Duncan (1885 – 1978)Design for a table top II.Pen and ink. c.1923/25. Provenance: from a sketchbook acquired from the artist’s estate by the previous owner.6×4 inches.Framed: 14×11 inches.
£875
Falcon, Tor25th May, 2021.Pastels. Signed.15×22 inches.Framed: 20.25×27.25 inches.
£1,750
Marks, Gerald (1921 – 2018)‘Red Image’.Oil on canvas. 1962. Signed, titled and dated verso. Provenance: Artist’s Estate40.75×30.5 inches.
£2,000
Headlam, Mary (1873 – 1959)Portrait of a woman seated at a window of the artist’s Barton Street flat, Westminster.Chalks. c.1906. Provenance: Artist’s Estate.13×9.5 inches.Framed: 20.75×16.5 inches.
Lear, Edward (1812 – 1888)Greece; Corfu, Kynopiastes.Pen, ink and watercolour. Signed, inscribed and dated, 1862.5.25×8.75 inches.Framed: 14×17 inches.
£3,750
Grant, Keith (born 1930)Norway; ‘Reflection with Distant Fire’.Oil on canvas. 1969. Signed.44×60 inches.Framed: 47×62.5 inches.
£7,500
Hambling C.B.E., Maggi (born 1945)‘Wave Breaking, January I’.Oil on canvas. Signed and dated 2004, verso.12×10 inches.Framed: 18×16 inches.
£7,750
Gainsborough R.A., Thomas (1727 – 1788)Landscape Composition.Pencil. c.1758.
Literature: a previously unrecorded drawing, this is not listed in John Hayes, The Drawings of Thomas Gainsborough, 1970, in Hayes’ addenda of 1983 or Hugh Belsey’s addenda of 2008. Hugh Belsey will include this drawing in any subsequent addenda.
Provenance: Squire Gallery, 1955; Diana Peyton; and by descent.6.25×7 inches.Framed: 13.25×15.25 inches.
£12,500
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John, Gwen (1876 – 1939)Girl kneeling in church at Meudon.Watercolour. c.1920. Studio stamped. Exhibited: Matthiesen Ltd, ‘Gwen John’, 1958, Cat. No.48. Provenance: the artist’s nephew, Edwin John (1905-1978), his number ‘328’ verso; Mattiesen Ltd; […] Virginia Ogilvy, Countess of Airlie (1933-2024).6.25×5 inches.Framed: 13×11.75 inches.
£15,000
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Turner R.A., Joseph Mallord William (1775 – 1851)‘The Grey Castle’; a view on the Mosel or the Rhine.Pencil and watercolour. c.1841. The verso prepared with a grey wash. Provenance: Probably Sophia Caroline Booth (1798-1875); John Ruskin (1819-1900); possibly Christie’s, 15th April 1869, one of lots 27-32, Sketches on the Rhine; […] H Tomalin, according to a note on a black and white photograph in A. J. Finberg’s files (Vol. X pp.82-3, Tate Study Room); either John Talbot de Vere Clifton (1868-1928) or Henry Talbot de Vere Clifton (1907-1979) of Lytham Hall, Lancashire; Spink & Son, London (K3/2285) as ‘The Grey Castle, a study of the Castle of Beilstein on the Moselle’; John Marshall (1911-1995), March 1966; and by descent. Literature: Andrew Wilton, The Life and Work of J.M.W. Turner, 1979, p.461, no.1341.6.25×9.25 inches.Framed: 14.5×17 inches.
