‘A Ramble round St Albans’

Eric Fraser (1902-1984) ‘A Ramble round St Albans – compiled and illustrated by Eric G Fraser’. Ms.s with illustrated pages, two tipped-in watercolours and five tipped-in pen and ink drawings. 10.5×8.25 inches. £575.

NOTE: Illustrated below are a selection of pages from the Mss.
Please contact us if you would like to come and view the book.

  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.9); I behold London … And every part of Blake’s city if fourfold. London has survived the Blitz – How beautiful to the Artist his City of Babylon. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: the Estate of the late John Byrne (1945-2025). 9.25×7.5 inches.
    £2,500
  • Jones, Jean (1927 – 2012)     London; ‘The Palace of Westminster from Lambeth Pier’. Oil on canvas. 1986. Signed and dated. Provenance: The Artist’s Estate. 25×25 inches. Framed: 30.5×30.5 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     Dartmoor; ‘Ringmoor: The Stone Circle’. Oil on canvas. 1992. Signed. 30×30 inches. Framed: 35×35 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     Dartmoor; ‘From Ringmoor: The Stone Circle’. Oil on canvas. 1974. Signed. Provenance: The Artist’s Estate. 30×30 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     London; Primrose Hill, Spring. Oil on canvas. 2000. Signed and dated. Provenance: The Artist’s Estate. 30×30 inches.
    £7,500
  • Jones, Jean (1927 – 2012)     London; Primrose Hill, Summer. Oil on canvas. 2002. Provenance: The Artist’s Estate. 30×30 inches.
    £10,000
  • Jones, Jean (1927 – 2012)     London, ‘Primrose Hill, Autumn’. Oil on canvas. 2007/08. Provenance: The Artist’s Estate. 30×30 inches.
    £7,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.1); Self-portrait of the artist in his studio. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7.5 inches. Framed: 17.75×14.5 inches.
    £3,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (Frontispiece, 1944). Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised, the works subsequently being published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7 inches. Framed: 17.75×14.5 inches.
    £3,000
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.17); ‘In the Dark’. The artist lies awake to the reality of both worlds. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7.75 inches. Framed: 17.75×14.5 inches.
    £2,750
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.9); I behold London … And every part of Blake’s city if fourfold. London has survived the Blitz – How beautiful to the Artist his City of Babylon. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: the Estate of the late John Byrne (1945-2025). 9.25×7.5 inches.
    £2,500
  • Jones, Jean (1927 – 2012)     London; ‘The Palace of Westminster from Lambeth Pier’. Oil on canvas. 1986. Signed and dated. Provenance: The Artist’s Estate. 25×25 inches. Framed: 30.5×30.5 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     Dartmoor; ‘Ringmoor: The Stone Circle’. Oil on canvas. 1992. Signed. 30×30 inches. Framed: 35×35 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     Dartmoor; ‘From Ringmoor: The Stone Circle’. Oil on canvas. 1974. Signed. Provenance: The Artist’s Estate. 30×30 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     London; Primrose Hill, Spring. Oil on canvas. 2000. Signed and dated. Provenance: The Artist’s Estate. 30×30 inches.
    £7,500
  • Jones, Jean (1927 – 2012)     London; Primrose Hill, Summer. Oil on canvas. 2002. Provenance: The Artist’s Estate. 30×30 inches.
    £10,000
  • Jones, Jean (1927 – 2012)     London, ‘Primrose Hill, Autumn’. Oil on canvas. 2007/08. Provenance: The Artist’s Estate. 30×30 inches.
    £7,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.1); Self-portrait of the artist in his studio. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7.5 inches. Framed: 17.75×14.5 inches.
    £3,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (Frontispiece, 1944). Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised, the works subsequently being published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7 inches. Framed: 17.75×14.5 inches.
    £3,000
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.17); ‘In the Dark’. The artist lies awake to the reality of both worlds. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7.75 inches. Framed: 17.75×14.5 inches.
    £2,750
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.8); Everyman’s house is his hortus conclusus. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7.75 inches. Framed: 17.75×14.5 inches.
    £2,750
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.2); The artist is an all-seeing eye. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.75×7.25 inches. Framed: 17.75×14.5 inches.
    £2,750
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.15); The ruinous house of death filled with black emptiness. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.6); On every plane of existence life springs into being. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.3); The moon is my eye, smiling only at night. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘In the Dark’ (Alternative Frontispiece, 1944). Pen, brush, ink, watercolour and gouache. 1944. Alternative frontispiece design to a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine and using this work as the frontispiece. Provenance: Richard Saltoun; Private Collection. 10.25×7.25 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (Frontispiece, 1974). Pen, brush, ink, watercolour and gouache. 1974. Frontispiece to a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine and using this work as the frontispiece. Provenance: Richard Saltoun; Private Collection. 10.25×7.25 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.14); In Arcadia fear in a handful of dust. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7.5 inches. Framed: 17.75×14.5 inches.
    £2,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.13); In the cold north the purity of everlasting snow. The mountain is a temple sanctuary. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7.5 inches. Framed: 17.75×14.5 inches.
    £2,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.4); When he puts out the light. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7 inches. Framed: 17.75×14.5 inches.
    £2,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.5); The eye wants to know what the world is made of. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7 inches. Framed: 17.75×14.5 inches.
    £2,000
  • Lamb R.A., Henry (1883 – 1960)     Study for ‘The Behrend Family’ (Brighton & Hove Museums), the great collectors and patrons of Stanley Spencer. Pencil and watercolour. 1927. Provenance: Messums, Wiltshire; Private Collection. 9×10 inches. Framed: 15.5×16.5 inches.
    £6,000
  • Berman, Eugene (1899 – 1972)     ‘Roma: Cortile notturno’. Ink, watercolour and gouache. Signed and dated, 1958. Inscribed verso by the artist. Ex. Collection: Charles B Moses, Rome. 8.25×6.5 inches. Framed: 12.5×10 inches.
    £2,750
  • Allinson N.E.A.C., Adrian (1890 – 1959)     London; ‘Almonds and Ashes’, St John’s Wood. Oil on board. c.1938. Signed. Exhibited: Atkinson Art Gallery, Southport; The Fine Art Society, 1984. 25.5×45 inches. Framed: 33.5×52.5 inches.
    £18,500
  • Nicholson, Ben (1894 – 1982)     Italy; Tuscany, ‘Monte Oliveto’. Graphite. 1956. Signed and dated ‘Sept 56’. Provenance: Osborne Samuel; from where acquired by Sir Neville and Lady Marriner. 16.5×20.5 inches. Framed: 18.5×23 inches.
    £14,000
  • Collins, Cecil (1908 – 1989)     A Landscape in Paradise. Waterclour and gouache. Signed and dated, 1937. Provenance: gift from Elisabeth Collins (1904-2000), the artist’s wife, to the previous owner. 8×10 inches. Framed: 14.5×16.5 inches.
    £5,750
  • Collins, Cecil (1908 – 1989)     Tabletop Still Life. Pen, ink, watercolour and gouache. 1937. Signed and dated. Provenance: gift from Elisabeth Collins (1904-2000), the artist’s wife, to the previous owner. 9×12 inches. Framed: 15×18 inches.
    £12,500
  • Minton, John (1917 – 1957)     Corsica; Monastery, Corbara. Pen and ink. Made as part of Minton’s famous ‘Time was Away – A Notebook in Corsica’ project (not illustrated). 1947. Signed and dated. Provenance: Ernest Brown & Phillips, The Leicester Galleries, London; Durlacher Bros., New York 1948; from where acquired by Alice Astor Pleydell-Bouverie (1902-1956) in 1949; by descent; Bonhams 26th June 2007, Lot 2. 9.75×12 inches. Framed: 18×20 inches.
    £25,000
  • Boyd Harte, Glynn (1948 – 2003)     Italy; Venice, ‘Balcon with Ca’ Doro’. Watercolour. 1988. Signed. Exhibited: Albermarle Gallery. 24×18 inches. Framed: 33×26.5 inches.
    £3,000
  • Nolan O.M. A.C., Sir Sidney (1917 – 1992)     Shakespeare Sonnet No.127; ‘Fairing the foul with art’s false borrowed face’. Oil on paper. 1965. Exhibited: Malborough Fine Art. 25.25×21 inches. Framed: 36×31 inches.
    £2,000
  • Banting, John (1902 – 1972)     Organic Forms. Oil on canvas laid on board. A pair to the painting formerly in the collection of Michael Haas and sold at Sotheby’s 5th March 1997, Lot. 284. 23.5×15 inches. Framed: 39.5×28.5 inches.
    £2,750
  • Milligan, Spike (1918 – 2002)     The Dancer. Pencil, pen and ink by the actor and comedian. Used as the front cover for Milligan’s exhibition at The Agency Club, 1995. 22×11 inches. Framed: 29.5×19 inches.
    £3,750
  • Armfield, Stuart (1916 – 1999)     Cornwall; The ‘Venu’s fishing boat, Looe. Tempera on panel. c.1955. Signed. 13.5×9.5 inches. Framed: 19×15 inches.
    £5,000
  • Gierth, Patrick Waldemar (1910 – 1994)     London; Blackheath, ‘Saturday Afternoon’. The view from the artist’s house in Eliot Place. Oil on board. 1947. Signed and dated. Further signed, titled and inscribed verso. Provenance: Cambridgeshire Local Authority. 23.5×19.5 inches. Framed: 29.5×25.5 inches.
    £4,500
  • Camp R.A., Jeffery (1923 – 2020)     ‘Beachy Head, Black Backed Gull Flying’. OIl on board. 1973. Exhibited: Nigel Greenwood; Manchester City Art Galleries. 96×48 inches. Framed: 98×50 inches.
    £8,750
  • Clough, Prunella (1919 – 1999)     Studies for ‘Fishermen Hauling Nets’. Charcoal, pencil and wash. 1946. Exhibited: Austin Desmond. 15×12 inches. Framed: 19×15.5 inches.
    £4,750
  • Petherbridge C.B.E., Deanna (1939 – 2024)     ‘City of Sand IV’. Pen and ink. 1972. Exhibited: Susan Loppert. 14×20 inches. Framed: 22.5×28 inches.
    £1,750
  • Gore, Spencer Frederick (1878 – 1914)     London; The Alhambra Music Hall. Charcoal. Exhibited: Redfern Gallery, ‘Spencer Gore / Frederick Gore’, Feb / March 1962, No.152 (illustrated). Provenance: Denis Sutton. 10×8 inches. Framed: 18×15 inches.
    £2,750
  • Philpot R.A., Glyn (1884 – 1937)     Jamaican Man Walking; Henry Thomas. Bronze. 1929. One of only 3 or 4 casts made in 1929. Provenance: Gabrielle Cross (1910-1997), the artist’s niece; Brian Sewell (1931-2015); Jo McCrindle (1923-2008); Private Collection. Editions of this work have been exhibited at: Royal Academy, 1929, no.1511; Royal Academy, 1930, no.1600; Leicester Galleries, 1932, no.28; Tate Gallery, ‘Exhibition of Paintings and Sculpture by the Late Glyn Philpot’, 1938; Leighton House, ‘Retrospective exhibition: drawings, paintings and sculpture by Glyn Warren Philpot, R.A. 1884-1937’, 1959, no.70; Royal Academy, Bicentenary Exhibition, 1968-9, no.496; National Portrait Gallery, ‘Glyn Philpot 1884-1937, Edwardian Aesthete to Thirties Modernist’, 1984-1985, no.123; Leighton House, ‘Glyn Philpot (1884-1937) The Bronzes’, 1986; Fine Art Society, ‘Glyn Philpot RA: paintings, drawings and sculptures from the Estate of Gabrielle Cross’, 1997-1998, no. 13; Pallant House Gallery (on loan 2006- 2011). Literature: A.C. Sewter, Glyn Philpot 1884-1937, B.T. Batsford Ltd., London, 1951, pl.116. 33.5×18.5xD8 inches.
    £25,000
  • Hawthorne, Elwin (1905 – 1954)     London; Kensington Palace. A design for London Transport Advertising. Oil on panel. 1936. Signed. 15.5×21.5 inches. Framed: 19×25 inches.
    £6,500
  • Collins, Cecil (1908 – 1989)     ‘The Voyage of Ulysses’. Pen, ink, watercolour and gouache. Signed and dated, 1933. Exhibited: probably ‘Exhibition of paintings and drawings by Cecil Collins’, Bloomsbury Gallery, 1936. Provenance: Fleur Cowles (1908-2009); Sarah Colegrave Fine Art; from where acquired by the previous owner. 8×10.5 inches. Framed: 15.5×17.5 inches.
    £6,750
  • Durrant, Roy Turner (1925 – 1998)     Edge of the Wood. Watercolour. Signed and dated, 1957. 8×5 inches. Framed: 13.5×16 inches.
    £1,250
  • Brigham, Isobel (born 1963)     Scotland; ‘Orkney’. Oil on panel. 1994. Signed, titled and dated, verso. 12.5×9.5 inches. Framed: 18×15 inches.
    £2,000
  • Kempster, William (1914 – 1976)     Boy with Kite. Tempera on board. c.1950. 14.5×5.5 inches. Framed: 19.5×10.5 inches.
    £3,250
  • Wynter, Bryan (1915 – 1975)     ‘Rocks’; a Neo-Romantic Landscape. Pen, brush and ink. c.1947/48. Exhibited: The New Art Centre. 9.5×13.5 inches. Framed: 19.75×23 inches.
    £4,000
  • Minton, John (1917 – 1957)     ‘The Street’. Lithograph. 1946. Signed and dated. Dedicated to Joan and Bernard. A rare signed impression of Minton’s first print in this medium. 9.25×10.75 inches. Framed: 17.5×18.5 inches.
    £3,500
  • Vaughan, Keith (1912 – 1977)     WWII; ‘Camp Constructions – The Start of a New Day’. Building Nissen huts at Bulford Camp, Wiltshire. Pen, brush and ink. 1942. Signed, inscribed and dated. Provenance: John Lehmann (1907-1987); by whom given to John Guest (1911-1997), editor at Longmans, who published Lehmann’s autobiography, ‘The Whispering Gallery’ in 1955. 5.5×8.5 inches. Framed: 13×15.5 inches.
    £4,500
  • Bawden C.B.E. R.A., Edward (1903 – 1989)     Cover Design for W. H. Auden, ‘Mountains’, Publ. Faber & Faber, 1952 Pen and ink. c.1954. Exhibited: The Fine Art Society, October 1979. 8.5×5.5 inches. Framed: 17×13 inches.
    £1,750
  • Wynter, Bryan (1915 – 1975)     ‘Houses and Pile Rock Waste’. Gouache. c.1952. Exhibited: ‘St Ives: Eighty Years of Modernism’, Julian Lax, 2001, Cat. No.58. Provenance: The Artist’ Estate; Julian Lax; from where acquired by the previous owner. 10.5×14 inches. Framed: 18×21 inches.
    £4,750
  • Sutherland O.M., Graham (1903 – 1980)     ‘Metaphysical II’. Pen, ink, watercolour and crayons. c.1942. Study for an illustration to David Gascoyne, ‘Poems 1937-1942’, Publ. PL Editions / Nicholson and Watson, 1943. Exhibited: Agnews. 6.5×5 inches. Framed: 15×13 inches.
    £7,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘Flying Bomb Depot – The Caves at St.-Leu-d’Esserent’. Pen, ink, watercolour, gouache, pastel and wax crayon. 1944. Signed and dated. In 1944 Sutherland made drawings recording the Allied bombing of strategic sites in Northern France. The Caves at St.-Leu-d’Esserent were used to store V-1 flying bombs. 10×13 inches. Framed: 18.5×21.5 inches.
    £12,000
  • Hodgson, Louisa (1905 – 1980)     Tennyson; ‘Of Love that never found his earthly close / what sequel / Love and Duty’. Watercolour. 1930s. Signed on the original mount. 13.5×9.5 inches. Framed: 22×17.5 inches.
    £1,500
  • Williams, Evelyn (1929 – 2012)     ‘Emma by the Sea 1’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 27×31 inches.
    £2,000
  • Marx, Enid (1902 – 1998)     Z – Zebra. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     Y – Yaffle. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £225
  • Marx, Enid (1902 – 1998)     X – Xenopus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £175
  • Marx, Enid (1902 – 1998)     W – Walrus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     V – Vicunas. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £250
  • Marx, Enid (1902 – 1998)     U – Unau. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     T – Turtle. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     S – Swan. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     R – Rhino. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     Q – Quail. Linocut. Editioned ‘3/6’ [the 3 scored through]. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     P – Porcupine. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     O – Owl. Linocut. Editioned ‘6/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     N – Newt. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     M – Monkey. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     L – Lion. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     K – Kangaroo. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £275
  • Marx, Enid (1902 – 1998)     J – Jaguar. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     I – Ibex. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     H – Horse. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     G – Goat. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £275
  • Marx, Enid (1902 – 1998)     F – Fish. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     E – Elephant. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
  • Marx, Enid (1902 – 1998)     D – Dog. Linocut. 1977. Signed and dated. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     C – Cockerel. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     B – Bear. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £300
  • Marx, Enid (1902 – 1998)     A – Aardvark. Linocut. Editioned ‘5/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Wilkie R.A., Sir David (1785 – 1841)     ‘The Sedan Chair’ (CD.8). Etching. c.1815-1819. 5×3.5 inches.
    Sold
  • Whistler, James Abbott McNeill (1834 – 1903)     London; Wapping, ‘Black Lion Wharf’. Etching. 1859. Fourth state. As published in ‘A Series of Sixteen Etchings of Scenes on the Thames’ (AKA the ‘Thames Set’) by Ellis & Green in 1871. This print appears on the wall in ‘Arrangement in Grey and Black No. 1’, Whistler’s famous portrait of his mother. 6×9 inches. Framed: 19×21.5 inches.
    Sold
  • Verpilleux, Emile Antoine (1888 – 1964)     ‘The Last Furrow’. Woodcut. 1924. Signed. 14×18 inches. Framed: 22.5×26 inches.
    Sold
  • Strang R.E., Ian (1886 – 1952)     France; Paris, ‘Place du Pont-Neuf’. Etching. c.1925. Signed. 8×11 inches.
    Sold
  • Smith, John Raphael (1752 – 1812)     ‘Miss Chambers’. Mezzotint. 1777. ‘Painted & Engraved by J. R. Smith / Pubd 8 July 1777 by W. Humphrey, Gerrard Street Soho, & J. R. Smith No 10 Batemans Buildings Soho Square’. 10.5×8 inches. Framed: 12.5×10 inches.
    £500
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)     ‘Kitty K’., Red Lion Square’, playing the piano (B.164). Etching and engraving. c.1915 (completed 1922/23). State II of II. Signed in the plate. 7×5 inches. Framed: 14×12 inches.
    Sold
  • Shackleton N.E.A.C., William (1872 – 1933)     Yorkshire; ‘Beamsley’. Etching. 1896. Signed. 5×7 inches.
    £125
  • Stoutshanks (fl.1828-29), S     A Pluralist; ‘A Tithe Pig Swallow’d without Grace’. Pen and ink. 1828. Signed and dated, ‘S Stoutshanks / Invent et Fecit / AD 1828’.. Drawing for the satirical print published by S. Gans in 1830 (see impression in the Lewis Walpole Library). It is possible ‘Stoutshanks’ was the illustrator Robert Seymour (1798-1836), who published prints under the name ‘Shortshanks’ for a while, until Cruikshank objected! 9.5×13.25 inches.
    £975
    ◐
  • Rowlandson, Thomas (1756 – 1827)     PAIR: ‘St Giles’s Courtship’ / ‘St James’s Courtship’. Hand-coloured etching and aquatint. 1799. The print made by Rowlandson, as well as the designs. Published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection. 13×10.75 inches.
    Sold
  • Rowlandson, Thomas (1756 – 1827)     GROUP: A rare complete set of Rowlandson’s 8 ‘Cries of London’. Hand-coloured etching and aquatint. 1799. The prints by Henri Merke (fl.1798-1814) and published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection. 13×10 inches.
    £4,500
  • Rowlandson, Thomas (1756 – 1827)     PAIR: ‘An Italian Family’ and ‘A French Family’. Hand-coloured etching and aquatint. 1785 and 1786. The prints made and published by Samuel Alken (1756-1815) after Rowlandson’s Royla Acdemy exhibition watercolours of 1784. Provenance: Andew Farryon Collection. 13.5×18 inches.
    Sold
  • Roussel, Theodore Casimir (1847 – 1926)     London; Parson’s Green,’The Snow, My Front Garden, March 2nd, 1909′ (H.85). Softrground etching and aquatint. 1909. Signed. 9×7 inches.
    Sold
  • Richmond R.A., George (1809 – 1896)     ‘The Agony in the Garden’. Oil on panel. 1875. After the c.1504 predella panel by Raphael (MET 32.130.1), then in the collection of Angela Burdett-Coutts, 1st Baroness Burdett-Coutts (1814-1906) and presumably copied while on loan to the Royal Academy ‘Winter Exhibition’ 1875/1876. Provenance: gift of the artist in 1882 to Dr. John Ogle (1824-1905); Bonham’s, Chester, 5th March 2013, Lot 395; Private collection; Chiswick Auctions 24th April 2025, Lot 5; from where aquired by the previous owner. 9.5×11 inches. Framed: 14×15.5 inches.
    £6,500
  • Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792)     ‘The Misses Crewe’ (Mannings 450). Mezzotint. 1768. Made by John Dixon (1740 – c.1811). A beautiful, scratch lettered proof impression before publication. Exhibited: Agnews. 18.25×14 inches. Framed: 29×23 inches.
    £875
  • Poole R.E., Monica (1921 – 2003)     ‘Summer’. Wood-engraving. 1987. Signed and edition 7/100. 7.25×4.75 inches. Framed: 15.25×1225 inches.
    £750
  • Poole R.E., Monica (1921 – 2003)     ‘Gully’. Wood-engraving. Signed, titled and editioned ‘117/150’. Exhibited: Bank Street Gallery. 10×6.25 inches. Framed: 18×13 inches.
    £1,750
  • Pellew, Claughton (1890 – 1966)     Holland; ‘Amsterdam’. Wood-engraving. 1927. Signed, titled, dated and editioned 19/30. 4.5×5 inches.
    Sold
  • Moira, Gerald (1867 – 1959)     Barrel Makers. Gouache. Signed and dated, 1941. Inscribed verso. 15×21 inches.
    Sold
  • Meryon, Charles (1821 – 1868)     France; Paris, ‘La Pompe Notre Dame’. Etching. 1852. 7×10 inches.
    Sold
  • McMinn (fl.1890-1920), F. A.     Kent; ‘Whitstable Oyster Boats returning from the fishing grounds. The Anna underweigh’. Pencil. c.1895. Inscribed verso. Provenance: a sketchbook of drawings, signed in the front. 7×10 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     Self Portrait. pencil. Signed and dated, 1939. Provenance: the Artist’s Estate. 19×14 inches. Framed: 29×24 inches.
    £1,500
  • Marks, Gerald (1921 – 2018)     Chain and Gears II. Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate. 14×10 inches. Framed: 22.5×17.5 inches.
    £475
  • Marks, Gerald (1921 – 2018)     Chain and Gears I. Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate. 14×10 inches. Framed: 22.5×17.5 inches.
    £475
  • John O.M. R.A., Augustus (1878 – 1961)     ‘The Hawkers Van’ (CD.125). Etching. Etched at Matching Green, Essex 1904/5. Signed. Edition of 25. Exhibited: Goldmark Gallery. 6.5×8 inches. Framed: 16×17 inches.
    £1,750
    ◐
  • Howitt, Samuel (1756 – 1822)     Isle of Wight; Carisbrooke Castle. Watercolour. Signed and dated, 1791. Provenance: Col. F W G Gore (1906/7); Sir herbert Merrett (1937); […] Private Colletion. Exhibited: Heather Newman. 8.5×12 inches. Framed: 17×20 inches.
    £1,250
  • Holloway, Edgar (1914 – 2008)     ‘The Etcher No.18 (The Etcher II)’ (M.239); a self-portrait of the artist at work. Etching. From the 1979 reworking of the 1932 plate. Signed and dedicated. 5.25×5 inches.
    Sold
  • Hockney O.M. C.H. R.A., David (born 1937)     ‘Beautiful and White Flowers’. Etching and aquatint. 1966. From the ‘Illustrations for Fourteen Poems from C.P. Cavafy’ suite. Edition of 500. Exhibited: Goldmark Gallery. 13.5×9 inches. Framed: 24.5×19 inches.
    £1,500
  • Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)     ‘Laneham’ (C.30). Etching. 1923. Signed. 5×4.5 inches. Framed: 13×12.25 inches.
    Sold
  • Fulleylove, John (1845 – 1908)     Italy; the Piazza at Asolo. Pencil and watercolour. 27th June 1891. Signed, inscribed and dated. Exhibited: Agnews. 7×10 inches. Framed: 14.5×17.5 inches.
    Sold
  • Foster R.W.S., Miles Birket (1825 – 1899)     Venice; the Doge’s Palace and Piazzetta San Marco. Pencil and watercolour. Signed with monogram. 4.5×6 inches.
    Sold
  • Feild, Maurice (1905 – 1988)     W. H. Auden (1907-1973). Lithograph. 1982. Signed. Based on a portrait of c.1935 9×6 inches.
    Sold
  • Downman, Isabella Chloe (born 1787)     The artist and ‘a very gallant Beau’ winding yarn at the Hotel at Thorp-Arch, Yorkshire. Pencil and watercolour, by the daughter of John Downman A.R.A. (1749-1824). c.1810. Signed. Extensively inscribed … ‘During my residence at the Hotel at Thorp-Arch, I had a very gallant Beau, who used to employ himself in various acts of attention, one day he sat with all patience and held a quantity of yarn for me to wind, and as our general appearance was thought particularly interesting, I have represented the scene in Drawing’. Literature: Ralph Edwards, ‘Portraits by Downman of his Realtions’, Apollo, Vol. XVIII, No.105, Sept. 1933, (Ill. p.180). Provenance: Christies, 12th April 1920, Lot.17; to Pawsey and Payne; […] Mrs Hubert Cordes; […] Sotheby’s, 24th September 1997; to A and H; Private Collection. 7.5×9 inches. Framed: 21×20 inches.
    £2,750
    ◐
  • Crotch, Dr William (1775 – 1847)     Lincolnshire; St Botolph’s, Boston. Watercolour and graphite. 1806. Inscribed and initialled under the mount, ‘Boston Linc. from Ed Lack MGS / WC / 300 feet high’ and verso, ‘Tower or near it _ WC Sept 30 1806 3pm’. 3.25×5.75 inches. Framed: 11×13 inches.
    Sold
  • Cliffe, Henry (1919 – 1983)     Designs for abstract painting. Pencil. Late 1950s / early 1960s. Provenance: a large group of drawings by Cliffe, all from the 1950s and 1960s. 7.5×11 inches.
    Sold
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Hayrick and sunlight. Watercolour. Signed. 9.25×6.25 inches. Framed: 17×13.5 inches.
    £2,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Barn Interior. Study related to Clausen’s oil painting ‘The Barn at Deers Farm’ (Exh. R.A. 1911). Charcoal. c.1911. Signed. 14×10.5 inches. Framed: 22×18 inches.
    £1,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Sky Study. Watercolour. Signed. 10.5×15 inches. Framed: 18.5×22.5 inches.
    £2,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Barn Interior. Charcoal, watercolour and gouache. Signed. 10.5×12 inches. Framed: 18.5×19.5 inches.
    £2,750
  • Clarke Hall, Edna (1879 – 1979)     ‘Catherine and Heathcliffe sitting in a field’. Etching. 1920s. Signed. 10.25×8.25 inches.
    £675
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Sound of Mull’. Pencil, pen, ink and watercolour. Signed and inscribed. Extensively inscribed under the mount. 6×10.5 inches.
    Sold
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Loch Lomond’. Pencil, pen, ink and watercolour. Signed and inscribed. 7×9.5 inches.
    Sold
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Melfort’. Pencil, pen, ink and watercolour. Signed and inscribed. 7×10 inches.
    £375
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Sound of Mull’. Pencil, pen, ink and watercolour. Signed and extensively inscribed. 7×10 inches.
    £750
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Black Mount’. Pencil, pen, ink and watercolour. Signed. 6×10.5 inches.
    Sold
  • Calvert, Charles (1785 – 1852)     ‘The Bride’ (L.8c). Engraving. 1828. Third state. Printed for the ‘Memoir’, 1893. Edition of 350. 4.5×6.5 inches. Framed: 15×16 inches.
    £3,000
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)     ‘Noemie’ (F.57). Etching. 1926. Signed. Provenance: the Estate of Kathleen Brockhurst, the artist’s wife. 7×4.25 inches.
    £475
  • Brett A.R.A., John (1831 – 1902)     Italy; Florence, ‘Nannie Mulock’. Pencil. Inscribed and dated ‘Palazzo Frescobaldi Feb 1863’. Further inscribed ‘Nannie Mulock’. Exhibited: J S Maas & Son (W11292). 9.5×6.75 inches. Framed: 16.75×13.5 inches.
    £1,500
  • Badmin R.W.S. R.E., Stanley Roy (1906 – 1989)     Still life with Clivia, Hyacinth and Geranium. Pen, ink, watercolour and pastel. Signed. Provenance: The Artist’s family, by descent. 16.5×10.5 inches. Framed: 28×22 inches.
    Sold
  • Austin, Frederick George (1902 – 1990)     The Flight into Egypt. Etching. 1927. Signed and dated. The composition that won Austin the Prix de Rome. 7×8 inches.
    £750
  • Austin R.A. R.E., Robert Sargent (1895 – 1973)     ‘Mid-day Rest’. Engraving. 1932. Signed and dated. 6×7.5 inches. Framed: 13.5×14 inches.
    Sold
  • Austin R.A. R.E., Robert Sargent (1895 – 1973)     ‘Before Mass’ (CD64). Engraving. 1926. Signed and dated. Edition of 60. 5×4.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     Study for ‘Sleeping Couple’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 23.25×32.75 inches. Framed: 25.75×35.5 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     ‘Fay Weldon’s Bedroom 1’. Charcoal. Signed and dated, 1978. Provenance: The Evelyn Williams Trust. 37.75×29 inches. Framed: 26×35.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Running by the Sea’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches. Framed: 34.5×57.5 inches.
    £2,800
  • Williams, Evelyn (1929 – 2012)     ‘Woman in Bed’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches. Framed: 34×57.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Night Thoughts’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches. Framed: 34.5×57.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     Study for ‘Sleeping Couple’. Charcoal. Signed and dated, 1975. Provenance: Artist’s Estate. 53.5×31 inches. Framed: 47×31.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     ‘Emma by the Sea 2’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 27×31 inches. Framed: 26×29.5 inches.
    £2,000
  • Williams, Evelyn (1929 – 2012)     ‘Head in Hands Looking Up’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 31×27 inches. Framed: 33×29 inches.
    £2,000
  • Williams, Evelyn (1929 – 2012)     ‘Girl with Expectations 1’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 21.5×10.25 inches. Framed: 32.5×25 inches.
    £1,200
  • Williams, Evelyn (1929 – 2012)     Two Studies for ‘Man and Woman’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 22.5×11 inches. Framed: 34×22 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Introspective Nude 1’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 27×30.25 inches. Framed: 29.5×33 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     Idea for ‘A Woman’s Life’. Charcoal. 1976. Provenance: The Evelyn Williams Trust. 20.5×29 inches. Framed: 23×31.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     ‘Someone’s Sister’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 56.75×53.5 inches. Framed: 57.5×35 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     Sul Balcone (W287). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 11.75×9 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     ‘Il M’aime un Peu’ (W157). Lithograph. 1914. Edition of 24. Signed. Provenance: Artist’s Estate. 13.75×10.5 inches.
    £775
  • Gabain, Ethel (1883 – 1950)     ‘An Italian Terrace’ (W285). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 9×10 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     La Contadina (W283). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 16×11.25 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Le Bébé Pierrot’ (W196). Lithograph. 1918. Edition of 24. Signed. Provenance: Artist’s Estate. 13.5×9.25 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Terrasse ensoileillée’ (W115). Lithograph. 1912. Edition of 20. Signed. Provenance: Artist’s Estate. 9×11.5 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Ligurian Alps’ (W293). Lithograph. 1927. Edition not recorded. Signed. Provenance: Artist’s Estate. 7×13 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘Algiers la Blanche’ (W280). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 8.5×6.5 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘The Farm in the Dip, Wye’ (W217). Lithograph. 1921. Edition of 28. Signed. Provenance: Artist’s Estate. 9.75×14 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     La Porte Close (W206). Lithograph. 1919. Edition of 24. Signed. Provenance: Artist’s Estate. 13.25×6.75 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     Le Roi Soleil (W182). Lithograph. 1916. Edition of 32. Signed. Provenance: Artist’s Estate. 11×13 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘The Sundial Imp’ (W160). Lithograph. 1914. Edition of 24. Signed. Provenance: Artist’s Estate. 11×11 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘L’Ennui (Nude Study)’ (W55). Lithograph. 1908. Edition of 18. Signed. Provenance: Artist’s Estate. 12.5×9.5 inches.
    £475
  • Gabain, Ethel (1883 – 1950)     ‘The Old Aristocrat’ (W275). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 13.5×9.5 inches.
    £375
  • Gabain, Ethel (1883 – 1950)     ‘Mauvais Jours’ (W66). Lithograph. 1908. Edition of 10. Signed. Provenance: Artist’s Estate. 10.25×7 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Ceasars Tower in ye Island Geneva’. Pencil and watercolour. Inscribed and dated, 28th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland ‘Arcade de la Place du Molard. Geneva’. Pencil and watercolour. Inscribed and dated, 10th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×9.25 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from beyond Secheron’. Pencil and watercolour. Inscribed and dated, 28th August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.75 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from the end of the Paquis’. Pencil and watercolour. Inscribed and dated, 30th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne’. Pencil and watercolour. Inscribed and dated, 20th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva’. Pencil and watercolour. Inscribed and dated, 20th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From a vineyard at Besinge near Geneva’. Pencil and watercolour. Inscribed and dated, 25th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×13.5 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Gasenove’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×11 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Village of Pregny’. Pencil and watercolour. Inscribed and dated, 28th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pregny’. Pencil and watercolour. Inscribed and dated, 28th June 1835. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Buet / Mont Blanc / Geneva’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×21.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 26th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.5 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Mill on the Rhone’. Pencil and watercolour. Inscribed and dated, 11th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Inn at Russin. L’Ombre’. Pencil and watercolour. Inscribed and dated, 4th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     ‘Passage of the Rhone at Arvulli’. Pencil and watercolour. Inscribed and dated, 4th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Sledge. Party at Treize Arbres. Grand Saleve’. Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Treize Arbres Grand Saleve.’ Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Ruins of the Chateau de L’Hermitage. Petit Saleve’. Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘De mon lit a Varembé / 4 heures du matin, Mai 1834’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From Md. Julliards field at Varembe / Maison du Seigneux’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Village of Smoheurns near Geneva from M. Duval’s field’. Pencil and watercolour. Inscribed and dated, 6th Oct? 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Duval from Md. Julliards fields’. Pencil and watercolour. Inscribed and dated, 25th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Duval’. Pencil and watercolour. Inscribed and dated, 13th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Tourney & Lake of Geneva’, home of Voltaire during the 1750s. Pencil and watercolour. Inscribed and dated, 13th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Tourney’, Voltaire’s home during the 1750s. Pencil and watercolour. Inscribed and dated, 28th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Fort de L’Ecluse Village de Meirin [Meyrin]’. Pencil and watercolour. Inscribed and dated, 2nd July 1835. Provenance: An album of watercolours by Elizabeth Campbell. 7×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Pasteaur. Grand Saconnex’. Pencil and watercolour. Inscribed and dated, 2nd July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Part of Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 6th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 6th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Supposed site of Calvin’s Grave, Geneva. Burial ground. The two remaining Willows of four planted thereon / Sousterre / Petite St Jean.’ Pencil and watercolour. Inscribed and dated, 10th May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Gervais part of Geneva from Plain Palais’. Pencil and watercolour. Inscribed and dated, 23rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Chateau de Divonne [Divonne-les-Bains]’. Pencil and watercolour. Inscribed and dated, 3rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Church at Divonne [Divonne-les-Bains]’. Pencil and watercolour. Inscribed and dated, 3rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Lake of Geneva. Les Alinges [Allinges]’. Pencil and watercolour. Inscribed and dated, 18th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Les Alinges [Allinges]’. Pencil and watercolour. Inscribed and dated, 18th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘At Allamogne [Allaman]’. Pencil and watercolour. Inscribed and dated, 10th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Castle of Allamogne [Allaman], burnt down’. Pencil and watercolour. Inscribed and dated, 10th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from Md. Julliard’s field Varembe’. Pencil and watercolour. Inscribed and dated, May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne de Md. le Vieux from Md. Julliard’s Field’. Pencil and watercolour. Inscribed and dated, 5th May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Nyon from the window of the Eau de France’. Pencil and watercolour. Inscribed and dated, 18th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 11×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Aubonne’. Pencil and watercolour. Inscribed and dated, 18th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Sarra’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×4.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Waiting for horses at Neuchatel’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×4.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Neuchatel’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.75×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pont of the Bridge of Thiel’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau et Pont de Thiel’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×12 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘School House of Tichal’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Schlossberg near La Neuville’. Pencil and watercolour. Inscribed and dated, 11th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Neuveville’. Pencil and watercolour. Inscribed and dated, 11th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St. Jean on ye Thiel / Landeron / Canton Bern’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St. Jean on the Thiel / Old Convent. Canton Bern’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Jean – Former monastery / Landeron Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 7th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Landeron & Thiel River’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau d’Erlach Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Place of Execution Landeron Canton Bern’. Pencil and watercolour. Inscribed and dated, April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.75×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier & Lac de Bienne with part of the villages of [Feny?]’. Pencil and watercolour. Inscribed and dated, 8th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier & Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 8th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Principal street of Cerlier’. Pencil and watercolour. Inscribed and dated, 15th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier Isle de St Pierre Lac de Bienne from the old road of the Jolimont’. Pencil and watercolour. Inscribed and dated, 10th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cure de Cressier’. Pencil and watercolour. Inscribed and dated, 13th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier from the Tschugg road’. Pencil and watercolour. Inscribed and dated, 20th February 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier from my bedroom window at the Chateau d’Erlach / Part of ye Lac de Bienne & Range of the Swiss Alps / Mt Blanc’. Pencil and watercolour. Inscribed and dated, January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×21 inches.
    £675
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Isle de St Pierre Lac de Bienne – View from Miss Campbell’s Bedroom window at the Chateau de Erlach’. Pencil and watercolour. Inscribed and dated, 28th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from the drawing room window Chateau d’Erlach’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau & old Town of Cerlier / Isle de St Pierre Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 21st July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau d’Erlach. Canton de Berne / Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 27th January/July? 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Part of Cerlier’. Pencil and watercolour. Inscribed and dated, 10th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Old Town of Cerlier […] a Convent’. Pencil and watercolour. Inscribed and dated, 15th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier [Erlach] & its Port’. Pencil and watercolour. Inscribed and dated, 8th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘End of the Old Town of Cerlier [Erlach] once a convert’. Pencil and watercolour. Inscribed and dated, 27th January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Château d’Erlach, Canton de Berne, Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 11th January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View near Petit-Saxony Geneva. Maison Barbazak’. Pencil and watercolour. Inscribed and dated, 26th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×17 inches.
    £675
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pension Bacle Gent’. Pencil and watercolour. Inscribed and dated, September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From above the Campagne de L’Imperatrice’. Pencil and watercolour. Inscribed and dated, 17th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×13.75 inches.
    £575
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Geneva & Salève from below Pregny’. Pencil and watercolour. Inscribed and dated, October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £575
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from the Ferney Road’. Pencil and watercolour. Inscribed and dated, 25th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake Geneva from the fields of Mr Rigaud Fingestin(?) / Dent de (Jaman?) / Voiron’. Pencil and watercolour. Inscribed and dated, 29th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From the drawing room window at Varembé near Geneva’,. Pencil and watercolour. Inscribed and dated, October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From the drawing room window at Varembé near Geneva. Five minutes after our arrival’. Pencil and watercolour. Inscribed and dated, 14th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘The game of chess in the shade. Field front of Campagne Juillard Varembé’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Juillard Varembé near Geneva’. Pencil and watercolour. Inscribed and dated, 24th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Towers of Hermance & Lake of Geneva’. Pencil and watercolour. Inscribed and dated, 23rd September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Up at 4 O’clock! / Waiting for breakfast / Jussy’. Pencil and watercolour. Probably September 1833? Provenance: An album of watercolours by Elizabeth Campbell. 5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Jussy. Great Salève’. Pencil and watercolour. Inscribed and dated, 23rd September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 5×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Belotte’. Pencil and watercolour. Inscribed and dated, 18th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from La Belotte looking North’. Pencil and watercolour. Inscribed and dated, 18th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Island & storm on the Lake of Geneva / from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Island in the Lake of Geneva from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Near the mouth of the Rhone from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Entrance to Villeneuve from Bex’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland;’ From the In [sic. inn] window at Bex’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×4.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Maurice / from the Carriage’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 9.5×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Martigny. Convent of Forclaz. Tour de la Batia [sic. Bâtiaz]’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.5 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Trient. On the Tête de Moine. Glacier du Trient’. Pencil and watercolour. Inscribed and dated, 29th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Aiguilles de Chamonix from my bedroom window’. Pencil and watercolour. Inscribed and dated, 28th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 10.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Bridge at Bonneville over the Arve’. Pencil and watercolour. Inscribed and dated, 27th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Montier Petit Salève. Hemp drying on stubble’. Pencil and watercolour. Inscribed and dated, 23rd August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From my bedroom window Wolff’s Glen, Pré-l’Eveque Geneva’. Pencil and watercolour. Inscribed and dated, August(?) 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Wolff’s Glen Geneva’. Pencil and watercolour. Inscribed and dated, August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    £375
  • Holloway, Edgar (1914 – 2008)     ‘Warwick Lane’ E.C. Pencil and watercolour. 1943. Signed. 14.25×10.75 inches.
    £2,750
  • Holloway, Edgar (1914 – 2008)     ‘St Augustine and St Paul’s’, blitz’d London. Pencil and watercolour. 1943. Signed.
    £2,000
  • Anderson (Twentieth Century), David     Norfolk; ‘Bintree Tower’. Oil on card. Exhibited: Royal Academy Summer Exhibition, 1991 Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5×3.5 inches. Framed: 5×5 inches.
    Sold
  • Anderson (Twentieth Century), David     North Norfolk Ballooning. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 5.5×5 inches. Framed: 6.5×5.5 inches.
    Sold
  • Anderson (Twentieth Century), David     North Norfolk Landscape. Oil on canvas. c.1980. Signed verso. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5"x5.5" inches.
    £475
  • Anderson (Twentieth Century), David     Norfolk; Sennowe Park. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 6×6.25 inches.
    £475
  • Anderson (Twentieth Century), David     Through the Hedges. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 7×7 inches. Framed: 8×8 inches.
    £675
  • Anderson (Twentieth Century), David     Autumn Forest. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 4.5×3.5 inches. Framed: 9.5×8 inches.
    Sold
  • Goeneutte, Norbert (1854 – 1894)     ‘Somnolence’. Etching. 1888. Signed. 6×9 inches. Framed: 11.5×15 inches.
    £975
  • Camp R.A., Jeffery (1923 – 2020)     Laetitia Yhap in the Bath. Lithograph. Signed. Editioned, ‘III V AP’ and inscribed ‘For Len’ (Leonard McComb R.A. 1913-2018). 13.5×13 inches. Framed: 27.5×25 inches.
    £750
  • Nevinson, Christopher Richard Wynne (1889 – 1946)     ‘The Spirit of Progress’ (PB148). Lithograph. 1933. Used as the front cover of the April 1933 ‘Studio’ Magazine. 11×8 inches.
    £750
  • Hockney O.M. C.H. R.A., David (born 1937)     ‘Portrait of Cavafy in Alexandria I’. From the suite ‘Homage to Greek poet C.P. Cavafy’. Edition of 500. Exhibited: Goldmark Gallery. 13.5×9 inches. Framed: 24.5×19 inches.
    Sold
  • Underwood, Leon (1890 – 1975)     ‘St Sebastian’. Etching. Based on a self-portrait. Signed and dated, 1921. 5.5×4 inches. Framed: 13×9 inches.
    £1,500
  • Rosoman R.A, Leonard (1913 – 2012)     ‘The Chagall Kiss No.2’. Pencil and watercolour. Signed. 13×16.5 inches. Framed: 19.5×23 inches.
    £975
  • Hyatt, Derek (1931 – 2015)     Yorkshire; ‘Bishopdale Day’. Oil on board. c.1955. Exhibited: Art Space Gallery. 8×15.5 inches. Framed: 17.5×24 inches.
    Sold
  • Marchand, Jean Hippolyte (1883 – 1940)     Nocturne. Pen and ink. Verso: figures at a window. Studio stamped. 12×9.5 inches.
    Sold
  • Ellis, Noel (1917 – 1995)     Self-portrait in a French helmet. Oil on panel. Provenance: Artist’s Estate; Private Collection; Rosebery’s, 12th March 2024, Lot 205; Private Collection. 14.5×9.5 inches. Framed: 20×15 inches.
    £700
  • Sergeant, Carolyn (born 1937)     Honeysuckle, grasses and bramble. Oil on board. Signed and dated, 1998. Exhibited: Hazlitt, Gooden & Fox, ‘Recent Paintings by Carolyn Sergeant’, 1999, Cat. No.16. 16×20 inches. Framed: 18×22 inches.
    Sold
  • Caillard, Christian (1899 – 1985)     Portrait of a young woman arranging flowers. Oil on canvas. c.1935. Signed. 28×23 inches. Framed: 35×30 inches.
    Sold
  • Monnington P.R.A., Sir Walter Thomas (1902 – 1976)     ‘Sussex; Valley between Lewes […]’. Oil on panel. 1930s. Indistinctly inscribed verso. 9.5×13.5 inches. Framed: 12×16 inches.
    Sold
  • Barrow, Julian (1939 – 2012)     Bath; Lansdowne Crescent, including houses belonging to William Beckford and, later, James Lees-Milne. Oil on canvas. Signed. Exhibited: Leger, 1989, No.39. 10×12 inches. Framed: 13×15 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Two Rabbits’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 5.5×5 inches.
    £750
  • Miller Parker, Agnes (1895 – 1980)     ‘The Villain and his Dog’. Wood-engraving. Proof. 1936. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 7.5×5 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Passage of tiny feet’. Wood-engraving. 1936. Proof. Signed and titled. Designed for H. E. Bates, ‘Through the Woods’. 3×2 inches.
    £475
  • Miller Parker, Agnes (1895 – 1980)     ‘Kingcap, Kingfinger and Kingfisher’. Wood-engraving. 1936. Proof. Signed, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 4.5×3.25 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Foxgloves, Honeysuckle, and Fronds’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates ‘Through the Woods’. 7.5×5 inches.
    £675
  • SHEPARD (nee Chaplin) (c.1876-1927), Florence Eleanor     ‘Lettice’ (Lettice Phillips, nee Spence). Watercolour. Signed. Further signed and titled, verso. Provenance: the family of the sitter, by descent. Florence Shepard was the wife of the illustrator E. H. Shepard (of Winnie-the-Pooh fame), the couple having met when studying at the Royal Academy Schools. Lettice Phillips lived next door to the Shepards in Shamley Green as was great friends with them. 11.5×8.5 inches. Framed: 18.5×15.5 inches.
    £2,250
  • Tanner A.R.E., Robin (1904 – 1988)     ‘Wiltshire Hedger’. Etching. 1928. Trial proof. Signed, inscribed and dated. 4.5×5.5 inches.
    £975
  • Marks, Gerald (1921 – 2018)     ‘Meeting’; The Independent Labour Party. Chalks. Signed and dated, 1937. Exhibited: The Royal Drawing Society Exhibition of Drawings, probably 1938 (awarded a Silver Star). 17.5×20 inches. Framed: 28×30 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     Coop Market Workers. Watercolour. Signed and dated, 1937. Exhibited: The Royal Drawing Society Exhibition of Drawings, 1938 (awarded a Silver Star). 12×22 inches. Framed: 23×31 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     ‘Unemployed’. Watercolour. Signed and dated, 1935. Exhibited: The Royal Drawing Society Exhibition of Drawings, 1936 (‘Commended First Class’). 15×11 inches. Framed: 26.5×21.5 inches.
    £1,500
  • Poole R.E., Monica (1921 – 2003)     ‘Apple Tree’. Wood-engraving. 1961. Artist’s proof. Signed, titled and editioned. Exhibited: Bank Street Gallery. 8.5×6 inches. Framed: 16×12 inches.
    Sold
  • Müller, William James (1812 – 1845)     Wales; Llanberis. View over Llyn Padarn to ‘Dolbadarn Castle’. Oil on canvas. Signed and dated, 1836. This exhibition oil is based on a watercolour probably made on Muller’s first trip to Wales in 1833 in the company of John Skinner Prout (1805-1876) and Samuel Jackson (1794-1869) (sold Sotheby’s, ‘The Bill Thompson Collection of Paintings, Watercolours and Drawings by William James Muller (1812-1845)’, 25th November 1999, Lot 19. 20×28 inches. Framed: 33×40 inches.
    Sold
  • Pellew, Claughton (1890 – 1966)     ‘The Mother’. Wood engraving. 1927. Signed and inscribed. Outside of the edition of 30. 4.5×5.5 inches.
    £1,250
  • Gross C.B.E. R.A., Anthony (1905 – 1984)     ‘Rustic Pupils’ (H.2407), the Val aux Clercs, at Fecamp. Etching. 1928. Edition of 60. Signed, titled and dated. Exhibited: Austin Desmond. 8×7 inches.
    £500
  • Roussel, Theodore Casimir (1847 – 1926)     Cornwall; ‘Boats Asleep, Fowey’ (H.97). Etching. 1911. Signed. Edition of about 17 impressions. Exhibited: Agnews; Austin Desmond. 5.5×7 inches. Framed: 9×11 inches.
    £675
  • Collins, Cecil (1908 – 1989)     ‘Treading Blind’. Halftone and linocut. Signed and dated, 1948, in the plate. 6×5.5 inches. Framed: 12×10.5 inches.
    Sold
  • Crotch, Dr William (1775 – 1847)     London; ‘Kensington Gardens, 4th July 1822’. Pastels. 1822. Inscribed and dated, verso. Exhibited: A and H; Karen Taylor Fine Art. 5.5×8.5 inches. Framed: 11×14 inches.
    Sold
  • John O.M. R.A., Augustus (1878 – 1961)     ‘The Pheasant’ (CD 62); a portrait of Dorelia. Etching and drypoint. c.1906. Signed. 4×3.5 inches. Framed: 12.5×11 inches.
    Sold
  • Gilmore, Maeve (1917 – 1983)     Drama! Pencil, pen, ink and pastel. c.1960. Study for a painting dated 1960. Exhibited: Victor Wynd. 14.5×10.5 inches. Framed: 19.5×15.5 inches.
    £975
  • Brabazon N.E.A.C., Hercules Brabazon (1821 – 1906)     Italy; ‘Vines, Amalfi’. Chalks. Signed. Exhibited: Chris Beetles, Summer Show 1999, No.99. 8×11 inches. Framed: 12×15.25 inches.
    Sold
  • Guthrie, Kathleen (1905 – 1981)     Design after a 1937 composition by John Cecil Stephenson, the artist’s husband. Silk screen with gouache. c.1965. Signed and inscribed. No.5 from an edition of 14. Exhibited: Denys Wilcox. 11.5×9.5 inches. Framed: 21×17 inches.
    £1,500
  • George, Patrick (1923 – 2016)     Street Scene. Oil on board. And early work from the 1940s. Provenance: The artist’s studio. Exhibited: Grant Waters; Louise Kosman. 6×3.5 inches. Framed: 9.5×7 inches.
    Sold
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.9); I behold London … And every part of Blake’s city if fourfold. London has survived the Blitz – How beautiful to the Artist his City of Babylon. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: the Estate of the late John Byrne (1945-2025). 9.25×7.5 inches.
    £2,500
  • Jones, Jean (1927 – 2012)     London; ‘The Palace of Westminster from Lambeth Pier’. Oil on canvas. 1986. Signed and dated. Provenance: The Artist’s Estate. 25×25 inches. Framed: 30.5×30.5 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     Dartmoor; ‘Ringmoor: The Stone Circle’. Oil on canvas. 1992. Signed. 30×30 inches. Framed: 35×35 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     Dartmoor; ‘From Ringmoor: The Stone Circle’. Oil on canvas. 1974. Signed. Provenance: The Artist’s Estate. 30×30 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     London; Primrose Hill, Spring. Oil on canvas. 2000. Signed and dated. Provenance: The Artist’s Estate. 30×30 inches.
    £7,500
  • Jones, Jean (1927 – 2012)     London; Primrose Hill, Summer. Oil on canvas. 2002. Provenance: The Artist’s Estate. 30×30 inches.
    £10,000
  • Jones, Jean (1927 – 2012)     London, ‘Primrose Hill, Autumn’. Oil on canvas. 2007/08. Provenance: The Artist’s Estate. 30×30 inches.
    £7,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.1); Self-portrait of the artist in his studio. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7.5 inches. Framed: 17.75×14.5 inches.
    £3,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (Frontispiece, 1944). Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised, the works subsequently being published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7 inches. Framed: 17.75×14.5 inches.
    £3,000
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.17); ‘In the Dark’. The artist lies awake to the reality of both worlds. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7.75 inches. Framed: 17.75×14.5 inches.
    £2,750
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.8); Everyman’s house is his hortus conclusus. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7.75 inches. Framed: 17.75×14.5 inches.
    £2,750
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.2); The artist is an all-seeing eye. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.75×7.25 inches. Framed: 17.75×14.5 inches.
    £2,750
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.15); The ruinous house of death filled with black emptiness. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.6); On every plane of existence life springs into being. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.3); The moon is my eye, smiling only at night. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘In the Dark’ (Alternative Frontispiece, 1944). Pen, brush, ink, watercolour and gouache. 1944. Alternative frontispiece design to a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine and using this work as the frontispiece. Provenance: Richard Saltoun; Private Collection. 10.25×7.25 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (Frontispiece, 1974). Pen, brush, ink, watercolour and gouache. 1974. Frontispiece to a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine and using this work as the frontispiece. Provenance: Richard Saltoun; Private Collection. 10.25×7.25 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.14); In Arcadia fear in a handful of dust. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7.5 inches. Framed: 17.75×14.5 inches.
    £2,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.13); In the cold north the purity of everlasting snow. The mountain is a temple sanctuary. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7.5 inches. Framed: 17.75×14.5 inches.
    £2,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.4); When he puts out the light. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7 inches. Framed: 17.75×14.5 inches.
    £2,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.5); The eye wants to know what the world is made of. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7 inches. Framed: 17.75×14.5 inches.
    £2,000
  • Lamb R.A., Henry (1883 – 1960)     Study for ‘The Behrend Family’ (Brighton & Hove Museums), the great collectors and patrons of Stanley Spencer. Pencil and watercolour. 1927. Provenance: Messums, Wiltshire; Private Collection. 9×10 inches. Framed: 15.5×16.5 inches.
    £6,000
  • Berman, Eugene (1899 – 1972)     ‘Roma: Cortile notturno’. Ink, watercolour and gouache. Signed and dated, 1958. Inscribed verso by the artist. Ex. Collection: Charles B Moses, Rome. 8.25×6.5 inches. Framed: 12.5×10 inches.
    £2,750
  • Allinson N.E.A.C., Adrian (1890 – 1959)     London; ‘Almonds and Ashes’, St John’s Wood. Oil on board. c.1938. Signed. Exhibited: Atkinson Art Gallery, Southport; The Fine Art Society, 1984. 25.5×45 inches. Framed: 33.5×52.5 inches.
    £18,500
  • Nicholson, Ben (1894 – 1982)     Italy; Tuscany, ‘Monte Oliveto’. Graphite. 1956. Signed and dated ‘Sept 56’. Provenance: Osborne Samuel; from where acquired by Sir Neville and Lady Marriner. 16.5×20.5 inches. Framed: 18.5×23 inches.
    £14,000
  • Collins, Cecil (1908 – 1989)     A Landscape in Paradise. Waterclour and gouache. Signed and dated, 1937. Provenance: gift from Elisabeth Collins (1904-2000), the artist’s wife, to the previous owner. 8×10 inches. Framed: 14.5×16.5 inches.
    £5,750
  • Collins, Cecil (1908 – 1989)     Tabletop Still Life. Pen, ink, watercolour and gouache. 1937. Signed and dated. Provenance: gift from Elisabeth Collins (1904-2000), the artist’s wife, to the previous owner. 9×12 inches. Framed: 15×18 inches.
    £12,500
  • Minton, John (1917 – 1957)     Corsica; Monastery, Corbara. Pen and ink. Made as part of Minton’s famous ‘Time was Away – A Notebook in Corsica’ project (not illustrated). 1947. Signed and dated. Provenance: Ernest Brown & Phillips, The Leicester Galleries, London; Durlacher Bros., New York 1948; from where acquired by Alice Astor Pleydell-Bouverie (1902-1956) in 1949; by descent; Bonhams 26th June 2007, Lot 2. 9.75×12 inches. Framed: 18×20 inches.
    £25,000
  • Boyd Harte, Glynn (1948 – 2003)     Italy; Venice, ‘Balcon with Ca’ Doro’. Watercolour. 1988. Signed. Exhibited: Albermarle Gallery. 24×18 inches. Framed: 33×26.5 inches.
    £3,000
  • Nolan O.M. A.C., Sir Sidney (1917 – 1992)     Shakespeare Sonnet No.127; ‘Fairing the foul with art’s false borrowed face’. Oil on paper. 1965. Exhibited: Malborough Fine Art. 25.25×21 inches. Framed: 36×31 inches.
    £2,000
  • Banting, John (1902 – 1972)     Organic Forms. Oil on canvas laid on board. A pair to the painting formerly in the collection of Michael Haas and sold at Sotheby’s 5th March 1997, Lot. 284. 23.5×15 inches. Framed: 39.5×28.5 inches.
    £2,750
  • Milligan, Spike (1918 – 2002)     The Dancer. Pencil, pen and ink by the actor and comedian. Used as the front cover for Milligan’s exhibition at The Agency Club, 1995. 22×11 inches. Framed: 29.5×19 inches.
    £3,750
  • Armfield, Stuart (1916 – 1999)     Cornwall; The ‘Venu’s fishing boat, Looe. Tempera on panel. c.1955. Signed. 13.5×9.5 inches. Framed: 19×15 inches.
    £5,000
  • Gierth, Patrick Waldemar (1910 – 1994)     London; Blackheath, ‘Saturday Afternoon’. The view from the artist’s house in Eliot Place. Oil on board. 1947. Signed and dated. Further signed, titled and inscribed verso. Provenance: Cambridgeshire Local Authority. 23.5×19.5 inches. Framed: 29.5×25.5 inches.
    £4,500
  • Camp R.A., Jeffery (1923 – 2020)     ‘Beachy Head, Black Backed Gull Flying’. OIl on board. 1973. Exhibited: Nigel Greenwood; Manchester City Art Galleries. 96×48 inches. Framed: 98×50 inches.
    £8,750
  • Clough, Prunella (1919 – 1999)     Studies for ‘Fishermen Hauling Nets’. Charcoal, pencil and wash. 1946. Exhibited: Austin Desmond. 15×12 inches. Framed: 19×15.5 inches.
    £4,750
  • Petherbridge C.B.E., Deanna (1939 – 2024)     ‘City of Sand IV’. Pen and ink. 1972. Exhibited: Susan Loppert. 14×20 inches. Framed: 22.5×28 inches.
    £1,750
  • Gore, Spencer Frederick (1878 – 1914)     London; The Alhambra Music Hall. Charcoal. Exhibited: Redfern Gallery, ‘Spencer Gore / Frederick Gore’, Feb / March 1962, No.152 (illustrated). Provenance: Denis Sutton. 10×8 inches. Framed: 18×15 inches.
    £2,750
  • Philpot R.A., Glyn (1884 – 1937)     Jamaican Man Walking; Henry Thomas. Bronze. 1929. One of only 3 or 4 casts made in 1929. Provenance: Gabrielle Cross (1910-1997), the artist’s niece; Brian Sewell (1931-2015); Jo McCrindle (1923-2008); Private Collection. Editions of this work have been exhibited at: Royal Academy, 1929, no.1511; Royal Academy, 1930, no.1600; Leicester Galleries, 1932, no.28; Tate Gallery, ‘Exhibition of Paintings and Sculpture by the Late Glyn Philpot’, 1938; Leighton House, ‘Retrospective exhibition: drawings, paintings and sculpture by Glyn Warren Philpot, R.A. 1884-1937’, 1959, no.70; Royal Academy, Bicentenary Exhibition, 1968-9, no.496; National Portrait Gallery, ‘Glyn Philpot 1884-1937, Edwardian Aesthete to Thirties Modernist’, 1984-1985, no.123; Leighton House, ‘Glyn Philpot (1884-1937) The Bronzes’, 1986; Fine Art Society, ‘Glyn Philpot RA: paintings, drawings and sculptures from the Estate of Gabrielle Cross’, 1997-1998, no. 13; Pallant House Gallery (on loan 2006- 2011). Literature: A.C. Sewter, Glyn Philpot 1884-1937, B.T. Batsford Ltd., London, 1951, pl.116. 33.5×18.5xD8 inches.
    £25,000
  • Hawthorne, Elwin (1905 – 1954)     London; Kensington Palace. A design for London Transport Advertising. Oil on panel. 1936. Signed. 15.5×21.5 inches. Framed: 19×25 inches.
    £6,500
  • Collins, Cecil (1908 – 1989)     ‘The Voyage of Ulysses’. Pen, ink, watercolour and gouache. Signed and dated, 1933. Exhibited: probably ‘Exhibition of paintings and drawings by Cecil Collins’, Bloomsbury Gallery, 1936. Provenance: Fleur Cowles (1908-2009); Sarah Colegrave Fine Art; from where acquired by the previous owner. 8×10.5 inches. Framed: 15.5×17.5 inches.
    £6,750
  • Durrant, Roy Turner (1925 – 1998)     Edge of the Wood. Watercolour. Signed and dated, 1957. 8×5 inches. Framed: 13.5×16 inches.
    £1,250
  • Brigham, Isobel (born 1963)     Scotland; ‘Orkney’. Oil on panel. 1994. Signed, titled and dated, verso. 12.5×9.5 inches. Framed: 18×15 inches.
    £2,000
  • Kempster, William (1914 – 1976)     Boy with Kite. Tempera on board. c.1950. 14.5×5.5 inches. Framed: 19.5×10.5 inches.
    £3,250
  • Wynter, Bryan (1915 – 1975)     ‘Rocks’; a Neo-Romantic Landscape. Pen, brush and ink. c.1947/48. Exhibited: The New Art Centre. 9.5×13.5 inches. Framed: 19.75×23 inches.
    £4,000
  • Minton, John (1917 – 1957)     ‘The Street’. Lithograph. 1946. Signed and dated. Dedicated to Joan and Bernard. A rare signed impression of Minton’s first print in this medium. 9.25×10.75 inches. Framed: 17.5×18.5 inches.
    £3,500
  • Vaughan, Keith (1912 – 1977)     WWII; ‘Camp Constructions – The Start of a New Day’. Building Nissen huts at Bulford Camp, Wiltshire. Pen, brush and ink. 1942. Signed, inscribed and dated. Provenance: John Lehmann (1907-1987); by whom given to John Guest (1911-1997), editor at Longmans, who published Lehmann’s autobiography, ‘The Whispering Gallery’ in 1955. 5.5×8.5 inches. Framed: 13×15.5 inches.
    £4,500
  • Bawden C.B.E. R.A., Edward (1903 – 1989)     Cover Design for W. H. Auden, ‘Mountains’, Publ. Faber & Faber, 1952 Pen and ink. c.1954. Exhibited: The Fine Art Society, October 1979. 8.5×5.5 inches. Framed: 17×13 inches.
    £1,750
  • Wynter, Bryan (1915 – 1975)     ‘Houses and Pile Rock Waste’. Gouache. c.1952. Exhibited: ‘St Ives: Eighty Years of Modernism’, Julian Lax, 2001, Cat. No.58. Provenance: The Artist’ Estate; Julian Lax; from where acquired by the previous owner. 10.5×14 inches. Framed: 18×21 inches.
    £4,750
  • Sutherland O.M., Graham (1903 – 1980)     ‘Metaphysical II’. Pen, ink, watercolour and crayons. c.1942. Study for an illustration to David Gascoyne, ‘Poems 1937-1942’, Publ. PL Editions / Nicholson and Watson, 1943. Exhibited: Agnews. 6.5×5 inches. Framed: 15×13 inches.
    £7,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘Flying Bomb Depot – The Caves at St.-Leu-d’Esserent’. Pen, ink, watercolour, gouache, pastel and wax crayon. 1944. Signed and dated. In 1944 Sutherland made drawings recording the Allied bombing of strategic sites in Northern France. The Caves at St.-Leu-d’Esserent were used to store V-1 flying bombs. 10×13 inches. Framed: 18.5×21.5 inches.
    £12,000
  • Hodgson, Louisa (1905 – 1980)     Tennyson; ‘Of Love that never found his earthly close / what sequel / Love and Duty’. Watercolour. 1930s. Signed on the original mount. 13.5×9.5 inches. Framed: 22×17.5 inches.
    £1,500
  • Williams, Evelyn (1929 – 2012)     ‘Emma by the Sea 1’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 27×31 inches.
    £2,000
  • Marx, Enid (1902 – 1998)     Z – Zebra. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     Y – Yaffle. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £225
  • Marx, Enid (1902 – 1998)     X – Xenopus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £175
  • Marx, Enid (1902 – 1998)     W – Walrus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     V – Vicunas. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £250
  • Marx, Enid (1902 – 1998)     U – Unau. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     T – Turtle. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     S – Swan. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     R – Rhino. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     Q – Quail. Linocut. Editioned ‘3/6’ [the 3 scored through]. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     P – Porcupine. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     O – Owl. Linocut. Editioned ‘6/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     N – Newt. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     M – Monkey. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     L – Lion. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     K – Kangaroo. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £275
  • Marx, Enid (1902 – 1998)     J – Jaguar. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     I – Ibex. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     H – Horse. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     G – Goat. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £275
  • Marx, Enid (1902 – 1998)     F – Fish. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     E – Elephant. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
  • Marx, Enid (1902 – 1998)     D – Dog. Linocut. 1977. Signed and dated. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     C – Cockerel. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     B – Bear. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £300
  • Marx, Enid (1902 – 1998)     A – Aardvark. Linocut. Editioned ‘5/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Wilkie R.A., Sir David (1785 – 1841)     ‘The Sedan Chair’ (CD.8). Etching. c.1815-1819. 5×3.5 inches.
    Sold
  • Whistler, James Abbott McNeill (1834 – 1903)     London; Wapping, ‘Black Lion Wharf’. Etching. 1859. Fourth state. As published in ‘A Series of Sixteen Etchings of Scenes on the Thames’ (AKA the ‘Thames Set’) by Ellis & Green in 1871. This print appears on the wall in ‘Arrangement in Grey and Black No. 1’, Whistler’s famous portrait of his mother. 6×9 inches. Framed: 19×21.5 inches.
    Sold
  • Verpilleux, Emile Antoine (1888 – 1964)     ‘The Last Furrow’. Woodcut. 1924. Signed. 14×18 inches. Framed: 22.5×26 inches.
    Sold
  • Strang R.E., Ian (1886 – 1952)     France; Paris, ‘Place du Pont-Neuf’. Etching. c.1925. Signed. 8×11 inches.
    Sold
  • Smith, John Raphael (1752 – 1812)     ‘Miss Chambers’. Mezzotint. 1777. ‘Painted & Engraved by J. R. Smith / Pubd 8 July 1777 by W. Humphrey, Gerrard Street Soho, & J. R. Smith No 10 Batemans Buildings Soho Square’. 10.5×8 inches. Framed: 12.5×10 inches.
    £500
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)     ‘Kitty K’., Red Lion Square’, playing the piano (B.164). Etching and engraving. c.1915 (completed 1922/23). State II of II. Signed in the plate. 7×5 inches. Framed: 14×12 inches.
    Sold
  • Shackleton N.E.A.C., William (1872 – 1933)     Yorkshire; ‘Beamsley’. Etching. 1896. Signed. 5×7 inches.
    £125
  • Stoutshanks (fl.1828-29), S     A Pluralist; ‘A Tithe Pig Swallow’d without Grace’. Pen and ink. 1828. Signed and dated, ‘S Stoutshanks / Invent et Fecit / AD 1828’.. Drawing for the satirical print published by S. Gans in 1830 (see impression in the Lewis Walpole Library). It is possible ‘Stoutshanks’ was the illustrator Robert Seymour (1798-1836), who published prints under the name ‘Shortshanks’ for a while, until Cruikshank objected! 9.5×13.25 inches.
    £975
    ◐
  • Rowlandson, Thomas (1756 – 1827)     PAIR: ‘St Giles’s Courtship’ / ‘St James’s Courtship’. Hand-coloured etching and aquatint. 1799. The print made by Rowlandson, as well as the designs. Published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection. 13×10.75 inches.
    Sold
  • Rowlandson, Thomas (1756 – 1827)     GROUP: A rare complete set of Rowlandson’s 8 ‘Cries of London’. Hand-coloured etching and aquatint. 1799. The prints by Henri Merke (fl.1798-1814) and published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection. 13×10 inches.
    £4,500
  • Rowlandson, Thomas (1756 – 1827)     PAIR: ‘An Italian Family’ and ‘A French Family’. Hand-coloured etching and aquatint. 1785 and 1786. The prints made and published by Samuel Alken (1756-1815) after Rowlandson’s Royla Acdemy exhibition watercolours of 1784. Provenance: Andew Farryon Collection. 13.5×18 inches.
    Sold
  • Roussel, Theodore Casimir (1847 – 1926)     London; Parson’s Green,’The Snow, My Front Garden, March 2nd, 1909′ (H.85). Softrground etching and aquatint. 1909. Signed. 9×7 inches.
    Sold
  • Richmond R.A., George (1809 – 1896)     ‘The Agony in the Garden’. Oil on panel. 1875. After the c.1504 predella panel by Raphael (MET 32.130.1), then in the collection of Angela Burdett-Coutts, 1st Baroness Burdett-Coutts (1814-1906) and presumably copied while on loan to the Royal Academy ‘Winter Exhibition’ 1875/1876. Provenance: gift of the artist in 1882 to Dr. John Ogle (1824-1905); Bonham’s, Chester, 5th March 2013, Lot 395; Private collection; Chiswick Auctions 24th April 2025, Lot 5; from where aquired by the previous owner. 9.5×11 inches. Framed: 14×15.5 inches.
    £6,500
  • Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792)     ‘The Misses Crewe’ (Mannings 450). Mezzotint. 1768. Made by John Dixon (1740 – c.1811). A beautiful, scratch lettered proof impression before publication. Exhibited: Agnews. 18.25×14 inches. Framed: 29×23 inches.
    £875
  • Poole R.E., Monica (1921 – 2003)     ‘Summer’. Wood-engraving. 1987. Signed and edition 7/100. 7.25×4.75 inches. Framed: 15.25×1225 inches.
    £750
  • Poole R.E., Monica (1921 – 2003)     ‘Gully’. Wood-engraving. Signed, titled and editioned ‘117/150’. Exhibited: Bank Street Gallery. 10×6.25 inches. Framed: 18×13 inches.
    £1,750
  • Pellew, Claughton (1890 – 1966)     Holland; ‘Amsterdam’. Wood-engraving. 1927. Signed, titled, dated and editioned 19/30. 4.5×5 inches.
    Sold
  • Moira, Gerald (1867 – 1959)     Barrel Makers. Gouache. Signed and dated, 1941. Inscribed verso. 15×21 inches.
    Sold
  • Meryon, Charles (1821 – 1868)     France; Paris, ‘La Pompe Notre Dame’. Etching. 1852. 7×10 inches.
    Sold
  • McMinn (fl.1890-1920), F. A.     Kent; ‘Whitstable Oyster Boats returning from the fishing grounds. The Anna underweigh’. Pencil. c.1895. Inscribed verso. Provenance: a sketchbook of drawings, signed in the front. 7×10 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     Self Portrait. pencil. Signed and dated, 1939. Provenance: the Artist’s Estate. 19×14 inches. Framed: 29×24 inches.
    £1,500
  • Marks, Gerald (1921 – 2018)     Chain and Gears II. Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate. 14×10 inches. Framed: 22.5×17.5 inches.
    £475
  • Marks, Gerald (1921 – 2018)     Chain and Gears I. Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate. 14×10 inches. Framed: 22.5×17.5 inches.
    £475
  • John O.M. R.A., Augustus (1878 – 1961)     ‘The Hawkers Van’ (CD.125). Etching. Etched at Matching Green, Essex 1904/5. Signed. Edition of 25. Exhibited: Goldmark Gallery. 6.5×8 inches. Framed: 16×17 inches.
    £1,750
    ◐
  • Howitt, Samuel (1756 – 1822)     Isle of Wight; Carisbrooke Castle. Watercolour. Signed and dated, 1791. Provenance: Col. F W G Gore (1906/7); Sir herbert Merrett (1937); […] Private Colletion. Exhibited: Heather Newman. 8.5×12 inches. Framed: 17×20 inches.
    £1,250
  • Holloway, Edgar (1914 – 2008)     ‘The Etcher No.18 (The Etcher II)’ (M.239); a self-portrait of the artist at work. Etching. From the 1979 reworking of the 1932 plate. Signed and dedicated. 5.25×5 inches.
    Sold
  • Hockney O.M. C.H. R.A., David (born 1937)     ‘Beautiful and White Flowers’. Etching and aquatint. 1966. From the ‘Illustrations for Fourteen Poems from C.P. Cavafy’ suite. Edition of 500. Exhibited: Goldmark Gallery. 13.5×9 inches. Framed: 24.5×19 inches.
    £1,500
  • Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)     ‘Laneham’ (C.30). Etching. 1923. Signed. 5×4.5 inches. Framed: 13×12.25 inches.
    Sold
  • Fulleylove, John (1845 – 1908)     Italy; the Piazza at Asolo. Pencil and watercolour. 27th June 1891. Signed, inscribed and dated. Exhibited: Agnews. 7×10 inches. Framed: 14.5×17.5 inches.
    Sold
  • Foster R.W.S., Miles Birket (1825 – 1899)     Venice; the Doge’s Palace and Piazzetta San Marco. Pencil and watercolour. Signed with monogram. 4.5×6 inches.
    Sold
  • Feild, Maurice (1905 – 1988)     W. H. Auden (1907-1973). Lithograph. 1982. Signed. Based on a portrait of c.1935 9×6 inches.
    Sold
  • Downman, Isabella Chloe (born 1787)     The artist and ‘a very gallant Beau’ winding yarn at the Hotel at Thorp-Arch, Yorkshire. Pencil and watercolour, by the daughter of John Downman A.R.A. (1749-1824). c.1810. Signed. Extensively inscribed … ‘During my residence at the Hotel at Thorp-Arch, I had a very gallant Beau, who used to employ himself in various acts of attention, one day he sat with all patience and held a quantity of yarn for me to wind, and as our general appearance was thought particularly interesting, I have represented the scene in Drawing’. Literature: Ralph Edwards, ‘Portraits by Downman of his Realtions’, Apollo, Vol. XVIII, No.105, Sept. 1933, (Ill. p.180). Provenance: Christies, 12th April 1920, Lot.17; to Pawsey and Payne; […] Mrs Hubert Cordes; […] Sotheby’s, 24th September 1997; to A and H; Private Collection. 7.5×9 inches. Framed: 21×20 inches.
    £2,750
    ◐
  • Crotch, Dr William (1775 – 1847)     Lincolnshire; St Botolph’s, Boston. Watercolour and graphite. 1806. Inscribed and initialled under the mount, ‘Boston Linc. from Ed Lack MGS / WC / 300 feet high’ and verso, ‘Tower or near it _ WC Sept 30 1806 3pm’. 3.25×5.75 inches. Framed: 11×13 inches.
    Sold
  • Cliffe, Henry (1919 – 1983)     Designs for abstract painting. Pencil. Late 1950s / early 1960s. Provenance: a large group of drawings by Cliffe, all from the 1950s and 1960s. 7.5×11 inches.
    Sold
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Hayrick and sunlight. Watercolour. Signed. 9.25×6.25 inches. Framed: 17×13.5 inches.
    £2,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Barn Interior. Study related to Clausen’s oil painting ‘The Barn at Deers Farm’ (Exh. R.A. 1911). Charcoal. c.1911. Signed. 14×10.5 inches. Framed: 22×18 inches.
    £1,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Sky Study. Watercolour. Signed. 10.5×15 inches. Framed: 18.5×22.5 inches.
    £2,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Barn Interior. Charcoal, watercolour and gouache. Signed. 10.5×12 inches. Framed: 18.5×19.5 inches.
    £2,750
  • Clarke Hall, Edna (1879 – 1979)     ‘Catherine and Heathcliffe sitting in a field’. Etching. 1920s. Signed. 10.25×8.25 inches.
    £675
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Sound of Mull’. Pencil, pen, ink and watercolour. Signed and inscribed. Extensively inscribed under the mount. 6×10.5 inches.
    Sold
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Loch Lomond’. Pencil, pen, ink and watercolour. Signed and inscribed. 7×9.5 inches.
    Sold
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Melfort’. Pencil, pen, ink and watercolour. Signed and inscribed. 7×10 inches.
    £375
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Sound of Mull’. Pencil, pen, ink and watercolour. Signed and extensively inscribed. 7×10 inches.
    £750
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Black Mount’. Pencil, pen, ink and watercolour. Signed. 6×10.5 inches.
    Sold
  • Calvert, Charles (1785 – 1852)     ‘The Bride’ (L.8c). Engraving. 1828. Third state. Printed for the ‘Memoir’, 1893. Edition of 350. 4.5×6.5 inches. Framed: 15×16 inches.
    £3,000
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)     ‘Noemie’ (F.57). Etching. 1926. Signed. Provenance: the Estate of Kathleen Brockhurst, the artist’s wife. 7×4.25 inches.
    £475
  • Brett A.R.A., John (1831 – 1902)     Italy; Florence, ‘Nannie Mulock’. Pencil. Inscribed and dated ‘Palazzo Frescobaldi Feb 1863’. Further inscribed ‘Nannie Mulock’. Exhibited: J S Maas & Son (W11292). 9.5×6.75 inches. Framed: 16.75×13.5 inches.
    £1,500
  • Badmin R.W.S. R.E., Stanley Roy (1906 – 1989)     Still life with Clivia, Hyacinth and Geranium. Pen, ink, watercolour and pastel. Signed. Provenance: The Artist’s family, by descent. 16.5×10.5 inches. Framed: 28×22 inches.
    Sold
  • Austin, Frederick George (1902 – 1990)     The Flight into Egypt. Etching. 1927. Signed and dated. The composition that won Austin the Prix de Rome. 7×8 inches.
    £750
  • Austin R.A. R.E., Robert Sargent (1895 – 1973)     ‘Mid-day Rest’. Engraving. 1932. Signed and dated. 6×7.5 inches. Framed: 13.5×14 inches.
    Sold
  • Austin R.A. R.E., Robert Sargent (1895 – 1973)     ‘Before Mass’ (CD64). Engraving. 1926. Signed and dated. Edition of 60. 5×4.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     Study for ‘Sleeping Couple’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 23.25×32.75 inches. Framed: 25.75×35.5 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     ‘Fay Weldon’s Bedroom 1’. Charcoal. Signed and dated, 1978. Provenance: The Evelyn Williams Trust. 37.75×29 inches. Framed: 26×35.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Running by the Sea’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches. Framed: 34.5×57.5 inches.
    £2,800
  • Williams, Evelyn (1929 – 2012)     ‘Woman in Bed’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches. Framed: 34×57.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Night Thoughts’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches. Framed: 34.5×57.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     Study for ‘Sleeping Couple’. Charcoal. Signed and dated, 1975. Provenance: Artist’s Estate. 53.5×31 inches. Framed: 47×31.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     ‘Emma by the Sea 2’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 27×31 inches. Framed: 26×29.5 inches.
    £2,000
  • Williams, Evelyn (1929 – 2012)     ‘Head in Hands Looking Up’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 31×27 inches. Framed: 33×29 inches.
    £2,000
  • Williams, Evelyn (1929 – 2012)     ‘Girl with Expectations 1’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 21.5×10.25 inches. Framed: 32.5×25 inches.
    £1,200
  • Williams, Evelyn (1929 – 2012)     Two Studies for ‘Man and Woman’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 22.5×11 inches. Framed: 34×22 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Introspective Nude 1’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 27×30.25 inches. Framed: 29.5×33 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     Idea for ‘A Woman’s Life’. Charcoal. 1976. Provenance: The Evelyn Williams Trust. 20.5×29 inches. Framed: 23×31.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     ‘Someone’s Sister’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 56.75×53.5 inches. Framed: 57.5×35 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     Sul Balcone (W287). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 11.75×9 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     ‘Il M’aime un Peu’ (W157). Lithograph. 1914. Edition of 24. Signed. Provenance: Artist’s Estate. 13.75×10.5 inches.
    £775
  • Gabain, Ethel (1883 – 1950)     ‘An Italian Terrace’ (W285). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 9×10 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     La Contadina (W283). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 16×11.25 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Le Bébé Pierrot’ (W196). Lithograph. 1918. Edition of 24. Signed. Provenance: Artist’s Estate. 13.5×9.25 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Terrasse ensoileillée’ (W115). Lithograph. 1912. Edition of 20. Signed. Provenance: Artist’s Estate. 9×11.5 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Ligurian Alps’ (W293). Lithograph. 1927. Edition not recorded. Signed. Provenance: Artist’s Estate. 7×13 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘Algiers la Blanche’ (W280). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 8.5×6.5 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘The Farm in the Dip, Wye’ (W217). Lithograph. 1921. Edition of 28. Signed. Provenance: Artist’s Estate. 9.75×14 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     La Porte Close (W206). Lithograph. 1919. Edition of 24. Signed. Provenance: Artist’s Estate. 13.25×6.75 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     Le Roi Soleil (W182). Lithograph. 1916. Edition of 32. Signed. Provenance: Artist’s Estate. 11×13 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘The Sundial Imp’ (W160). Lithograph. 1914. Edition of 24. Signed. Provenance: Artist’s Estate. 11×11 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘L’Ennui (Nude Study)’ (W55). Lithograph. 1908. Edition of 18. Signed. Provenance: Artist’s Estate. 12.5×9.5 inches.
    £475
  • Gabain, Ethel (1883 – 1950)     ‘The Old Aristocrat’ (W275). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 13.5×9.5 inches.
    £375
  • Gabain, Ethel (1883 – 1950)     ‘Mauvais Jours’ (W66). Lithograph. 1908. Edition of 10. Signed. Provenance: Artist’s Estate. 10.25×7 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Ceasars Tower in ye Island Geneva’. Pencil and watercolour. Inscribed and dated, 28th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland ‘Arcade de la Place du Molard. Geneva’. Pencil and watercolour. Inscribed and dated, 10th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×9.25 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from beyond Secheron’. Pencil and watercolour. Inscribed and dated, 28th August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.75 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from the end of the Paquis’. Pencil and watercolour. Inscribed and dated, 30th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne’. Pencil and watercolour. Inscribed and dated, 20th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva’. Pencil and watercolour. Inscribed and dated, 20th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From a vineyard at Besinge near Geneva’. Pencil and watercolour. Inscribed and dated, 25th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×13.5 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Gasenove’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×11 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Village of Pregny’. Pencil and watercolour. Inscribed and dated, 28th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pregny’. Pencil and watercolour. Inscribed and dated, 28th June 1835. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Buet / Mont Blanc / Geneva’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×21.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 26th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.5 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Mill on the Rhone’. Pencil and watercolour. Inscribed and dated, 11th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Inn at Russin. L’Ombre’. Pencil and watercolour. Inscribed and dated, 4th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     ‘Passage of the Rhone at Arvulli’. Pencil and watercolour. Inscribed and dated, 4th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Sledge. Party at Treize Arbres. Grand Saleve’. Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Treize Arbres Grand Saleve.’ Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Ruins of the Chateau de L’Hermitage. Petit Saleve’. Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘De mon lit a Varembé / 4 heures du matin, Mai 1834’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From Md. Julliards field at Varembe / Maison du Seigneux’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Village of Smoheurns near Geneva from M. Duval’s field’. Pencil and watercolour. Inscribed and dated, 6th Oct? 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Duval from Md. Julliards fields’. Pencil and watercolour. Inscribed and dated, 25th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Duval’. Pencil and watercolour. Inscribed and dated, 13th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Tourney & Lake of Geneva’, home of Voltaire during the 1750s. Pencil and watercolour. Inscribed and dated, 13th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Tourney’, Voltaire’s home during the 1750s. Pencil and watercolour. Inscribed and dated, 28th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Fort de L’Ecluse Village de Meirin [Meyrin]’. Pencil and watercolour. Inscribed and dated, 2nd July 1835. Provenance: An album of watercolours by Elizabeth Campbell. 7×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Pasteaur. Grand Saconnex’. Pencil and watercolour. Inscribed and dated, 2nd July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Part of Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 6th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 6th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Supposed site of Calvin’s Grave, Geneva. Burial ground. The two remaining Willows of four planted thereon / Sousterre / Petite St Jean.’ Pencil and watercolour. Inscribed and dated, 10th May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Gervais part of Geneva from Plain Palais’. Pencil and watercolour. Inscribed and dated, 23rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Chateau de Divonne [Divonne-les-Bains]’. Pencil and watercolour. Inscribed and dated, 3rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Church at Divonne [Divonne-les-Bains]’. Pencil and watercolour. Inscribed and dated, 3rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Lake of Geneva. Les Alinges [Allinges]’. Pencil and watercolour. Inscribed and dated, 18th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Les Alinges [Allinges]’. Pencil and watercolour. Inscribed and dated, 18th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘At Allamogne [Allaman]’. Pencil and watercolour. Inscribed and dated, 10th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Castle of Allamogne [Allaman], burnt down’. Pencil and watercolour. Inscribed and dated, 10th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from Md. Julliard’s field Varembe’. Pencil and watercolour. Inscribed and dated, May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne de Md. le Vieux from Md. Julliard’s Field’. Pencil and watercolour. Inscribed and dated, 5th May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Nyon from the window of the Eau de France’. Pencil and watercolour. Inscribed and dated, 18th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 11×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Aubonne’. Pencil and watercolour. Inscribed and dated, 18th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Sarra’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×4.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Waiting for horses at Neuchatel’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×4.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Neuchatel’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.75×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pont of the Bridge of Thiel’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau et Pont de Thiel’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×12 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘School House of Tichal’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Schlossberg near La Neuville’. Pencil and watercolour. Inscribed and dated, 11th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Neuveville’. Pencil and watercolour. Inscribed and dated, 11th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St. Jean on ye Thiel / Landeron / Canton Bern’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St. Jean on the Thiel / Old Convent. Canton Bern’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Jean – Former monastery / Landeron Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 7th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Landeron & Thiel River’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau d’Erlach Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Place of Execution Landeron Canton Bern’. Pencil and watercolour. Inscribed and dated, April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.75×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier & Lac de Bienne with part of the villages of [Feny?]’. Pencil and watercolour. Inscribed and dated, 8th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier & Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 8th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Principal street of Cerlier’. Pencil and watercolour. Inscribed and dated, 15th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier Isle de St Pierre Lac de Bienne from the old road of the Jolimont’. Pencil and watercolour. Inscribed and dated, 10th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cure de Cressier’. Pencil and watercolour. Inscribed and dated, 13th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier from the Tschugg road’. Pencil and watercolour. Inscribed and dated, 20th February 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier from my bedroom window at the Chateau d’Erlach / Part of ye Lac de Bienne & Range of the Swiss Alps / Mt Blanc’. Pencil and watercolour. Inscribed and dated, January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×21 inches.
    £675
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Isle de St Pierre Lac de Bienne – View from Miss Campbell’s Bedroom window at the Chateau de Erlach’. Pencil and watercolour. Inscribed and dated, 28th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from the drawing room window Chateau d’Erlach’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau & old Town of Cerlier / Isle de St Pierre Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 21st July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau d’Erlach. Canton de Berne / Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 27th January/July? 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Part of Cerlier’. Pencil and watercolour. Inscribed and dated, 10th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Old Town of Cerlier […] a Convent’. Pencil and watercolour. Inscribed and dated, 15th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier [Erlach] & its Port’. Pencil and watercolour. Inscribed and dated, 8th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘End of the Old Town of Cerlier [Erlach] once a convert’. Pencil and watercolour. Inscribed and dated, 27th January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Château d’Erlach, Canton de Berne, Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 11th January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View near Petit-Saxony Geneva. Maison Barbazak’. Pencil and watercolour. Inscribed and dated, 26th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×17 inches.
    £675
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pension Bacle Gent’. Pencil and watercolour. Inscribed and dated, September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From above the Campagne de L’Imperatrice’. Pencil and watercolour. Inscribed and dated, 17th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×13.75 inches.
    £575
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Geneva & Salève from below Pregny’. Pencil and watercolour. Inscribed and dated, October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £575
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from the Ferney Road’. Pencil and watercolour. Inscribed and dated, 25th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake Geneva from the fields of Mr Rigaud Fingestin(?) / Dent de (Jaman?) / Voiron’. Pencil and watercolour. Inscribed and dated, 29th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From the drawing room window at Varembé near Geneva’,. Pencil and watercolour. Inscribed and dated, October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From the drawing room window at Varembé near Geneva. Five minutes after our arrival’. Pencil and watercolour. Inscribed and dated, 14th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘The game of chess in the shade. Field front of Campagne Juillard Varembé’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Juillard Varembé near Geneva’. Pencil and watercolour. Inscribed and dated, 24th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Towers of Hermance & Lake of Geneva’. Pencil and watercolour. Inscribed and dated, 23rd September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Up at 4 O’clock! / Waiting for breakfast / Jussy’. Pencil and watercolour. Probably September 1833? Provenance: An album of watercolours by Elizabeth Campbell. 5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Jussy. Great Salève’. Pencil and watercolour. Inscribed and dated, 23rd September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 5×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Belotte’. Pencil and watercolour. Inscribed and dated, 18th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from La Belotte looking North’. Pencil and watercolour. Inscribed and dated, 18th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Island & storm on the Lake of Geneva / from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Island in the Lake of Geneva from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Near the mouth of the Rhone from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Entrance to Villeneuve from Bex’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland;’ From the In [sic. inn] window at Bex’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×4.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Maurice / from the Carriage’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 9.5×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Martigny. Convent of Forclaz. Tour de la Batia [sic. Bâtiaz]’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.5 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Trient. On the Tête de Moine. Glacier du Trient’. Pencil and watercolour. Inscribed and dated, 29th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Aiguilles de Chamonix from my bedroom window’. Pencil and watercolour. Inscribed and dated, 28th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 10.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Bridge at Bonneville over the Arve’. Pencil and watercolour. Inscribed and dated, 27th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Montier Petit Salève. Hemp drying on stubble’. Pencil and watercolour. Inscribed and dated, 23rd August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From my bedroom window Wolff’s Glen, Pré-l’Eveque Geneva’. Pencil and watercolour. Inscribed and dated, August(?) 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Wolff’s Glen Geneva’. Pencil and watercolour. Inscribed and dated, August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    £375
  • Holloway, Edgar (1914 – 2008)     ‘Warwick Lane’ E.C. Pencil and watercolour. 1943. Signed. 14.25×10.75 inches.
    £2,750
  • Holloway, Edgar (1914 – 2008)     ‘St Augustine and St Paul’s’, blitz’d London. Pencil and watercolour. 1943. Signed.
    £2,000
  • Anderson (Twentieth Century), David     Norfolk; ‘Bintree Tower’. Oil on card. Exhibited: Royal Academy Summer Exhibition, 1991 Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5×3.5 inches. Framed: 5×5 inches.
    Sold
  • Anderson (Twentieth Century), David     North Norfolk Ballooning. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 5.5×5 inches. Framed: 6.5×5.5 inches.
    Sold
  • Anderson (Twentieth Century), David     North Norfolk Landscape. Oil on canvas. c.1980. Signed verso. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5"x5.5" inches.
    £475
  • Anderson (Twentieth Century), David     Norfolk; Sennowe Park. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 6×6.25 inches.
    £475
  • Anderson (Twentieth Century), David     Through the Hedges. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 7×7 inches. Framed: 8×8 inches.
    £675
  • Anderson (Twentieth Century), David     Autumn Forest. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 4.5×3.5 inches. Framed: 9.5×8 inches.
    Sold
  • Goeneutte, Norbert (1854 – 1894)     ‘Somnolence’. Etching. 1888. Signed. 6×9 inches. Framed: 11.5×15 inches.
    £975
  • Camp R.A., Jeffery (1923 – 2020)     Laetitia Yhap in the Bath. Lithograph. Signed. Editioned, ‘III V AP’ and inscribed ‘For Len’ (Leonard McComb R.A. 1913-2018). 13.5×13 inches. Framed: 27.5×25 inches.
    £750
  • Nevinson, Christopher Richard Wynne (1889 – 1946)     ‘The Spirit of Progress’ (PB148). Lithograph. 1933. Used as the front cover of the April 1933 ‘Studio’ Magazine. 11×8 inches.
    £750
  • Hockney O.M. C.H. R.A., David (born 1937)     ‘Portrait of Cavafy in Alexandria I’. From the suite ‘Homage to Greek poet C.P. Cavafy’. Edition of 500. Exhibited: Goldmark Gallery. 13.5×9 inches. Framed: 24.5×19 inches.
    Sold
  • Underwood, Leon (1890 – 1975)     ‘St Sebastian’. Etching. Based on a self-portrait. Signed and dated, 1921. 5.5×4 inches. Framed: 13×9 inches.
    £1,500
  • Rosoman R.A, Leonard (1913 – 2012)     ‘The Chagall Kiss No.2’. Pencil and watercolour. Signed. 13×16.5 inches. Framed: 19.5×23 inches.
    £975
  • Hyatt, Derek (1931 – 2015)     Yorkshire; ‘Bishopdale Day’. Oil on board. c.1955. Exhibited: Art Space Gallery. 8×15.5 inches. Framed: 17.5×24 inches.
    Sold
  • Marchand, Jean Hippolyte (1883 – 1940)     Nocturne. Pen and ink. Verso: figures at a window. Studio stamped. 12×9.5 inches.
    Sold
  • Ellis, Noel (1917 – 1995)     Self-portrait in a French helmet. Oil on panel. Provenance: Artist’s Estate; Private Collection; Rosebery’s, 12th March 2024, Lot 205; Private Collection. 14.5×9.5 inches. Framed: 20×15 inches.
    £700
  • Sergeant, Carolyn (born 1937)     Honeysuckle, grasses and bramble. Oil on board. Signed and dated, 1998. Exhibited: Hazlitt, Gooden & Fox, ‘Recent Paintings by Carolyn Sergeant’, 1999, Cat. No.16. 16×20 inches. Framed: 18×22 inches.
    Sold
  • Caillard, Christian (1899 – 1985)     Portrait of a young woman arranging flowers. Oil on canvas. c.1935. Signed. 28×23 inches. Framed: 35×30 inches.
    Sold
  • Monnington P.R.A., Sir Walter Thomas (1902 – 1976)     ‘Sussex; Valley between Lewes […]’. Oil on panel. 1930s. Indistinctly inscribed verso. 9.5×13.5 inches. Framed: 12×16 inches.
    Sold
  • Barrow, Julian (1939 – 2012)     Bath; Lansdowne Crescent, including houses belonging to William Beckford and, later, James Lees-Milne. Oil on canvas. Signed. Exhibited: Leger, 1989, No.39. 10×12 inches. Framed: 13×15 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Two Rabbits’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 5.5×5 inches.
    £750
  • Miller Parker, Agnes (1895 – 1980)     ‘The Villain and his Dog’. Wood-engraving. Proof. 1936. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 7.5×5 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Passage of tiny feet’. Wood-engraving. 1936. Proof. Signed and titled. Designed for H. E. Bates, ‘Through the Woods’. 3×2 inches.
    £475
  • Miller Parker, Agnes (1895 – 1980)     ‘Kingcap, Kingfinger and Kingfisher’. Wood-engraving. 1936. Proof. Signed, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 4.5×3.25 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Foxgloves, Honeysuckle, and Fronds’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates ‘Through the Woods’. 7.5×5 inches.
    £675
  • SHEPARD (nee Chaplin) (c.1876-1927), Florence Eleanor     ‘Lettice’ (Lettice Phillips, nee Spence). Watercolour. Signed. Further signed and titled, verso. Provenance: the family of the sitter, by descent. Florence Shepard was the wife of the illustrator E. H. Shepard (of Winnie-the-Pooh fame), the couple having met when studying at the Royal Academy Schools. Lettice Phillips lived next door to the Shepards in Shamley Green as was great friends with them. 11.5×8.5 inches. Framed: 18.5×15.5 inches.
    £2,250
  • Tanner A.R.E., Robin (1904 – 1988)     ‘Wiltshire Hedger’. Etching. 1928. Trial proof. Signed, inscribed and dated. 4.5×5.5 inches.
    £975
  • Marks, Gerald (1921 – 2018)     ‘Meeting’; The Independent Labour Party. Chalks. Signed and dated, 1937. Exhibited: The Royal Drawing Society Exhibition of Drawings, probably 1938 (awarded a Silver Star). 17.5×20 inches. Framed: 28×30 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     Coop Market Workers. Watercolour. Signed and dated, 1937. Exhibited: The Royal Drawing Society Exhibition of Drawings, 1938 (awarded a Silver Star). 12×22 inches. Framed: 23×31 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     ‘Unemployed’. Watercolour. Signed and dated, 1935. Exhibited: The Royal Drawing Society Exhibition of Drawings, 1936 (‘Commended First Class’). 15×11 inches. Framed: 26.5×21.5 inches.
    £1,500
  • Poole R.E., Monica (1921 – 2003)     ‘Apple Tree’. Wood-engraving. 1961. Artist’s proof. Signed, titled and editioned. Exhibited: Bank Street Gallery. 8.5×6 inches. Framed: 16×12 inches.
    Sold
  • Müller, William James (1812 – 1845)     Wales; Llanberis. View over Llyn Padarn to ‘Dolbadarn Castle’. Oil on canvas. Signed and dated, 1836. This exhibition oil is based on a watercolour probably made on Muller’s first trip to Wales in 1833 in the company of John Skinner Prout (1805-1876) and Samuel Jackson (1794-1869) (sold Sotheby’s, ‘The Bill Thompson Collection of Paintings, Watercolours and Drawings by William James Muller (1812-1845)’, 25th November 1999, Lot 19. 20×28 inches. Framed: 33×40 inches.
    Sold
  • Pellew, Claughton (1890 – 1966)     ‘The Mother’. Wood engraving. 1927. Signed and inscribed. Outside of the edition of 30. 4.5×5.5 inches.
    £1,250
  • Gross C.B.E. R.A., Anthony (1905 – 1984)     ‘Rustic Pupils’ (H.2407), the Val aux Clercs, at Fecamp. Etching. 1928. Edition of 60. Signed, titled and dated. Exhibited: Austin Desmond. 8×7 inches.
    £500
  • Roussel, Theodore Casimir (1847 – 1926)     Cornwall; ‘Boats Asleep, Fowey’ (H.97). Etching. 1911. Signed. Edition of about 17 impressions. Exhibited: Agnews; Austin Desmond. 5.5×7 inches. Framed: 9×11 inches.
    £675
  • Collins, Cecil (1908 – 1989)     ‘Treading Blind’. Halftone and linocut. Signed and dated, 1948, in the plate. 6×5.5 inches. Framed: 12×10.5 inches.
    Sold
  • Crotch, Dr William (1775 – 1847)     London; ‘Kensington Gardens, 4th July 1822’. Pastels. 1822. Inscribed and dated, verso. Exhibited: A and H; Karen Taylor Fine Art. 5.5×8.5 inches. Framed: 11×14 inches.
    Sold
  • John O.M. R.A., Augustus (1878 – 1961)     ‘The Pheasant’ (CD 62); a portrait of Dorelia. Etching and drypoint. c.1906. Signed. 4×3.5 inches. Framed: 12.5×11 inches.
    Sold
  • Gilmore, Maeve (1917 – 1983)     Drama! Pencil, pen, ink and pastel. c.1960. Study for a painting dated 1960. Exhibited: Victor Wynd. 14.5×10.5 inches. Framed: 19.5×15.5 inches.
    £975
  • Brabazon N.E.A.C., Hercules Brabazon (1821 – 1906)     Italy; ‘Vines, Amalfi’. Chalks. Signed. Exhibited: Chris Beetles, Summer Show 1999, No.99. 8×11 inches. Framed: 12×15.25 inches.
    Sold
  • Guthrie, Kathleen (1905 – 1981)     Design after a 1937 composition by John Cecil Stephenson, the artist’s husband. Silk screen with gouache. c.1965. Signed and inscribed. No.5 from an edition of 14. Exhibited: Denys Wilcox. 11.5×9.5 inches. Framed: 21×17 inches.
    £1,500
  • George, Patrick (1923 – 2016)     Street Scene. Oil on board. And early work from the 1940s. Provenance: The artist’s studio. Exhibited: Grant Waters; Louise Kosman. 6×3.5 inches. Framed: 9.5×7 inches.
    Sold
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.9); I behold London … And every part of Blake’s city if fourfold. London has survived the Blitz – How beautiful to the Artist his City of Babylon. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: the Estate of the late John Byrne (1945-2025). 9.25×7.5 inches.
    £2,500
  • Jones, Jean (1927 – 2012)     London; ‘The Palace of Westminster from Lambeth Pier’. Oil on canvas. 1986. Signed and dated. Provenance: The Artist’s Estate. 25×25 inches. Framed: 30.5×30.5 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     Dartmoor; ‘Ringmoor: The Stone Circle’. Oil on canvas. 1992. Signed. 30×30 inches. Framed: 35×35 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     Dartmoor; ‘From Ringmoor: The Stone Circle’. Oil on canvas. 1974. Signed. Provenance: The Artist’s Estate. 30×30 inches.
    £12,000
  • Jones, Jean (1927 – 2012)     London; Primrose Hill, Spring. Oil on canvas. 2000. Signed and dated. Provenance: The Artist’s Estate. 30×30 inches.
    £7,500
  • Jones, Jean (1927 – 2012)     London; Primrose Hill, Summer. Oil on canvas. 2002. Provenance: The Artist’s Estate. 30×30 inches.
    £10,000
  • Jones, Jean (1927 – 2012)     London, ‘Primrose Hill, Autumn’. Oil on canvas. 2007/08. Provenance: The Artist’s Estate. 30×30 inches.
    £7,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.1); Self-portrait of the artist in his studio. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7.5 inches. Framed: 17.75×14.5 inches.
    £3,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (Frontispiece, 1944). Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised, the works subsequently being published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7 inches. Framed: 17.75×14.5 inches.
    £3,000
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.17); ‘In the Dark’. The artist lies awake to the reality of both worlds. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7.75 inches. Framed: 17.75×14.5 inches.
    £2,750
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.8); Everyman’s house is his hortus conclusus. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7.75 inches. Framed: 17.75×14.5 inches.
    £2,750
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.2); The artist is an all-seeing eye. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.75×7.25 inches. Framed: 17.75×14.5 inches.
    £2,750
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.15); The ruinous house of death filled with black emptiness. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.6); On every plane of existence life springs into being. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.3); The moon is my eye, smiling only at night. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘In the Dark’ (Alternative Frontispiece, 1944). Pen, brush, ink, watercolour and gouache. 1944. Alternative frontispiece design to a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine and using this work as the frontispiece. Provenance: Richard Saltoun; Private Collection. 10.25×7.25 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (Frontispiece, 1974). Pen, brush, ink, watercolour and gouache. 1974. Frontispiece to a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine and using this work as the frontispiece. Provenance: Richard Saltoun; Private Collection. 10.25×7.25 inches. Framed: 17.75×14.5 inches.
    £2,500
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.14); In Arcadia fear in a handful of dust. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7.5 inches. Framed: 17.75×14.5 inches.
    £2,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.13); In the cold north the purity of everlasting snow. The mountain is a temple sanctuary. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.25×7.5 inches. Framed: 17.75×14.5 inches.
    £2,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.4); When he puts out the light. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7 inches. Framed: 17.75×14.5 inches.
    £2,250
  • Trevelyan R.A., Julian (1910 – 1988)     ‘A Place and a State’ (No.5); The eye wants to know what the world is made of. Pen, brush, ink, watercolour and gouache. 1944. Signed and dated. One of a suite of drawings that were to be published by Poetry London in 1944 alongside a text by Kathleen Raine. That project was not realised and the works were subsequently published by Enitharmon Press in 1974 with a new commentary by Raine. Provenance: Richard Saltoun; Private Collection. 10.5×7 inches. Framed: 17.75×14.5 inches.
    £2,000
  • Lamb R.A., Henry (1883 – 1960)     Study for ‘The Behrend Family’ (Brighton & Hove Museums), the great collectors and patrons of Stanley Spencer. Pencil and watercolour. 1927. Provenance: Messums, Wiltshire; Private Collection. 9×10 inches. Framed: 15.5×16.5 inches.
    £6,000
  • Berman, Eugene (1899 – 1972)     ‘Roma: Cortile notturno’. Ink, watercolour and gouache. Signed and dated, 1958. Inscribed verso by the artist. Ex. Collection: Charles B Moses, Rome. 8.25×6.5 inches. Framed: 12.5×10 inches.
    £2,750
  • Allinson N.E.A.C., Adrian (1890 – 1959)     London; ‘Almonds and Ashes’, St John’s Wood. Oil on board. c.1938. Signed. Exhibited: Atkinson Art Gallery, Southport; The Fine Art Society, 1984. 25.5×45 inches. Framed: 33.5×52.5 inches.
    £18,500
  • Nicholson, Ben (1894 – 1982)     Italy; Tuscany, ‘Monte Oliveto’. Graphite. 1956. Signed and dated ‘Sept 56’. Provenance: Osborne Samuel; from where acquired by Sir Neville and Lady Marriner. 16.5×20.5 inches. Framed: 18.5×23 inches.
    £14,000
  • Collins, Cecil (1908 – 1989)     A Landscape in Paradise. Waterclour and gouache. Signed and dated, 1937. Provenance: gift from Elisabeth Collins (1904-2000), the artist’s wife, to the previous owner. 8×10 inches. Framed: 14.5×16.5 inches.
    £5,750
  • Collins, Cecil (1908 – 1989)     Tabletop Still Life. Pen, ink, watercolour and gouache. 1937. Signed and dated. Provenance: gift from Elisabeth Collins (1904-2000), the artist’s wife, to the previous owner. 9×12 inches. Framed: 15×18 inches.
    £12,500
  • Minton, John (1917 – 1957)     Corsica; Monastery, Corbara. Pen and ink. Made as part of Minton’s famous ‘Time was Away – A Notebook in Corsica’ project (not illustrated). 1947. Signed and dated. Provenance: Ernest Brown & Phillips, The Leicester Galleries, London; Durlacher Bros., New York 1948; from where acquired by Alice Astor Pleydell-Bouverie (1902-1956) in 1949; by descent; Bonhams 26th June 2007, Lot 2. 9.75×12 inches. Framed: 18×20 inches.
    £25,000
  • Boyd Harte, Glynn (1948 – 2003)     Italy; Venice, ‘Balcon with Ca’ Doro’. Watercolour. 1988. Signed. Exhibited: Albermarle Gallery. 24×18 inches. Framed: 33×26.5 inches.
    £3,000
  • Nolan O.M. A.C., Sir Sidney (1917 – 1992)     Shakespeare Sonnet No.127; ‘Fairing the foul with art’s false borrowed face’. Oil on paper. 1965. Exhibited: Malborough Fine Art. 25.25×21 inches. Framed: 36×31 inches.
    £2,000
  • Banting, John (1902 – 1972)     Organic Forms. Oil on canvas laid on board. A pair to the painting formerly in the collection of Michael Haas and sold at Sotheby’s 5th March 1997, Lot. 284. 23.5×15 inches. Framed: 39.5×28.5 inches.
    £2,750
  • Milligan, Spike (1918 – 2002)     The Dancer. Pencil, pen and ink by the actor and comedian. Used as the front cover for Milligan’s exhibition at The Agency Club, 1995. 22×11 inches. Framed: 29.5×19 inches.
    £3,750
  • Armfield, Stuart (1916 – 1999)     Cornwall; The ‘Venu’s fishing boat, Looe. Tempera on panel. c.1955. Signed. 13.5×9.5 inches. Framed: 19×15 inches.
    £5,000
  • Gierth, Patrick Waldemar (1910 – 1994)     London; Blackheath, ‘Saturday Afternoon’. The view from the artist’s house in Eliot Place. Oil on board. 1947. Signed and dated. Further signed, titled and inscribed verso. Provenance: Cambridgeshire Local Authority. 23.5×19.5 inches. Framed: 29.5×25.5 inches.
    £4,500
  • Camp R.A., Jeffery (1923 – 2020)     ‘Beachy Head, Black Backed Gull Flying’. OIl on board. 1973. Exhibited: Nigel Greenwood; Manchester City Art Galleries. 96×48 inches. Framed: 98×50 inches.
    £8,750
  • Clough, Prunella (1919 – 1999)     Studies for ‘Fishermen Hauling Nets’. Charcoal, pencil and wash. 1946. Exhibited: Austin Desmond. 15×12 inches. Framed: 19×15.5 inches.
    £4,750
  • Petherbridge C.B.E., Deanna (1939 – 2024)     ‘City of Sand IV’. Pen and ink. 1972. Exhibited: Susan Loppert. 14×20 inches. Framed: 22.5×28 inches.
    £1,750
  • Gore, Spencer Frederick (1878 – 1914)     London; The Alhambra Music Hall. Charcoal. Exhibited: Redfern Gallery, ‘Spencer Gore / Frederick Gore’, Feb / March 1962, No.152 (illustrated). Provenance: Denis Sutton. 10×8 inches. Framed: 18×15 inches.
    £2,750
  • Philpot R.A., Glyn (1884 – 1937)     Jamaican Man Walking; Henry Thomas. Bronze. 1929. One of only 3 or 4 casts made in 1929. Provenance: Gabrielle Cross (1910-1997), the artist’s niece; Brian Sewell (1931-2015); Jo McCrindle (1923-2008); Private Collection. Editions of this work have been exhibited at: Royal Academy, 1929, no.1511; Royal Academy, 1930, no.1600; Leicester Galleries, 1932, no.28; Tate Gallery, ‘Exhibition of Paintings and Sculpture by the Late Glyn Philpot’, 1938; Leighton House, ‘Retrospective exhibition: drawings, paintings and sculpture by Glyn Warren Philpot, R.A. 1884-1937’, 1959, no.70; Royal Academy, Bicentenary Exhibition, 1968-9, no.496; National Portrait Gallery, ‘Glyn Philpot 1884-1937, Edwardian Aesthete to Thirties Modernist’, 1984-1985, no.123; Leighton House, ‘Glyn Philpot (1884-1937) The Bronzes’, 1986; Fine Art Society, ‘Glyn Philpot RA: paintings, drawings and sculptures from the Estate of Gabrielle Cross’, 1997-1998, no. 13; Pallant House Gallery (on loan 2006- 2011). Literature: A.C. Sewter, Glyn Philpot 1884-1937, B.T. Batsford Ltd., London, 1951, pl.116. 33.5×18.5xD8 inches.
    £25,000
  • Hawthorne, Elwin (1905 – 1954)     London; Kensington Palace. A design for London Transport Advertising. Oil on panel. 1936. Signed. 15.5×21.5 inches. Framed: 19×25 inches.
    £6,500
  • Collins, Cecil (1908 – 1989)     ‘The Voyage of Ulysses’. Pen, ink, watercolour and gouache. Signed and dated, 1933. Exhibited: probably ‘Exhibition of paintings and drawings by Cecil Collins’, Bloomsbury Gallery, 1936. Provenance: Fleur Cowles (1908-2009); Sarah Colegrave Fine Art; from where acquired by the previous owner. 8×10.5 inches. Framed: 15.5×17.5 inches.
    £6,750
  • Durrant, Roy Turner (1925 – 1998)     Edge of the Wood. Watercolour. Signed and dated, 1957. 8×5 inches. Framed: 13.5×16 inches.
    £1,250
  • Brigham, Isobel (born 1963)     Scotland; ‘Orkney’. Oil on panel. 1994. Signed, titled and dated, verso. 12.5×9.5 inches. Framed: 18×15 inches.
    £2,000
  • Kempster, William (1914 – 1976)     Boy with Kite. Tempera on board. c.1950. 14.5×5.5 inches. Framed: 19.5×10.5 inches.
    £3,250
  • Wynter, Bryan (1915 – 1975)     ‘Rocks’; a Neo-Romantic Landscape. Pen, brush and ink. c.1947/48. Exhibited: The New Art Centre. 9.5×13.5 inches. Framed: 19.75×23 inches.
    £4,000
  • Minton, John (1917 – 1957)     ‘The Street’. Lithograph. 1946. Signed and dated. Dedicated to Joan and Bernard. A rare signed impression of Minton’s first print in this medium. 9.25×10.75 inches. Framed: 17.5×18.5 inches.
    £3,500
  • Vaughan, Keith (1912 – 1977)     WWII; ‘Camp Constructions – The Start of a New Day’. Building Nissen huts at Bulford Camp, Wiltshire. Pen, brush and ink. 1942. Signed, inscribed and dated. Provenance: John Lehmann (1907-1987); by whom given to John Guest (1911-1997), editor at Longmans, who published Lehmann’s autobiography, ‘The Whispering Gallery’ in 1955. 5.5×8.5 inches. Framed: 13×15.5 inches.
    £4,500
  • Bawden C.B.E. R.A., Edward (1903 – 1989)     Cover Design for W. H. Auden, ‘Mountains’, Publ. Faber & Faber, 1952 Pen and ink. c.1954. Exhibited: The Fine Art Society, October 1979. 8.5×5.5 inches. Framed: 17×13 inches.
    £1,750
  • Wynter, Bryan (1915 – 1975)     ‘Houses and Pile Rock Waste’. Gouache. c.1952. Exhibited: ‘St Ives: Eighty Years of Modernism’, Julian Lax, 2001, Cat. No.58. Provenance: The Artist’ Estate; Julian Lax; from where acquired by the previous owner. 10.5×14 inches. Framed: 18×21 inches.
    £4,750
  • Sutherland O.M., Graham (1903 – 1980)     ‘Metaphysical II’. Pen, ink, watercolour and crayons. c.1942. Study for an illustration to David Gascoyne, ‘Poems 1937-1942’, Publ. PL Editions / Nicholson and Watson, 1943. Exhibited: Agnews. 6.5×5 inches. Framed: 15×13 inches.
    £7,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘Flying Bomb Depot – The Caves at St.-Leu-d’Esserent’. Pen, ink, watercolour, gouache, pastel and wax crayon. 1944. Signed and dated. In 1944 Sutherland made drawings recording the Allied bombing of strategic sites in Northern France. The Caves at St.-Leu-d’Esserent were used to store V-1 flying bombs. 10×13 inches. Framed: 18.5×21.5 inches.
    £12,000
  • Hodgson, Louisa (1905 – 1980)     Tennyson; ‘Of Love that never found his earthly close / what sequel / Love and Duty’. Watercolour. 1930s. Signed on the original mount. 13.5×9.5 inches. Framed: 22×17.5 inches.
    £1,500
  • Williams, Evelyn (1929 – 2012)     ‘Emma by the Sea 1’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 27×31 inches.
    £2,000
  • Marx, Enid (1902 – 1998)     Z – Zebra. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     Y – Yaffle. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £225
  • Marx, Enid (1902 – 1998)     X – Xenopus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £175
  • Marx, Enid (1902 – 1998)     W – Walrus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     V – Vicunas. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £250
  • Marx, Enid (1902 – 1998)     U – Unau. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     T – Turtle. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     S – Swan. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     R – Rhino. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     Q – Quail. Linocut. Editioned ‘3/6’ [the 3 scored through]. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     P – Porcupine. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     O – Owl. Linocut. Editioned ‘6/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     N – Newt. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     M – Monkey. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     L – Lion. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     K – Kangaroo. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £275
  • Marx, Enid (1902 – 1998)     J – Jaguar. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     I – Ibex. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     H – Horse. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     G – Goat. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £275
  • Marx, Enid (1902 – 1998)     F – Fish. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     E – Elephant. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
  • Marx, Enid (1902 – 1998)     D – Dog. Linocut. 1977. Signed and dated. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     C – Cockerel. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     B – Bear. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £300
  • Marx, Enid (1902 – 1998)     A – Aardvark. Linocut. Editioned ‘5/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Wilkie R.A., Sir David (1785 – 1841)     ‘The Sedan Chair’ (CD.8). Etching. c.1815-1819. 5×3.5 inches.
    Sold
  • Whistler, James Abbott McNeill (1834 – 1903)     London; Wapping, ‘Black Lion Wharf’. Etching. 1859. Fourth state. As published in ‘A Series of Sixteen Etchings of Scenes on the Thames’ (AKA the ‘Thames Set’) by Ellis & Green in 1871. This print appears on the wall in ‘Arrangement in Grey and Black No. 1’, Whistler’s famous portrait of his mother. 6×9 inches. Framed: 19×21.5 inches.
    Sold
  • Verpilleux, Emile Antoine (1888 – 1964)     ‘The Last Furrow’. Woodcut. 1924. Signed. 14×18 inches. Framed: 22.5×26 inches.
    Sold
  • Strang R.E., Ian (1886 – 1952)     France; Paris, ‘Place du Pont-Neuf’. Etching. c.1925. Signed. 8×11 inches.
    Sold
  • Smith, John Raphael (1752 – 1812)     ‘Miss Chambers’. Mezzotint. 1777. ‘Painted & Engraved by J. R. Smith / Pubd 8 July 1777 by W. Humphrey, Gerrard Street Soho, & J. R. Smith No 10 Batemans Buildings Soho Square’. 10.5×8 inches. Framed: 12.5×10 inches.
    £500
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)     ‘Kitty K’., Red Lion Square’, playing the piano (B.164). Etching and engraving. c.1915 (completed 1922/23). State II of II. Signed in the plate. 7×5 inches. Framed: 14×12 inches.
    Sold
  • Shackleton N.E.A.C., William (1872 – 1933)     Yorkshire; ‘Beamsley’. Etching. 1896. Signed. 5×7 inches.
    £125
  • Stoutshanks (fl.1828-29), S     A Pluralist; ‘A Tithe Pig Swallow’d without Grace’. Pen and ink. 1828. Signed and dated, ‘S Stoutshanks / Invent et Fecit / AD 1828’.. Drawing for the satirical print published by S. Gans in 1830 (see impression in the Lewis Walpole Library). It is possible ‘Stoutshanks’ was the illustrator Robert Seymour (1798-1836), who published prints under the name ‘Shortshanks’ for a while, until Cruikshank objected! 9.5×13.25 inches.
    £975
    ◐
  • Rowlandson, Thomas (1756 – 1827)     PAIR: ‘St Giles’s Courtship’ / ‘St James’s Courtship’. Hand-coloured etching and aquatint. 1799. The print made by Rowlandson, as well as the designs. Published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection. 13×10.75 inches.
    Sold
  • Rowlandson, Thomas (1756 – 1827)     GROUP: A rare complete set of Rowlandson’s 8 ‘Cries of London’. Hand-coloured etching and aquatint. 1799. The prints by Henri Merke (fl.1798-1814) and published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection. 13×10 inches.
    £4,500
  • Rowlandson, Thomas (1756 – 1827)     PAIR: ‘An Italian Family’ and ‘A French Family’. Hand-coloured etching and aquatint. 1785 and 1786. The prints made and published by Samuel Alken (1756-1815) after Rowlandson’s Royla Acdemy exhibition watercolours of 1784. Provenance: Andew Farryon Collection. 13.5×18 inches.
    Sold
  • Roussel, Theodore Casimir (1847 – 1926)     London; Parson’s Green,’The Snow, My Front Garden, March 2nd, 1909′ (H.85). Softrground etching and aquatint. 1909. Signed. 9×7 inches.
    Sold
  • Richmond R.A., George (1809 – 1896)     ‘The Agony in the Garden’. Oil on panel. 1875. After the c.1504 predella panel by Raphael (MET 32.130.1), then in the collection of Angela Burdett-Coutts, 1st Baroness Burdett-Coutts (1814-1906) and presumably copied while on loan to the Royal Academy ‘Winter Exhibition’ 1875/1876. Provenance: gift of the artist in 1882 to Dr. John Ogle (1824-1905); Bonham’s, Chester, 5th March 2013, Lot 395; Private collection; Chiswick Auctions 24th April 2025, Lot 5; from where aquired by the previous owner. 9.5×11 inches. Framed: 14×15.5 inches.
    £6,500
  • Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792)     ‘The Misses Crewe’ (Mannings 450). Mezzotint. 1768. Made by John Dixon (1740 – c.1811). A beautiful, scratch lettered proof impression before publication. Exhibited: Agnews. 18.25×14 inches. Framed: 29×23 inches.
    £875
  • Poole R.E., Monica (1921 – 2003)     ‘Summer’. Wood-engraving. 1987. Signed and edition 7/100. 7.25×4.75 inches. Framed: 15.25×1225 inches.
    £750
  • Poole R.E., Monica (1921 – 2003)     ‘Gully’. Wood-engraving. Signed, titled and editioned ‘117/150’. Exhibited: Bank Street Gallery. 10×6.25 inches. Framed: 18×13 inches.
    £1,750
  • Pellew, Claughton (1890 – 1966)     Holland; ‘Amsterdam’. Wood-engraving. 1927. Signed, titled, dated and editioned 19/30. 4.5×5 inches.
    Sold
  • Moira, Gerald (1867 – 1959)     Barrel Makers. Gouache. Signed and dated, 1941. Inscribed verso. 15×21 inches.
    Sold
  • Meryon, Charles (1821 – 1868)     France; Paris, ‘La Pompe Notre Dame’. Etching. 1852. 7×10 inches.
    Sold
  • McMinn (fl.1890-1920), F. A.     Kent; ‘Whitstable Oyster Boats returning from the fishing grounds. The Anna underweigh’. Pencil. c.1895. Inscribed verso. Provenance: a sketchbook of drawings, signed in the front. 7×10 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     Self Portrait. pencil. Signed and dated, 1939. Provenance: the Artist’s Estate. 19×14 inches. Framed: 29×24 inches.
    £1,500
  • Marks, Gerald (1921 – 2018)     Chain and Gears II. Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate. 14×10 inches. Framed: 22.5×17.5 inches.
    £475
  • Marks, Gerald (1921 – 2018)     Chain and Gears I. Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate. 14×10 inches. Framed: 22.5×17.5 inches.
    £475
  • John O.M. R.A., Augustus (1878 – 1961)     ‘The Hawkers Van’ (CD.125). Etching. Etched at Matching Green, Essex 1904/5. Signed. Edition of 25. Exhibited: Goldmark Gallery. 6.5×8 inches. Framed: 16×17 inches.
    £1,750
    ◐
  • Howitt, Samuel (1756 – 1822)     Isle of Wight; Carisbrooke Castle. Watercolour. Signed and dated, 1791. Provenance: Col. F W G Gore (1906/7); Sir herbert Merrett (1937); […] Private Colletion. Exhibited: Heather Newman. 8.5×12 inches. Framed: 17×20 inches.
    £1,250
  • Holloway, Edgar (1914 – 2008)     ‘The Etcher No.18 (The Etcher II)’ (M.239); a self-portrait of the artist at work. Etching. From the 1979 reworking of the 1932 plate. Signed and dedicated. 5.25×5 inches.
    Sold
  • Hockney O.M. C.H. R.A., David (born 1937)     ‘Beautiful and White Flowers’. Etching and aquatint. 1966. From the ‘Illustrations for Fourteen Poems from C.P. Cavafy’ suite. Edition of 500. Exhibited: Goldmark Gallery. 13.5×9 inches. Framed: 24.5×19 inches.
    £1,500
  • Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)     ‘Laneham’ (C.30). Etching. 1923. Signed. 5×4.5 inches. Framed: 13×12.25 inches.
    Sold
  • Fulleylove, John (1845 – 1908)     Italy; the Piazza at Asolo. Pencil and watercolour. 27th June 1891. Signed, inscribed and dated. Exhibited: Agnews. 7×10 inches. Framed: 14.5×17.5 inches.
    Sold
  • Foster R.W.S., Miles Birket (1825 – 1899)     Venice; the Doge’s Palace and Piazzetta San Marco. Pencil and watercolour. Signed with monogram. 4.5×6 inches.
    Sold
  • Feild, Maurice (1905 – 1988)     W. H. Auden (1907-1973). Lithograph. 1982. Signed. Based on a portrait of c.1935 9×6 inches.
    Sold
  • Downman, Isabella Chloe (born 1787)     The artist and ‘a very gallant Beau’ winding yarn at the Hotel at Thorp-Arch, Yorkshire. Pencil and watercolour, by the daughter of John Downman A.R.A. (1749-1824). c.1810. Signed. Extensively inscribed … ‘During my residence at the Hotel at Thorp-Arch, I had a very gallant Beau, who used to employ himself in various acts of attention, one day he sat with all patience and held a quantity of yarn for me to wind, and as our general appearance was thought particularly interesting, I have represented the scene in Drawing’. Literature: Ralph Edwards, ‘Portraits by Downman of his Realtions’, Apollo, Vol. XVIII, No.105, Sept. 1933, (Ill. p.180). Provenance: Christies, 12th April 1920, Lot.17; to Pawsey and Payne; […] Mrs Hubert Cordes; […] Sotheby’s, 24th September 1997; to A and H; Private Collection. 7.5×9 inches. Framed: 21×20 inches.
    £2,750
    ◐
  • Crotch, Dr William (1775 – 1847)     Lincolnshire; St Botolph’s, Boston. Watercolour and graphite. 1806. Inscribed and initialled under the mount, ‘Boston Linc. from Ed Lack MGS / WC / 300 feet high’ and verso, ‘Tower or near it _ WC Sept 30 1806 3pm’. 3.25×5.75 inches. Framed: 11×13 inches.
    Sold
  • Cliffe, Henry (1919 – 1983)     Designs for abstract painting. Pencil. Late 1950s / early 1960s. Provenance: a large group of drawings by Cliffe, all from the 1950s and 1960s. 7.5×11 inches.
    Sold
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Hayrick and sunlight. Watercolour. Signed. 9.25×6.25 inches. Framed: 17×13.5 inches.
    £2,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Barn Interior. Study related to Clausen’s oil painting ‘The Barn at Deers Farm’ (Exh. R.A. 1911). Charcoal. c.1911. Signed. 14×10.5 inches. Framed: 22×18 inches.
    £1,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Sky Study. Watercolour. Signed. 10.5×15 inches. Framed: 18.5×22.5 inches.
    £2,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Barn Interior. Charcoal, watercolour and gouache. Signed. 10.5×12 inches. Framed: 18.5×19.5 inches.
    £2,750
  • Clarke Hall, Edna (1879 – 1979)     ‘Catherine and Heathcliffe sitting in a field’. Etching. 1920s. Signed. 10.25×8.25 inches.
    £675
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Sound of Mull’. Pencil, pen, ink and watercolour. Signed and inscribed. Extensively inscribed under the mount. 6×10.5 inches.
    Sold
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Loch Lomond’. Pencil, pen, ink and watercolour. Signed and inscribed. 7×9.5 inches.
    Sold
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Melfort’. Pencil, pen, ink and watercolour. Signed and inscribed. 7×10 inches.
    £375
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Sound of Mull’. Pencil, pen, ink and watercolour. Signed and extensively inscribed. 7×10 inches.
    £750
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Black Mount’. Pencil, pen, ink and watercolour. Signed. 6×10.5 inches.
    Sold
  • Calvert, Charles (1785 – 1852)     ‘The Bride’ (L.8c). Engraving. 1828. Third state. Printed for the ‘Memoir’, 1893. Edition of 350. 4.5×6.5 inches. Framed: 15×16 inches.
    £3,000
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)     ‘Noemie’ (F.57). Etching. 1926. Signed. Provenance: the Estate of Kathleen Brockhurst, the artist’s wife. 7×4.25 inches.
    £475
  • Brett A.R.A., John (1831 – 1902)     Italy; Florence, ‘Nannie Mulock’. Pencil. Inscribed and dated ‘Palazzo Frescobaldi Feb 1863’. Further inscribed ‘Nannie Mulock’. Exhibited: J S Maas & Son (W11292). 9.5×6.75 inches. Framed: 16.75×13.5 inches.
    £1,500
  • Badmin R.W.S. R.E., Stanley Roy (1906 – 1989)     Still life with Clivia, Hyacinth and Geranium. Pen, ink, watercolour and pastel. Signed. Provenance: The Artist’s family, by descent. 16.5×10.5 inches. Framed: 28×22 inches.
    Sold
  • Austin, Frederick George (1902 – 1990)     The Flight into Egypt. Etching. 1927. Signed and dated. The composition that won Austin the Prix de Rome. 7×8 inches.
    £750
  • Austin R.A. R.E., Robert Sargent (1895 – 1973)     ‘Mid-day Rest’. Engraving. 1932. Signed and dated. 6×7.5 inches. Framed: 13.5×14 inches.
    Sold
  • Austin R.A. R.E., Robert Sargent (1895 – 1973)     ‘Before Mass’ (CD64). Engraving. 1926. Signed and dated. Edition of 60. 5×4.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     Study for ‘Sleeping Couple’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 23.25×32.75 inches. Framed: 25.75×35.5 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     ‘Fay Weldon’s Bedroom 1’. Charcoal. Signed and dated, 1978. Provenance: The Evelyn Williams Trust. 37.75×29 inches. Framed: 26×35.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Running by the Sea’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches. Framed: 34.5×57.5 inches.
    £2,800
  • Williams, Evelyn (1929 – 2012)     ‘Woman in Bed’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches. Framed: 34×57.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Night Thoughts’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches. Framed: 34.5×57.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     Study for ‘Sleeping Couple’. Charcoal. Signed and dated, 1975. Provenance: Artist’s Estate. 53.5×31 inches. Framed: 47×31.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     ‘Emma by the Sea 2’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 27×31 inches. Framed: 26×29.5 inches.
    £2,000
  • Williams, Evelyn (1929 – 2012)     ‘Head in Hands Looking Up’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 31×27 inches. Framed: 33×29 inches.
    £2,000
  • Williams, Evelyn (1929 – 2012)     ‘Girl with Expectations 1’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 21.5×10.25 inches. Framed: 32.5×25 inches.
    £1,200
  • Williams, Evelyn (1929 – 2012)     Two Studies for ‘Man and Woman’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 22.5×11 inches. Framed: 34×22 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Introspective Nude 1’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 27×30.25 inches. Framed: 29.5×33 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     Idea for ‘A Woman’s Life’. Charcoal. 1976. Provenance: The Evelyn Williams Trust. 20.5×29 inches. Framed: 23×31.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     ‘Someone’s Sister’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 56.75×53.5 inches. Framed: 57.5×35 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     Sul Balcone (W287). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 11.75×9 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     ‘Il M’aime un Peu’ (W157). Lithograph. 1914. Edition of 24. Signed. Provenance: Artist’s Estate. 13.75×10.5 inches.
    £775
  • Gabain, Ethel (1883 – 1950)     ‘An Italian Terrace’ (W285). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 9×10 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     La Contadina (W283). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 16×11.25 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Le Bébé Pierrot’ (W196). Lithograph. 1918. Edition of 24. Signed. Provenance: Artist’s Estate. 13.5×9.25 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Terrasse ensoileillée’ (W115). Lithograph. 1912. Edition of 20. Signed. Provenance: Artist’s Estate. 9×11.5 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Ligurian Alps’ (W293). Lithograph. 1927. Edition not recorded. Signed. Provenance: Artist’s Estate. 7×13 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘Algiers la Blanche’ (W280). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 8.5×6.5 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘The Farm in the Dip, Wye’ (W217). Lithograph. 1921. Edition of 28. Signed. Provenance: Artist’s Estate. 9.75×14 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     La Porte Close (W206). Lithograph. 1919. Edition of 24. Signed. Provenance: Artist’s Estate. 13.25×6.75 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     Le Roi Soleil (W182). Lithograph. 1916. Edition of 32. Signed. Provenance: Artist’s Estate. 11×13 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘The Sundial Imp’ (W160). Lithograph. 1914. Edition of 24. Signed. Provenance: Artist’s Estate. 11×11 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘L’Ennui (Nude Study)’ (W55). Lithograph. 1908. Edition of 18. Signed. Provenance: Artist’s Estate. 12.5×9.5 inches.
    £475
  • Gabain, Ethel (1883 – 1950)     ‘The Old Aristocrat’ (W275). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 13.5×9.5 inches.
    £375
  • Gabain, Ethel (1883 – 1950)     ‘Mauvais Jours’ (W66). Lithograph. 1908. Edition of 10. Signed. Provenance: Artist’s Estate. 10.25×7 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Ceasars Tower in ye Island Geneva’. Pencil and watercolour. Inscribed and dated, 28th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland ‘Arcade de la Place du Molard. Geneva’. Pencil and watercolour. Inscribed and dated, 10th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×9.25 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from beyond Secheron’. Pencil and watercolour. Inscribed and dated, 28th August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.75 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from the end of the Paquis’. Pencil and watercolour. Inscribed and dated, 30th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne’. Pencil and watercolour. Inscribed and dated, 20th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva’. Pencil and watercolour. Inscribed and dated, 20th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From a vineyard at Besinge near Geneva’. Pencil and watercolour. Inscribed and dated, 25th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×13.5 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Gasenove’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×11 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Village of Pregny’. Pencil and watercolour. Inscribed and dated, 28th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pregny’. Pencil and watercolour. Inscribed and dated, 28th June 1835. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Buet / Mont Blanc / Geneva’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×21.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 26th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.5 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Mill on the Rhone’. Pencil and watercolour. Inscribed and dated, 11th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Inn at Russin. L’Ombre’. Pencil and watercolour. Inscribed and dated, 4th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     ‘Passage of the Rhone at Arvulli’. Pencil and watercolour. Inscribed and dated, 4th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Sledge. Party at Treize Arbres. Grand Saleve’. Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Treize Arbres Grand Saleve.’ Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Ruins of the Chateau de L’Hermitage. Petit Saleve’. Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘De mon lit a Varembé / 4 heures du matin, Mai 1834’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From Md. Julliards field at Varembe / Maison du Seigneux’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Village of Smoheurns near Geneva from M. Duval’s field’. Pencil and watercolour. Inscribed and dated, 6th Oct? 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Duval from Md. Julliards fields’. Pencil and watercolour. Inscribed and dated, 25th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Duval’. Pencil and watercolour. Inscribed and dated, 13th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Tourney & Lake of Geneva’, home of Voltaire during the 1750s. Pencil and watercolour. Inscribed and dated, 13th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Tourney’, Voltaire’s home during the 1750s. Pencil and watercolour. Inscribed and dated, 28th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Fort de L’Ecluse Village de Meirin [Meyrin]’. Pencil and watercolour. Inscribed and dated, 2nd July 1835. Provenance: An album of watercolours by Elizabeth Campbell. 7×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Pasteaur. Grand Saconnex’. Pencil and watercolour. Inscribed and dated, 2nd July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Part of Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 6th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 6th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Supposed site of Calvin’s Grave, Geneva. Burial ground. The two remaining Willows of four planted thereon / Sousterre / Petite St Jean.’ Pencil and watercolour. Inscribed and dated, 10th May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Gervais part of Geneva from Plain Palais’. Pencil and watercolour. Inscribed and dated, 23rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Chateau de Divonne [Divonne-les-Bains]’. Pencil and watercolour. Inscribed and dated, 3rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Church at Divonne [Divonne-les-Bains]’. Pencil and watercolour. Inscribed and dated, 3rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Lake of Geneva. Les Alinges [Allinges]’. Pencil and watercolour. Inscribed and dated, 18th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Les Alinges [Allinges]’. Pencil and watercolour. Inscribed and dated, 18th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘At Allamogne [Allaman]’. Pencil and watercolour. Inscribed and dated, 10th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Castle of Allamogne [Allaman], burnt down’. Pencil and watercolour. Inscribed and dated, 10th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from Md. Julliard’s field Varembe’. Pencil and watercolour. Inscribed and dated, May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne de Md. le Vieux from Md. Julliard’s Field’. Pencil and watercolour. Inscribed and dated, 5th May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Nyon from the window of the Eau de France’. Pencil and watercolour. Inscribed and dated, 18th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 11×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Aubonne’. Pencil and watercolour. Inscribed and dated, 18th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Sarra’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×4.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Waiting for horses at Neuchatel’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×4.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Neuchatel’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.75×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pont of the Bridge of Thiel’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau et Pont de Thiel’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×12 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘School House of Tichal’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Schlossberg near La Neuville’. Pencil and watercolour. Inscribed and dated, 11th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Neuveville’. Pencil and watercolour. Inscribed and dated, 11th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St. Jean on ye Thiel / Landeron / Canton Bern’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St. Jean on the Thiel / Old Convent. Canton Bern’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Jean – Former monastery / Landeron Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 7th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Landeron & Thiel River’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau d’Erlach Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Place of Execution Landeron Canton Bern’. Pencil and watercolour. Inscribed and dated, April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.75×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier & Lac de Bienne with part of the villages of [Feny?]’. Pencil and watercolour. Inscribed and dated, 8th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier & Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 8th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Principal street of Cerlier’. Pencil and watercolour. Inscribed and dated, 15th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier Isle de St Pierre Lac de Bienne from the old road of the Jolimont’. Pencil and watercolour. Inscribed and dated, 10th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cure de Cressier’. Pencil and watercolour. Inscribed and dated, 13th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier from the Tschugg road’. Pencil and watercolour. Inscribed and dated, 20th February 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier from my bedroom window at the Chateau d’Erlach / Part of ye Lac de Bienne & Range of the Swiss Alps / Mt Blanc’. Pencil and watercolour. Inscribed and dated, January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×21 inches.
    £675
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Isle de St Pierre Lac de Bienne – View from Miss Campbell’s Bedroom window at the Chateau de Erlach’. Pencil and watercolour. Inscribed and dated, 28th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from the drawing room window Chateau d’Erlach’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau & old Town of Cerlier / Isle de St Pierre Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 21st July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau d’Erlach. Canton de Berne / Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 27th January/July? 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Part of Cerlier’. Pencil and watercolour. Inscribed and dated, 10th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Old Town of Cerlier […] a Convent’. Pencil and watercolour. Inscribed and dated, 15th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier [Erlach] & its Port’. Pencil and watercolour. Inscribed and dated, 8th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘End of the Old Town of Cerlier [Erlach] once a convert’. Pencil and watercolour. Inscribed and dated, 27th January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Château d’Erlach, Canton de Berne, Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 11th January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View near Petit-Saxony Geneva. Maison Barbazak’. Pencil and watercolour. Inscribed and dated, 26th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×17 inches.
    £675
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pension Bacle Gent’. Pencil and watercolour. Inscribed and dated, September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From above the Campagne de L’Imperatrice’. Pencil and watercolour. Inscribed and dated, 17th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×13.75 inches.
    £575
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Geneva & Salève from below Pregny’. Pencil and watercolour. Inscribed and dated, October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £575
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from the Ferney Road’. Pencil and watercolour. Inscribed and dated, 25th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake Geneva from the fields of Mr Rigaud Fingestin(?) / Dent de (Jaman?) / Voiron’. Pencil and watercolour. Inscribed and dated, 29th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From the drawing room window at Varembé near Geneva’,. Pencil and watercolour. Inscribed and dated, October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From the drawing room window at Varembé near Geneva. Five minutes after our arrival’. Pencil and watercolour. Inscribed and dated, 14th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘The game of chess in the shade. Field front of Campagne Juillard Varembé’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Juillard Varembé near Geneva’. Pencil and watercolour. Inscribed and dated, 24th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Towers of Hermance & Lake of Geneva’. Pencil and watercolour. Inscribed and dated, 23rd September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Up at 4 O’clock! / Waiting for breakfast / Jussy’. Pencil and watercolour. Probably September 1833? Provenance: An album of watercolours by Elizabeth Campbell. 5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Jussy. Great Salève’. Pencil and watercolour. Inscribed and dated, 23rd September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 5×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Belotte’. Pencil and watercolour. Inscribed and dated, 18th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from La Belotte looking North’. Pencil and watercolour. Inscribed and dated, 18th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Island & storm on the Lake of Geneva / from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Island in the Lake of Geneva from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Near the mouth of the Rhone from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Entrance to Villeneuve from Bex’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland;’ From the In [sic. inn] window at Bex’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×4.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Maurice / from the Carriage’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 9.5×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Martigny. Convent of Forclaz. Tour de la Batia [sic. Bâtiaz]’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.5 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Trient. On the Tête de Moine. Glacier du Trient’. Pencil and watercolour. Inscribed and dated, 29th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Aiguilles de Chamonix from my bedroom window’. Pencil and watercolour. Inscribed and dated, 28th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 10.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Bridge at Bonneville over the Arve’. Pencil and watercolour. Inscribed and dated, 27th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Montier Petit Salève. Hemp drying on stubble’. Pencil and watercolour. Inscribed and dated, 23rd August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From my bedroom window Wolff’s Glen, Pré-l’Eveque Geneva’. Pencil and watercolour. Inscribed and dated, August(?) 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Wolff’s Glen Geneva’. Pencil and watercolour. Inscribed and dated, August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    £375
  • Holloway, Edgar (1914 – 2008)     ‘Warwick Lane’ E.C. Pencil and watercolour. 1943. Signed. 14.25×10.75 inches.
    £2,750
  • Holloway, Edgar (1914 – 2008)     ‘St Augustine and St Paul’s’, blitz’d London. Pencil and watercolour. 1943. Signed.
    £2,000
  • Anderson (Twentieth Century), David     Norfolk; ‘Bintree Tower’. Oil on card. Exhibited: Royal Academy Summer Exhibition, 1991 Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5×3.5 inches. Framed: 5×5 inches.
    Sold
  • Anderson (Twentieth Century), David     North Norfolk Ballooning. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 5.5×5 inches. Framed: 6.5×5.5 inches.
    Sold
  • Anderson (Twentieth Century), David     North Norfolk Landscape. Oil on canvas. c.1980. Signed verso. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5"x5.5" inches.
    £475
  • Anderson (Twentieth Century), David     Norfolk; Sennowe Park. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 6×6.25 inches.
    £475
  • Anderson (Twentieth Century), David     Through the Hedges. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 7×7 inches. Framed: 8×8 inches.
    £675
  • Anderson (Twentieth Century), David     Autumn Forest. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 4.5×3.5 inches. Framed: 9.5×8 inches.
    Sold
  • Goeneutte, Norbert (1854 – 1894)     ‘Somnolence’. Etching. 1888. Signed. 6×9 inches. Framed: 11.5×15 inches.
    £975
  • Camp R.A., Jeffery (1923 – 2020)     Laetitia Yhap in the Bath. Lithograph. Signed. Editioned, ‘III V AP’ and inscribed ‘For Len’ (Leonard McComb R.A. 1913-2018). 13.5×13 inches. Framed: 27.5×25 inches.
    £750
  • Nevinson, Christopher Richard Wynne (1889 – 1946)     ‘The Spirit of Progress’ (PB148). Lithograph. 1933. Used as the front cover of the April 1933 ‘Studio’ Magazine. 11×8 inches.
    £750
  • Hockney O.M. C.H. R.A., David (born 1937)     ‘Portrait of Cavafy in Alexandria I’. From the suite ‘Homage to Greek poet C.P. Cavafy’. Edition of 500. Exhibited: Goldmark Gallery. 13.5×9 inches. Framed: 24.5×19 inches.
    Sold
  • Underwood, Leon (1890 – 1975)     ‘St Sebastian’. Etching. Based on a self-portrait. Signed and dated, 1921. 5.5×4 inches. Framed: 13×9 inches.
    £1,500
  • Rosoman R.A, Leonard (1913 – 2012)     ‘The Chagall Kiss No.2’. Pencil and watercolour. Signed. 13×16.5 inches. Framed: 19.5×23 inches.
    £975
  • Hyatt, Derek (1931 – 2015)     Yorkshire; ‘Bishopdale Day’. Oil on board. c.1955. Exhibited: Art Space Gallery. 8×15.5 inches. Framed: 17.5×24 inches.
    Sold
  • Marchand, Jean Hippolyte (1883 – 1940)     Nocturne. Pen and ink. Verso: figures at a window. Studio stamped. 12×9.5 inches.
    Sold
  • Ellis, Noel (1917 – 1995)     Self-portrait in a French helmet. Oil on panel. Provenance: Artist’s Estate; Private Collection; Rosebery’s, 12th March 2024, Lot 205; Private Collection. 14.5×9.5 inches. Framed: 20×15 inches.
    £700
  • Sergeant, Carolyn (born 1937)     Honeysuckle, grasses and bramble. Oil on board. Signed and dated, 1998. Exhibited: Hazlitt, Gooden & Fox, ‘Recent Paintings by Carolyn Sergeant’, 1999, Cat. No.16. 16×20 inches. Framed: 18×22 inches.
    Sold
  • Caillard, Christian (1899 – 1985)     Portrait of a young woman arranging flowers. Oil on canvas. c.1935. Signed. 28×23 inches. Framed: 35×30 inches.
    Sold
  • Monnington P.R.A., Sir Walter Thomas (1902 – 1976)     ‘Sussex; Valley between Lewes […]’. Oil on panel. 1930s. Indistinctly inscribed verso. 9.5×13.5 inches. Framed: 12×16 inches.
    Sold
  • Barrow, Julian (1939 – 2012)     Bath; Lansdowne Crescent, including houses belonging to William Beckford and, later, James Lees-Milne. Oil on canvas. Signed. Exhibited: Leger, 1989, No.39. 10×12 inches. Framed: 13×15 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Two Rabbits’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 5.5×5 inches.
    £750
  • Miller Parker, Agnes (1895 – 1980)     ‘The Villain and his Dog’. Wood-engraving. Proof. 1936. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 7.5×5 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Passage of tiny feet’. Wood-engraving. 1936. Proof. Signed and titled. Designed for H. E. Bates, ‘Through the Woods’. 3×2 inches.
    £475
  • Miller Parker, Agnes (1895 – 1980)     ‘Kingcap, Kingfinger and Kingfisher’. Wood-engraving. 1936. Proof. Signed, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 4.5×3.25 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Foxgloves, Honeysuckle, and Fronds’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates ‘Through the Woods’. 7.5×5 inches.
    £675
  • SHEPARD (nee Chaplin) (c.1876-1927), Florence Eleanor     ‘Lettice’ (Lettice Phillips, nee Spence). Watercolour. Signed. Further signed and titled, verso. Provenance: the family of the sitter, by descent. Florence Shepard was the wife of the illustrator E. H. Shepard (of Winnie-the-Pooh fame), the couple having met when studying at the Royal Academy Schools. Lettice Phillips lived next door to the Shepards in Shamley Green as was great friends with them. 11.5×8.5 inches. Framed: 18.5×15.5 inches.
    £2,250
  • Tanner A.R.E., Robin (1904 – 1988)     ‘Wiltshire Hedger’. Etching. 1928. Trial proof. Signed, inscribed and dated. 4.5×5.5 inches.
    £975
  • Marks, Gerald (1921 – 2018)     ‘Meeting’; The Independent Labour Party. Chalks. Signed and dated, 1937. Exhibited: The Royal Drawing Society Exhibition of Drawings, probably 1938 (awarded a Silver Star). 17.5×20 inches. Framed: 28×30 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     Coop Market Workers. Watercolour. Signed and dated, 1937. Exhibited: The Royal Drawing Society Exhibition of Drawings, 1938 (awarded a Silver Star). 12×22 inches. Framed: 23×31 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     ‘Unemployed’. Watercolour. Signed and dated, 1935. Exhibited: The Royal Drawing Society Exhibition of Drawings, 1936 (‘Commended First Class’). 15×11 inches. Framed: 26.5×21.5 inches.
    £1,500
  • Poole R.E., Monica (1921 – 2003)     ‘Apple Tree’. Wood-engraving. 1961. Artist’s proof. Signed, titled and editioned. Exhibited: Bank Street Gallery. 8.5×6 inches. Framed: 16×12 inches.
    Sold
  • Müller, William James (1812 – 1845)     Wales; Llanberis. View over Llyn Padarn to ‘Dolbadarn Castle’. Oil on canvas. Signed and dated, 1836. This exhibition oil is based on a watercolour probably made on Muller’s first trip to Wales in 1833 in the company of John Skinner Prout (1805-1876) and Samuel Jackson (1794-1869) (sold Sotheby’s, ‘The Bill Thompson Collection of Paintings, Watercolours and Drawings by William James Muller (1812-1845)’, 25th November 1999, Lot 19. 20×28 inches. Framed: 33×40 inches.
    Sold
  • Pellew, Claughton (1890 – 1966)     ‘The Mother’. Wood engraving. 1927. Signed and inscribed. Outside of the edition of 30. 4.5×5.5 inches.
    £1,250
  • Gross C.B.E. R.A., Anthony (1905 – 1984)     ‘Rustic Pupils’ (H.2407), the Val aux Clercs, at Fecamp. Etching. 1928. Edition of 60. Signed, titled and dated. Exhibited: Austin Desmond. 8×7 inches.
    £500
  • Roussel, Theodore Casimir (1847 – 1926)     Cornwall; ‘Boats Asleep, Fowey’ (H.97). Etching. 1911. Signed. Edition of about 17 impressions. Exhibited: Agnews; Austin Desmond. 5.5×7 inches. Framed: 9×11 inches.
    £675
  • Collins, Cecil (1908 – 1989)     ‘Treading Blind’. Halftone and linocut. Signed and dated, 1948, in the plate. 6×5.5 inches. Framed: 12×10.5 inches.
    Sold
  • Crotch, Dr William (1775 – 1847)     London; ‘Kensington Gardens, 4th July 1822’. Pastels. 1822. Inscribed and dated, verso. Exhibited: A and H; Karen Taylor Fine Art. 5.5×8.5 inches. Framed: 11×14 inches.
    Sold
  • John O.M. R.A., Augustus (1878 – 1961)     ‘The Pheasant’ (CD 62); a portrait of Dorelia. Etching and drypoint. c.1906. Signed. 4×3.5 inches. Framed: 12.5×11 inches.
    Sold
  • Gilmore, Maeve (1917 – 1983)     Drama! Pencil, pen, ink and pastel. c.1960. Study for a painting dated 1960. Exhibited: Victor Wynd. 14.5×10.5 inches. Framed: 19.5×15.5 inches.
    £975
  • Brabazon N.E.A.C., Hercules Brabazon (1821 – 1906)     Italy; ‘Vines, Amalfi’. Chalks. Signed. Exhibited: Chris Beetles, Summer Show 1999, No.99. 8×11 inches. Framed: 12×15.25 inches.
    Sold
  • Guthrie, Kathleen (1905 – 1981)     Design after a 1937 composition by John Cecil Stephenson, the artist’s husband. Silk screen with gouache. c.1965. Signed and inscribed. No.5 from an edition of 14. Exhibited: Denys Wilcox. 11.5×9.5 inches. Framed: 21×17 inches.
    £1,500
  • George, Patrick (1923 – 2016)     Street Scene. Oil on board. And early work from the 1940s. Provenance: The artist’s studio. Exhibited: Grant Waters; Louise Kosman. 6×3.5 inches. Framed: 9.5×7 inches.
    Sold
Continue Shopping →
Item added to cart.
0 items - £0
Checkout