16. ALDRIDGE John R.A. (1905-1983)
‘In the Naafi / this morning, Aug.11th.’
Pen and ink. Circa 1940. Inscribed by the artist. Provenance: Artist’s Executor Ian Tregarthen-Jenkins.
4.25x7 inches. Framed: 12.25x15.25 inches.
£225.
17. ROMANTIC Movement (subject) Circa 1810.
A Loyal Hound guarding the body of his Master.
Watercolour and gouache. Circa 1810. The mysterious death of the little known artist Charles Gough near Red Tarn between Helvellyn and Grasmere on 17th April 1805 and discovery of his body three months later, still guarded by his dog ‘Foxie’, became a staple of the Romantic vision.
9x6 inches.
£2250.
18. ‘ANTON’ (Antonia Yeoman 1907-1970)
“I realise it’s official visiting time...but I don’t think you quite understand…”
Pen and ink. Signed. Inscribed beneath the mount. Ill: ‘Evening Standard’ 8.2.1965.
4.5x6 inches. Framed: 9.75x10.75 inches.
£225.
19. BACKHUYSEN Ludolf, the Elder (1630-1708)
A Dutch hoeker.
Pen, brush and ink. Collectors stamp on backing.
Dr Gerlinde de Beer, (‘Ludof Backhuysen the Elder’, publ 2002) suggests , on the basis of a photograph, that this sketch is a late work.
6.25x4.75
£775.
20. ASTON Charles Reginald (1832-1908)
‘Cliffs at Babbacombe’, Devon.
Ink and watercolour. Signed. Inscribed verso.
17.75x11.5 inches.
£475.
21. ARMOUR George Denholm (1864-1949)
‘New Sportsman, having emptied his gun at many long-range birds without effect “I wish…your dogs would bark or somethin’ when it’s a real sitter a fella could get a proper pot at….”
Pen and ink for ‘Punch. Signed. Inscribed beneath the mount.
8x11 inches.
£300.
22. BASTIN Arthur Dickman (1849-1913)
‘Taking it easy’.
Watercolour. Signed. Inscribed and with the artist’s address, 45 Campden Square, verso.
7x10 inches.
£625.
23. BELCHER George R.A. (1875-1947)
Patient: “Me heart palpitates so Doctor”.
Doctor: “I’ll soon give you something to stop that…”
Charcoal. Signed. Inscribed beneath the mount. For ‘Punch’.
11.75x9.75 inches.
£275.
24. BARNARD Rev. William Henry (1767-1818)
‘The Arch of Marius near Rome’.
Watercolour. Inscribed. 1816.
6x5x9 inches. Framed: 13.75x15.75 inches.
£225.
25. BOURGEOIS-BORGEX Louis (1873-1959)
Woman seated in a landscape.
Pen, ink crayon and white chalk on tan paper. Circa 1895. Provenance: A group of works by the artist sold at Christies SK 19.5.1015.
7.5x12.5 inches.
£225.
26. BURNE-JONES Sir Edward A.R.A. (1833-1898)
Study for a Saint, possibly for stained glass.
Black chalk on tan paper, lightly squared. Circa 1885. Provenance: Probably Angela Thirkell (nee Mackail) to Abbott and Holder circa 1958. Bought from A and H c.1965.
15x10 inches. Framed: 20x16 inches.
£2750.
27. COOP Hubert R.B.A. (1872-1953)
Lowestoft pier.
Watercolour. Circa 1900. Signed.
13.5x19.25 inches.
£875.
28. BURTON Nancy Jane (1891-1972)
Tailors, Rawalpindi.
Watercolour. Circa 1935. Signed.
7.5x8 inches.
£500.
29. BURTON Nancy Jane (1891-1072)
Waterway near Rawalpindi.
Watercolour. Signed.
6x7 inches.
£300.
30. BURTON Nancy Jane (1891-1972)
‘Old Villager’, Rawalpindi.
Watercolour. Signed. Inscribed and dated on original backing.
12.25x15.25 inches.
£800.
31. COURBOLD Richard (1757-1831)
‘Langhorne / The pitying robber conscious that pursu’d / He had no time to waste, yet stood and view’d…/ Country Justice, Part 2 L.218’.
Pen, brush, ink and watercolour. Inscribed.
4.25x2.5 inches
£375.
32. CORBOULD Henry (1787-1844)
‘He came, he passed – an heedless gaze / As o’er some stranger, glancing…’
Pen, brush and sepia ink to illustrate ‘The Maid of Neidpath’, vol.VII, p.2, Sir Walter Scott. Circa 1828.
3x2.25 inches.
£150.
33. CORBOULD Richard (1757-1831)
‘Pamela. Vol I / Mr B. attempting the virtue of Pamela / Let.15, P.30.’
Pen, brush and ink. Inscribed. For Cooke’s pocket ‘English Classics’ edition (1795-1800)
4.25x2.5 inches.
£525.
34. COX David O.W.S. (1783-1859)
‘The French Coast’.
Pencil. Exhibited: Agnews (No.19258)
4.25x6.75 inches. Framed: 9.75x11.75 inches.
£325.
35. COX David Jnr (1809-1885)
‘Dolgelly, the watermill’.
Watercolour. Studio stamp. Inscribed. Ex.Coll: The artist’s executor, Colonel J.D. Hills. Exhibited: Agnews (No.46754)
13x10.5 inches. Framed: 19.5x16.5 inches.
£475.
36. COX David O.W.S. (1783-1859)
Crossing the Moor.
Ink, watercolour and gouache. Circa 1840.
6x8.5 inches.
£1250.
37. DAVIS John Scarlett (1804-1845)
South Lodge, Bromley Hill Estate.
Pencil. Signed and dated, 1830. Inscribed verso: ‘Bromley Hill / Beckenham Lodge / Scarlett Davis’.
A cottage orne designed by Amelia Long (nee Hume) Lady Farnborough (1772-1837) in 1825 for Colonel Long and a part of her improvements to the Bromley Hill Estate. Davis was commissioned by Lord Farnborough to paint the interiors of the Vatican and the Escorial in 1831. Ex.Collection: Newall. 7.5x9.25 inches.
£1200. Photo
38. COTMAN John Sell (1782-1842), and pupil, possibly a member of the Turner family.
Tree-lined stream.
Black and white chalks on tan paper.
Provenance: Mary Dawson Turner (1774-1850) her grand-daughter Alice Sneyd-Kynnersley (1891-1972) to her daughter Elizabeth Tower, to her great-nephew (previous owner)
11.5x9.25 inches.
£2250.
39. DUNSTAN Bernard R.A. (1920-2017)
Lamplight.
Pastel. Ex.Collection : Manya Igel, a gift from the artist..
4.5x4.5 inches.
£675.
40. FERGUSON William J. (fl.1849-1886)
An English Churchyard.
Watercolour. Signed. Circa 1870. Exhibited: Covent Garden Gallery.
12x20 inches. Framed: 22.25x29.5 inches.
£150.
41. ETTY William RA (1787-1849)
Armour and figure studies (recto and verso)
Pen and ink. Inscribed on the backing ‘Sketches by Mr Etty for ‘Joan of Arc’’; a series of three oils. Ex. Vassall Adams Collection:
4.25x7.5 inches.
£225.
42. D'OYLY Sir Charles (1781-1845) Italian Sunset. Gouache. Exh: Sabin Galleries. 2.5x4 inches. £275.
43. ELDRIDGE Mildred R.W.S. (1909-1991)
The Flautist, a study for ‘Musicians and Bee-Keepers’: ‘Dance of Life’ series, 1951. (Glyndwr University)
Pencil, pen, brush and sepia ink. 1950-51. Signed. Provenance: Artist’s Estate.
14.5x12.25 inches.
£975.
44. FAHEY Edward Henry R.I. (1844-1907)
Wild fowling: ‘A Sunset, Martham Broad’, Norfolk.
Watercolour. Signed and dated 11887. Exhibited: British Section, Paris Universal Exhibition, 1889 (original frame with label verso).
26x53 inches. Framed: 66x40 inches.
£2250.
45. ‘FRASER Alexander Jnr’ (Mid 19th century)
A lantern lit street scene.
Watercolour and gouache in the manner of / after Petrus van Schendel (1806-1870) Indistinctly signed.
13x9.75 inches.
£475.
46. FISHER Sir George Bulteel (1764-1834)
Landscape, possibly Co. Tipperary.
Pencil and watercolour.
15.75x23.5 inches. Framed: 21.25x31.25 inches.
£500.
47. GLENNIE Arthur R.W.S. (1803-1890)
The Tiber: Ponte Sisto and St Peter’s.
Pencil. Circa 1850.
10x15 inches. Backed to show the damages.
£325.
48. GLOVER John O.W.S. (1767-1849)
Recto: ‘Greenwich’. Verso: ‘Grisdale’, Cumbria
Pen, brush and ink. Inscribed.
3.75x6.5 inches.
£675. Verso
49. EMETT Rowland (1906-1990)
The Germans Retreat…
Pen, brush and ink. 1945. Signed. Type written label beneath mount: “Calm yourself, my dear Stuffelheim…after all, the British public have been getting about like this for four years”. For ‘Punch’, inscribed by ‘for this week / K.B.’ (Kenneth Bird (Fougasse) , Art Editor 1937-1949)
7x9.25 inches.
£1750.
50. GREEN Henry Towneley (1836-1899)
‘At the gate’.
Watercolour. Signed. Exhibited: Maas Gallery.
8.75x4.75 inches. Framed: 14.75x10.75 inches.
£775.
51. GRIMM Samuel Hieronymous (1733-1794)
A Swiss or French ruin.
Ink and watercolour. Circa 1768. Exhibited: Anthony Reed.
5.5x7.75 inches.
Framed: 11.75x13.75 inches.
£975.