ABBEY Edward Austin R.A. (1852-1911) ‘She Stoops to Conquer’. Pen and ink. Signed and dated 1883. Dated beneath the mount ‘Aug.16th (18)84’. Other drawings from this series (published 1887) are in Tate Britain. 10x12 inches. 
ABBOTT John White (1763-1851) CLICK HERE 
ABELSON Evelyn (1886-1967) ‘Smith Square’. Oil on canvas laid on panel. Exhibited: Evelyn Abelson Retrospective, Royal Society of British Artists. 10x14 inches. Framed: 15x19 inches. 
ABSOLON John (1815-1895) View over Dieppe from the cliffs above the Chateau. Watercolour and gouache. Circa 1865. Signed. 10.5x20.5 inches. Framed: 19x29 inches. 
ACKERMANN Gerald R.I. (1876-1960) CLICK HERE 
ACKROYD Norman C.B.E. R.A. (b.1938) ‘The Great Blasket’. Acquatint. Atists’s proof. Signed and dated. 7x5.25 inches. 
ACKROYD Norman R.A. (b.1938) ‘Pool of London’. Aquatint. Signed, inscribed, editioned 23/90 and dated 2019. 5.25x6 inches. Framed: 10.75x11.75 inches. 
ADAM Robert F.R.S.A (1728-1792) Capriccio. Ink and watercolour. Inscribed verso ‘By Mr Adams’. Prov: Fettercairn House. Ex. Collection: Probably Sir William Forbes, 6th Bt. of Pitsligo (1739-1806) and by descent. 6x8 inches. 
ADAMS Christian (b.1966) At the School Gates. Pen, brush and ink. Signed. For the Daily Telegraph 16.3.2014. 8.5x12.5 inches. 
ADAMS G. Hervey (1903-1996) Gloucestershire: ‘Pinfarthings’. Ink and watercolour. Signed and dated, 1933. Exhibited: Fine Art Society, 1935. 13x15.25 inches. 
ADAMS Norman R.A. (1927-2005) ‘Angel (2)’. Pencil and watercolour. Signed and inscribed verso. 5.5x3.5 inches. 
ADAMS Norman R.A. (1927-2005) ‘Moorland Study’. Watercolour. Signed and dated, 1960. 7.5x9.5 inches. Framed: 13x14.75 inches. 
ADAMS Norman R.A. (1927-2005) ‘South Harris – Stormy Evening - Mountains and Sea’. Watercolour. Signed, dated 1965 and inscribed. 8x9.75 inches. 
ADLER Jankel (1895-1949) Portrait of the Composer, Eric Hudes (1920-2009)
Oil canvas, on board. Circa 1941. Ex.Collection: Bet Low. Stamped verso ‘ The Bet Low Trust / BLT1 145’. Exhibited: Roger Billcliffe Gallery
15.25x12 inches. Framed: 20x17 inches. 
ADLER Jankel (1895-1949) Self-portrait. Pen and ink. Inscribed by Ronald Searle. Ex. Collection: Ronald Searle. 9.75x7.25 inches. 
ADNAMS Marion (1898-1995) San Gimignano Bell Tower. Pencil and grey wash. Signed and inscribed. 9.5x7 inches. 
ADNAMS Marion (1899-1995) France. ‘Menerbes’, the Luberon. Pencil. Signed, inscribed and dated ‘May (19)63’. 14x9.5 inches. 
ADENEY Bernard (1878-1966)
Landscape study.
Oil on card. Signed (or inscribed?) verso.
7.25x10 inches. Framed: 12.25x15.25 inches.
ADSHEAD Mary (1904-1995) 'Chateau Poulet' near Fourcalquier, Haute Provence. Oil on canvas board. Signed and inscribed verso. 20x29.5 inches. Framed: 21.5x31.5 inches. 
ADSHEAD Mary (1904-1995) ‘Cromer is ready for the children’.
Gouache poster design. Circa 1935.
20x25 inches. 
AFFLECK Andrew (1874-1935) Venetian Palace. ‘Palazzo Da Mula Morosini’. Etching. Signed. 12x7.5 inches. 
D’AGAPEYEFF Alexandre (b.1900) ‘Russia and Bolshevism’. Pencil. Signed and inscribed by the artist (and cryptographer), also verso. Provenance: Matania Estate. 13x9.5 inches. 
AGAR John-Samuel P.S.E. (1773-1858)
Mother and Child.
Pencil. Provenance: A sketchbook of the artist’s work signed in the frontispiece, Sotheby’s, 12.4.1995.
5.75x5 inches. Framed: 13.5x12.25 inches.
AGLIO Agostino Jnr (1816-1885) ‘Autumn in the Cotswolds’. Watercolour. 
AGLIO Agostino Jnr (1816-1885) London. ‘Near Connaught Square’. Pencil and watercolour. Inscribed on the backing, dated 1833. Prov: a group of London scenes by the artist with A and H in 1982. 6.5x8.25 inches. 
AGOSTINELLI Mario (1915-2000) Still-life. Oil on paper laid on card. Signed. Label verso ‘FAR Gallery / New York / NY’. 8x12.25 inches. Framed: 14x18 inches. 
AGRICOLA Christoph Ludwig (1667-1719) Figures and cattle at a rivers edge. Gouache. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 6.25x 8 inches. 
AGRICOLA Christoph Ludwig (1667-1719) (attributed to) Figures on a country road. Gouache. Ex. Collection: Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 4.25x6 inches. 
AGRICOLA Christoph Ludwig (1667-1719) Lowland river. Gouache. Provenance: Estate of Henry Rogers Broughton, 2nd Lord Fairhaven (1900-1973) 6.25x8 inches. 
AIRY Anna (1882-1964) ‘The Game Keeper’s Boy’. Pencil and watercolour. Signed. By a star of Tonks’ and Steer’s turn of the century Slade. 15x22 inches. Framed: 23x30 inches. 
AITCHISON George R.A. P.R.I.B.A. (1825-1910) Tombs of the Scaglieri, Verona. Watercolour. Signed and dated, February, 1855. Ex. Collection: Arthur Grogan. 13.5x9.5 inches. 
ALBERS Josef (1888-1976) Six silkscreens from 'Formulation: Articulation' (1972). CLICK HERE TO VIEW
ALDRIDGE John R.A. (1905-1983) CLICK HERE TO VIEW WORKS 
ALEXANDER Jean Dryden N.E.A.C (1911-1994) Garden flowers, No.1. Watercolour. Circa 1930. Provenance: Artist’s estate. 13x9.5 inches. 
ALEXANDER Jean (1911-1994) Harvest stacks, Suffolk. Watercolour Circa 1920. Provenance artists estate. 9.75x12 inches. 
ALEXANDER Jean Dryden (1911-1994) ‘Brixham Harbour after rain’. Watercolour. Signed. 11x14.75 inches. 
ALEXANDER William (1767-1816) ‘View of Runcorn taken from Hatton Castle’. Pencil and watercolour. Inscribed and dated June 1805. Ex. Coll: Leonard G Duke (D4249). 13x18 inches. 
ALEXANDER William (1767-1816) Thetford Abbey. Pencil, brush and grey washes. Signed. 7.5x7.25 inches. 
ALEXANDER William (1767-1816) Chinese woman with her pipe. Pen, brush and ink. Exhibited: Spink, as by direct descent in the artist’s family. 5.75x3.25 inches. 
ALISON Henry Young (1889-1972) On the Scottish coast. Oil on board. Circa 1920. Signed. 18x14 inches. Framed: 24x20 inches. 
ALLAN Robert Weir R.W.S. (1851-1942)
Tighnabruaich, Kyles of Bute; drying fishing nets.
Watercolour and gouache. Dated ‘13th July 1872’. From a sketchbook signed in the frontispiece.
7.5x10 inches. Framed: 15.5x17.5 inches.
ALLAN Robert Weir R.W.S. (1851-1942)
‘Tighnabruaich’, Kyles of Bute.
Watercolour and gouache. Dated ‘15th July 1872’. From a sketchbook signed in the frontispiece.
7.5x10 inches. Framed: 15.5x17.5 inches.
ALLAN Robert Weir R.W.S. (1851-1942) ‘At Tignabruaich’. Watercolour. Inscribed by the artist and dated, July 1872. Provenance: From an album signed in the frontispiece. 
ALLAN bt. Sir Alexander (1764-1820) Attributed to A tiger’s den.
Ink and watercolour. Circa 1790.
10x13.5 inches. 
ALLAN Rosemary (1911-2009) ‘Cattle on Otmoor’ Oil on board. Signed. Exhibited: The Gwynne-Jones Family, Sally Hunter Fine Art, 1997, No.30. 7.75x10.75 inches. 
‘ALLEGRI’ (Circa 1930)
An Advertising Image.
Pencil, watercolour and gouache. Provenance: The Kathleen Boland Studio/ 13-14 Great Queen Street, Kingsway’ now ‘Illustration Ltd’. Boland was an illustrator’s agent in Covent Garden from 1929. Boland label verso.
13.25x9.25 inches.
ALLEN Kathleen (1906-1983)
‘Orlando’ Furioso: Teatro Gerolamo degli Marionetti, Milan, 1953.
Brush, ink and gouache. Inscribed, signed and dated.
20x14 inches. 
ALLEN ‘Kay’ Kathleen (1906-1983) Fish market; possibly a study for a mural. Brush, ink and watercolour. Ex. Coll: the potters Kenneth Clark and his wife Ann Wynn-Reeves. 10x14.5 inches. 
ALLFORD Vincent (1889-c.1924) ‘The Guvnor / France / March 1915-May 1919 / 1/23 London (Regiment)’. Ink and watercolour. Signed and inscribed. The Commanding Officer of the 1st battalion of the 23rd London Regiment which fought at Festubert, Loos, the Somme in 1916 and 1918, Messines, Ypres, Cambrai, Lille and Tournai from March 1915 to November 1918. 12.5x8.5 inches. 
ALLINGHAM Helen R.W.S. (1848-1926) Wiltshire. 'Cornfield at Downton near Salisbury’. Watercolour. Signed. Inscribed verso. Ill: Cottage Homes of England, Edward Arnold, publ.1908. 9x6.5 inches. Framed: 16x13.5 inches. 
ALLINGHAM Helen R.W.S. (1848-1926) Study of a Venetian fruit barge. Watercolour. Exh: Watercolours by Helen Allingham, Leger Galleries, November 1972. 7x8 inches. 
ALLINGHAM Helen R.W.S. (1848-1926) Study of a tree’s trunk.
Watercolour. Signed verso ‘H Paterson’. Helen Paterson married William Allingham in 1874. 5.75x5.25 inches. 
ALLINGTON Edward (b.1951) ‘Incomplete Instrument IV’. Ink and emulsion paint on ledger paper laid on canvas. 1990. 72x47.75 inches. 
ALLINSON Adrian R.O.I. L.G. (1890-1959) Study for 'Spring in St Paul', St Paul de Vence (Oil). Pencil. Circa 1925. Exhibited: The Fine Arts Society. 12.5x17.5 inches. Framed: 20x25 inches. 
ALLINSON Adrian (1890-1959) CLICK HERE TO VIEW WORKS 
ALLINSON Adrian (1890-1959) Turning and Bending; study for the Life.
Charcoal and pastel on tan paper. Circa 1930. Signed.
16x23 inches. Framed: 32.5x26 inches. 
ALLOM Thomas (1804-1872) Richmond, Surrey. Fete given by Prince Schwarzenberg to celebrate Queen Victoria’s Coronation. Pencil, brush and sepia ink. Ill: engraved by H. Adlard for Brayley’s History of Surrey (Publ. 1840-1848). 4.25x7.25 inches. Framed: 12.5x14.75 inches. 
ALLOM Thomas (1804-1872) Chateau de Chambord. Pen, brush, sepia ink and gouache. Circa 1835. Provenance: Cheney family, Badger Hall. 5x7.5 inches. 
ALLOM Thomas(1804-1872) The Palace of Justice, Rouen. Pencil, brush, sepia ink and gouache. Circa 1835. 5x7.5 inches. 
ALSTON Charlotte M (fl.1900-1940) Sicily: ‘Etna (from) Piazza Antonio, Taormina’. Watercolour. Inscribed and dated, ‘Jan (19)37’. 5x7 inches. 
ALSTON J. W. Westmoreland. 'Langdale Pikes’. Ink and watercolour with some etched line. Inscribed and signed verso. Circa 1805. 11.5x18 inches. 
ALSTON J. W. Cumberland. ‘Brathay Bridge’. Ink and watercolour with some etched line. Inscribed and signed vesro. Circa 1805. 11.5x18 inches. 
ALSTON J. W. Cumberland. ‘Skelwith Fold’. Ink and watercolour with some etched line. Inscribed and signed verso. Circa 1805. 12.5x17 inches. 
ALTHAUS Fritz (1865-1952) Windsor Castle from the Thames. Watercolour. Signed and dated 1897. 14x20 inches. Framed 23x28 inches. 
AMAURY DUVAL Eugene Emmanuel (1808-1885) Study of seated figures. Charcoal with some white. Exhibited: ‘Amaury Duval’, Salle des Fetes, Montrouge, 1974, no.66. ‘Neo-Classicism’, Colnaghi, 1975, No 2. 17x11 inches. 
AMAURY-DUVAL Eugene Emmanuelle (1808-1885) Study for ‘Le jeu de boules’ (Musee des Beaux Arts, Orleans). Pencil. 12x7.5 inches. 
ANDERSON Stanley R.A. (1884-1966)
‘Toledo’
Etching. Signed.
9.25x15 inches. Framed: 17.25x22 inches.
ANDERSON Stanley R.A. (1884-1966) ‘Le Marche, Falaise’. Etching. Signed and inscribed. From an edition of 60 proofs. 7.5x10.5 inches. 
ANDERSON Stanley R.A. R.E. (1884-1966) CLICK HERE TO VIEW WORKS 
ANDERSON William (1757-1837) Off-shore. Ink and watercolour. Signed and dated 1790(?9). 9.25x12.25 inches. 
ANDERSON Stanley R.A. (1884-1966)
‘Three Good Friends’: ‘Darkie’ and ‘Prince’.
Engraving. 1950. From an edition of 65. Signed and inscribed.
6.75x10.75 inches.
ANDERSON William (1757-1837) Composition study, possibly for Billingsgate. Pencil. Ex. Collection: Paul (Lord Methuen). Provenance: Studies by Anderson, Sotheby’s 17.11.1983. 6.5x9 inches. 
ANDERSON Professor John F.R.S.E. F.S.A. (1726-1796) ‘The Powen from Lough Lomond / Professor Anderson, Glasgow’. Watercolour. Inscribed (possibly signed) verso. 6x12.5 inches. 
ANDREAE Conrad R. (1871-1956) France. Dieppe. Saint Jacques from the rue Pecquet. Watercolour. Circa 1900. Signed.. Ex.Collection: Michael Barker. 11.5x9 inches. 
ANDREU Mariano (1888-1976) ‘Don Juan, La Gitana and the Jester’ in the Gipsy Dance, Act 11, of Fokine’s ‘Don Juan’ for the Ballets Russe de Monte Carlo, 1936. Pencil, ink and watercolour. Prov: Harold Rubin. John Carr Doughty. 5x4 inches. 
ANDREWS Sybil (1898-1992) ‘Grader’. Linocut printed in colours. Signed, inscribed and editioned 6/60. Exhibited: Matthieson Fine Art, 1980. 13.5x13.75 inches. 
ANDREWS George Henry (1816-1898) Barges on the river Scheldt. Watercolour and gouache. Signed and dated, 1866. 12x19.5 inches. 
ANDREWS Douglas Sharpus SGA (1885-1944) Yorkshire Farm. Pencil and watercolour. Signed and dated, 1939. Ex. Collection: Sir John Stirling Maxwell (1866-1956) 9.5x12 inches. 
ANGUS Peggy (1904-1993) Portrait of a woman. Pastels on tan paper. Signed and dated, 1935. 24x19.75 inches. Framed: 29.74x24.75 inches. 
ANQUETIN Louis (1861-1932) ‘Aux Courses’. Pen and ink on the reverse of an invitation to the wedding of Judith Schwart and Lionel Nunes, 22nd December, 1898. Partial Atelier Stamp verso. Exh: Anthony D’Offay Fine Art, from the collection of the artist’s grand-daughter. Purchased by Dudley Snelgrove. 6.5x7.5 inches. Framed: 15x14.5 inches. 
ANTON (Antonia Yeoman) (1912-1970) Railway observation. Pen and ink. Signed. Stamped ‘17th Oct 1946’ verso. 7x8. Framed: 14.5x15. 
‘ANTON’ (Antonia Yeoman 1907-1970) “I realise it’s official visiting time...but I don’t think you quite understand…”
Pen and ink. Signed. Inscribed beneath the mount. Ill: ‘Evening Standard’ 8.2.1965.
4.5x6 inches. Framed: 9.75x10.75 inches. 
’APE’ (Carlo Pellegrini) Sketch for a caricature, possibly of ‘G.Russell’. Pencil. Inscribed. 11x7.5 inches. 
‘APE’ (Carlo Pellegrini (1839-1889) ‘Mr M. Guest’ (possibly Montague John Guest M.P. 1839-1909) Pencil, brush and watercolour. Provenance: Covent Garden Gallery (Bill Drummond). 14.9.5 inches. 
APPERLEY George Owen Wynne R.I. (1884-1960) Granada: ‘the Alhambra from an alley in the Albaicin. Watercolour. Circa 1920. Signed. 6x3.25 inches. Framed: 14.25x11 inches. 
APPERLEY George Owen Wynne R.I. (1884-1960) Venetian campo. Watercolour and gouache. 10x14 inches. Signed and dated, 1905. 
APPERLEY R.I. R.A. George Owen Wynne (1884-1960) Granada: Spring. Watercolour and gouache. Signed and dated, 1914. Inscribed beneath the mount. 13.75x20.5 inches. Framed: 22x28.5 inches. 
APPERLEY George Owen Wynne R.I. (1884-1960) 'San Remo'. Watercolour. Indistinctly inscribed. Signed and inscribed on the backing. 5.5x3.25 inches. Framed: 16.75x11.5 inches. 
APPELBEE Leonard (1914-2000) Still-life: fruit and bottle. Oil on board. Signed and dated, 1939. 19.5x11.25 inches. Framed: 19x26 inches. 
APPLEBY Barry (1909-1995) The Gambols – ‘It looks as if it’s going to rain’. Pen and ink for the Daily Express, 12th April, 1995. Signed. Ex. Collection: Mr and Mrs George Walker. 5.5x17 inches. Framed: 12x23 inches. 
ARBUTHNOT Malcolm (1877-1967) Landscape Forms: Jersey. Watercolour. Circa 1950. Signed. 11x15 inches. 
ARBUTHNOT Malcolm (1874-1967) ‘Sailing dinghies’.
Watercolour. Signed and dated, 1948. Exhibited: Blond Fine Art.
16x12.5 inches. Framed: 25.5x21 inches. 
ARBUTHNOT Malcolm R.I. N.S. (1874-1967) The White House, Jersey. Watercolour. Signed. 11x15 inches. Framed: 18.5x22 inches. 
ARCHER Frank R.W.S. R.E. (1912-1995) CLICK HERE 
ARCHITECTURE (Student Exercise) S. Linssen ‘Greek Doric Order’. Pen, brush and ink. Circa 1910. Signed on backing. Prov: Trenwith Wills and Gerald Wellesley Architects. 28x20 inches. 
ARCHITECTURE (Student Exercise) S. Linssen ‘Greek Ionic Order’. Pen, brush and ink. Circa 1910. Signed on backing. Prov: Trenwith Wills and Gerald Wellesley Architects. 26.5x20.5 inches. 
ARCHITECTURE (Student Exercise) S. Linssen Greek Corinthian. Pen, brush and ink. Circa 1910. Signed on backing. Prov: Trenwith Wills and Gerald Wellesley Architects. 27.5x20 inches. 
ARDIZZONE Edward R.A. (1900-1980) CLICK TO VIEW WORKS 
ARMFIELD Diana Venice. ‘Morning in San Vio’. Pastel. Signed. 11x8 inches. Framed 17x14 inches. 
ARMFIELD Diana R.A. N.E.A.C. (b.1920) ‘Le Crete (Senesi)’. Boney, ochre and tan uplands south of Siena. Oil on board. Signed. 8x13 inches. Framed: 12x17 inches. 
ARMFIELD Diana R.A. (b.1920) ‘The Green Tractor’. Pastel. Signed. 7x7 inches. Framed: 14x15 inches. 
ARMFIELD Maxwell (1881-1957) Somerset. Farmhouse at dusk. Chalks on tan paper. Signed and dated, 1939. 5.5x6.5 inches. 
ARMFIELD Maxwell (1881-1957) Hampshire. ‘Dockens Valley, New Forest’. Chalks on tan paper. Signed and inscribed. 5.75x6.75 inches. 
ARMFIELD Maxwell Ashby (1881-1972) Landscape study. Ink and pastel on grey paper. Signed and dated, 1923. 5x7 inches. 
ARMFIELD Maxwell (1881-1957) ‘Sarche’. Coloured chalks. Inscribed and dated, 8th June 1910. 9x7.25 inches. 
ARMFIELD Diana R.A. N.E.A.C. R.W.A (b.1920) ‘Distant Pienza’. Oil on card. 1992. Signed. Exhibited: Brandler Galleries. 10x7.5 inches. 14.5x12.5 inches 
ARMFIELD Maxwell (1881-1972) ‘Aries’. Pencil, pen, ink and watercolour. Inscribed by the artist. Study from a series of the twelve signs of the Zodiac painted c.1948 to decorate his house, Blue Lodge, Wood Green, Hampshire. Exhibited: Kensington Art Gallery, 1949. Fine Art Society, 1973. 18x18 inches. Framed: 24.5x24 inches. 
ARMFIELD Diana R.A. (b.1920)
‘Vine at St-Cirq-Lapopie’.
Pencil and watercolour. Signed. Exhibited: Bankside Gallery.
8x7.25 inches. Framed:14x13 inches. 
ARMFIELD Maxwell (1881-1972) ‘Aquarius’: Pencil, pen, ink and watercolour. Inscribed by the artist. Study for one of a series of the twelve signs of the Zodiac painted c.1948 to decorate his house, Blue Lodge, Wood Green, Hampshire. Exhibited: Kensington Art Gallery, 1949. Fine Art Society, 1973. 23x14.5 inches. Framed: 29.5x21 inches. 
ARMITAGE Kenneth C.B.E. R.A. (1916-2002) ‘Crawling Woman’. Etching. 20/20. 1973. Signed. 3.5x4 inches. Framed: 18x14 inches. 
ARMITAGE Jean (1895-1988) ‘Great-Spotted Woodpecker’. Woodcut printed in colours. Signed, inscribed and editioned 1/50. 10.25x9.5 inches. 
ARMOUR Mary R.S.A. R.S.W. (1902-2000) Ireland. ‘Cleggan, Connemara’. Pastel. Signed and inscribed. 10x16 ins. Framed: 20.5x26 inches. 
ARMOUR George Denholm (1864-1949)
Keeper (explaining plans for the 12th) “… ther’s a fine lot o’ birds on the top …”.
Tennant “What kind of birds?”.
Keeper “Grouse, Sir, grouse”.
Tennant “Well I wouldn’t go no ‘igher than this … if they was Golden Heagles…”.
Pen and ink for Punch, August 11th 1926. Signed. Inscribed beneath the mount.
7.5x11.25 inches.
ARMOUR George Denholm (1864-1949) ‘New Sportsman: “Wot d’ye mean always shoutin’ ’cheaper’? Cheaper than what? There’s nothing cheap here…”. Pen and ink for ‘Punch’, 16th August, 1922. 7.5x11.25 inches. 
ARMOUR George Denholm (1864-1949)
‘Guilderstein in Highlands’ / Mrs G: We must leave this horrible place at once Dear. The Keeper has just told me there is disease on the Moor. Good Gracious, the boys might take it!'
Pen and ink for ‘Punch', 10th September 1902. Signed. Inscribed beneath the mount.
8x11.25 inches.
ARMOUR George Denholm (1864-1949) ‘New Sportsman, having emptied his gun at many long-range birds without effect “I wish…your dogs would bark or somethin’ when it’s a real sitter a fella could get a proper pot at….”
Pen and ink for ‘Punch. Signed. Inscribed beneath the mount.
8x11 inches. £300. 
ARMOUR-CHELU Ian (1928-2000) ‘Night coming – light across the water’; San Giorgio, Venice. Watercolour. Signed and dated, 1983. 6.75x10.5 inches. Framed: 15x19 inches. 
ARMOUR-CHELU Ian (1928-2000) Suffolk landscape. Watercolour. Signed and dated, 1979. 8.5x11.5 inches. 
ARMOUR Mary R.S.A. (1902-2000) 'Sailors Ashore'.
One of a series painted either for theatrical
productions or to decorate the mess of
HMS Cochrane (founded 1938) at Rosyth.
Oil on card. Signed
33x46 inches. Framed 37x50 inches. 
ARMSTRONG-JONES Sarah (b.1964) ‘South India Coast, I’. Pastel and gouache on paper. Exhibited: Redfern Gallery. (to Allan Bates, 1999) 40x53 inches. Framed: 45.25x59 inches. 
ARNALD George A.R.A. (1763-1841) CLICK HERE TO VIEW 
ARNASON Barbara MORRAY-WILLIAMS (1911-1975) ‘Drop in the Pool’. Wood engraving. Signed, editioned 1/50 and dated, 1937. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 4.5x4.5 inches. 
ARNASON Barbara MORAY-WILLIAMS (1911-1975) ‘The Net’. Wood engraving. Signed, editioned 9/75 and dated, 1934. Exhibited: Redfern Gallery, 1935. Ex. Collection: Sir John Stirling-Maxwell (1866-1956). 4x3 inches. 
ARNASON Barbara MORAY-WILLIAMS (1911-1975) ‘Glow worms’. Wood engraving. Signed, editioned 24/50 and dated 1934. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 5.75x4.5 inches. 
ARNOLD-FOSTER W.E. (Exh.1908-1935) In the Alps. Pastels. Signed and dated 1927. Exhibited: Goupil Gallery. 13.5x22.5 inches. Framed: 32.75x23.75 inches. 
ARNESBY BROWN Sir John R.A. (1866-1955) Stiffkey: view from the South West over the Church and Old Hall towards Blakeney Point.
Oil on card. Inscribed verso ‘Mrs W E Horne (?Home)’.
10.5x13.5 inches. 
ART DECO subject. ‘Dany’. ‘Parfois ma fenetre est fleurie (Girls)’. Pencil, watercolour and silver paint. Musical Revue costume design. Circa 1935. Signed and inscribed. 17x10.5 inches. 
ARTZYBASHEFF Boris (American b.1912) ‘The Last Trumpet’. Wood engraving. Signed. Edition of 200. 1937. 11x8 inches. 
ASHBURNHAM George Percy (c.1815-1886) Interior of a Northern French Cathedral. Ink and watercolour. Signed. 17x13 inches. 
ASHER Florence May (1888-1977) ‘Tulips’. Oil on canvas. Signed. 24x20 inches. Framed: 28x24 inches. 
ASHLEY George Aumand (U.S.A. 1898-1989) ‘Aucassin and Nicolette’, design for a dining-room mural in a Norman Manor House, Llewellyn Park, New York.
Pencil and watercolour. Signed. Lit and ill. p.31 ‘Charm Magazine’, March 1930.
7x4.75 inches. 
ASHLEY George Aumand (U.S.A. 1898-1989)
‘Aucassin and Nicolette’, design for a dining-room mural in a Norman Manor House, Llewellyn Park, New York.
Pencil and watercolour. Signed. Lit and ill. p.31 ‘Charm Magazine’, March 1930.
7x4.75 inches. 
ASHLEY George Aumand (U.S.A. 1898-1989)
Reflected bedroom interior.
Watercolour. Circa 1920. Signed. Provenance: a folder of the artist / designer’s work.
8.5x6 inches.
£225 
ASSELIN Maurice (1882-1947) ‘Enid Bagnold / Age c.25’. Oil on canvas. Signed and dated, 1915. Inscribed verso. Both Bagnold (1889-1981) and Asselin worked in and shared Sickert’s Red Lion Square Studio in 1915. 18x14 inches. Framed: 24.5x20.5 inches. 
ASTON Charles Reginald (1832-1908) Krakatoa sky. Pastel. Circa 1885. Provenance: a group of the artist’s studies of skies following the eruption of Krakatoa in 1883. 10x19 inches. Framed: 18x26.5 inches. 
ASTON Charles Reginald (1832-1908) ‘Cliffs at Babbacombe’, Devon.
Ink and watercolour. Signed. Inscribed verso.
17.75x11.5 inches. 
ASTON Charles Reginald R.I. (1832-1908) ‘St Sennen, Winter 1880’, Cornwall. Watercolour. Provenance: Abbott and Holder. 4x9 inches. 
ATKIN Gabriel (1897-1937) ‘Sir Squire Bancroft reminisces to Siegfried Sassoon, Mr Frank Schuster, and an artist.’. Pen and ink. Signed, inscribed, dated 1925. 9.5x13. Framed: 18x21. 
ATKINS Samuel (1787-1808) Cutters in a stiff breeze. Ink and watercolour. Signed. 6x7 inches oval. 
ATKINS Samuel (1760-1810)
‘A Man of War in Distress’.
Ink and watercolour on original backing. Signed. Inscribed in pencil on reverse of backing.
14x19 inches. 
ATKINS Samuel (fl.1787-1808) A frigate at anchor.
Ink and watercolour. Signed.
4.5x6.5 inches. 
ATKINSON John Augustus O.W.S. (c.1775-c.1833) Don Quixote and Sancho Panza having a ferocious argument. Pen, brush and sepia washes. Signed. 7.5x9.25 inches. Framed: 15.5x16.5 inches. 
ATKINSON Anthony (1929-2014) ‘Vines at Rasteam, Provence’. Oil on canvas. Signed. 14x18 inches. 
ATKINSON Eric Newton (b.1928) ‘Joanna’. Oil on board. Label verso ‘Rome Scholarship painting 1953’. Ex. Collection: Hertfordshire County Council Art Collection. 16x14.25 inches. Framed: 18.75x17.25 inches. 
ATKINSON John Augustus O.W.S. (1775-1830) A 17th Century battle scene. Ink and watercolour. 11.5x19.5 inches. 
ATKINSON John Augustus O.W.S. (1775-c.1833) Considering a letter. Ink and watercolour. Signed. 7.5x6 inches. 
ATWOOD Cla(i)re N.E.A.C. (1866-1962) Paris; the Luxembourg Gardens at dusk. Oil on panel. Signed and dated, 1907. Exhibited: Carfax Gallery. 9x10.5 inches. Original Frame: 14x15.5 inches. 
AUDSLEY Mary (b.1919) Head of a girl, with flowers. Red chalk study for a majolica panel. Signed. Exhibited: ‘Mary Audsley’, Sally Hunter Gallery, 1990. 12x12 inches. Framed: 19.5x20.5 inches. 
AUDSLEY Mary (1919-2008)
Seated Girl.
Pastel. Signed and dated, 1982. Exhibited: no.8. ‘Mary Audsley’, Sally Hunter Fine Art, May, 1990.
10x7.25 inches. ramed: 17.5x15 inches. 
AUMONIER James R.I. (1832-1911) Sketch for ‘River Piave, R.A.1892’. Oil on panel. Lightly squared. Inscribed by the artist. Aumonier label verso. 14x24 inches. Framed: 21x30 inches. 
AUMONIER James R.I. (1832-1911) The South Downs. Oil on canvas. Signed. 14x20 inches. Framed: 20x26.5 inches. 
AUSTIN William Frederick (1833-1899) Norwich from Ketts Hill. Watercolour and pencil. Signed. 16x32 inches. Framed: 20x36 inches. 
AUSTEN John (1886-1948) ‘The Old Plough’. Wood engraving. Signed, inscribed and editioned, 5/50. Ex. Collection: Sir John Stirling-Maxwell of Pollok (1866-1956). 9.5x12 inches. 
AUSTEN John (1886-1948) ‘The Rustic Lover’. Wood engraving. Signed, inscribed, editioned, 72/130, and dated 1930. 4.5x4.5 inches. 
AUSTEN John (1886-1948) Study for an Art Deco illustration. Pencil. Provenance: One of a Group by Austen with A and H in 1981. 14.5x10 inches. 
AUSTIN Samuel O.W.S. (1796-1834) Children on a river’s bank. Watercolour. Circa 1820. Exhibited: Agnews. 
AUSTIN Robert Sargent R.E. R.W.S. R.A. (1885-1973) CLICK HERE TO VIEW WORKS 
AUSTIN William Frederick (1833-1899) The Red Mount Chapel in The Walks, Kings Lynn. Ink, watercolour and gouache. Signed and dated, 1876. 9.5x15.25 inches. £875. 
AUSTIN William Frederick (1833-1899) Norfolk: The Hermitage, Bishopsgate, Norwich. Ink, watercolour and gouache. Signed and dated, 1873. 12.5x22.5 inches. 
AYRTON Michael (1921-1975) CLICK HERE