ANON (Eighteenth-Century)‘Black Monday or The Departure for School’.Pencil. Circa 1800. From the 1790 engraving by John Jones after Wiliam Redmore Bigg R.A. (1755-1828).13.5×19.5 inches.Framed: 21.25×26.5 inches.
£1,500
ANON (Eighteenth-Century)A Medical Man; probably a Surgeon training to be a Physician.Oil on canvas. 1770s/early 1780s. It has been suggested the sitter is French and studying at Leiden. The print on the table is by Bartolomeo Eustachi (d.1574). The Book is titled ‘Histerus’ (or Uterus).35.5×28 inches.Framed: 39×32 inches.
£7,500
ANON (Eighteenth-Century)Study of a tree.Pencil. c.1790.9.5×7.5 inches.Framed: 16.25×13.5 inches.Sold
Bell, Vanessa (1879 – 1961)Naiad.Pen, ink and watercolour. Estate stamp verso. Provenance: by descent in the family of Eleanor Fortescue-Brickdale, although it is not known whether the drawing belonged to Eleanor F-B herself …8.5×6.25 inches.Framed: 15.75×13 inches.Sold
Crotch, Dr William (1775 – 1847)Windsor / Eton; ‘Black Prince’s Tower and Wychville Tower from the Playing Field Eton. Aug 1st 1832. Noon. A Wych Elm & an Aspen, whose leaves sounded pleasantly like the sea’.Pencil and watercolour. 1832. Inscribed and dated verso. Further inscribed and dated to the original mount.5.5×7 inches.Framed: 13.5×16.5 inches.Sold
Devis, Anthony (1729 – 1816)Surrey; landscape near Albury, with a carriage driving along a country lanePen, ink and monochrome wash. c.1800.5.25×8 inches.Sold
Dodd R.A., Francis (1874 – 1949)Admiral Sir Henry Harvey Bruce K.C.B. M.V.O. (1862-1948)Commodore of Rosyth Dockyard, 1915. Drypoint. 1919. Signed.8.75×6.75 inches.Sold
Gabain, Ethel (1883 – 1950)WWII; ‘Lathe’ (HW339).Lithograph. 1945. From the ‘Williams & Williams Reliance Works’ Set.25×26.75 inches.Sold
Gaunt, William (1900 – 1980)Oxford; Worcester College, where Gaunt studied 1919-22.Pen, ink and watercolour. Signed and dated, 1919.9×11 inches.Sold
Greenham R.O.I., Peter (1906 – 1976)Life drawing.Charcoal. 1960/62. Provenance: John Sergeant (1937-2010). The drawing from a folder inscribed by Sergeant, ‘ … by Peter Greenam / drawn for me at / Royal Academy Schools 1960/61’.14×5.5 inches.Sold
Hardie R.E., Martin (1875 – 1952)Scotland; ‘Salmon Fishing, Port Ling’ (MH77).Etching and drypoint. Drawn on the plate in 1915. Bitten and completed 1920. Edition of 70. Signed.6.5×9.25 inches.Sold
Howis Senior, William (1804 – 1882)An Irish River.Pencil and sepia wash. A version of the watercolour in the National Gallery of Ireland.11×14.5 inches.Framed: 15×18.5 inches.Sold
Kramer, Jacob (1892 – 1962)Portrait of a Woman. Verso: Portrait of a woman in profile.Chalks.24.5×18.25 inches.Framed: 31.5×25 inches.
£850
Lancaster O.B.E., Sir Osbert (1908 – 1986)Costume design for Rossini’s ‘La Pietrade Paragone’ (Glyndebourne, 1964).Watercolour and gouache. Signed. Exhibited: Wright Hepburn Gallery.11.25×8.5 inches.Framed: 16×13 inches.Sold
Mann, Alexander (1853 – 1908)The Young Reader.Oil on card. Signed and dated, 1881.8.75×5.25 inches.Framed: 12.75×9.25 inches.Sold
Miller, Hilary (1919 – 1993)Oxford; The Morris Steelworks.Oil on canvas. c.1950.27×35 inches.Framed: 32×40 inches.Sold
Morland, George (1763 – 1804)Going to Market.Pencil. c.1790. Signed. Ex. Collection: Arnold Fellows.12.5×16.5 inches.Sold
Munn, Paul Sandby (1773 – 1845)A Welsh or Lakeland Tree … and Donkeys.Pencil and monochrome wash. Signed and dated, 1808.11×8 inches.Framed: 17.25×13.5 inches.Sold
Nasmyth, Patrick (1787 – 1831)‘View from the Duke’s Head […]’.Watercolour and gouache. Signed. Another watercolour in the same manner, and of the same location is in the Tate (T09129), the name of the town or village illegible on that sheet too!4.25×6.25 inches.Sold
Payne, William (1760 – 1830)Shipping studies.Pencil and Payne’s Grey. Ex. Collection: Arnold Fellows.2.75×5.75 inches.Sold
Piper C.H., John (1903 – 1992)Lincolnshire; ‘Harlaxton Hall’ (L.372).Screenprint. 1984. Signed and editioned 89/90.20.5×30 inches.Framed: 32.5×41 inches.Sold
Porter, Sir Robert Ker (1777 – 1842)‘The Soldier Tired of War Alarms’ (Arne, ‘Artaxerxes’, 1762)Pencil and watercolour. Signed. Inscribed to the wash line mount in a later hand.7.5×5.5 inches.
£675
Pryde, James Ferrier (1866 – 1941)Woman and Shadows.Brush, Indian ink and gouache. c.1912. Provenance: John Russell-Taylor.11×7.5 inches.Framed: 19×15 inches.
£1,750
Reynolds R.I., Frank (1876 – 1953)‘Heavens, I look a perfect fright in this hat!’ … ‘Modom exagerates’.Pen and ink. Signed. For ‘Punch’ circa 1930.9×6 inches.Framed: 15×11.25 inches.Sold
Rowlandson, Thomas (1756 – 1827)London; Smithfields Market.Pencil, pen, ink and watercolour. c.1800.6×9.25 inches.Framed: 12×15 inches.
Sandby R.A., Paul (1731 – 1809)A Cart Accident.Pen, ink and watercolour. Provenance: William Sandby’s sale, Christies, May 26th 1959, lot 56. Exhibited: Nottingham Castle, No.182.8.5×10.5 inches.Sold
Sherriff (Eighteenth Century), JamesShropshire; ‘A View of Kinlet the seat of William Childe Esqr. in the County of Salop’.Pen, ink and monochrome wash. Signed and dated, 1774. Inscribed. Exhibited: Martyn Gregory, April, 1988, No.105.10.25×19 inches.Framed: 20×28.5 inches.Sold
Vaughan, Keith (1912 – 1977)A 'Grafitti' (sic) drawing.Pencil. Dated 'July 12/73'. Studio stamped. Exhibited: A and H, 2009.11.5"x9.5" inches.
Ward R.A., James (1769 – 1859)A (cockling?) family sitting on a dune.Pencil and watercolour, c.1820. Signed and dated, August 13. Provenance: Iolo Williams.5.5×9 inches.Sold
EXHIBITION OF
BRITISH WORKS ON PAPER
26th January – 3rd February 24 East 64th Street, New York and 15th February – 9th March 30 Museum Street, London
Our Lists introduce 100 works to our large stock of oil paintings, watercolours, drawings and prints each month.
They are usually published in two halves, in the first and third weeks of the month. We treat email enquiries about List pictures in strict order of receipt. Please call if you would prefer to talk to us about anything you see on the website, but we strongly advise sending an email first; we are happy to hold works for a short time while they are being considered, or to give time to make a vist.
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