ABBOTT and HOLDER https://validator.w3.org/feed/docs/rss2.html Home Williams, Evelyn (1929 – 2012) – ‘Someone’s Sister’. JEAN JONES – Paintings from the Artist’s Estate Jones, Jean (1927 – 2012) – London; ‘The Palace of Westminster from Lambeth Pier’. Jones, Jean (1927 – 2012) – Dartmoor; ‘Ringmoor: The Stone Circle’. Jones, Jean (1927 – 2012) – Dartmoor; ‘From Ringmoor: The Stone Circle’. Jones, Jean (1927 – 2012) – London; Primrose Hill, Spring. Jones, Jean (1927 – 2012) – London; Primrose Hill, Summer. Jones, Jean (1927 – 2012) – London, ‘Primrose Hill, Autumn’. Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.1); Self-portrait of the artist in his studio. Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (Frontispiece, 1944). Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.17); ‘In the Dark’. The artist lies awake to the reality of both worlds. Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.8); Everyman’s house is his hortus conclusus. Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.2); The artist is an all-seeing eye. Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.15); The ruinous house of death filled with black emptiness. Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.6); On every plane of existence life springs into being. Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.3); The moon is my eye, smiling only at night. Trevelyan R.A., Julian (1910 – 1988) – ‘In the Dark’ (Frontispiece, 1974). Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (Frontispiece, 1974). Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.14); In Arcadia fear in a handful of dust. Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.13); In the cold north the purity of everlasting snow. The mountain is a temple sanctuary. Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.4); When he puts out the light. Trevelyan R.A., Julian (1910 – 1988) – ‘A Place and a State’ (No.5); The eye wants to know what the world is made of. Lamb R.A., Henry (1883 – 1960) – Study for ‘The Behrend Family’ (Brighton & Hove Museums). Berman, Eugene (1899 – 1972) – ‘Roma: Cortile notturno’. Allinson N.E.A.C., Adrian (1890 – 1959) – London; ‘Almonds and Ashes’, St John’s Wood. Nicholson, Ben (1894 – 1982) – Italy; Tuscany, ‘Monte Oliveto’. Collins, Cecil (1908 – 1989) – A Landscape in Paradise. Collins, Cecil (1908 – 1989) – Tabletop Still Life. Minton, John (1917 – 1957) – Corsica; Monastery, Corbara. Boyd Harte, Glynn (1948 – 2003) – Italy; Venice, ‘Balcon with Ca’ Doro’. Nolan O.M. A.C., Sir Sidney (1917 – 1992) – Shakespeare Sonnet No.127; ‘Fairing the foul with art’s false borrowed face’. Banting, John (1902 – 1972) – Organic Forms. Milligan, Spike (1918 – 2002) – The Dancer. Armfield, Stuart (1916 – 1999) – Cornwall; The ‘Venu’s fishing boat, Looe. Gierth, Patrick Waldemar (1910 – 1994) – London; Blackheath, ‘Saturday Afternoon’. The view from the artist’s house in Eliot Place. Camp R.A., Jeffery (1923 – 2020) – ‘Beachy Head, Black Backed Gull Flying’. Clough, Prunella (1919 – 1999) – Studies for ‘Fishermen Hauling Nets’. Petherbridge C.B.E., Deanna (1939 – 2024) – ‘City of Sand IV’. Gore, Spencer Frederick (1878 – 1914) – London; The Alhambra Music Hall. Hawthorne, Elwin (1905 – 1954) – London; Kensington Palace. A design for London Transport Advertising. Collins, Cecil (1908 – 1989) – ‘The Voyage of Ulysses’. LIST 571 – SEPTEMBER 2026 (Part II) Wynter, Bryan (1915 – 1975) – ‘Rocks’; a Neo-Romantic Landscape. Wynter, Bryan (1915 – 1975) – ‘Houses and Pile Rock Waste’. Philpot R.A., Glyn (1884 – 1937) – Jamaican Man Walking; Henry Thomas. Palmer, Samuel (1805 – 1881) – ‘The Weary Ploughman’ or ‘The Herdsman’ (L.8). Palmer, Samuel (1805 – 1881) – ‘The Lonely Tower’ (L.12); an illustration to Milton’s ‘Il Penseroso’. Palmer, Samuel (1805 – 1881) – ‘The Homeward Star’ (L.14); an illustration to Virgil’s Eclogue I. Palmer, Samuel (1805 – 1881) – ‘Christmas’ or ‘Folding the Last Sheep’ (L.4).