‘A Ramble round St Albans’

Eric Fraser (1902-1984) ‘A Ramble round St Albans – compiled and illustrated by Eric G Fraser’. Ms.s with illustrated pages, two tipped-in watercolours and five tipped-in pen and ink drawings. 10.5×8.25 inches. £575.

NOTE: Illustrated below are a selection of pages from the Mss.
Please contact us if you would like to come and view the book.

  • Marx, Enid (1902 – 1998)     Z – Zebra. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     Y – Yaffle. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £225
  • Marx, Enid (1902 – 1998)     X – Xenopus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £175
  • Marx, Enid (1902 – 1998)     W – Walrus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     V – Vicunas. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £250
  • Marx, Enid (1902 – 1998)     U – Unau. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     T – Turtle. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
    ◐
  • Marx, Enid (1902 – 1998)     S – Swan. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
  • Marx, Enid (1902 – 1998)     R – Rhino. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     Q – Quail. Linocut. Editioned ‘3/6’ [the 3 scored through]. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     Z – Zebra. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     Y – Yaffle. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £225
  • Marx, Enid (1902 – 1998)     X – Xenopus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £175
  • Marx, Enid (1902 – 1998)     W – Walrus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     V – Vicunas. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £250
  • Marx, Enid (1902 – 1998)     U – Unau. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     T – Turtle. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
    ◐
  • Marx, Enid (1902 – 1998)     S – Swan. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
  • Marx, Enid (1902 – 1998)     R – Rhino. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     Q – Quail. Linocut. Editioned ‘3/6’ [the 3 scored through]. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     P – Porcupine. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     O – Owl. Linocut. Editioned ‘6/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     N – Newt. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     M – Monkey. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £300
  • Marx, Enid (1902 – 1998)     L – Lion. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £275
  • Marx, Enid (1902 – 1998)     K – Kangaroo. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £275
  • Marx, Enid (1902 – 1998)     J – Jaguar. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     I – Ibex. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     H – Horse. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £300
  • Marx, Enid (1902 – 1998)     G – Goat. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £275
  • Marx, Enid (1902 – 1998)     F – Fish. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     E – Elephant. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
  • Marx, Enid (1902 – 1998)     D – Dog. Linocut. 1977. Signed and dated. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £350
  • Marx, Enid (1902 – 1998)     C – Cockerel. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £250
  • Marx, Enid (1902 – 1998)     B – Bear. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £300
  • Marx, Enid (1902 – 1998)     A – Aardvark. Linocut. Editioned ‘5/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Wilkie R.A., Sir David (1785 – 1841)     ‘The Sedan Chair’ (CD.8). Etching. c.1815-1819. 5×3.5 inches.
    Sold
  • Whistler, James Abbott McNeill (1834 – 1903)     London; Wapping, ‘Black Lion Wharf’. Etching. 1859. Fourth state. As published in ‘A Series of Sixteen Etchings of Scenes on the Thames’ (AKA the ‘Thames Set’) by Ellis & Green in 1871. This print appears on the wall in ‘Arrangement in Grey and Black No. 1’, Whistler’s famous portrait of his mother. 6×9 inches. Framed: 19×21.5 inches.
    Sold
  • Verpilleux, Emile Antoine (1888 – 1964)     ‘The Last Furrow’. Woodcut. 1924. Signed. 14×18 inches. Framed: 22.5×26 inches.
    £750
  • Strang R.E., Ian (1886 – 1952)     France; Paris, ‘Place du Pont-Neuf’. Etching. c.1925. Signed. 8×11 inches.
    Sold
  • Smith, John Raphael (1752 – 1812)     ‘Miss Chambers’. Mezzotint. 1777. ‘Painted & Engraved by J. R. Smith / Pubd 8 July 1777 by W. Humphrey, Gerrard Street Soho, & J. R. Smith No 10 Batemans Buildings Soho Square’. 10.5×8 inches. Framed: 12.5×10 inches.
    £500
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)     ‘Kitty K’., Red Lion Square’, playing the piano (B.164). Etching and engraving. c.1915 (completed 1922/23). State II of II. Signed in the plate. 7×5 inches. Framed: 14×12 inches.
    £500
  • Shackleton N.E.A.C., William (1872 – 1933)     Yorkshire; ‘Beamsley’. Etching. 1896. Signed. 5×7 inches.
    £125
  • Stoutshanks (fl.1828-29), S     A Pluralist; ‘A Tithe Pig Swallow’d without Grace’. Pen and ink. 1828. Signed and dated, ‘S Stoutshanks / Invent et Fecit / AD 1828’.. Drawing for the satirical print published by S. Gans in 1830 (see impression in the Lewis Walpole Library). It is possible ‘Stoutshanks’ was the illustrator Robert Seymour (1798-1836), who published prints under the name ‘Shortshanks’ for a while, until Cruikshank objected! 9.5×13.25 inches.
    £975
  • Rowlandson, Thomas (1756 – 1827)     PAIR: ‘St Giles’s Courtship’ / ‘St James’s Courtship’. Hand-coloured etching and aquatint. 1799. The print made by Rowlandson, as well as the designs. Published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection. 13×10.75 inches.
    £2,250
  • Rowlandson, Thomas (1756 – 1827)     GROUP: A rare complete set of Rowlandson’s 8 ‘Cries of London’. Hand-coloured etching and aquatint. 1799. The prints by Henri Merke (fl.1798-1814) and published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection. 13×10 inches.
    £4,500
  • Rowlandson, Thomas (1756 – 1827)     PAIR: ‘An Italian Family’ and ‘A French Family’. Hand-coloured etching and aquatint. 1785 and 1786. The prints made and published by Samuel Alken (1756-1815) after Rowlandson’s Royla Acdemy exhibition watercolours of 1784. Provenance: Andew Farryon Collection. 13.5×18 inches.
    £2,500
  • Roussel, Theodore Casimir (1847 – 1926)     London; Parson’s Green,’The Snow, My Front Garden, March 2nd, 1909′ (H.85). Softrground etching and aquatint. 1909. Signed. 9×7 inches.
    Sold
  • Richmond R.A., George (1809 – 1896)     ‘The Agony in the Garden’. Oil on panel. 1875. After the c.1504 predella panel by Raphael (MET 32.130.1), then in the collection of Angela Burdett-Coutts, 1st Baroness Burdett-Coutts (1814-1906) and presumably copied while on loan to the Royal Academy ‘Winter Exhibition’ 1875/1876. Provenance: gift of the artist in 1882 to Dr. John Ogle (1824-1905); Bonham’s, Chester, 5th March 2013, Lot 395; Private collection; Chiswick Auctions 24th April 2025, Lot 5; from where aquired by the previous owner. 9.5×11 inches. Framed: 14×15.5 inches.
    £6,500
  • Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792)     ‘The Misses Crewe’ (Mannings 450). Mezzotint. 1768. Made by John Dixon (1740 – c.1811). A beautiful, scratch lettered proof impression before publication. Exhibited: Agnews. 18.25×14 inches. Framed: 29×23 inches.
    £875
  • Poole R.E., Monica (1921 – 2003)     ‘Summer’. Wood-engraving. 1987. Signed and edition 7/100. 7.25×4.75 inches. Framed: 15.25×1225 inches.
    £750
  • Poole R.E., Monica (1921 – 2003)     ‘Gully’. Wood-engraving. Signed, titled and editioned ‘117/150’. Exhibited: Bank Street Gallery. 10×6.25 inches. Framed: 18×13 inches.
    £1,750
  • Pellew, Claughton (1890 – 1966)     Holland; ‘Amsterdam’. Wood-engraving. 1927. Signed, titled, dated and editioned 19/30. 4.5×5 inches.
    Sold
  • Moira, Gerald (1867 – 1959)     Barrel Makers. Gouache. Signed and dated, 1941. Inscribed verso. 15×21 inches.
    £125
  • Meryon, Charles (1821 – 1868)     France; Paris, ‘La Pompe Notre Dame’. Etching. 1852. 7×10 inches.
    Sold
  • McMinn (fl.1890-1920), F. A.     Kent; ‘Whitstable Oyster Boats returning from the fishing grounds. The Anna underweigh’. Pencil. c.1895. Inscribed verso. Provenance: a sketchbook of drawings, signed in the front. 7×10 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     Self Portrait. pencil. Signed and dated, 1939. Provenance: the Artist’s Estate. 19×14 inches. Framed: 29×24 inches.
    £1,500
  • Marks, Gerald (1921 – 2018)     Chain and Gears II. Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate. 14×10 inches. Framed: 22.5×17.5 inches.
    £475
  • Marks, Gerald (1921 – 2018)     Chain and Gears I. Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate. 14×10 inches. Framed: 22.5×17.5 inches.
    £475
  • John O.M. R.A., Augustus (1878 – 1961)     ‘The Hawkers Van’ (CD.125). Etching. Etched at Matching Green, Essex 1904/5. Signed. Edition of 25. Exhibited: Goldmark Gallery. 6.5×8 inches. Framed: 16×17 inches.
    £1,750
  • Howitt, Samuel (1756 – 1822)     Isle of Wight; Carisbrooke Castle. Watercolour. Signed and dated, 1791. Provenance: Col. F W G Gore (1906/7); Sir herbert Merrett (1937); […] Private Colletion. Exhibited: Heather Newman. 8.5×12 inches. Framed: 17×20 inches.
    £1,250
  • Holloway, Edgar (1914 – 2008)     ‘The Etcher No.18 (The Etcher II)’ (M.239); a self-portrait of the artist at work. Etching. From the 1979 reworking of the 1932 plate. Signed and dedicated. 5.25×5 inches.
    Sold
  • Hockney O.M. C.H. R.A., David (born 1937)     ‘Beautiful and White Flowers’. Etching and aquatint. 1966. From the ‘Illustrations for Fourteen Poems from C.P. Cavafy’ suite. Edition of 500. Exhibited: Goldmark Gallery. 13.5×9 inches. Framed: 24.5×19 inches.
    £1,500
  • Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)     ‘Laneham’ (C.30). Etching. 1923. Signed. 5×4.5 inches. Framed: 13×12.25 inches.
    £675
  • Fulleylove, John (1845 – 1908)     Italy; the Piazza at Asolo. Pencil and watercolour. 27th June 1891. Signed, inscribed and dated. Exhibited: Agnews. 7×10 inches. Framed: 14.5×17.5 inches.
    £750
  • Foster R.W.S., Miles Birket (1825 – 1899)     Venice; the Doge’s Palace and Piazzetta San Marco. Pencil and watercolour. Signed with monogram. 4.5×6 inches.
    Sold
  • Feild, Maurice (1905 – 1988)     W. H. Auden (1907-1973). Lithograph. 1982. Signed. Based on a portrait of c.1935 9×6 inches.
    £275
  • Downman, Isabella Chloe (born 1787)     The artist and ‘a very gallant Beau’ winding yarn at the Hotel at Thorp-Arch, Yorkshire. Pencil and watercolour, by the daughter of John Downman A.R.A. (1749-1824). c.1810. Signed. Extensively inscribed … ‘During my residence at the Hotel at Thorp-Arch, I had a very gallant Beau, who used to employ himself in various acts of attention, one day he sat with all patience and held a quantity of yarn for me to wind, and as our general appearance was thought particularly interesting, I have represented the scene in Drawing’. Literature: Ralph Edwards, ‘Portraits by Downman of his Realtions’, Apollo, Vol. XVIII, No.105, Sept. 1933, (Ill. p.180). Provenance: Christies, 12th April 1920, Lot.17; to Pawsey and Payne; […] Mrs Hubert Cordes; […] Sotheby’s, 24th September 1997; to A and H; Private Collection. 7.5×9 inches. Framed: 21×20 inches.
    £2,750
  • Crotch, Dr William (1775 – 1847)     Lincolnshire; St Botolph’s, Boston. Watercolour and graphite. 1806. Inscribed and initialled under the mount, ‘Boston Linc. from Ed Lack MGS / WC / 300 feet high’ and verso, ‘Tower or near it _ WC Sept 30 1806 3pm’. 3.25×5.75 inches. Framed: 11×13 inches.
    Sold
  • Cliffe, Henry (1919 – 1983)     Designs for abstract painting. Pencil. Late 1950s / early 1960s. Provenance: a large group of drawings by Cliffe, all from the 1950s and 1960s. 7.5×11 inches.
    £175
    ◐
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Hayrick and sunlight. Watercolour. Signed. 9.25×6.25 inches. Framed: 17×13.5 inches.
    £2,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Barn Interior. Study related to Clausen’s oil painting ‘The Barn at Deers Farm’ (Exh. R.A. 1911). Charcoal. c.1911. Signed. 14×10.5 inches. Framed: 22×18 inches.
    £1,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Sky Study. Watercolour. Signed. 10.5×15 inches. Framed: 18.5×22.5 inches.
    £2,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Barn Interior. Charcoal, watercolour and gouache. Signed. 10.5×12 inches. Framed: 18.5×19.5 inches.
    £2,750
  • Clarke Hall, Edna (1879 – 1979)     ‘Catherine and Heathcliffe sitting in a field’. Etching. 1920s. Signed. 10.25×8.25 inches.
    £675
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Sound of Mull’. Pencil, pen, ink and watercolour. Signed and inscribed. Extensively inscribed under the mount. 6×10.5 inches.
    Sold
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Loch Lomond’. Pencil, pen, ink and watercolour. Signed and inscribed. 7×9.5 inches.
    £375
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Melfort’. Pencil, pen, ink and watercolour. Signed and inscribed. 7×10 inches.
    £375
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Sound of Mull’. Pencil, pen, ink and watercolour. Signed and extensively inscribed. 7×10 inches.
    £750
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Black Mount’. Pencil, pen, ink and watercolour. Signed. 6×10.5 inches.
    Sold
  • Calvert, Charles (1785 – 1852)     ‘The Bride’ (L.8c). Engraving. 1828. Third state. Printed for the ‘Memoir’, 1893. Edition of 350. 4.5×6.5 inches. Framed: 15×16 inches.
    £3,000
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)     ‘Noemie’ (F.57). Etching. 1926. Signed. Provenance: the Estate of Kathleen Brockhurst, the artist’s wife. 7×4.25 inches.
    £475
  • Brett A.R.A., John (1831 – 1902)     Italy; Florence, ‘Nannie Mulock’. Pencil. Inscribed and dated ‘Palazzo Frescobaldi Feb 1863’. Further inscribed ‘Nannie Mulock’. Exhibited: J S Maas & Son (W11292). 9.5×6.75 inches. Framed: 16.75×13.5 inches.
    £1,500
  • Badmin R.W.S. R.E., Stanley Roy (1906 – 1989)     Still life with Clivia, Hyacinth and Geranium. Pen, ink, watercolour and pastel. Signed. Provenance: The Artist’s family, by descent. 16.5×10.5 inches. Framed: 28×22 inches.
    £975
  • Austin, Frederick George (1902 – 1990)     The Flight into Egypt. Etching. 1927. Signed and dated. The composition that won Austin the Prix de Rome. 7×8 inches.
    £750
  • Austin R.A. R.E., Robert Sargent (1895 – 1973)     ‘Mid-day Rest’. Engraving. 1932. Signed and dated. 6×7.5 inches. Framed: 13.5×14 inches.
    Sold
  • Austin R.A. R.E., Robert Sargent (1895 – 1973)     ‘Before Mass’ (CD64). Engraving. 1926. Signed and dated. Edition of 60. 5×4.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     Study for ‘Sleeping Couple’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 23.25×32.75 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     ‘Fay Weldon’s Bedroom 1’. Charcoal. Signed and dated, 1978. Provenance: The Evelyn Williams Trust. 37.75×29 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Running by the Sea’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches.
    £2,800
  • Williams, Evelyn (1929 – 2012)     ‘Woman in Bed’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Night Thoughts’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     Study for ‘Sleeping Couple’. Charcoal. Signed and dated, 1975. Provenance: Artist’s Estate. 53.5×31 inches. Framed: 47.5×32.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Emma by the Sea 2’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 27×31 inches.
    £2,000
  • Williams, Evelyn (1929 – 2012)     ‘Head in Hands Looking Up’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 31×27 inches.
    £2,000
  • Williams, Evelyn (1929 – 2012)     ‘Girl with Expectations 1’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 21.5×10.25 inches.
    £1,200
  • Williams, Evelyn (1929 – 2012)     Studies for ‘Man and Woman’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 22.5×11 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Introspective Nude 1’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 27×30.25 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     Idea for ‘A Woman’s Life’. Charcoal. 1976. Provenance: The Evelyn Williams Trust. 20.5×29 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     ‘Someone’s Sister’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 56.75×53.5 inches.
    £2,200
  • Gabain, Ethel (1883 – 1950)     Sul Balcone (W287). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 11.75×9 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     ‘Il M’aime un Peu’ (W157). Lithograph. 1914. Edition of 24. Signed. Provenance: Artist’s Estate. 13.75×10.5 inches.
    £775
  • Gabain, Ethel (1883 – 1950)     ‘An Italian Terrace’ (W285). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 9×10 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     La Contadina (W283). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 16×11.25 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Le Bébé Pierrot’ (W196). Lithograph. 1918. Edition of 24. Signed. Provenance: Artist’s Estate. 13.5×9.25 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Terrasse ensoileillée’ (W115). Lithograph. 1912. Edition of 20. Signed. Provenance: Artist’s Estate. 9×11.5 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Ligurian Alps’ (W293). Lithograph. 1927. Edition not recorded. Signed. Provenance: Artist’s Estate. 7×13 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘Algiers la Blanche’ (W280). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 8.5×6.5 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘The Farm in the Dip, Wye’ (W217). Lithograph. 1921. Edition of 28. Signed. Provenance: Artist’s Estate. 9.75×14 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     La Porte Close (W206). Lithograph. 1919. Edition of 24. Signed. Provenance: Artist’s Estate. 13.25×6.75 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     Le Roi Soleil (W182). Lithograph. 1916. Edition of 32. Signed. Provenance: Artist’s Estate. 11×13 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘The Sundial Imp’ (W160). Lithograph. 1914. Edition of 24. Signed. Provenance: Artist’s Estate. 11×11 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘L’Ennui (Nude Study)’ (W55). Lithograph. 1908. Edition of 18. Signed. Provenance: Artist’s Estate. 12.5×9.5 inches.
    £475
  • Gabain, Ethel (1883 – 1950)     ‘The Old Aristocrat’ (W275). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 13.5×9.5 inches.
    £375
  • Gabain, Ethel (1883 – 1950)     ‘Mauvais Jours’ (W66). Lithograph. 1908. Edition of 10. Signed. Provenance: Artist’s Estate. 10.25×7 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Ceasars Tower in ye Island Geneva’. Pencil and watercolour. Inscribed and dated, 28th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland ‘Arcade de la Place du Molard. Geneva’. Pencil and watercolour. Inscribed and dated, 10th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×9.25 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from beyond Secheron’. Pencil and watercolour. Inscribed and dated, 28th August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.75 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from the end of the Paquis’. Pencil and watercolour. Inscribed and dated, 30th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne’. Pencil and watercolour. Inscribed and dated, 20th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva’. Pencil and watercolour. Inscribed and dated, 20th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From a vineyard at Besinge near Geneva’. Pencil and watercolour. Inscribed and dated, 25th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×13.5 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Gasenove’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×11 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Village of Pregny’. Pencil and watercolour. Inscribed and dated, 28th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pregny’. Pencil and watercolour. Inscribed and dated, 28th June 1835. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Buet / Mont Blanc / Geneva’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×21.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 26th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.5 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Mill on the Rhone’. Pencil and watercolour. Inscribed and dated, 11th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Inn at Russin. L’Ombre’. Pencil and watercolour. Inscribed and dated, 4th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     ‘Passage of the Rhone at Arvulli’. Pencil and watercolour. Inscribed and dated, 4th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Sledge. Party at Treize Arbres. Grand Saleve’. Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Treize Arbres Grand Saleve.’ Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Ruins of the Chateau de L’Hermitage. Petit Saleve’. Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘De mon lit a Varembé / 4 heures du matin, Mai 1834’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From Md. Julliards field at Varembe / Maison du Seigneux’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Village of Smoheurns near Geneva from M. Duval’s field’. Pencil and watercolour. Inscribed and dated, 6th Oct? 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Duval from Md. Julliards fields’. Pencil and watercolour. Inscribed and dated, 25th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Duval’. Pencil and watercolour. Inscribed and dated, 13th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Tourney & Lake of Geneva’, home of Voltaire during the 1750s. Pencil and watercolour. Inscribed and dated, 13th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Tourney’, Voltaire’s home during the 1750s. Pencil and watercolour. Inscribed and dated, 28th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Fort de L’Ecluse Village de Meirin [Meyrin]’. Pencil and watercolour. Inscribed and dated, 2nd July 1835. Provenance: An album of watercolours by Elizabeth Campbell. 7×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Pasteaur. Grand Saconnex’. Pencil and watercolour. Inscribed and dated, 2nd July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Part of Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 6th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 6th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Supposed site of Calvin’s Grave, Geneva. Burial ground. The two remaining Willows of four planted thereon / Sousterre / Petite St Jean.’ Pencil and watercolour. Inscribed and dated, 10th May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Gervais part of Geneva from Plain Palais’. Pencil and watercolour. Inscribed and dated, 23rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Chateau de Divonne [Divonne-les-Bains]’. Pencil and watercolour. Inscribed and dated, 3rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Church at Divonne [Divonne-les-Bains]’. Pencil and watercolour. Inscribed and dated, 3rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Lake of Geneva. Les Alinges [Allinges]’. Pencil and watercolour. Inscribed and dated, 18th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Les Alinges [Allinges]’. Pencil and watercolour. Inscribed and dated, 18th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘At Allamogne [Allaman]’. Pencil and watercolour. Inscribed and dated, 10th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Castle of Allamogne [Allaman], burnt down’. Pencil and watercolour. Inscribed and dated, 10th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from Md. Julliard’s field Varembe’. Pencil and watercolour. Inscribed and dated, May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne de Md. le Vieux from Md. Julliard’s Field’. Pencil and watercolour. Inscribed and dated, 5th May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Nyon from the window of the Eau de France’. Pencil and watercolour. Inscribed and dated, 18th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 11×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Aubonne’. Pencil and watercolour. Inscribed and dated, 18th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Sarra’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×4.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Waiting for horses at Neuchatel’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×4.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Neuchatel’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.75×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pont of the Bridge of Thiel’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau et Pont de Thiel’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×12 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘School House of Tichal’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Schlossberg near La Neuville’. Pencil and watercolour. Inscribed and dated, 11th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Neuveville’. Pencil and watercolour. Inscribed and dated, 11th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St. Jean on ye Thiel / Landeron / Canton Bern’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St. Jean on the Thiel / Old Convent. Canton Bern’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Jean – Former monastery / Landeron Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 7th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Landeron & Thiel River’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau d’Erlach Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Place of Execution Landeron Canton Bern’. Pencil and watercolour. Inscribed and dated, April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.75×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier & Lac de Bienne with part of the villages of [Feny?]’. Pencil and watercolour. Inscribed and dated, 8th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier & Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 8th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Principal street of Cerlier’. Pencil and watercolour. Inscribed and dated, 15th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier Isle de St Pierre Lac de Bienne from the old road of the Jolimont’. Pencil and watercolour. Inscribed and dated, 10th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cure de Cressier’. Pencil and watercolour. Inscribed and dated, 13th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier from the Tschugg road’. Pencil and watercolour. Inscribed and dated, 20th February 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier from my bedroom window at the Chateau d’Erlach / Part of ye Lac de Bienne & Range of the Swiss Alps / Mt Blanc’. Pencil and watercolour. Inscribed and dated, January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×21 inches.
    £675
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Isle de St Pierre Lac de Bienne – View from Miss Campbell’s Bedroom window at the Chateau de Erlach’. Pencil and watercolour. Inscribed and dated, 28th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from the drawing room window Chateau d’Erlach’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau & old Town of Cerlier / Isle de St Pierre Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 21st July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau d’Erlach. Canton de Berne / Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 27th January/July? 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Part of Cerlier’. Pencil and watercolour. Inscribed and dated, 10th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Old Town of Cerlier […] a Convent’. Pencil and watercolour. Inscribed and dated, 15th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier [Erlach] & its Port’. Pencil and watercolour. Inscribed and dated, 8th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘End of the Old Town of Cerlier [Erlach] once a convert’. Pencil and watercolour. Inscribed and dated, 27th January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Château d’Erlach, Canton de Berne, Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 11th January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View near Petit-Saxony Geneva. Maison Barbazak’. Pencil and watercolour. Inscribed and dated, 26th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×17 inches.
    £675
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pension Bacle Gent’. Pencil and watercolour. Inscribed and dated, September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From above the Campagne de L’Imperatrice’. Pencil and watercolour. Inscribed and dated, 17th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×13.75 inches.
    £575
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Geneva & Salève from below Pregny’. Pencil and watercolour. Inscribed and dated, October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £575
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from the Ferney Road’. Pencil and watercolour. Inscribed and dated, 25th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake Geneva from the fields of Mr Rigaud Fingestin(?) / Dent de (Jaman?) / Voiron’. Pencil and watercolour. Inscribed and dated, 29th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From the drawing room window at Varembé near Geneva’,. Pencil and watercolour. Inscribed and dated, October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From the drawing room window at Varembé near Geneva. Five minutes after our arrival’. Pencil and watercolour. Inscribed and dated, 14th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘The game of chess in the shade. Field front of Campagne Juillard Varembé’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Juillard Varembé near Geneva’. Pencil and watercolour. Inscribed and dated, 24th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Towers of Hermance & Lake of Geneva’. Pencil and watercolour. Inscribed and dated, 23rd September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Up at 4 O’clock! / Waiting for breakfast / Jussy’. Pencil and watercolour. Probably September 1833? Provenance: An album of watercolours by Elizabeth Campbell. 5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Jussy. Great Salève’. Pencil and watercolour. Inscribed and dated, 23rd September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 5×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Belotte’. Pencil and watercolour. Inscribed and dated, 18th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from La Belotte looking North’. Pencil and watercolour. Inscribed and dated, 18th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Island & storm on the Lake of Geneva / from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Island in the Lake of Geneva from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Near the mouth of the Rhone from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Entrance to Villeneuve from Bex’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.5 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland;’ From the In [sic. inn] window at Bex’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×4.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Maurice / from the Carriage’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 9.5×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Martigny. Convent of Forclaz. Tour de la Batia [sic. Bâtiaz]’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.5 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Trient. On the Tête de Moine. Glacier du Trient’. Pencil and watercolour. Inscribed and dated, 29th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Aiguilles de Chamonix from my bedroom window’. Pencil and watercolour. Inscribed and dated, 28th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 10.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Bridge at Bonneville over the Arve’. Pencil and watercolour. Inscribed and dated, 27th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Montier Petit Salève. Hemp drying on stubble’. Pencil and watercolour. Inscribed and dated, 23rd August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From my bedroom window Wolff’s Glen, Pré-l’Eveque Geneva’. Pencil and watercolour. Inscribed and dated, August(?) 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Wolff’s Glen Geneva’. Pencil and watercolour. Inscribed and dated, August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    £375
  • Holloway, Edgar (1914 – 2008)     ‘Warwick Lane’ E.C. Pencil and watercolour. 1943. Signed. 14.25×10.75 inches.
    £2,750
  • Holloway, Edgar (1914 – 2008)     ‘St Augustine and St Paul’s’, blitz’d London. Pencil and watercolour. 1943. Signed.
    £2,000
  • Anderson (Twentieth Century), David     Norfolk; ‘Bintree Tower’. Oil on card. Exhibited: Royal Academy Summer Exhibition, 1991 Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5×3.5 inches. Framed: 5×5 inches.
    Sold
  • Anderson (Twentieth Century), David     North Norfolk Ballooning. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 5.5×5 inches. Framed: 6.5×5.5 inches.
    Sold
  • Anderson (Twentieth Century), David     North Norfolk Landscape. Oil on canvas. c.1980. Signed verso. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5"x5.5" inches.
    £475
  • Anderson (Twentieth Century), David     Norfolk; Sennowe Park. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 6×6.25 inches.
    £475
  • Anderson (Twentieth Century), David     Through the Hedges. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 7×7 inches. Framed: 8×8 inches.
    £675
  • Anderson (Twentieth Century), David     Autumn Forest. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 4.5×3.5 inches. Framed: 9.5×8 inches.
    Sold
  • Goeneutte, Norbert (1854 – 1894)     ‘Somnolence’. Etching. 1888. Signed. 6×9 inches. Framed: 11.5×15 inches.
    £975
  • Camp R.A., Jeffery (1923 – 2020)     Laetitia Yhap in the Bath. Lithograph. Signed. Editioned, ‘III V AP’ and inscribed ‘For Len’ (Leonard McComb R.A. 1913-2018). 13.5×13 inches. Framed: 27.5×25 inches.
    £750
  • Nevinson, Christopher Richard Wynne (1889 – 1946)     ‘The Spirit of Progress’ (PB148). Lithograph. 1933. Used as the front cover of the April 1933 ‘Studio’ Magazine. 11×8 inches.
    £750
  • Hockney O.M. C.H. R.A., David (born 1937)     ‘Portrait of Cavafy in Alexandria I’. From the suite ‘Homage to Greek poet C.P. Cavafy’. Edition of 500. Exhibited: Goldmark Gallery. 13.5×9 inches. Framed: 24.5×19 inches.
    Sold
  • Underwood, Leon (1890 – 1975)     ‘St Sebastian’. Etching. Based on a self-portrait. Signed and dated, 1921. 5.5×4 inches. Framed: 13×9 inches.
    £1,500
  • Rosoman R.A, Leonard (1913 – 2012)     ‘The Chagall Kiss No.2’. Pencil and watercolour. Signed. 13×16.5 inches. Framed: 19.5×23 inches.
    £975
  • Hyatt, Derek (1931 – 2015)     Yorkshire; ‘Bishopdale Day’. Oil on board. c.1955. Exhibited: Art Space Gallery. 8×15.5 inches. Framed: 17.5×24 inches.
    Sold
  • Marchand, Jean Hippolyte (1883 – 1940)     Nocturne. Pen and ink. Verso: figures at a window. Studio stamped. 12×9.5 inches.
    Sold
  • Ellis, Noel (1917 – 1995)     Self-portrait in a French helmet. Oil on panel. Provenance: Artist’s Estate; Private Collection; Rosebery’s, 12th March 2024, Lot 205; Private Collection. 14.5×9.5 inches. Framed: 20×15 inches.
    £700
  • Sergeant, Carolyn (born 1937)     Honeysuckle, grasses and bramble. Oil on board. Signed and dated, 1998. Exhibited: Hazlitt, Gooden & Fox, ‘Recent Paintings by Carolyn Sergeant’, 1999, Cat. No.16. 16×20 inches. Framed: 18×22 inches.
    Sold
  • Caillard, Christian (1899 – 1985)     Portrait of a young woman arranging flowers. Oil on canvas. c.1935. Signed. 28×23 inches. Framed: 35×30 inches.
    Sold
  • Monnington P.R.A., Sir Walter Thomas (1902 – 1976)     ‘Sussex; Valley between Lewes […]’. Oil on panel. 1930s. Indistinctly inscribed verso. 9.5×13.5 inches. Framed: 12×16 inches.
    Sold
  • Barrow, Julian (1939 – 2012)     Bath; Lansdowne Crescent, including houses belonging to William Beckford and, later, James Lees-Milne. Oil on canvas. Signed. Exhibited: Leger, 1989, No.39. 10×12 inches. Framed: 13×15 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Two Rabbits’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 5.5×5 inches.
    £750
  • Miller Parker, Agnes (1895 – 1980)     ‘The Villain and his Dog’. Wood-engraving. Proof. 1936. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 7.5×5 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Passage of tiny feet’. Wood-engraving. 1936. Proof. Signed and titled. Designed for H. E. Bates, ‘Through the Woods’. 3×2 inches.
    £475
  • Miller Parker, Agnes (1895 – 1980)     ‘Kingcap, Kingfinger and Kingfisher’. Wood-engraving. 1936. Proof. Signed, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 4.5×3.25 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Foxgloves, Honeysuckle, and Fronds’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates ‘Through the Woods’. 7.5×5 inches.
    £675
  • SHEPARD (nee Chaplin) (c.1876-1927), Florence Eleanor     ‘Lettice’ (Lettice Phillips, nee Spence). Watercolour. Signed. Further signed and titled, verso. Provenance: the family of the sitter, by descent. Florence Shepard was the wife of the illustrator E. H. Shepard (of Winnie-the-Pooh fame), the couple having met when studying at the Royal Academy Schools. Lettice Phillips lived next door to the Shepards in Shamley Green as was great friends with them. 11.5×8.5 inches. Framed: 18.5×15.5 inches.
    £2,250
  • Tanner A.R.E., Robin (1904 – 1988)     ‘Wiltshire Hedger’. Etching. 1928. Trial proof. Signed, inscribed and dated. 4.5×5.5 inches.
    £975
  • Marks, Gerald (1921 – 2018)     ‘Meeting’; The Independent Labour Party. Chalks. Signed and dated, 1937. Exhibited: The Royal Drawing Society Exhibition of Drawings, probably 1938 (awarded a Silver Star). 17.5×20 inches. Framed: 28×30 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     Coop Market Workers. Watercolour. Signed and dated, 1937. Exhibited: The Royal Drawing Society Exhibition of Drawings, 1938 (awarded a Silver Star). 12×22 inches. Framed: 23×31 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     ‘Unemployed’. Watercolour. Signed and dated, 1935. Exhibited: The Royal Drawing Society Exhibition of Drawings, 1936 (‘Commended First Class’). 15×11 inches. Framed: 26.5×21.5 inches.
    £1,500
  • Poole R.E., Monica (1921 – 2003)     ‘Apple Tree’. Wood-engraving. 1961. Artist’s proof. Signed, titled and editioned. Exhibited: Bank Street Gallery. 8.5×6 inches. Framed: 16×12 inches.
    Sold
  • Müller, William James (1812 – 1845)     Wales; Llanberis. View over Llyn Padarn to ‘Dolbadarn Castle’. Oil on canvas. Signed and dated, 1836. This exhibition oil is based on a watercolour probably made on Muller’s first trip to Wales in 1833 in the company of John Skinner Prout (1805-1876) and Samuel Jackson (1794-1869) (sold Sotheby’s, ‘The Bill Thompson Collection of Paintings, Watercolours and Drawings by William James Muller (1812-1845)’, 25th November 1999, Lot 19. 20×28 inches. Framed: 33×40 inches.
    Sold
  • Pellew, Claughton (1890 – 1966)     ‘The Mother’. Wood engraving. 1927. Signed and inscribed. Outside of the edition of 30. 4.5×5.5 inches.
    £1,250
  • Gross C.B.E. R.A., Anthony (1905 – 1984)     ‘Rustic Pupils’ (H.2407), the Val aux Clercs, at Fecamp. Etching. 1928. Edition of 60. Signed, titled and dated. Exhibited: Austin Desmond. 8×7 inches.
    £500
  • Roussel, Theodore Casimir (1847 – 1926)     Cornwall; ‘Boats Asleep, Fowey’ (H.97). Etching. 1911. Signed. Edition of about 17 impressions. Exhibited: Agnews; Austin Desmond. 5.5×7 inches. Framed: 9×11 inches.
    £675
  • Collins, Cecil (1908 – 1989)     ‘Treading Blind’. Halftone and linocut. Signed and dated, 1948, in the plate. 6×5.5 inches. Framed: 12×10.5 inches.
    Sold
  • Crotch, Dr William (1775 – 1847)     London; ‘Kensington Gardens, 4th July 1822’. Pastels. 1822. Inscribed and dated, verso. Exhibited: A and H; Karen Taylor Fine Art. 5.5×8.5 inches. Framed: 11×14 inches.
    Sold
  • John O.M. R.A., Augustus (1878 – 1961)     ‘The Pheasant’ (CD 62); a portrait of Dorelia. Etching and drypoint. c.1906. Signed. 4×3.5 inches. Framed: 12.5×11 inches.
    Sold
  • Gilmore, Maeve (1917 – 1983)     Drama! Pencil, pen, ink and pastel. c.1960. Study for a painting dated 1960. Exhibited: Victor Wynd. 14.5×10.5 inches. Framed: 19.5×15.5 inches.
    £975
  • Brabazon N.E.A.C., Hercules Brabazon (1821 – 1906)     Italy; ‘Vines, Amalfi’. Chalks. Signed. Exhibited: Chris Beetles, Summer Show 1999, No.99. 8×11 inches. Framed: 12×15.25 inches.
    Sold
  • Guthrie, Kathleen (1905 – 1981)     Design after a 1937 composition by John Cecil Stephenson, the artist’s husband. Silk screen with gouache. Signed and inscribed. No.5 from an edition of 14. Exhibited: Denys Wilcox. 11.5×9.5 inches. Framed: 21×17 inches.
    £1,500
  • George, Patrick (1923 – 2016)     Street Scene. Oil on board. And early work from the 1940s. Provenance: The artist’s studio. Exhibited: Grant Waters; Louise Kosman. 6×3.5 inches. Framed: 9.5×7 inches.
    Sold
  • Suddaby, Rowland (1912 – 1978)     Autumn Park. Pen, ink, watercolour and crayons. Signed and dated, 196(8?). 15×22.5 inches. Framed: 17.5×25 inches.
    £875
  • Kelly P.R.A., Sir Gerald (1879 – 1972)     Myanmar; Moulmein (Mawlamyine), ‘Mango-tree on Pagoda Platform’. Oil on panel. 1908/9. Provenance: The artist’s Estate. Exhibited: Denys Wilcox. 7×6 inches. Framed: 10×9 inches.
    £2,750
  • Sealy, Colin (1891 – 1964)     Abstract composition. Pen, ink and crayon. Signed. 4×3.5 inches. Framed: 15×14 inches.
    Sold
  • White N.E.A.C. R.W.S. L.G. S.W.E., Ethelbert (1891 – 1972)     London; Hampstead Fair. Pencil. c.1924. Provenance: the Artist’s Estate. Exhibited: Denys Wilcox. 7.5×8.5 inches. Framed: 12.5×13.5 inches.
    Sold
  • Hall, Clifford (1904 – 1973)     London; ‘Calendonian Market, Copenhagen Fields’. Oil on panel. c.1933. Signed. The sketch for a large painting dated 1933 in the Museum of London. 9.5×13.5 inches. Framed: 15.5×19.5 inches.
    Sold
  • Bone N.E.A.C., Stephen (1904 – 1958)     Wales; ‘From the Cliffs, North Pembrokeshire’. Oil on panel. c.1945. Signed. Exhibited: Leicester Galleries, ‘Exhibition of Works by Stephen Bone’, December 1946, No.127. 12.5×15.5 inches. Framed: 18×21 inches.
    £2,750
  • Nixon, Job (1891 – 1938)     London; Bank Holiday, Hampstead Heath. Etching. 1929. Signed. 10×14.5 inches. Framed: 12×16.5 inches.
    £975
  • Meteyard, Sidney Harold (1868 – 1947)     The Lion of St Mark. Watercolour. Inscribed. A design for stained glass. 9.5×8.25 inches. Framed: 14.5×11.5 inches.
    Sold
  • Gaskin R.B.S.A., Arthur (1862 – 1928)     ‘The Snowstorm’. Wood-engraving. 1926. Signed, titled and dated. 4.5×5.25 inches.
    Sold
  • Verpilleux, Emile Antoine (1888 – 1964)     London; ‘The Railway Station’ (St Pancras). Woodcut. 1912. Signed and dated. 14×18 inches.
    Sold
  • Verpilleux, Emile Antoine (1888 – 1964)     London; ‘St. Paul’s from Cheapside’. Woodcut. 1912. Signed and dated. 14×18.25 inches. Framed: 24.5×28.5 inches.
    Sold
  • Verpilleux, Emile Antoine (1888 – 1964)     London; ‘Entrance to the British Museum’. Colour woodcut. 1914. Signed and dated. 18.25×14 inches.
    £2,750
  • Strang R.E., Ian (1886 – 1952)     London; ‘Harley Street’. Etching. 1927. Signed and dated. 10×13.5 inches.
    Sold
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)     London; ‘The Old Mogul Tavern, Drury Lane’ (AKA the Middlesex Music Hall) (B.128). Etching and aquatint. 1908 (published 1929). State II of III. Signed. 10×7 inches. Framed: 20×14.5 inches.
    £2,500
  • Holroyd, Sir Charles (1861 – 1917)     London; Fishermen, probably on Hampstead Heath near the artist’s home. Oil on panel. c.1890. Signed. 6.5×9.5 inches.
    Sold
  • Hogarth R.A., Paul (1917 – 2001)     London; ‘Newcastle House, Lincoln’s Inn Fields’. Watercolour. Signed and titled. 19.5×18.5 inches. Framed: 23.5×22.5 inches.
    Sold
  • Carline L.G., Sydney (1888 – 1929)     ‘Oxford Castle from the River’. Etching. Signed. From Carline’s Oxford series of etchings. 5.5×7 inches.
    Sold
  • Bird, Esther Brock (1888 – 1950)     New York; ‘Entrance to Central Park’. Lithograph. 1934. Signed, dated and editioned 12/25. 6×10 inches.
    Sold
  • Gillray, James (1756 – 1815)     ‘Sketch of the interior of St Stephens, as it now stands’. Hand coloured etching. ‘Published March 1st 1802 by H. Humphrey’. Inscribed in an early nineteenth century hand. The British Museum website describes this satire on the inadequacy of the Addington administration as follows … ‘A view of the House of Commons showing only the Ministerial benches immediately beside and behind the Speaker’s Chair, and, on the extreme right, the Speaker and the Clerk with part of the Table. Addington, scarcely caricatured, but wearing gloves, is the principal figure […] in his left is the ‘Treaty of Peace with ye Democratick Powers’; from his pocket issues a paper: ‘List of the new Administration’. On the front bench (left) next Addington’s seat, marked by his hat, sits Hawkesbury, nervous and deprecating, legs crossed, crouching forward, holding his chin. Next him is a very fat man with gouty legs, his head concealed behind Addington, identified as Dickinson. Just behind are Nicholls, clutching his cane, and Tierney (not caricatured), both gazing intently at Addington’s back. Behind Nicholls is Wilberforce, much caricatured. 13.5×10 inches.
    Sold
  • Holloway, Edgar (1914 – 2008)     ‘Self Portrait No.16 (Prospect of America)’. Etching. 1972. Signed and editioned 22/50. 8×6 inches. Framed: 14.5×12 inches.
    Sold
  • ANON (Twentieth-Century)     View in the New Forest between Bournemouth and Southampton. Oil on board. c.1900. Provenance: The Drawing Room, Princeton. 6.25×8.25 inches.
    Sold
  • Smith, John Raphael (1752 – 1812)     ‘Miss Montague’; Harriet Montague. Mezzotint. 1777. ‘Painted & Engraved by J. R. Smith / Pubd 24 June 1777 by W. Humphrey, Gerrard Street Soho, & J. R. Smith No 10 Batemans Buildings Soho Square’. 9×8 inches. Framed: 12.5×10.5 inches.
    £500
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)     ‘Anais II’ (F.67). Etching. 1930. Signed. Provenance: the Estate of the artist’s wife. 9×7 inches. Framed: 20×16 inches.
    £975
  • Austen, Winifred (1876 – 1964)     Hares In The Young Wheat. Etching. Signed. Provenance: Laurie Vance Johnson (Princeton, New Jersey). 7.5×9.75 inches.
    Sold
  • Cliffe, Henry (1919 – 1983)     Abstract Composition. Pencil. c.1960. 8×9 inches.
    Sold
  • Dayes, Edward (1763 – 1804)     PAIR: Bloomsbury Square and Grosvenor Square. Hand coloured etching and aquatints. 1787 and 1789. Engraved and published by R. Pollard & F. Jukes after works by Edward Dayes. 16×21 inches. Framed: 25×29.5 inches.
    Sold
  • Sayer, Robert (1725 – 1794)     ‘A View of the Foundling Hospital’. Engraving. c.1750. Published by Robert Sayer. 6×10 inches.
    Sold
  • Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792)     The actress and singer Harriet Mackenzie (née Powell), Countess of Seaforth (died 1779) in the character of Leonora, in the opera ‘Padlock’. Mezzotint. 1771. Made by Richard Houston (c.1721-1755) and published by Robert Sayer (1725-1794). A beautiful impression before lettering and with scratched production and publication detail. 20×14 inches. Framed: 29.5×23.5 inches.
    £1,250
  • Wilton, Joseph (1722 – 1803)     Design for architectural detailing. Pencil. c.1760. Provenance: Professor David Bindman (1945-2025). 10.5×12.75 inches.
    £675
  • Watts O.M., George Frederick (1817 – 1904)     Studies of a horse. Black chalk. Provenance: Thomas Lowinsky (1892-1947); […] A and H; Private Collection. 11.5×10 inches.
    Sold
  • McMinn (fl.1890-1920), F. A.     GROUP: Seven drawings to illustrate ‘The Lighthouse’ by Henry Wadsworth Longfellow. Pencil. c.1895. Each inscribed verso with lines from the poem. 7×10 inches.
    £975
  • Headlam, Mary (1873 – 1959)     Hyacinths. Chalk, watercolour and white heightening. Provenance: Artist’s Estate. 10×7.5 inches.
    Sold
  • Hurry, Leslie (1908 – 1978)     ‘Figures appeal to seated female’. Ink and watercolour. Circa 1970. Authenticated and signed by John H Armstrong, the artist’s nephew, verso. 23×30.5 inches.
    Sold
  • Nisbet R.I., Noel Laura (1887 – 1956)     PAIR: Two Madonna and Child compositions. Pencil and watercolour. Studio stamped. 14×8.5 inches.
    Sold
  • Lack R.E., Henry Martyn (1909 – 1979)     ‘Pastorale’. Etching. Signed and dated, 1947. 6.25×9.5 inches.
    Sold
  • Hoare of Bath R.A., William (1707 – 1792)     Figue Study. Red chalks. c.1780. Exhibited: Charles Plante at Mallet, New York, 2011. 7×3.25 inches. Framed: 10.5×7 inches.
    Sold
  • Raverat S.W.E., Gwen (1885 – 1957)     ‘Harvest Moon’ (SN.185). Wood-engraving. Proof. Block 2, State I of II. Numbered 11. This print is based on a drawing made for ‘The Monthly Calendar’. 3×4 inches. Framed: 11×11 inches.
    Sold
  • Leitch, William Leighton (1804 – 1883)     Mountain Landscape. Ink and watercolour and gouache. Studio stamp. Exhibited: Spink. 13×19 inches. Framed: 22×27.5 inches.
    £875
  • Fielding P.O.W.S., Anthony Vandyke Copley (1787 – 1855)     The South Downs near Brighton. Watercolour. Signed and dated, 1841. 6×8.75 inches. Framed: 15.75×18.75 inches.
    Sold
  • Cosway R.A., Richard (1742 – 1821)     Portrait of Sarah Ley (b.c.1771), Mrs Richard Tickell from 1789. Pencil and watercolour, the colour pigment possibly added later. Engraved 1791 by Jean Conde (1765-1794). Exhibited: The Royal Academy, ‘Winter Exhibition’, 1954-55, no.504; The National Portrait Gallery, ‘The Masque of Beauty’, 1972, no.56. 9×5.5 inches. Framed: 19×14.5 inches.
    £3,750
  • Wyatt, Henry (1794 – 1840)     ‘Sleeping man’, candle light. Pencil. Inscribed ‘Executed [i.e. drawn!] at Gibraltar’. 6.75×4 inches. Framed: 15×12 inches.
    £250
  • Sergeant, John (1937 – 2010)     Hambros Bank; ‘Old Boardroom. 41 Bishopgate’. Pencil and watercolour. Signed, inscribed and dated, ‘July 1988’. 17.5×24 inches.
    Sold
  • Ardizzone R.A., Edward (1900 – 1979)     Liguria: ‘Villa Nettuno’. Pencil and watercolour sketchbook page. Signed, indistinctly inscribed and dated ‘1965(?6)’.
    Sold
  • Sutherland O.M., Graham (1903 – 1980)     ‘Pastoral’ (T30. / C.36). Etching. 1930. Signed. One of five or six proofs printed in 1930. An edition of 57 plus 10 proofs was not printed until 1973. Provenance: the artist to Edward Sackville-West (1901-1965); inherited in 1965 by Eardley Knollys (1902-1991); inherited by Mattei Radev (1927-2009) (stock-book item 80); inherited by Radev’s partner, theatre designer Norman Coates as part of The Radev Collection in 2009; deaccessioned from The Radev Collection and acquired by Clive Parkinson in 2023. Exhibited: Pallant House Gallery, ‘The Radev Collection: Bloomsbury and Beyond’, Oct 2011 – Jan 2012. 5×7.5 inches. NOTE: THIS PRINT IS NOT FOR SALE.
  • Sutherland O.M., Graham (1903 – 1980)     ‘Garden’ (T.31 / C.37). Etching. 1931. Signed. The setting here is Sutherland’s garden in Farningham, Kent. His other great etched work, he has taken another leap into the Modern with an almost surreal composition reminiscent of Paul Nash. The refusal of the R.E. to hang the work, and the shock that the print caused Griggs, led to Sutherland allowing his membership of the society to lapse. Disgruntled, but perhaps also sensing the natural end to which he had taken etching, Sutherland abandoned the medium in favour of painting. 8.5×6 inches. Framed: 16×12 inches.
    Sold
  • Sutherland O.M., Graham (1903 – 1980)     ‘The Village’ (T.20 / C.25). Etching. 1925. State III of III. Signed. This is the first of Sutherland’s six Pastoral works. The high horizon, extensive working of the plate, beautiful play of light and the subject of the woman gathering potatoes is in stark contrast to his previous work. It demonstrates the extraordinary effect that Palmer’s work had on him, and just how completely he understood it, despite his young age. 6.75×8.75 inches.
    £4,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘The Black Rabbit’ (T.8 / C.12). Etching. 1923. Probably state I of III. Signed and titled ‘The Black Rabbit Stabling’ and editioned 6/50. The subject is The Black Rabbit pub on the road in the centre of the image, set back from the River Arun near Arundel. Both Tassi and Cooke list two known states. However, an impression inscribed ‘3rd State’ was recently sold and the present print would seem to predate that reproduced by Tassi as State I. Despite Sutherland’s intention that this state should run to an edition of 50, there can only have been a small number printed. 7.5×8.25 inches.
    £3,750
  • Sutherland O.M., Graham (1903 – 1980)     ‘St Mary Hatch’ (T.22 / C.28). Etching. 1926. Probably State V of V. Signed. This and ‘Lammas’ (C.23) are timeless idylls of English village life. Earlier states of this print bore a passage from Psalm 14 in Latin which read … ‘Lord, who shall abide in they Tabernacle? Who shall dwell in thy holy hill? He that walketh uprightly, and worketh righteousness’. The print was made while Sutherland was being inducted into the Catholic church. However, the inscription was presumably taken off to remove any sense of dogmatism and to allow the print the feeling of universal harmony with which it pervades. 5.5×7.25 inches.
    £3,750
  • Sutherland O.M., Graham (1903 – 1980)     ‘Lammas’ (T.23 / C.29). Etching. 1926. Signed and indistinctly editioned 18(?)/85. Further signed and dated twice in the plate. State V of V. Inscribed, ‘Lammas / printed on handmade paper / Plate destroyed’. Lammas is celebrated on the 1st of August. Bread is made from the new crop of wheat and is blessed. The composition, which relates closely to ‘St Mary Hatch’ (C.28), conjures the same sense of pastoral timelessness. It includes a small reference on the right to Calvert’s ‘The Sheep of His Pasture’ (L.9b) and via Calvert, to Blake. 4.25×6.25 inches.
    £3,750
  • Sutherland O.M., Graham (1903 – 1980)     ‘Hanger Hill’ (T.27 / C.33). Etching. 1929. Final state. Signed and editioned 61/77. It is in this print that we start to see a change come about in Sutherland’s work. The warm light of his early pastoral works has become cold and hard. The composition is cramped and awkward, the trees are menacing. Uncertainty, even danger, are in the air. 5×5.25 inches.
    £3,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘May Green’ (T24 / C.30). Etching. 1927. Signed. Final state. Inscribed ‘May Green / 2nd State’. Sutherland and Paul Drury visited F. L. Griggs in late 1926. Griggs, at the height of his powers, instructed both young men in printing. His influence, as much as Palmer’s can be seen in this print which is at once spiritual and pastoral 4.25×6.25 inches.
    £3,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘Wood End’ (T.28 / C.35). Etching. 1929. Final state. Signed and editioned 21/60. Inscribed ‘Wood End’. Sometimes titled ‘Cottage in Dorset’, this is almost a pair to ‘Wood Interior’ (C.34). It is an exquisite print, but again without figures and the cottage seems abandoned. The hard, diagonal composition, leafless trees and dark wood create a sense of loss. 5.5×7 inches. Framed: 5.5×7 inches.
    £3,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘Pecken Wood’ (T.21 / C.26). Etching. 1925. State III of IV. Signed and dated, ‘MCMXXV’. Inscribed ‘Pecken W. G.S. imp’ and ‘8 Sheets for Pecken Wood’. In this composition the foreground is enclosed by an dark, ancient wood. From there the labourer follows a track towards a village in the distance where the composition opens up and a Winter sun sets. Sutherland creates a sensitive, pastoral narrative with conveys man’s long history with our environment, its continuation to the present day and a sense of it reaching out into the future. 5.5×7.25 inches.
    £3,500
  • Marx, Enid (1902 – 1998)     Z – Zebra. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     Y – Yaffle. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £225
  • Marx, Enid (1902 – 1998)     X – Xenopus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £175
  • Marx, Enid (1902 – 1998)     W – Walrus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     V – Vicunas. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £250
  • Marx, Enid (1902 – 1998)     U – Unau. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     T – Turtle. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
    ◐
  • Marx, Enid (1902 – 1998)     S – Swan. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
  • Marx, Enid (1902 – 1998)     R – Rhino. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     Q – Quail. Linocut. Editioned ‘3/6’ [the 3 scored through]. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     P – Porcupine. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     O – Owl. Linocut. Editioned ‘6/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    Sold
  • Marx, Enid (1902 – 1998)     N – Newt. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     M – Monkey. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £300
  • Marx, Enid (1902 – 1998)     L – Lion. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £275
  • Marx, Enid (1902 – 1998)     K – Kangaroo. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £275
  • Marx, Enid (1902 – 1998)     J – Jaguar. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     I – Ibex. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     H – Horse. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £300
  • Marx, Enid (1902 – 1998)     G – Goat. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £275
  • Marx, Enid (1902 – 1998)     F – Fish. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     E – Elephant. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
  • Marx, Enid (1902 – 1998)     D – Dog. Linocut. 1977. Signed and dated. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £350
  • Marx, Enid (1902 – 1998)     C – Cockerel. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £250
  • Marx, Enid (1902 – 1998)     B – Bear. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £300
  • Marx, Enid (1902 – 1998)     A – Aardvark. Linocut. Editioned ‘5/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Wilkie R.A., Sir David (1785 – 1841)     ‘The Sedan Chair’ (CD.8). Etching. c.1815-1819. 5×3.5 inches.
    Sold
  • Whistler, James Abbott McNeill (1834 – 1903)     London; Wapping, ‘Black Lion Wharf’. Etching. 1859. Fourth state. As published in ‘A Series of Sixteen Etchings of Scenes on the Thames’ (AKA the ‘Thames Set’) by Ellis & Green in 1871. This print appears on the wall in ‘Arrangement in Grey and Black No. 1’, Whistler’s famous portrait of his mother. 6×9 inches. Framed: 19×21.5 inches.
    Sold
  • Verpilleux, Emile Antoine (1888 – 1964)     ‘The Last Furrow’. Woodcut. 1924. Signed. 14×18 inches. Framed: 22.5×26 inches.
    £750
  • Strang R.E., Ian (1886 – 1952)     France; Paris, ‘Place du Pont-Neuf’. Etching. c.1925. Signed. 8×11 inches.
    Sold
  • Smith, John Raphael (1752 – 1812)     ‘Miss Chambers’. Mezzotint. 1777. ‘Painted & Engraved by J. R. Smith / Pubd 8 July 1777 by W. Humphrey, Gerrard Street Soho, & J. R. Smith No 10 Batemans Buildings Soho Square’. 10.5×8 inches. Framed: 12.5×10 inches.
    £500
  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)     ‘Kitty K’., Red Lion Square’, playing the piano (B.164). Etching and engraving. c.1915 (completed 1922/23). State II of II. Signed in the plate. 7×5 inches. Framed: 14×12 inches.
    £500
  • Shackleton N.E.A.C., William (1872 – 1933)     Yorkshire; ‘Beamsley’. Etching. 1896. Signed. 5×7 inches.
    £125
  • Stoutshanks (fl.1828-29), S     A Pluralist; ‘A Tithe Pig Swallow’d without Grace’. Pen and ink. 1828. Signed and dated, ‘S Stoutshanks / Invent et Fecit / AD 1828’.. Drawing for the satirical print published by S. Gans in 1830 (see impression in the Lewis Walpole Library). It is possible ‘Stoutshanks’ was the illustrator Robert Seymour (1798-1836), who published prints under the name ‘Shortshanks’ for a while, until Cruikshank objected! 9.5×13.25 inches.
    £975
  • Rowlandson, Thomas (1756 – 1827)     PAIR: ‘St Giles’s Courtship’ / ‘St James’s Courtship’. Hand-coloured etching and aquatint. 1799. The print made by Rowlandson, as well as the designs. Published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection. 13×10.75 inches.
    £2,250
  • Rowlandson, Thomas (1756 – 1827)     GROUP: A rare complete set of Rowlandson’s 8 ‘Cries of London’. Hand-coloured etching and aquatint. 1799. The prints by Henri Merke (fl.1798-1814) and published by Rudolph Ackermann (1764-1834). Provenance: Andew Farryon Collection. 13×10 inches.
    £4,500
  • Rowlandson, Thomas (1756 – 1827)     PAIR: ‘An Italian Family’ and ‘A French Family’. Hand-coloured etching and aquatint. 1785 and 1786. The prints made and published by Samuel Alken (1756-1815) after Rowlandson’s Royla Acdemy exhibition watercolours of 1784. Provenance: Andew Farryon Collection. 13.5×18 inches.
    £2,500
  • Roussel, Theodore Casimir (1847 – 1926)     London; Parson’s Green,’The Snow, My Front Garden, March 2nd, 1909′ (H.85). Softrground etching and aquatint. 1909. Signed. 9×7 inches.
    Sold
  • Richmond R.A., George (1809 – 1896)     ‘The Agony in the Garden’. Oil on panel. 1875. After the c.1504 predella panel by Raphael (MET 32.130.1), then in the collection of Angela Burdett-Coutts, 1st Baroness Burdett-Coutts (1814-1906) and presumably copied while on loan to the Royal Academy ‘Winter Exhibition’ 1875/1876. Provenance: gift of the artist in 1882 to Dr. John Ogle (1824-1905); Bonham’s, Chester, 5th March 2013, Lot 395; Private collection; Chiswick Auctions 24th April 2025, Lot 5; from where aquired by the previous owner. 9.5×11 inches. Framed: 14×15.5 inches.
    £6,500
  • Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792)     ‘The Misses Crewe’ (Mannings 450). Mezzotint. 1768. Made by John Dixon (1740 – c.1811). A beautiful, scratch lettered proof impression before publication. Exhibited: Agnews. 18.25×14 inches. Framed: 29×23 inches.
    £875
  • Poole R.E., Monica (1921 – 2003)     ‘Summer’. Wood-engraving. 1987. Signed and edition 7/100. 7.25×4.75 inches. Framed: 15.25×1225 inches.
    £750
  • Poole R.E., Monica (1921 – 2003)     ‘Gully’. Wood-engraving. Signed, titled and editioned ‘117/150’. Exhibited: Bank Street Gallery. 10×6.25 inches. Framed: 18×13 inches.
    £1,750
  • Pellew, Claughton (1890 – 1966)     Holland; ‘Amsterdam’. Wood-engraving. 1927. Signed, titled, dated and editioned 19/30. 4.5×5 inches.
    Sold
  • Moira, Gerald (1867 – 1959)     Barrel Makers. Gouache. Signed and dated, 1941. Inscribed verso. 15×21 inches.
    £125
  • Meryon, Charles (1821 – 1868)     France; Paris, ‘La Pompe Notre Dame’. Etching. 1852. 7×10 inches.
    Sold
  • McMinn (fl.1890-1920), F. A.     Kent; ‘Whitstable Oyster Boats returning from the fishing grounds. The Anna underweigh’. Pencil. c.1895. Inscribed verso. Provenance: a sketchbook of drawings, signed in the front. 7×10 inches.
    Sold
  • Marks, Gerald (1921 – 2018)     Self Portrait. pencil. Signed and dated, 1939. Provenance: the Artist’s Estate. 19×14 inches. Framed: 29×24 inches.
    £1,500
  • Marks, Gerald (1921 – 2018)     Chain and Gears II. Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate. 14×10 inches. Framed: 22.5×17.5 inches.
    £475
  • Marks, Gerald (1921 – 2018)     Chain and Gears I. Pencil, watercolour and gouache. c.1955. Signed. Provenance: the Artist’s Estate. 14×10 inches. Framed: 22.5×17.5 inches.
    £475
  • John O.M. R.A., Augustus (1878 – 1961)     ‘The Hawkers Van’ (CD.125). Etching. Etched at Matching Green, Essex 1904/5. Signed. Edition of 25. Exhibited: Goldmark Gallery. 6.5×8 inches. Framed: 16×17 inches.
    £1,750
  • Howitt, Samuel (1756 – 1822)     Isle of Wight; Carisbrooke Castle. Watercolour. Signed and dated, 1791. Provenance: Col. F W G Gore (1906/7); Sir herbert Merrett (1937); […] Private Colletion. Exhibited: Heather Newman. 8.5×12 inches. Framed: 17×20 inches.
    £1,250
  • Holloway, Edgar (1914 – 2008)     ‘The Etcher No.18 (The Etcher II)’ (M.239); a self-portrait of the artist at work. Etching. From the 1979 reworking of the 1932 plate. Signed and dedicated. 5.25×5 inches.
    Sold
  • Hockney O.M. C.H. R.A., David (born 1937)     ‘Beautiful and White Flowers’. Etching and aquatint. 1966. From the ‘Illustrations for Fourteen Poems from C.P. Cavafy’ suite. Edition of 500. Exhibited: Goldmark Gallery. 13.5×9 inches. Framed: 24.5×19 inches.
    £1,500
  • Griggs R.A. R.E., Frederick Landseer Maur (1876 – 1938)     ‘Laneham’ (C.30). Etching. 1923. Signed. 5×4.5 inches. Framed: 13×12.25 inches.
    £675
  • Fulleylove, John (1845 – 1908)     Italy; the Piazza at Asolo. Pencil and watercolour. 27th June 1891. Signed, inscribed and dated. Exhibited: Agnews. 7×10 inches. Framed: 14.5×17.5 inches.
    £750
  • Foster R.W.S., Miles Birket (1825 – 1899)     Venice; the Doge’s Palace and Piazzetta San Marco. Pencil and watercolour. Signed with monogram. 4.5×6 inches.
    Sold
  • Feild, Maurice (1905 – 1988)     W. H. Auden (1907-1973). Lithograph. 1982. Signed. Based on a portrait of c.1935 9×6 inches.
    £275
  • Downman, Isabella Chloe (born 1787)     The artist and ‘a very gallant Beau’ winding yarn at the Hotel at Thorp-Arch, Yorkshire. Pencil and watercolour, by the daughter of John Downman A.R.A. (1749-1824). c.1810. Signed. Extensively inscribed … ‘During my residence at the Hotel at Thorp-Arch, I had a very gallant Beau, who used to employ himself in various acts of attention, one day he sat with all patience and held a quantity of yarn for me to wind, and as our general appearance was thought particularly interesting, I have represented the scene in Drawing’. Literature: Ralph Edwards, ‘Portraits by Downman of his Realtions’, Apollo, Vol. XVIII, No.105, Sept. 1933, (Ill. p.180). Provenance: Christies, 12th April 1920, Lot.17; to Pawsey and Payne; […] Mrs Hubert Cordes; […] Sotheby’s, 24th September 1997; to A and H; Private Collection. 7.5×9 inches. Framed: 21×20 inches.
    £2,750
  • Crotch, Dr William (1775 – 1847)     Lincolnshire; St Botolph’s, Boston. Watercolour and graphite. 1806. Inscribed and initialled under the mount, ‘Boston Linc. from Ed Lack MGS / WC / 300 feet high’ and verso, ‘Tower or near it _ WC Sept 30 1806 3pm’. 3.25×5.75 inches. Framed: 11×13 inches.
    Sold
  • Cliffe, Henry (1919 – 1983)     Designs for abstract painting. Pencil. Late 1950s / early 1960s. Provenance: a large group of drawings by Cliffe, all from the 1950s and 1960s. 7.5×11 inches.
    £175
    ◐
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Hayrick and sunlight. Watercolour. Signed. 9.25×6.25 inches. Framed: 17×13.5 inches.
    £2,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Barn Interior. Study related to Clausen’s oil painting ‘The Barn at Deers Farm’ (Exh. R.A. 1911). Charcoal. c.1911. Signed. 14×10.5 inches. Framed: 22×18 inches.
    £1,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Sky Study. Watercolour. Signed. 10.5×15 inches. Framed: 18.5×22.5 inches.
    £2,250
  • Clausen R.A. R.W.S., Sir George (1852 – 1944)     Barn Interior. Charcoal, watercolour and gouache. Signed. 10.5×12 inches. Framed: 18.5×19.5 inches.
    £2,750
  • Clarke Hall, Edna (1879 – 1979)     ‘Catherine and Heathcliffe sitting in a field’. Etching. 1920s. Signed. 10.25×8.25 inches.
    £675
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Sound of Mull’. Pencil, pen, ink and watercolour. Signed and inscribed. Extensively inscribed under the mount. 6×10.5 inches.
    Sold
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Loch Lomond’. Pencil, pen, ink and watercolour. Signed and inscribed. 7×9.5 inches.
    £375
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Melfort’. Pencil, pen, ink and watercolour. Signed and inscribed. 7×10 inches.
    £375
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Sound of Mull’. Pencil, pen, ink and watercolour. Signed and extensively inscribed. 7×10 inches.
    £750
  • Cameron R.S.A. R.E., Sir David Young (1865 – 1945)     Scotland; ‘Black Mount’. Pencil, pen, ink and watercolour. Signed. 6×10.5 inches.
    Sold
  • Calvert, Charles (1785 – 1852)     ‘The Bride’ (L.8c). Engraving. 1828. Third state. Printed for the ‘Memoir’, 1893. Edition of 350. 4.5×6.5 inches. Framed: 15×16 inches.
    £3,000
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)     ‘Noemie’ (F.57). Etching. 1926. Signed. Provenance: the Estate of Kathleen Brockhurst, the artist’s wife. 7×4.25 inches.
    £475
  • Brett A.R.A., John (1831 – 1902)     Italy; Florence, ‘Nannie Mulock’. Pencil. Inscribed and dated ‘Palazzo Frescobaldi Feb 1863’. Further inscribed ‘Nannie Mulock’. Exhibited: J S Maas & Son (W11292). 9.5×6.75 inches. Framed: 16.75×13.5 inches.
    £1,500
  • Badmin R.W.S. R.E., Stanley Roy (1906 – 1989)     Still life with Clivia, Hyacinth and Geranium. Pen, ink, watercolour and pastel. Signed. Provenance: The Artist’s family, by descent. 16.5×10.5 inches. Framed: 28×22 inches.
    £975
  • Austin, Frederick George (1902 – 1990)     The Flight into Egypt. Etching. 1927. Signed and dated. The composition that won Austin the Prix de Rome. 7×8 inches.
    £750
  • Austin R.A. R.E., Robert Sargent (1895 – 1973)     ‘Mid-day Rest’. Engraving. 1932. Signed and dated. 6×7.5 inches. Framed: 13.5×14 inches.
    Sold
  • Austin R.A. R.E., Robert Sargent (1895 – 1973)     ‘Before Mass’ (CD64). Engraving. 1926. Signed and dated. Edition of 60. 5×4.5 inches.
    Sold
  • Williams, Evelyn (1929 – 2012)     Study for ‘Sleeping Couple’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 23.25×32.75 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     ‘Fay Weldon’s Bedroom 1’. Charcoal. Signed and dated, 1978. Provenance: The Evelyn Williams Trust. 37.75×29 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Running by the Sea’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches.
    £2,800
  • Williams, Evelyn (1929 – 2012)     ‘Woman in Bed’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Night Thoughts’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 30.75×53.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     Study for ‘Sleeping Couple’. Charcoal. Signed and dated, 1975. Provenance: Artist’s Estate. 53.5×31 inches. Framed: 47.5×32.5 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Emma by the Sea 2’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 27×31 inches.
    £2,000
  • Williams, Evelyn (1929 – 2012)     ‘Head in Hands Looking Up’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 31×27 inches.
    £2,000
  • Williams, Evelyn (1929 – 2012)     ‘Girl with Expectations 1’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 21.5×10.25 inches.
    £1,200
  • Williams, Evelyn (1929 – 2012)     Studies for ‘Man and Woman’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 22.5×11 inches.
    £3,000
  • Williams, Evelyn (1929 – 2012)     ‘Introspective Nude 1’. Charcoal. Signed and dated, 1974. Provenance: The Evelyn Williams Trust. 27×30.25 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     Idea for ‘A Woman’s Life’. Charcoal. 1976. Provenance: The Evelyn Williams Trust. 20.5×29 inches.
    £2,200
  • Williams, Evelyn (1929 – 2012)     ‘Someone’s Sister’. Charcoal. Signed and dated, 1975. Provenance: The Evelyn Williams Trust. 56.75×53.5 inches.
    £2,200
  • Gabain, Ethel (1883 – 1950)     Sul Balcone (W287). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 11.75×9 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     ‘Il M’aime un Peu’ (W157). Lithograph. 1914. Edition of 24. Signed. Provenance: Artist’s Estate. 13.75×10.5 inches.
    £775
  • Gabain, Ethel (1883 – 1950)     ‘An Italian Terrace’ (W285). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 9×10 inches.
    Sold
  • Gabain, Ethel (1883 – 1950)     La Contadina (W283). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 16×11.25 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Le Bébé Pierrot’ (W196). Lithograph. 1918. Edition of 24. Signed. Provenance: Artist’s Estate. 13.5×9.25 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Terrasse ensoileillée’ (W115). Lithograph. 1912. Edition of 20. Signed. Provenance: Artist’s Estate. 9×11.5 inches.
    £675
  • Gabain, Ethel (1883 – 1950)     ‘Ligurian Alps’ (W293). Lithograph. 1927. Edition not recorded. Signed. Provenance: Artist’s Estate. 7×13 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘Algiers la Blanche’ (W280). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 8.5×6.5 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘The Farm in the Dip, Wye’ (W217). Lithograph. 1921. Edition of 28. Signed. Provenance: Artist’s Estate. 9.75×14 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     La Porte Close (W206). Lithograph. 1919. Edition of 24. Signed. Provenance: Artist’s Estate. 13.25×6.75 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     Le Roi Soleil (W182). Lithograph. 1916. Edition of 32. Signed. Provenance: Artist’s Estate. 11×13 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘The Sundial Imp’ (W160). Lithograph. 1914. Edition of 24. Signed. Provenance: Artist’s Estate. 11×11 inches.
    £575
  • Gabain, Ethel (1883 – 1950)     ‘L’Ennui (Nude Study)’ (W55). Lithograph. 1908. Edition of 18. Signed. Provenance: Artist’s Estate. 12.5×9.5 inches.
    £475
  • Gabain, Ethel (1883 – 1950)     ‘The Old Aristocrat’ (W275). Lithograph. 1926. Edition not recorded. Signed. Provenance: Artist’s Estate. 13.5×9.5 inches.
    £375
  • Gabain, Ethel (1883 – 1950)     ‘Mauvais Jours’ (W66). Lithograph. 1908. Edition of 10. Signed. Provenance: Artist’s Estate. 10.25×7 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Ceasars Tower in ye Island Geneva’. Pencil and watercolour. Inscribed and dated, 28th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland ‘Arcade de la Place du Molard. Geneva’. Pencil and watercolour. Inscribed and dated, 10th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×9.25 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from beyond Secheron’. Pencil and watercolour. Inscribed and dated, 28th August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.75 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from the end of the Paquis’. Pencil and watercolour. Inscribed and dated, 30th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne’. Pencil and watercolour. Inscribed and dated, 20th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva’. Pencil and watercolour. Inscribed and dated, 20th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From a vineyard at Besinge near Geneva’. Pencil and watercolour. Inscribed and dated, 25th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×13.5 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Gasenove’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×11 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Village of Pregny’. Pencil and watercolour. Inscribed and dated, 28th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pregny’. Pencil and watercolour. Inscribed and dated, 28th June 1835. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Buet / Mont Blanc / Geneva’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×21.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 26th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.5 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Mill on the Rhone’. Pencil and watercolour. Inscribed and dated, 11th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Inn at Russin. L’Ombre’. Pencil and watercolour. Inscribed and dated, 4th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     ‘Passage of the Rhone at Arvulli’. Pencil and watercolour. Inscribed and dated, 4th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £225
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Sledge. Party at Treize Arbres. Grand Saleve’. Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Treize Arbres Grand Saleve.’ Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Ruins of the Chateau de L’Hermitage. Petit Saleve’. Pencil and watercolour. Inscribed and dated, 17th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘De mon lit a Varembé / 4 heures du matin, Mai 1834’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From Md. Julliards field at Varembe / Maison du Seigneux’. Pencil and watercolour. Inscribed and dated, October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Village of Smoheurns near Geneva from M. Duval’s field’. Pencil and watercolour. Inscribed and dated, 6th Oct? 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Duval from Md. Julliards fields’. Pencil and watercolour. Inscribed and dated, 25th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Duval’. Pencil and watercolour. Inscribed and dated, 13th October 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Tourney & Lake of Geneva’, home of Voltaire during the 1750s. Pencil and watercolour. Inscribed and dated, 13th September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Tourney’, Voltaire’s home during the 1750s. Pencil and watercolour. Inscribed and dated, 28th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Fort de L’Ecluse Village de Meirin [Meyrin]’. Pencil and watercolour. Inscribed and dated, 2nd July 1835. Provenance: An album of watercolours by Elizabeth Campbell. 7×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Pasteaur. Grand Saconnex’. Pencil and watercolour. Inscribed and dated, 2nd July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Part of Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 6th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Grand Sacconez’. Pencil and watercolour. Inscribed and dated, 6th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Supposed site of Calvin’s Grave, Geneva. Burial ground. The two remaining Willows of four planted thereon / Sousterre / Petite St Jean.’ Pencil and watercolour. Inscribed and dated, 10th May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Gervais part of Geneva from Plain Palais’. Pencil and watercolour. Inscribed and dated, 23rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Chateau de Divonne [Divonne-les-Bains]’. Pencil and watercolour. Inscribed and dated, 3rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Church at Divonne [Divonne-les-Bains]’. Pencil and watercolour. Inscribed and dated, 3rd September 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Lake of Geneva. Les Alinges [Allinges]’. Pencil and watercolour. Inscribed and dated, 18th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     France; ‘Les Alinges [Allinges]’. Pencil and watercolour. Inscribed and dated, 18th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘At Allamogne [Allaman]’. Pencil and watercolour. Inscribed and dated, 10th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Castle of Allamogne [Allaman], burnt down’. Pencil and watercolour. Inscribed and dated, 10th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from Md. Julliard’s field Varembe’. Pencil and watercolour. Inscribed and dated, May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne de Md. le Vieux from Md. Julliard’s Field’. Pencil and watercolour. Inscribed and dated, 5th May 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau de Nyon from the window of the Eau de France’. Pencil and watercolour. Inscribed and dated, 18th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 11×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Aubonne’. Pencil and watercolour. Inscribed and dated, 18th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Sarra’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×4.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Waiting for horses at Neuchatel’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7×4.75 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Neuchatel’. Pencil and watercolour. Inscribed and dated, 17th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.75×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pont of the Bridge of Thiel’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau et Pont de Thiel’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×12 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘School House of Tichal’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Schlossberg near La Neuville’. Pencil and watercolour. Inscribed and dated, 11th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Neuveville’. Pencil and watercolour. Inscribed and dated, 11th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St. Jean on ye Thiel / Landeron / Canton Bern’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St. Jean on the Thiel / Old Convent. Canton Bern’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Jean – Former monastery / Landeron Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 7th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Landeron & Thiel River’. Pencil and watercolour. Inscribed and dated, 16th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau d’Erlach Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 14th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Place of Execution Landeron Canton Bern’. Pencil and watercolour. Inscribed and dated, April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.75×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier & Lac de Bienne with part of the villages of [Feny?]’. Pencil and watercolour. Inscribed and dated, 8th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier & Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 8th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Principal street of Cerlier’. Pencil and watercolour. Inscribed and dated, 15th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 6.5×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier Isle de St Pierre Lac de Bienne from the old road of the Jolimont’. Pencil and watercolour. Inscribed and dated, 10th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cure de Cressier’. Pencil and watercolour. Inscribed and dated, 13th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier from the Tschugg road’. Pencil and watercolour. Inscribed and dated, 20th February 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier from my bedroom window at the Chateau d’Erlach / Part of ye Lac de Bienne & Range of the Swiss Alps / Mt Blanc’. Pencil and watercolour. Inscribed and dated, January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×21 inches.
    £675
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Isle de St Pierre Lac de Bienne – View from Miss Campbell’s Bedroom window at the Chateau de Erlach’. Pencil and watercolour. Inscribed and dated, 28th July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from the drawing room window Chateau d’Erlach’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau & old Town of Cerlier / Isle de St Pierre Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 21st July 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Chateau d’Erlach. Canton de Berne / Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 27th January/July? 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Part of Cerlier’. Pencil and watercolour. Inscribed and dated, 10th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Old Town of Cerlier […] a Convent’. Pencil and watercolour. Inscribed and dated, 15th April 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Cerlier [Erlach] & its Port’. Pencil and watercolour. Inscribed and dated, 8th March 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘End of the Old Town of Cerlier [Erlach] once a convert’. Pencil and watercolour. Inscribed and dated, 27th January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Château d’Erlach, Canton de Berne, Lac de Bienne’. Pencil and watercolour. Inscribed and dated, 11th January 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View near Petit-Saxony Geneva. Maison Barbazak’. Pencil and watercolour. Inscribed and dated, 26th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×17 inches.
    £675
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Pension Bacle Gent’. Pencil and watercolour. Inscribed and dated, September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From above the Campagne de L’Imperatrice’. Pencil and watercolour. Inscribed and dated, 17th June 1834. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×13.75 inches.
    £575
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Geneva & Salève from below Pregny’. Pencil and watercolour. Inscribed and dated, October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×11 inches.
    £575
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘View from the Ferney Road’. Pencil and watercolour. Inscribed and dated, 25th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake Geneva from the fields of Mr Rigaud Fingestin(?) / Dent de (Jaman?) / Voiron’. Pencil and watercolour. Inscribed and dated, 29th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From the drawing room window at Varembé near Geneva’,. Pencil and watercolour. Inscribed and dated, October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From the drawing room window at Varembé near Geneva. Five minutes after our arrival’. Pencil and watercolour. Inscribed and dated, 14th October 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘The game of chess in the shade. Field front of Campagne Juillard Varembé’. Pencil and watercolour. Inscribed and dated, 1834. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Campagne Juillard Varembé near Geneva’. Pencil and watercolour. Inscribed and dated, 24th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Towers of Hermance & Lake of Geneva’. Pencil and watercolour. Inscribed and dated, 23rd September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Up at 4 O’clock! / Waiting for breakfast / Jussy’. Pencil and watercolour. Probably September 1833? Provenance: An album of watercolours by Elizabeth Campbell. 5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Jussy. Great Salève’. Pencil and watercolour. Inscribed and dated, 23rd September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 5×8 inches.
    £175
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘La Belotte’. Pencil and watercolour. Inscribed and dated, 18th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×11 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Lake of Geneva from La Belotte looking North’. Pencil and watercolour. Inscribed and dated, 18th September 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £475
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Island & storm on the Lake of Geneva / from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Island in the Lake of Geneva from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1834. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Near the mouth of the Rhone from the steam boat’. Pencil and watercolour. Inscribed and dated, 31st August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Entrance to Villeneuve from Bex’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.5 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland;’ From the In [sic. inn] window at Bex’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×4.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘St Maurice / from the Carriage’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 9.5×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Martigny. Convent of Forclaz. Tour de la Batia [sic. Bâtiaz]’. Pencil and watercolour. Inscribed and dated, 30th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.5×10.5 inches.
    £375
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Trient. On the Tête de Moine. Glacier du Trient’. Pencil and watercolour. Inscribed and dated, 29th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 8×10.5 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Aiguilles de Chamonix from my bedroom window’. Pencil and watercolour. Inscribed and dated, 28th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 10.5×8 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Bridge at Bonneville over the Arve’. Pencil and watercolour. Inscribed and dated, 27th August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Montier Petit Salève. Hemp drying on stubble’. Pencil and watercolour. Inscribed and dated, 23rd August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    £275
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘From my bedroom window Wolff’s Glen, Pré-l’Eveque Geneva’. Pencil and watercolour. Inscribed and dated, August(?) 1833. Provenance: An album of watercolours by Elizabeth Campbell. 7.75×10.75 inches.
    Sold
  • Campbell, Elizabeth (1783 – 1861)     Switzerland; ‘Wolff’s Glen Geneva’. Pencil and watercolour. Inscribed and dated, August 1833. Provenance: An album of watercolours by Elizabeth Campbell. 4.5×8 inches.
    £375
  • Holloway, Edgar (1914 – 2008)     ‘Warwick Lane’ E.C. Pencil and watercolour. 1943. Signed. 14.25×10.75 inches.
    £2,750
  • Holloway, Edgar (1914 – 2008)     ‘St Augustine and St Paul’s’, blitz’d London. Pencil and watercolour. 1943. Signed.
    £2,000
  • Anderson (Twentieth Century), David     Norfolk; ‘Bintree Tower’. Oil on card. Exhibited: Royal Academy Summer Exhibition, 1991 Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5×3.5 inches. Framed: 5×5 inches.
    Sold
  • Anderson (Twentieth Century), David     North Norfolk Ballooning. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 5.5×5 inches. Framed: 6.5×5.5 inches.
    Sold
  • Anderson (Twentieth Century), David     North Norfolk Landscape. Oil on canvas. c.1980. Signed verso. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 3.5"x5.5" inches.
    £475
  • Anderson (Twentieth Century), David     Norfolk; Sennowe Park. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 6×6.25 inches.
    £475
  • Anderson (Twentieth Century), David     Through the Hedges. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 7×7 inches. Framed: 8×8 inches.
    £675
  • Anderson (Twentieth Century), David     Autumn Forest. Oil on canvas. c.1980. Provenance: Mary Meadows (1922-2024), wife of P. H. Meadows CBE PJG PSB (1919-1997). 4.5×3.5 inches. Framed: 9.5×8 inches.
    Sold
  • Goeneutte, Norbert (1854 – 1894)     ‘Somnolence’. Etching. 1888. Signed. 6×9 inches. Framed: 11.5×15 inches.
    £975
  • Camp R.A., Jeffery (1923 – 2020)     Laetitia Yhap in the Bath. Lithograph. Signed. Editioned, ‘III V AP’ and inscribed ‘For Len’ (Leonard McComb R.A. 1913-2018). 13.5×13 inches. Framed: 27.5×25 inches.
    £750
  • Nevinson, Christopher Richard Wynne (1889 – 1946)     ‘The Spirit of Progress’ (PB148). Lithograph. 1933. Used as the front cover of the April 1933 ‘Studio’ Magazine. 11×8 inches.
    £750
  • Hockney O.M. C.H. R.A., David (born 1937)     ‘Portrait of Cavafy in Alexandria I’. From the suite ‘Homage to Greek poet C.P. Cavafy’. Edition of 500. Exhibited: Goldmark Gallery. 13.5×9 inches. Framed: 24.5×19 inches.
    Sold
  • Underwood, Leon (1890 – 1975)     ‘St Sebastian’. Etching. Based on a self-portrait. Signed and dated, 1921. 5.5×4 inches. Framed: 13×9 inches.
    £1,500
  • Rosoman R.A, Leonard (1913 – 2012)     ‘The Chagall Kiss No.2’. Pencil and watercolour. Signed. 13×16.5 inches. Framed: 19.5×23 inches.
    £975
  • Hyatt, Derek (1931 – 2015)     Yorkshire; ‘Bishopdale Day’. Oil on board. c.1955. Exhibited: Art Space Gallery. 8×15.5 inches. Framed: 17.5×24 inches.
    Sold
  • Marchand, Jean Hippolyte (1883 – 1940)     Nocturne. Pen and ink. Verso: figures at a window. Studio stamped. 12×9.5 inches.
    Sold
  • Ellis, Noel (1917 – 1995)     Self-portrait in a French helmet. Oil on panel. Provenance: Artist’s Estate; Private Collection; Rosebery’s, 12th March 2024, Lot 205; Private Collection. 14.5×9.5 inches. Framed: 20×15 inches.
    £700
  • Sergeant, Carolyn (born 1937)     Honeysuckle, grasses and bramble. Oil on board. Signed and dated, 1998. Exhibited: Hazlitt, Gooden & Fox, ‘Recent Paintings by Carolyn Sergeant’, 1999, Cat. No.16. 16×20 inches. Framed: 18×22 inches.
    Sold
  • Caillard, Christian (1899 – 1985)     Portrait of a young woman arranging flowers. Oil on canvas. c.1935. Signed. 28×23 inches. Framed: 35×30 inches.
    Sold
  • Monnington P.R.A., Sir Walter Thomas (1902 – 1976)     ‘Sussex; Valley between Lewes […]’. Oil on panel. 1930s. Indistinctly inscribed verso. 9.5×13.5 inches. Framed: 12×16 inches.
    Sold
  • Barrow, Julian (1939 – 2012)     Bath; Lansdowne Crescent, including houses belonging to William Beckford and, later, James Lees-Milne. Oil on canvas. Signed. Exhibited: Leger, 1989, No.39. 10×12 inches. Framed: 13×15 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Two Rabbits’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 5.5×5 inches.
    £750
  • Miller Parker, Agnes (1895 – 1980)     ‘The Villain and his Dog’. Wood-engraving. Proof. 1936. Signed, dated, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 7.5×5 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Passage of tiny feet’. Wood-engraving. 1936. Proof. Signed and titled. Designed for H. E. Bates, ‘Through the Woods’. 3×2 inches.
    £475
  • Miller Parker, Agnes (1895 – 1980)     ‘Kingcap, Kingfinger and Kingfisher’. Wood-engraving. 1936. Proof. Signed, titled and editioned. Designed for H. E. Bates, ‘Through the Woods’. 4.5×3.25 inches.
    Sold
  • Miller Parker, Agnes (1895 – 1980)     ‘Foxgloves, Honeysuckle, and Fronds’. Wood-engraving. 1936. Proof. Signed, dated, titled and editioned. Designed for H. E. Bates ‘Through the Woods’. 7.5×5 inches.
    £675
  • SHEPARD (nee Chaplin) (c.1876-1927), Florence Eleanor     ‘Lettice’ (Lettice Phillips, nee Spence). Watercolour. Signed. Further signed and titled, verso. Provenance: the family of the sitter, by descent. Florence Shepard was the wife of the illustrator E. H. Shepard (of Winnie-the-Pooh fame), the couple having met when studying at the Royal Academy Schools. Lettice Phillips lived next door to the Shepards in Shamley Green as was great friends with them. 11.5×8.5 inches. Framed: 18.5×15.5 inches.
    £2,250
  • Tanner A.R.E., Robin (1904 – 1988)     ‘Wiltshire Hedger’. Etching. 1928. Trial proof. Signed, inscribed and dated. 4.5×5.5 inches.
    £975
  • Marks, Gerald (1921 – 2018)     ‘Meeting’; The Independent Labour Party. Chalks. Signed and dated, 1937. Exhibited: The Royal Drawing Society Exhibition of Drawings, probably 1938 (awarded a Silver Star). 17.5×20 inches. Framed: 28×30 inches.
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  • Marks, Gerald (1921 – 2018)     Coop Market Workers. Watercolour. Signed and dated, 1937. Exhibited: The Royal Drawing Society Exhibition of Drawings, 1938 (awarded a Silver Star). 12×22 inches. Framed: 23×31 inches.
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  • Marks, Gerald (1921 – 2018)     ‘Unemployed’. Watercolour. Signed and dated, 1935. Exhibited: The Royal Drawing Society Exhibition of Drawings, 1936 (‘Commended First Class’). 15×11 inches. Framed: 26.5×21.5 inches.
    £1,500
  • Poole R.E., Monica (1921 – 2003)     ‘Apple Tree’. Wood-engraving. 1961. Artist’s proof. Signed, titled and editioned. Exhibited: Bank Street Gallery. 8.5×6 inches. Framed: 16×12 inches.
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  • Müller, William James (1812 – 1845)     Wales; Llanberis. View over Llyn Padarn to ‘Dolbadarn Castle’. Oil on canvas. Signed and dated, 1836. This exhibition oil is based on a watercolour probably made on Muller’s first trip to Wales in 1833 in the company of John Skinner Prout (1805-1876) and Samuel Jackson (1794-1869) (sold Sotheby’s, ‘The Bill Thompson Collection of Paintings, Watercolours and Drawings by William James Muller (1812-1845)’, 25th November 1999, Lot 19. 20×28 inches. Framed: 33×40 inches.
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  • Pellew, Claughton (1890 – 1966)     ‘The Mother’. Wood engraving. 1927. Signed and inscribed. Outside of the edition of 30. 4.5×5.5 inches.
    £1,250
  • Gross C.B.E. R.A., Anthony (1905 – 1984)     ‘Rustic Pupils’ (H.2407), the Val aux Clercs, at Fecamp. Etching. 1928. Edition of 60. Signed, titled and dated. Exhibited: Austin Desmond. 8×7 inches.
    £500
  • Roussel, Theodore Casimir (1847 – 1926)     Cornwall; ‘Boats Asleep, Fowey’ (H.97). Etching. 1911. Signed. Edition of about 17 impressions. Exhibited: Agnews; Austin Desmond. 5.5×7 inches. Framed: 9×11 inches.
    £675
  • Collins, Cecil (1908 – 1989)     ‘Treading Blind’. Halftone and linocut. Signed and dated, 1948, in the plate. 6×5.5 inches. Framed: 12×10.5 inches.
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  • Crotch, Dr William (1775 – 1847)     London; ‘Kensington Gardens, 4th July 1822’. Pastels. 1822. Inscribed and dated, verso. Exhibited: A and H; Karen Taylor Fine Art. 5.5×8.5 inches. Framed: 11×14 inches.
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  • John O.M. R.A., Augustus (1878 – 1961)     ‘The Pheasant’ (CD 62); a portrait of Dorelia. Etching and drypoint. c.1906. Signed. 4×3.5 inches. Framed: 12.5×11 inches.
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  • Gilmore, Maeve (1917 – 1983)     Drama! Pencil, pen, ink and pastel. c.1960. Study for a painting dated 1960. Exhibited: Victor Wynd. 14.5×10.5 inches. Framed: 19.5×15.5 inches.
    £975
  • Brabazon N.E.A.C., Hercules Brabazon (1821 – 1906)     Italy; ‘Vines, Amalfi’. Chalks. Signed. Exhibited: Chris Beetles, Summer Show 1999, No.99. 8×11 inches. Framed: 12×15.25 inches.
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  • Guthrie, Kathleen (1905 – 1981)     Design after a 1937 composition by John Cecil Stephenson, the artist’s husband. Silk screen with gouache. Signed and inscribed. No.5 from an edition of 14. Exhibited: Denys Wilcox. 11.5×9.5 inches. Framed: 21×17 inches.
    £1,500
  • George, Patrick (1923 – 2016)     Street Scene. Oil on board. And early work from the 1940s. Provenance: The artist’s studio. Exhibited: Grant Waters; Louise Kosman. 6×3.5 inches. Framed: 9.5×7 inches.
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  • Suddaby, Rowland (1912 – 1978)     Autumn Park. Pen, ink, watercolour and crayons. Signed and dated, 196(8?). 15×22.5 inches. Framed: 17.5×25 inches.
    £875
  • Kelly P.R.A., Sir Gerald (1879 – 1972)     Myanmar; Moulmein (Mawlamyine), ‘Mango-tree on Pagoda Platform’. Oil on panel. 1908/9. Provenance: The artist’s Estate. Exhibited: Denys Wilcox. 7×6 inches. Framed: 10×9 inches.
    £2,750
  • Sealy, Colin (1891 – 1964)     Abstract composition. Pen, ink and crayon. Signed. 4×3.5 inches. Framed: 15×14 inches.
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  • White N.E.A.C. R.W.S. L.G. S.W.E., Ethelbert (1891 – 1972)     London; Hampstead Fair. Pencil. c.1924. Provenance: the Artist’s Estate. Exhibited: Denys Wilcox. 7.5×8.5 inches. Framed: 12.5×13.5 inches.
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  • Hall, Clifford (1904 – 1973)     London; ‘Calendonian Market, Copenhagen Fields’. Oil on panel. c.1933. Signed. The sketch for a large painting dated 1933 in the Museum of London. 9.5×13.5 inches. Framed: 15.5×19.5 inches.
    Sold
  • Bone N.E.A.C., Stephen (1904 – 1958)     Wales; ‘From the Cliffs, North Pembrokeshire’. Oil on panel. c.1945. Signed. Exhibited: Leicester Galleries, ‘Exhibition of Works by Stephen Bone’, December 1946, No.127. 12.5×15.5 inches. Framed: 18×21 inches.
    £2,750
  • Nixon, Job (1891 – 1938)     London; Bank Holiday, Hampstead Heath. Etching. 1929. Signed. 10×14.5 inches. Framed: 12×16.5 inches.
    £975
  • Meteyard, Sidney Harold (1868 – 1947)     The Lion of St Mark. Watercolour. Inscribed. A design for stained glass. 9.5×8.25 inches. Framed: 14.5×11.5 inches.
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  • Gaskin R.B.S.A., Arthur (1862 – 1928)     ‘The Snowstorm’. Wood-engraving. 1926. Signed, titled and dated. 4.5×5.25 inches.
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  • Verpilleux, Emile Antoine (1888 – 1964)     London; ‘The Railway Station’ (St Pancras). Woodcut. 1912. Signed and dated. 14×18 inches.
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  • Verpilleux, Emile Antoine (1888 – 1964)     London; ‘St. Paul’s from Cheapside’. Woodcut. 1912. Signed and dated. 14×18.25 inches. Framed: 24.5×28.5 inches.
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  • Verpilleux, Emile Antoine (1888 – 1964)     London; ‘Entrance to the British Museum’. Colour woodcut. 1914. Signed and dated. 18.25×14 inches.
    £2,750
  • Strang R.E., Ian (1886 – 1952)     London; ‘Harley Street’. Etching. 1927. Signed and dated. 10×13.5 inches.
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  • Sickert R.A. N.E.A.C., Walter Richard (1860 – 1942)     London; ‘The Old Mogul Tavern, Drury Lane’ (AKA the Middlesex Music Hall) (B.128). Etching and aquatint. 1908 (published 1929). State II of III. Signed. 10×7 inches. Framed: 20×14.5 inches.
    £2,500
  • Holroyd, Sir Charles (1861 – 1917)     London; Fishermen, probably on Hampstead Heath near the artist’s home. Oil on panel. c.1890. Signed. 6.5×9.5 inches.
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  • Hogarth R.A., Paul (1917 – 2001)     London; ‘Newcastle House, Lincoln’s Inn Fields’. Watercolour. Signed and titled. 19.5×18.5 inches. Framed: 23.5×22.5 inches.
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  • Carline L.G., Sydney (1888 – 1929)     ‘Oxford Castle from the River’. Etching. Signed. From Carline’s Oxford series of etchings. 5.5×7 inches.
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  • Bird, Esther Brock (1888 – 1950)     New York; ‘Entrance to Central Park’. Lithograph. 1934. Signed, dated and editioned 12/25. 6×10 inches.
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  • Gillray, James (1756 – 1815)     ‘Sketch of the interior of St Stephens, as it now stands’. Hand coloured etching. ‘Published March 1st 1802 by H. Humphrey’. Inscribed in an early nineteenth century hand. The British Museum website describes this satire on the inadequacy of the Addington administration as follows … ‘A view of the House of Commons showing only the Ministerial benches immediately beside and behind the Speaker’s Chair, and, on the extreme right, the Speaker and the Clerk with part of the Table. Addington, scarcely caricatured, but wearing gloves, is the principal figure […] in his left is the ‘Treaty of Peace with ye Democratick Powers’; from his pocket issues a paper: ‘List of the new Administration’. On the front bench (left) next Addington’s seat, marked by his hat, sits Hawkesbury, nervous and deprecating, legs crossed, crouching forward, holding his chin. Next him is a very fat man with gouty legs, his head concealed behind Addington, identified as Dickinson. Just behind are Nicholls, clutching his cane, and Tierney (not caricatured), both gazing intently at Addington’s back. Behind Nicholls is Wilberforce, much caricatured. 13.5×10 inches.
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  • Holloway, Edgar (1914 – 2008)     ‘Self Portrait No.16 (Prospect of America)’. Etching. 1972. Signed and editioned 22/50. 8×6 inches. Framed: 14.5×12 inches.
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  • ANON (Twentieth-Century)     View in the New Forest between Bournemouth and Southampton. Oil on board. c.1900. Provenance: The Drawing Room, Princeton. 6.25×8.25 inches.
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  • Smith, John Raphael (1752 – 1812)     ‘Miss Montague’; Harriet Montague. Mezzotint. 1777. ‘Painted & Engraved by J. R. Smith / Pubd 24 June 1777 by W. Humphrey, Gerrard Street Soho, & J. R. Smith No 10 Batemans Buildings Soho Square’. 9×8 inches. Framed: 12.5×10.5 inches.
    £500
  • Brockhurst R.A. R.E., Gerald Leslie (1890 – 1978)     ‘Anais II’ (F.67). Etching. 1930. Signed. Provenance: the Estate of the artist’s wife. 9×7 inches. Framed: 20×16 inches.
    £975
  • Austen, Winifred (1876 – 1964)     Hares In The Young Wheat. Etching. Signed. Provenance: Laurie Vance Johnson (Princeton, New Jersey). 7.5×9.75 inches.
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  • Cliffe, Henry (1919 – 1983)     Abstract Composition. Pencil. c.1960. 8×9 inches.
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  • Dayes, Edward (1763 – 1804)     PAIR: Bloomsbury Square and Grosvenor Square. Hand coloured etching and aquatints. 1787 and 1789. Engraved and published by R. Pollard & F. Jukes after works by Edward Dayes. 16×21 inches. Framed: 25×29.5 inches.
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  • Sayer, Robert (1725 – 1794)     ‘A View of the Foundling Hospital’. Engraving. c.1750. Published by Robert Sayer. 6×10 inches.
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  • Reynolds PRA FRS FRSA (After), Sir Joshua (1723 – 1792)     The actress and singer Harriet Mackenzie (née Powell), Countess of Seaforth (died 1779) in the character of Leonora, in the opera ‘Padlock’. Mezzotint. 1771. Made by Richard Houston (c.1721-1755) and published by Robert Sayer (1725-1794). A beautiful impression before lettering and with scratched production and publication detail. 20×14 inches. Framed: 29.5×23.5 inches.
    £1,250
  • Wilton, Joseph (1722 – 1803)     Design for architectural detailing. Pencil. c.1760. Provenance: Professor David Bindman (1945-2025). 10.5×12.75 inches.
    £675
  • Watts O.M., George Frederick (1817 – 1904)     Studies of a horse. Black chalk. Provenance: Thomas Lowinsky (1892-1947); […] A and H; Private Collection. 11.5×10 inches.
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  • McMinn (fl.1890-1920), F. A.     GROUP: Seven drawings to illustrate ‘The Lighthouse’ by Henry Wadsworth Longfellow. Pencil. c.1895. Each inscribed verso with lines from the poem. 7×10 inches.
    £975
  • Headlam, Mary (1873 – 1959)     Hyacinths. Chalk, watercolour and white heightening. Provenance: Artist’s Estate. 10×7.5 inches.
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  • Hurry, Leslie (1908 – 1978)     ‘Figures appeal to seated female’. Ink and watercolour. Circa 1970. Authenticated and signed by John H Armstrong, the artist’s nephew, verso. 23×30.5 inches.
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  • Nisbet R.I., Noel Laura (1887 – 1956)     PAIR: Two Madonna and Child compositions. Pencil and watercolour. Studio stamped. 14×8.5 inches.
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  • Lack R.E., Henry Martyn (1909 – 1979)     ‘Pastorale’. Etching. Signed and dated, 1947. 6.25×9.5 inches.
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  • Hoare of Bath R.A., William (1707 – 1792)     Figue Study. Red chalks. c.1780. Exhibited: Charles Plante at Mallet, New York, 2011. 7×3.25 inches. Framed: 10.5×7 inches.
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  • Raverat S.W.E., Gwen (1885 – 1957)     ‘Harvest Moon’ (SN.185). Wood-engraving. Proof. Block 2, State I of II. Numbered 11. This print is based on a drawing made for ‘The Monthly Calendar’. 3×4 inches. Framed: 11×11 inches.
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  • Leitch, William Leighton (1804 – 1883)     Mountain Landscape. Ink and watercolour and gouache. Studio stamp. Exhibited: Spink. 13×19 inches. Framed: 22×27.5 inches.
    £875
  • Fielding P.O.W.S., Anthony Vandyke Copley (1787 – 1855)     The South Downs near Brighton. Watercolour. Signed and dated, 1841. 6×8.75 inches. Framed: 15.75×18.75 inches.
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  • Cosway R.A., Richard (1742 – 1821)     Portrait of Sarah Ley (b.c.1771), Mrs Richard Tickell from 1789. Pencil and watercolour, the colour pigment possibly added later. Engraved 1791 by Jean Conde (1765-1794). Exhibited: The Royal Academy, ‘Winter Exhibition’, 1954-55, no.504; The National Portrait Gallery, ‘The Masque of Beauty’, 1972, no.56. 9×5.5 inches. Framed: 19×14.5 inches.
    £3,750
  • Wyatt, Henry (1794 – 1840)     ‘Sleeping man’, candle light. Pencil. Inscribed ‘Executed [i.e. drawn!] at Gibraltar’. 6.75×4 inches. Framed: 15×12 inches.
    £250
  • Sergeant, John (1937 – 2010)     Hambros Bank; ‘Old Boardroom. 41 Bishopgate’. Pencil and watercolour. Signed, inscribed and dated, ‘July 1988’. 17.5×24 inches.
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  • Ardizzone R.A., Edward (1900 – 1979)     Liguria: ‘Villa Nettuno’. Pencil and watercolour sketchbook page. Signed, indistinctly inscribed and dated ‘1965(?6)’.
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  • Sutherland O.M., Graham (1903 – 1980)     ‘Pastoral’ (T30. / C.36). Etching. 1930. Signed. One of five or six proofs printed in 1930. An edition of 57 plus 10 proofs was not printed until 1973. Provenance: the artist to Edward Sackville-West (1901-1965); inherited in 1965 by Eardley Knollys (1902-1991); inherited by Mattei Radev (1927-2009) (stock-book item 80); inherited by Radev’s partner, theatre designer Norman Coates as part of The Radev Collection in 2009; deaccessioned from The Radev Collection and acquired by Clive Parkinson in 2023. Exhibited: Pallant House Gallery, ‘The Radev Collection: Bloomsbury and Beyond’, Oct 2011 – Jan 2012. 5×7.5 inches. NOTE: THIS PRINT IS NOT FOR SALE.
  • Sutherland O.M., Graham (1903 – 1980)     ‘Garden’ (T.31 / C.37). Etching. 1931. Signed. The setting here is Sutherland’s garden in Farningham, Kent. His other great etched work, he has taken another leap into the Modern with an almost surreal composition reminiscent of Paul Nash. The refusal of the R.E. to hang the work, and the shock that the print caused Griggs, led to Sutherland allowing his membership of the society to lapse. Disgruntled, but perhaps also sensing the natural end to which he had taken etching, Sutherland abandoned the medium in favour of painting. 8.5×6 inches. Framed: 16×12 inches.
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  • Sutherland O.M., Graham (1903 – 1980)     ‘The Village’ (T.20 / C.25). Etching. 1925. State III of III. Signed. This is the first of Sutherland’s six Pastoral works. The high horizon, extensive working of the plate, beautiful play of light and the subject of the woman gathering potatoes is in stark contrast to his previous work. It demonstrates the extraordinary effect that Palmer’s work had on him, and just how completely he understood it, despite his young age. 6.75×8.75 inches.
    £4,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘The Black Rabbit’ (T.8 / C.12). Etching. 1923. Probably state I of III. Signed and titled ‘The Black Rabbit Stabling’ and editioned 6/50. The subject is The Black Rabbit pub on the road in the centre of the image, set back from the River Arun near Arundel. Both Tassi and Cooke list two known states. However, an impression inscribed ‘3rd State’ was recently sold and the present print would seem to predate that reproduced by Tassi as State I. Despite Sutherland’s intention that this state should run to an edition of 50, there can only have been a small number printed. 7.5×8.25 inches.
    £3,750
  • Sutherland O.M., Graham (1903 – 1980)     ‘St Mary Hatch’ (T.22 / C.28). Etching. 1926. Probably State V of V. Signed. This and ‘Lammas’ (C.23) are timeless idylls of English village life. Earlier states of this print bore a passage from Psalm 14 in Latin which read … ‘Lord, who shall abide in they Tabernacle? Who shall dwell in thy holy hill? He that walketh uprightly, and worketh righteousness’. The print was made while Sutherland was being inducted into the Catholic church. However, the inscription was presumably taken off to remove any sense of dogmatism and to allow the print the feeling of universal harmony with which it pervades. 5.5×7.25 inches.
    £3,750
  • Sutherland O.M., Graham (1903 – 1980)     ‘Lammas’ (T.23 / C.29). Etching. 1926. Signed and indistinctly editioned 18(?)/85. Further signed and dated twice in the plate. State V of V. Inscribed, ‘Lammas / printed on handmade paper / Plate destroyed’. Lammas is celebrated on the 1st of August. Bread is made from the new crop of wheat and is blessed. The composition, which relates closely to ‘St Mary Hatch’ (C.28), conjures the same sense of pastoral timelessness. It includes a small reference on the right to Calvert’s ‘The Sheep of His Pasture’ (L.9b) and via Calvert, to Blake. 4.25×6.25 inches.
    £3,750
  • Sutherland O.M., Graham (1903 – 1980)     ‘Hanger Hill’ (T.27 / C.33). Etching. 1929. Final state. Signed and editioned 61/77. It is in this print that we start to see a change come about in Sutherland’s work. The warm light of his early pastoral works has become cold and hard. The composition is cramped and awkward, the trees are menacing. Uncertainty, even danger, are in the air. 5×5.25 inches.
    £3,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘May Green’ (T24 / C.30). Etching. 1927. Signed. Final state. Inscribed ‘May Green / 2nd State’. Sutherland and Paul Drury visited F. L. Griggs in late 1926. Griggs, at the height of his powers, instructed both young men in printing. His influence, as much as Palmer’s can be seen in this print which is at once spiritual and pastoral 4.25×6.25 inches.
    £3,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘Wood End’ (T.28 / C.35). Etching. 1929. Final state. Signed and editioned 21/60. Inscribed ‘Wood End’. Sometimes titled ‘Cottage in Dorset’, this is almost a pair to ‘Wood Interior’ (C.34). It is an exquisite print, but again without figures and the cottage seems abandoned. The hard, diagonal composition, leafless trees and dark wood create a sense of loss. 5.5×7 inches. Framed: 5.5×7 inches.
    £3,500
  • Sutherland O.M., Graham (1903 – 1980)     ‘Pecken Wood’ (T.21 / C.26). Etching. 1925. State III of IV. Signed and dated, ‘MCMXXV’. Inscribed ‘Pecken W. G.S. imp’ and ‘8 Sheets for Pecken Wood’. In this composition the foreground is enclosed by an dark, ancient wood. From there the labourer follows a track towards a village in the distance where the composition opens up and a Winter sun sets. Sutherland creates a sensitive, pastoral narrative with conveys man’s long history with our environment, its continuation to the present day and a sense of it reaching out into the future. 5.5×7.25 inches.
    £3,500
  • Marx, Enid (1902 – 1998)     Z – Zebra. Linocut. Editioned ‘/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £250
  • Marx, Enid (1902 – 1998)     Y – Yaffle. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £225
  • Marx, Enid (1902 – 1998)     X – Xenopus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £175
  • Marx, Enid (1902 – 1998)     W – Walrus. Linocut. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £175
  • Marx, Enid (1902 – 1998)     V – Vicunas. Linocut. Editioned ‘4/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 7.5×5 inches.
    £250
  • Marx, Enid (1902 – 1998)     U – Unau. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £225
  • Marx, Enid (1902 – 1998)     T – Turtle. Linocut. Signed. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300
    ◐
  • Marx, Enid (1902 – 1998)     S – Swan. Linocut. Editioned ‘3/6’. One of twenty-seven linocuts completed in 1979 and published as ‘Marco’s Animal Alphabet’ by Incline Press in 2000. 5×7.5 inches.
    £300