CURRENT LIST

 

ABBOTT and HOLDER Ltd
Established 1936
      
Director: PHILIP ATHILL
Tom Edwards, James McAuslan, Natalie Duff (Accounts). Conservator: Elias Kelson
 
30 MUSEUM STREET — opposite the British Museum — LONDON WC1A 1LH

Tel: 020 7637 3981 Fax: 020 7631 0575 email: gallery@abbottandholder.co.uk www.abbottandholder.co.uk
 

LIST 413: JANUARY/FEBRUARY 2012

If you would like to read this List in printable PDF format please click here

Nothing is sold from it before 9.30 A.M FRIDAY 20th JANUARY. Those of you who are on the doorstep get first go at the new stock and while we try to keep telephone calls, faxes and emails in strict order of receipt there will be times when technological overlpas muddy the system.

APPROVAL SERVICE: Obviously one needs to see pictures before buying them and thus we are usually happy to send them  
on approval. Please pay the postage (both ways) and return unwanted ones quickly.
 
IMAGES: can be e-mailed, faxed or sent as colour copies. Requests for e-mail images must please be e-mailed. We will advise
which is most suitable and will reserve pictures of which images are sent for one working day from despatch unless otherwise
agreed. Illustrations are only intended as an indication of the work – please telephone if you have any questions about the quality of
the photograph and its relationship to the original.
 
ATTRIBUTIONS: are fully guaranteed; don’t hesitate to question us about them. Money back AND a box of Black Magic should
you buy something and discover we are wrong.
 
SIZES: Are to nearest inch; upright measurements first.
 
CONSERVATION: Our in-house Conservator offers free advice and quotes for the conservation of works on paper, and a Fellow
of The British Association of Paintings Conservators/Restorers for that of works in oils.
 
FRAMING: Should you buy an unframed work from us it can be framed at cost.
 
HOURS: We are open Monday through Saturday 9.30 – 6.00 and on Thursdays 9.30 – 7.00.
 
GETTING HERE: Telephone for tube, bus, parking and collecting instructions.

 


WATERCOLOURS/WORKS ON PAPER FAIR
Science Museum (Level 2)


3.00 Wednesday 1st - Sunday 5th February

CLICK HERE FOR A COMPLIMENTARY E-TICKET
.
We look forward to seeing you there.

Works by CHARLES TUNNICLIFFE R.A. O.B.E. (1901-1979)

List 413 includes a large group of works by Charles Tunnicliffe.

With the exception of two oils (no.s 9 and 10), these are all grouped together as no.s 66 - 121.

 



The SELECTED SIX for FEBRUARY will be
Late 18th CENTURY Works


ANON.
Circle of Daniel Gardner (1750-1805) and Hugh Douglas Hamilton (1740-1808)

‘Captain Lorenzo Moore’ (1744-1798) 3rd Regiment of Horse (until 1776)
and his wife ‘Mrs Lorenzo Moore’ (1753-1840) (nee Henrietta Janssen)
Possibly painted to celebrate their marriage in 1774.
Both graphite and pastel on paper. 24x20 cms.
Original gadrooned oval frames with inner slips. Inscribed verso of frames.
Provenance: Direct family descent (detail with A and H)
The Pair £7000


Moses GRIFFITHS (1747-1819)
Golden Orioles
Watercolour and gouache. 10x7 inches. Signed and inscribed.
£2500


Hugh Douglas HAMILTON (1740-1808)
‘Hon. Mrs Ponsonby, nee Louisa Molesworth’ (1749-1824)
Pastel and graphite on paper. 23x19 cms sight size.
Inscribed as above on reverse of frame backing:
Hand 1: ‘Hon. Mrs Ponsonby / drawn by Mr Hamilton / 1772 / belongs to Mrs Frances O’Callaghan’.
Hand 2: ‘Mrs (?Lewis) / 185(?8) from Hon Mrs (? indistinct)’.
(?Original) frame with husk top edge and pearl sight.
£3750

An autograph version of the portrait (?incorrectly) entitled
‘Hon. Henrietta Molesworth’ (Kilkenny Castle, State Art Collection, OPW).
Lit/ill: ‘Hugh Douglas Hamilton’, National Gallery of Ireland, 2009, Cat.No.20.
Another version at Malahide (NGI 4172) has the Ponsonby/Molesworth arms surmounting the frame and
is inscribed on the backing ‘Hon. Lady Ponsonby’. As the identification of HDH no. 20, NGI 2000 as
‘Hon. Henrietta Molesworth’ does not appear to have any support it is sensible to accept that the sitter is
Hon. Louisa Molesworth, rather than her sister, Henrietta*. This is further supported by the inscription stating
that it belonged to Mrs Frances O’Callaghan (properly Mrs Cornelius O’Callaghan later Baroness Lissmore)
(b.1757) who was William Brabazon Ponsonby’s sister and thence Hon.Louisa’s sister-in-law and a likely
recipient for an autograph version.

*Hon. Louisa Molesworth (1749-1824) 8th daughter of 3rd Viscount Molesworth
married 1769 William Brabazon Ponsonby.
Hon. Henrietta Molesworth (c.1745-1813) 5th daughter of 3rd Viscount Molesworth
married 1774 Rt. Hon. John Staples.


Luigi MAYER (c.1755-1803)
Romania. ‘Ingresso del villagio di Floresti nella Vallachia presa da una collina vicino la fontana /
Tavolla No.LVIII del viaggio pittoresco del Sig.Cav.Roberto Ainslie’ sic.
Watercolour and gouache. 16x21 inches. Signed.
Painted while accompanying his employer Ambassador Sir Robert Ainslie back from Constantinople in 1794.
£4000


Nicholas POCOCK O.W.S. (1740-1821)
Travellers beneath a storm.
Watercolour. 16x22 inches. Signed and dated, 1791.
£1750


Thomas ROWLANDSON (1756-1827)
On the banks of the Thames.
Ink and watercolour with original wash mount. 6x9 inches.
Signed and dated, 1796.
£6000

 


 

PAINTINGS in OILS and TEMPERA

Works are in oil on canvas unless stated otherwise.
_____________________________________________



BARROW Julian (b.1939)
1. ‘Baldwins’s Bec’ and the top of the Chapel, Eton. Painted for a departing housemaster on the commission of an American Ambassador. 1988. 14x18 inches. Signed. £1200.
BREWSTER Earl Henry (1878-1957)
2. India. Uttar Pradesh. Almora; distant snowy peaks painted from the Cranks Ridge Buddist hideaway of the
American proto hippy who settled there after a suitable international stint in 1935. 14x18 inches. Signed.
Original, homemade frame available. £2750.
GARROD Violet Nellie (1898-1981)
3. ‘September Nights 1940’, a helmeted ARP warden checking rug wrapped people asleep in a basement? room,
possibly Southampton. Accepted by the R.A. in 1941. 14x10 inches. Original frame. Signed. £2500.
POVEY Edward (b.1951)
4. ‘Portrait of the Bones’; a striking take on the couple painted the year he left for the U.S.A. and Figurative
Symbolism. 1982. 38x27 inches. £1500.
PRATELLA Fausto (1888-1964)
5. Naples; fishermen preparing their boat in a corner of the harbour. 1920. Oil on panel. Signed. £1750.
PRIESTMAN Bertram R.A. (1868-1951)
6. Masterly little oil on panel of winter seas rolling around a wooden quay. 1909. 5x8 inches. Signed. Original
frame. £1500.
SALAMAN Michael (1911-1987)
7. Italian washerwomen, very possibly a composition with the Prix de Rome (unsuccessful) in mind. Painted
during his first year at the Slade, 1928. 48x36 inches. £935.
TREVES Andre (1904-1973)
8. WWII. Cavalry horses relaxing in the sun; possibly North Africa and a charming scene. 1940. 6x10 inches.
£1100.
TUNNICLIFFE Charles Frederick R.A. R.E. (1901-1979)
9. ‘Ullswater’gleaming beneath the towering peaks. 15x19 inches. Provenance: Tunnicliffe Studio Sale 1980
n.381/2. Studio Sale Stamp. £2000.
TUNNICLIFFE Charles Frederick R.A. R.E. (1901-1979)
10. ‘Glenridding’; roofs and gardens of the little village. 15x19 inches. Provenance: Tunnicliffe Studio Sale, 1980, no.381/2. Studio Sale Stamp. £2000.



FORTHCOMING EXHIBTION


‘The Camp in the Oatfield’, Bourbourg 1915.

We will be exhibiting a series of ten WWI oil paintings by Victor Tardieu (1870-1937) which record the
tented field hospital established and run by Millicent, Duchess of Sutherland (1867-1955) at Bourbourg,
twelve miles south-west of Dunkirk during the summer months of 1915. This rare and interesting
group of paintings were given to the Duchess by the artist and have remained in the Sutherland
collection at Dunrobin ever since. This will be the first time they have been exhibited.

The exhibition opens on Thursday 26th January 2012

An illustrated catalogue, with a short introduction to the paintings is available on request.
In addition to this, we have also had a website purpose built for the exhibition. The works
are all illustrated here in hi-resolution along with a more extensive history.

As interest in WWI Builds prior to the centenary, information about previously little considered
aspects of the War emerges daily. It is our intention to keep the website updated with new information,
as it comes to light. Please do not hesitate to contact us, should you know anything about the artist
or subject that you think may add to what we already have.


www.millicentsutherlandambulance.com



WATERCOLOURS and DRAWINGS – General and Illustrators
Works are in watercolour unless otherwise stated
_____________________________________________________________


ARTS and CRAFTS interior design. ‘Fair & Myer’. 1908.
11. A beamed, inglenooked, bay-windowed billiard room elevation by ‘Fair and Myer’. Pencil, watercolour and
gouache. 8x15 inches. Signed. £575.
BAWDEN Edward R.A. (1903-1989)
12. Modern travel – an aeroplane disgorging travellers amongst the higher tourist delights of Europe. A cover
study for a ‘Travel Number’ of The Listener. Ink and watercolour. 10x11.5 inches. Signed. Framed. £3000.
13. ‘The Battle of Hastings’, roundel designs for a 1966 medal to commemorate the battle. Sepia watercolour and gouache. Exhibited: Fine Art Society, 1992. Each 8x8 inches, mounted together. Framed. £1500.
BEATON Sir Cecil (1904-1980)
14. A corner of his drawing-room at Reddish House. Pencil. Provenance: Christies Hose/Beaton Studio Sale 21.06.1988. 14x20 inches. £575.
15. A small study of a gothick folly, probably with the stage in mind. Provenance: Christies Hose/Beaton Studio
Sale 21.06.1988. 6x9 inches. £225.
BLAMEY Norman R.A. (1914-2000)
16. ‘Bishop, both hands extended on ordinand’s head’ – a pencil study of feet. 14x10 inches. Signed. £150.
17. Three studies of a right hand. Verso: record of one of his toy ship paintings. 14x10 inches. Signed. £200.
18. A kneeling priest; studies both recto and verso. 14x10 inches. £100.
19. A blessing priest, and hand studies. 14x10 inches. Signed. £200.
BROOKE Leonard Leslie (1863-1940)
20. ‘The Jumblies/and other nonsense verses by/Edward Lear/another of the Books of Nonsense/with drawings by/Leslie Brooke etc.’ showing some jumblies themselves. Another pen and ink cover rough. 8x6 inches. £125.
21. ‘The Dancing Kiwi’. Pen and ink. 7x9 inches. £100.
BURRA Edward (1905-1976)
22. Kneeling figure. 16x10 inches. £275.
23. Two women on one page. 16x10 inches. £225.
CAMP Jeffery R.A. (b.1923)
24. South Bank girl against Somerset House. Pencil and watercolour. 11x11 inches. Signed. £475.
CHINNERY George (1774-1852)
25. Trees around an elaborate roofline. Pencil. Exhibited: William Drummond. 9x8 inches. Framed. £675.
CHRISTIE Fyfe (1918-1979)
26. ‘John’; a fierce schoolboy, one of his series of excellent studies of children. 1969. Pencil, ink and watercolour. 18x9 inches. Signed. Framed. £475.
CLAUSEN Sir George R.A. R.W.S. (1852-1944)
27. Sunshine raking high elms and a straw stack. 9x6 inches. Signed. £2250.
28. A dramatic twilight sky over water. Charcoal and watercolour. 9x12 inches. Signed. £1100.
DEVIS Anthony (1729-1817)
29. A wooded, rocky inlet from the sea. Black chalk heightened with white. 9x12 inches. £95.
DOWNMAN John A.R.A. (1750-1824)
30. ‘Mrs FitzGerald from Ireland / Fancy Dress’. 1897. Inscribed on the original backing. 10x8 inches. Signed.
Framed. £2500.
DROUGHT George J. R.C.A. (b.1940)
31. Wintery woodlands, dramatically drawn in pen and ink with watercolour. 13x18 inches. Framed. £225.
DU MAURIER George (1834-1896)
32. ‘All in the day’s work’. A bathing machine attendant given perplexing instructions by the short friend of a tall girl. Pen and ink for Punch. 7x9 inches. Signed. £375.
EXWORTH Ray (b.1930)
33. ‘Study for ‘Fortune Teller’, a sculpture’. Collage, pencil and wax crayon. Presented to Professor Richard
Guyatt (1914-2007) on his retirement from the RCA in 1981. 23x16 inches. Signed. £75.
FORT Theodore (fl.1840s)
34. Two heavy cart horses drinking their fill at a trough. 5x9 inches. Signed. £225.
FRIEND Donald (1915-1989)
35. Pen and ink studies of ‘Attilio’ in Florence. 1952. 12x19 inches. Signed. £1500.
GADNEY Reg (b.1941)
36. Pencil portrait study, intense and possibly a self-portrait. Retirement present to Professor Richard Guyatt
(1914-2007) on his retirement from the RCA in 1981. 6x6 inches. £75.
GOODEN Robert (1903-2002)
37. An elegantly folded and blotted calligraphic Thank You letter exercise sent to Professor Richard Guyatt (1914-2007) on his retirement from the RCA in 1981. On blue paper. 7x5 inches. £75.
GRAHAM Fergus (1900-1968)
38. ‘The Blade of Wheat’, standing rather surreal before its landscape. Pencil. Circa 1935. £95.
GRANT James P.S. R.E. (1887-1973)
39. Shapely life model. Charcoal. Circa 1925. 10x14 inches. £95.
40. Serious girl art student in a jersey. Circa 1925. Charcoal. £125.
41. An elegant, standing nude. Circa 1925. Red chalk. £125.
GUYS Constantin (1802-1892)
42. A gallant cavalry officer flashing along beside his men. Pen, brush and ink washes. 6x9 inches. £575.
43. ‘Garde Noble/en grand tenue’; another 2nd Empire sprig. Pen, brush ink and some watercolour. 8x8 inches. £675.
HALE Kathleen (1898-2000)
44. The naturalistic study of a fast flowing stream. 9x12 inches. Signed. £185.
HARPIGNIES Henri-Joseph (1819-1916)
45. Tree-lined country road at dusk painted in 1860, the year he went to Rome with Corot. 4x7.5 inches. Signed.
Possibly original frame. £1100.
HAYMAN Patrick (1915-1988)
46. ‘Girl with two lovers’; a jealous, hate-filled pen, brush and ink drawing. 1981. 12x17 inches Signed. Framed. £775.
HEPWORTH Dorothy (a.k.a Patricia Preece) (1898-1978)
47. Village girl in plaits sitting for the reclusive artist. Pencil. Prov: Hepworth/Preece Studio Sale Christes
2.4.1984. 19x13 inches. £225.
48. Woman seated sewing while drawn. Pencil. Prov: Hepworth/Preece Studio Sale Christies 2.4.1984. 19x13
inches. £150.
HERITAGE Robert (b.1927)
49. ‘Sketch design for low voltage/desk lamp’; and elegant pen and ink working design on two pages mounted
together. Given to Professor Richard Guyatt (1914-2007) on his retirement from the RCA in 1981. 18x24
inches mounted size. £100.
HOSPITAL (Subject) 1896.
50. Busy modern ward drawn for ‘The Graphic’ by Miss S. A. Robinson. Date stamped ‘8.2.1896’. 10x10 inches. Signed. £125.
HUBBUCK Rodney (Twentieth Century)
51. ‘Topiaried Mausoleum’. 10x12 inches. Signed. £220.
JAPANESE (Subject) Anon.
52. Japanese troops in camp; possible from the Russo-Japanese War 1904/05. Pen and ink for ‘The Graphic’. 9x14 inches. £275.
KEENE Charles (1823-1891)
53. Two gentlemen in serious conversation. Ink and gouache. 5x4 inches. £225.
MINTON John (1817-1957)
54. ‘The Gamblers’; a ballpoint pen study for his 1954 oil. 5x8 inches. £375.
MONGIN Pierre-Antoine (1761-1827) (circle of)
55. Soldiers bivouac amidst a battlefield’s sad remains. Pen, brush and ink. Ex. Coll: Joseph McCrindle. 4x9
inches. £335.
NOLAN Sir Sidney O.M. R.A. (1917-1992)
56. A biomorphic creature. Black and orange crayon on photographic card. Dated ‘8 Jan.’86’. 9x6 inches. Signed. £475.
NOTLEY Norman (fl.1940s)
57. ‘Drawing No.24’; pencil, pen and ink study for a Constructivist sculpture. 1945. Exhibited: Redfern Gallery,
1946. Provenance: Dartington Hall Trust. 19x16 inches. £275.
RICHMOND George R.A. (1809-1896)
58. A dancing, contraposto figure, her arms thrown up ecstatically, drapery and hair a-flow. A mannerist chalk
drawing from about 1830. Vide ‘The Sower’, ill. opp. p. 25. Richmond, Lister. Indistinctly inscribed.
Provenance: Walter Coleridge Richmond and thence a great-grandson of the artist. 16x9 inches. Framed. £2250.
59. ‘Lady Naesmyth’; a sorrowful dowager. Watercolour and gouache. 30x20 inches. Signed and inscribed on a
backing label. Framed. £975.
60. Adam and Eve, a page of red chalk studies. 9x7 inches. £125.
61. Page of studies for the portrait of a standing gentleman. Pen and ink. 7x5 inches. £125.
ROMNEY George (1734-1802)
62. Lively pencil study for the portrait of a seated girl. Another study verso. Exhibited: Ruskin Gallery. 4x3 inches. £325.
SCHOTEL Johannes Christian (1787-1838) (attributed to)
63. Sailing ships blowing about on a blowy day; sepia washes and very accomplished. Ex. Collection: Earl of
Warwick (his stamp). Exhibited: Bernard Houthakker, Amsterdam, 1971. Ex. Collection: Jiles Boon. 20x12
inches. £1400.
WALTON Allan (1892-1948)
64. View through a balustraded hotel window of a grey, English seafront. Circa 1935. 9x12 inches. Signed.
Framed. £575.
WATTS George Frederick O.M. (1817-1904)
65. Sir William Vernon Harcourt (1827-1904), intellectual and reluctant Liberal statesman. Charcoal head study.
24x20 inches. Original frame. £1250.

 

*                *               *

 

Works by CHARLES TUNNICLIFFE R.A. O.B.E. (1901-1979)

All come from the Tunnicliffe Studio Sale, 1980


All the works below are illustrated. Click on the numbers below to see individual items.

Watercolours
66. Cheshire. ‘Turnip field, Bosley’. 9x12 inches. Signed. £250.
67. Horses grazing a damp meadow. 8x12 inches. Signed. £250.
68. Cottages screened by a wooded hedge. 1945. 9x12 inches. Signed. £250.
69. Sheep beneath May blossom. 9x12 inches. Signed. £250.

Drawings: General
70. A Gardener lunching in his potting shed. Scraperboard, pen and ink. 4x6 inches. Studio stamp. £675.
71. ‘Leonard Brammer’, the print-maker. Chalk. 11x8 inches. Studio stamp. £475.
72. ‘Wally Reed’; an elderly man with an impressive moustache. Chalk. 12x9 inches. Signed. £225.
73. ‘Paul Dunbar’; his hair, rather unlikely, in a top knot. Chalk. 12x9. Studio stamp. £225.
74. Boy’s head in profile. Chalk. 12x7 inches. Studio stamp. £175.
75. A blacksmith’s forge. Pen, brush and ink. 10x13 inches. Studio stamp. £225.
76. ‘et decorum est pro patria mori…’ pheasants on a farm gate. Scraperboard, pen and ink. 3x5 inches. Studio stamp. £275.
77. Stag sniffing the breeze. Pencil. 11x8 inches. £150.
78. Summer landscape. Scraperboard, pen and ink. 3x4 inches. Studio stamp. £225.
79. Study in grey washes of a great elm tree. 16x11 inches. £110.
80. ‘Fotheringay church’. Scraperboard, pen and ink. 7x5 inches. Studio stamp. £375.
81. Village street and War Memorial. Scraperboard, pen and ink. 3x4 inches. Studio stamp. £225.
82. Rose and leaves. Scraperboard, pen and ink. 4x3 inches. Studio stamp. £95.
83. Sea Otter. Scraperboard, pen and ink. 2.5x5 inches. Studio stamp. £225.
84. ‘Pasture mid the Beasts’ – cows in the mist. Scraperboard, pen and ink. 3x3 inches. Studio stamp. £275.

These are possibly for O More Than Happy Countryman by H. E. Bates:
85. Children feeding cart horses. Pen and ink. 3x4 inches. £275.
86. Girl feeding a calf from a bucket. Pen and ink. 3x4 inches. Studio stamp. £225.
87. A cow led to its byre. Pen and ink. 3x4 inches. Studio stamp. £225.
88. Shepherds, dogs and sheep. Pen and ink. 3x4 inches. Studio stamp. £225.
89. A pig with her litter. Pen and ink. 3x4 inches. Studio stamp. £225.
90. Farm cart, pig and ducks. Scraperboard, pen and ink. 2.5x5 inches. Studio stamp. £225.

Drawings: Birds
91. Snow white geese. Watercolour en grisaille. 4x6 inches. Signed. £675.
92. Gander. Ink and watercolour. 4x8 inches. Studio stamp. £625.
93. Duck and ducklings. Pencil, pen and ink. 4.5x5.5 inches. Signed. £575.
94. Mallard; a study of plumage change. Ink and chalk. 9x7 inches. Studio stamp. £575.
95. Reed warblers. Coloured chalks and ink. Inscribed by the artist. 9.5x5.5 inches. £500.
96. Tufted duck and Pochard in flock of 50 to 60, Bosley. Pencil and pastel. 9x5 inches. Studio stamp. £475.
97. Water birds on a frozen pond. Scraperboard, pen and ink for Bird Portraiture (No.64. p.62). 5x5.5 inches.
Studio stamp. £425.
98. Duck and sea birds. Chalk, pen, ink and sgraffito. 6x6 inches. Studio stamp. £425.
99. Goldcrest on a willow twig. Watercolour en grisaille. 8x2 inches. Studio stamp. £325.
100. Duck and ducklings. Chalk and sgraffito. 2.5x5.5 inches. £275.
101. Teal among the reed-grass. Scraperboard, pen and ink. 3.5x6 inches. Inscribed by the artist. £275.
102. ‘Birds of the New Hall’: geese and duck. Scraperboard, pen and ink. 3.5x6 inches. Inscribed by the artist. £275.
103. Willow warblers searching for greenfly. Coloured chalks and ink. 9x5 inches. Studio stamp. £275.
104. A chaffinch family. Scraperboard, pen and ink. 3x4 inches. Studio stamp. £275.
105. Buzzard: studies. Ink and pencil. 9x6 inches. Studio stamp. £275.
106. Lapwings and their chicks. Ink and pencil. 9x6 inches. Studio stamp. £275.
107. Budgerigars. Ink and chalk. 9x7 inches. Studio stamp. £250.
108. Young rook. Pencil and crayon. 6x5 inches. Studio stamp. £250.
109. Avocet. Pencil, pen and ink. 8x6 inches. Studio stamp. £250.
110. Snipe in reeds. Gouache. 3.5x2.5 inches. Studio stamp. £250.
111. Lapwing. Ink and pencil. 12x7 inches. Studio stamp. £245.
112. Farmyard fowl. Ink and pencil. 9x6 inches. £225.
113. ‘Widgeon, Sparrow hawk and Song Thrush’ – feather groupings. Pen and ink. 10x7 inches. Studio stamp. £160.
114. Alarmed geese. Scraperboard, pen and ink. 3x6 inches. £125.
115. A floating flock of Tufted Duck. Scraperboard, pen and ink. 2x6 inches. £125.
116. Geese in flight. Pencil and ink sketch. 7x5 inches. Studio stamp. £110.
117. Duck landing on water. Pencil study. 6x5 inches. £110.
118. Chickens pecking round a farm cottage. 10x15 inches. £110.
119. Three swallows. 4x3 inches. Studio stamp. £95.
120. Kingfisher, fish in its bill. Pen and ink. 4x3 inches. Studio stamp. £95.
121. A moorhen and her young. Pen and ink. 4x3 inches. Studio stamp. £75.

*                *               *


WATERCOLOURS and DRAWINGS of PARTICULAR PLACES
Works are in watercolour unless otherwise stated
________________________________________________________________
 

ALLINGHAM Helen R.W.S. (1848-1926)
122. Wiltshire. Girls coming through ‘A cornfield at Downton, near Salisbury’. Illustrated: Cottage Homes of
England, Edward Arnold, 1908. Inscribed verso. 9x7 inches. Signed. Framed. £4750.
ARMENIA (Subject) T. S. Crowther. Circa 1900.
123. An Armenian village drawn in pen and ink for ‘The Graphic’ by one of their artists. 12x10 inches. Signed. £275.
BALLARDIE J. De Caynoth (fl.1887-1920)
124. Italy. Verona. Porta della Chiesa di San Zeno – ‘A study in reds’. 1913. 11x8 inches. Signed. £575.
BARNARD Rev. William Henry (1767-1818)
125. Italy. ‘Tivoli’. 1817. Pencil, pen and ink by a gentleman of the Malchair School. 22x16 inches. £275.
126. ‘The Tomb of the (?Scantiani) family at Ponte’; a Roman tower. Pencil pen and ink. 22x16 inches. £225.
BAWDEN Edward R.A. (1903-1989)
127. Portugal. Lisbon from the Tagus. Pen and ink drawing on joined paper for English as She is Spoke, Pedro
Carolinp, 1960. Inscribed. 9x2 inches. Signed. Framed. £1950.
BENTINCK Lucy (Lady) Nee Buxton (b.1893)
128. Ethiopia. Addis Ababa; a view over the British Legation roofs and a spreading, wooded valley by wife of Sir Charles Bentinck, the Minister. August 6th 1925. 9x14 inches. £325.
BIRMINGHAM (Subject) Circa 1895.
129. Presentation watercolour for the West Window of St Philip’s Church. Burne-Jones designed the window for Morris and Co and this watercolour is either by someone from his studio or that of Morris and Co. 17x7 inches. £1250.
BONE Muirhead N.E.A.C. (1876-1953)
130. ‘Pianosa and Corsica’; both distant, tantalising horizons. Ex. Collection: Gerald Reitlinger. 5x9 inches. Signed. £350.
131. A port; possibly Baltic. Pen and ink. 5x 9 inches. Signed. £175.
BRANGWYN Sir Frank R.A. (1867-1956)
132. Italy. Venice: The Ponte de Tre Archi over the Canareggio canal. Watercolour and gouache. Exhibited: Fine
Art Society, 1942. 14x21 inches. Signed. £5500.
CALLOW William R.W.S. (1812-1908)
133. Italy. Genoa. The Piazza de Pescheria’; a baroque palace embedded in market stalls. 1877. Watercolour and
gouache. 13x19 inches. Signed. Framed. £4750.
COX David Jnr (1809-1885)
134. Kent. The landscape ‘near Hastings’. A watercolour bought from the artist by his patron Rev. E Scott and
thence by descent. 10x14 inches. Framed. £375.
CUNDALL Charles R.A. R.W.S. (1890-1971)
135. ‘Umbria’; farmhouse amongst olive trees. Gouache on tracing paper. 12x15 inches. £225.
ETHIOPIA See BENTINCK
FAIRCLOUGH Wilfred R.W.S. (1907-1997)
136. Italy. Venice: Burano. Fishermen’s nets drying near the bridge, the campanile of Torcello in the distance. 1989. 9x14 inches. Signed. £295.
FEDDEN Romilly R.B.A. (1895-1939)
137. France. ‘Paris’; looking down an alley from the Luxembourg Gardens. Pencil ‘Head of a Chapter for
Restaurants’. 9x7 inches. Signed. £225.
138. Italy. Venice. ‘San Giorgio by moonlight’. 1925. 9x13 inches. Signed. £675.
FIELDING Anthony Vandyke Copley P.O.W.S. (1787-1855)
139. Sussex. ‘Bow Hill’ a rolling view down to marshes and the sea. 1840. Possibly ‘View of the Isle of Wight and Hayling Island from the top of Bow Hill that he exhibited at the Watercolour Society in 1840. 17x24 inches.
Signed. £2500.
FRIPP George Arthur R.W.S. (1813-1896)
140. Wales. Glamorgan, the stream in the verdant Vale of Neath. 1837. 13x0 inches. Signed. Framed. £1300.
GAFFRON H.C. (fl.1930s)
141. Kent. Dover harbour; a schooner towed in by a little paddle tug. 7x9 inches. Signed. £150.
GEORGE Sir Ernest P.R.I.B.A. (1839-1922)
142. Italy. Venice. A canal running up to the back of ?the Miracoli. 1885. 14x10 inches. Signed. £675.
GLENNIE Arthur R.W.S. (1803-1890)
143. Italy. ‘Sorrento’; an ancient ruin. Circa 1840. Pencil. 15x10 inches. £125.
GOODALL Edward Angelo R.W.S. (1819-1908)
144. ‘Tunis’; a little French town then. 1843. 5x9 inches. Signed. Framed. £175.
HALL George Lothian (1825-1888)
145. Brazil. The exotic, palm’d and islanded coast of Brazil where he had visited. 1864. Watercolour and gouache. 13x22 inches. Signed. £3000.
HEATHCOTE John Moyer (1800-1890)
146. Kent. Dover Castle from inland, painted by the De Wint pupil. 8x14 inches shaped. £300.
LAING James Gordon (1852-1915)
147. France. Dieppe. The rue Notre Dame running from the Quay up to St Jaques. Circa 1900. 10x7 inches. £875.
LEAR Edward (1812-1888)
148. Italy. Aguava plants above the Bay of Naples. 1839. Pencil. 7x1 inches. Signed. £2750.
149. A panoramic view across the Roman campagna. ‘24th March 1847’. Pencil, pen and ink. 3x12.5 inches. £1600.
LITHIBY Beatrice Ethel R.B.A. (b.1889)
150. Cornwall. The schooner ‘Flying Foam’ making her way out of Mevagissey harbour. Gouache and watercolour.
Circa 1920. Signed on the original label. 14x22 inches. Framed. £975.
MACWHIRTER John R.A. (1839-1911)
151. Italy. Sicily. The Monastery of San Domenico and misty Etna seen from the amphitheatre. Watercolour and
gouache. Circa 1880. 10x14 inches. Signed. £975.
MALET Guy Seymour Warre (1900-1973)
152. Warwickshire. ‘Campions (a farm) near Leamington’. Circa 1935. 12x19 inches. Studio stamp. £175.
MORRIS and Co See BIRMINGHAM
MULLER William James (1812-1845)
153. Bristol. Dusk over the Nightingale Valley. Pure watercolour study. Exhibited: Ruskin Gallery. 7x14 inches.
£300.
NASH Joseph O.W.S. (1809-1873)
154. Westmoreland. The drawing-room of Levens Hall with figures in period costume. Gouache and watercolour. The scene was lithographed for Mansions of England in the Olden Times, published in 1839. 1835. 13x19 inches. Signed. Framed. £2000.
PIPER John O.M. (1903-1992)
155. Carmarthanshire. Drysllwyn Castle. Ink and watercolour related to an illustration in English, Scottish and
Welsh Landscape, Curwen Press, 1944. 4x12 inches. Signed. Framed. £2750.
RAUSCHER Johann Albrecht Friedrich (1754-1808)
These are a set of three with their original proto beidermeier frames and glass:
156. COBURG/THURINGIA: ‘Bei Coburg nach den Gleichens bergen hin’. Gouache. Circa 1800. 19x27 inches. £4750.
157. Three gentleman moved by a dramatic waterfall beneath the ruins of an Abbey. Possibly Thuringia, more likely a capriccio. Circa 1800. 19x27 inches. £4750.
158. Barefooted goatherd enhancing the wild ?Thuringian landscape. Circa 1800. 19x27 inches. Signed. £5500.

SELLS Rev Alfred (1822-1908)
These were painted on a trip in 1901 by the elderly parson known for the Australian botanical watercolours he painted while serving there (1877-1888). The whole group can be viewed by clicking here. Alternatively, you can view individual items by clicking the numbers.

Gran Canaria:
159. March: ‘Near the Hotel Bella Vista’. 7x5 inches. £95
160. April 2nd: ‘On One Tree Hill’. 7x5 inches. £95
161. April 2nd: Near Bella Vista Hotel, Monte’. 7x5 inches. £95
162. April 2nd: ‘On One Tree Hill, Monte’. 5x7 inches. £95
163. April 3rd: In the Barranco Angostura’. 5x7 inches. £120
164. April 4th: ‘Near the Hotel Bella Vista’. 7x5 inches. £95
165. April 5th: ‘At Tafira’. 5x5 inches. £95
166. April 5th: ‘At Francisco, Las Palmas’. 7x5 inches. £95
167. April 8th: Pico de Bandama’. 7x10 inches. £145
168. April 15th: ‘At Calza’. 7x5 inches. £95
169. April 17t: ‘Above the Barranco, Monte’. 7x5 inches. £95
170. April 18th: ‘Over the Caldera de Bandama’. 10x7 inches. £95
171. April 18th: ‘The Barranco below Santa Brigida’. 7x5 inches. £95
172. April 20th: ‘Alaya’. 5x7 inches. £95
173. April 23rd. ‘Old Monastery and Dragon Tree near Tafira’. 7x5 inches. £95
174. April 24th: ‘In Barranco below Tafira’. 7x5 inches. £95
175. May: ‘A Las Palmas’. 9x5 inches. £95
176. May: ‘Pico de Bandarama’. 5x9 inches. £95
177. May: ‘Las Palmas’. 5x9 inches. £95
178. May 8th: ‘On the road from Teror’. 5x9 inches. £95
179. May 10th: ‘Euphorbia Canariensis on the road to Telde’. 9x5 inches. £70
180. May 14th: ‘Near Telde’. 7x5 inches. £95
181. May 15th: ‘Near Santa Brigida’. 7x5 inches. £120
182. May 16th: ‘From the Hotel, Monte’. 7x5 inches. £95
183. May 17th: ‘Near Santa Brigida’. 9x5 inches. £120

Tenerife:
184. April 28th: ‘At Santa Cruz’. 5x7 inches. £95
185. April 29th: ‘Tacoronte’. 5x7 inches. £95
186. May 1st: ‘At Otovara’. 5x7 inches. £95
187. May 1st: ‘At Realeja Bajo’. 7x5 inches. £95
188. May 3rd: ‘In the Las Mercedes Woods’. 7x5 inches. £95
189. May 8th: ‘At Santa Cruz’. 5x7 inches. £95
190. May 17th: ‘From the harbour of Santa Cruz’. 5x7 inches. £95

SIMONY Friedrich (1813-1896)
191. Austria. The Langtauferer Glacier looking towards Lantauferer Fo’chl and Hintere Wldspitz in the Oztal Alps. Painted with a geological interest. Circa 1880. 11x16 inches. Inscribed and ?signed on the original backing. Framed. £1500.
SPENCER Noel (1900-1986)
192. Norfolk. Taverham; a view across an August landscape towards the church. 10x13 inches. Signed. £150.
TENERIFE (Subject) Circa 1900. (cf. No.s 184-190)
193. Pen and ink in the house style for ‘The Graphic’. 9x9 inches. £95.
WARWICKSHIRE (Subject) Anon. Circa 1810.
194. ‘Stratford upon Avon’. A jumble of tombs and pews beneath a hatchment. Pencil, ink and watercolour. 15x10 inches. £225.
WEATHERILL George (1810-1890)
195. Boats coming alongside a wreck off storm swept Whitby harbour. 1872. 4.5x8.5 inches. £4000.
196. Whitby Abbey at sunset. Indistinctly dated. 5x8 inches. Signed. £2250.
WOODFORDE Samuel R.A. (1763-1817)
197. Italy. ‘The Convent of Grotta Ferrata’; the ancient Tusculum. A pencil and watercolour study for the oil he
exhibited at the R.A. in 1805 (no. 217). Exhibited: William Drummond. 10x15 inches. Signed. £1100.
WYATT Kate Montagu
198. Kensington. ‘Holland House, the staircase hall’; an atmospheric record of the later bombed interior. Circa
1910. 10x14 inches. Signed verso. £875.

 

*                *               *
 

PRINTS
Works are etchings or drypoints unless stated otherwise
‘Signed’: pencil signed by the artist.
____________________________________________________


BLAMPIED Edmund R.E. (1886-1966)
199. Stable at dusk. (SEG Cat no. 59). Lithograph chine appliqué. Dedicated to S. van Abbe. 1923. 8x10 inches.
Signed. £375.
BRANGWYN Frank, R.A. R.W.S. (1867-1956)
200. ‘Strand on the Green’. 6x4 inches. Signed. £225.
201. ‘The Tolbooth, Edinburgh’. 11x6 inches. Signed. £225.
202. ‘The Rialto’. 15x13 inches. Signed. £475.
203. ‘Meat Market Bruges’. Signed. 10x12 inches. Signed. £275.
204. Venetian Bridge. 8x6 inches. Signed. £325.
BROCKHURST Gerald R.E. (1891-1978)
205. ‘Marguerite – study for a Decoration’. 6x5 inches. Signed. £175.
BRUNDELL Alfred R. (1884-1968)
206. ‘Old Bridge at Albi’. 22/75. 7x10 inches. Signed. £110.
DODD Francis R.A. (1874-1949)
207. Muirhead Bone at his printing press. 1908. 12x10 inches. Signed. £1400.
DOITCH Eric (1923-2000)
208. Self-portrait of the émigré artist. 2/2. 5x5 inches. Signed. £475.
209. ‘Jewish people made to scrub pavements, March 1938’. 6x7 inches. Signed. £675.
DROEGE Oscar (1898-1982)
210. ‘Birches in a storm’. Woodcut printed in colours. 16x9 inches. Signed. £275.
DRURY Paul (1903-1987)
211. ‘Head of a Girl (with a feathered hat)’ (RG4). 1923. Inscribed ‘III.6’ suggesting one of six from a third state
however the Catalogue Raisonne only mentions two states. Possibly one of six printed in 1976. 7x5 inches.
Signed. £425.
GOODEN Stephen R.A. R.E. (1892-1955)
These are copper engravings:
212. Elephant cartouche. 1924. 3x4.5 inches. Signed. £125.
213. Shepherd and flock. 1930. 3x3.5 inches. £125.
214. Boy fishing from uprooted tree. 1930. 3x3.5 inches. Signed. £125.
215. WWII soldiers surrounding Pegasus. 1944. 4x4 inches. Signed. £175.
216. Mouse and biscuit on a leaf. 1940. 10/50. 3x2 inches. Signed. £175.
GROOM Mary (1903-1958)
217. ‘The Thanksgiving of David’; wood-engraving for ‘Roses of Sharan’. 3/6. 4x4 inches. Signed. £125.
GROSS Anthony R.A. (1905-1984)
218. ‘Paysage du Lot (H5105) 1951. 2nd edition of 60 with yellow watercolour wash on land. 9x13 inches. Signed. £575.
HOCKNEY David O.M. R.A. (b.1937)
219. ‘Mo Asleep’. (MCA Tokyo 116). Etching and aquatint. 36/75. 1971. £3500.
MALET Guy Seymour Warre E.W.E. (1900-1973)
220. Farm on Sark. Wood-engraving. 13/30. Circa 1930. 7x9 inches. £95.
221. ‘Cope’s Mountain’. Linocut printed in blue and mounted by the Redfern Publishing Company as a calendar.
12x8 inches. £75.
MARTIN John (1789-1854)
Mezzotints from the 1827 Septimus Prowett edition of Paradise Lost:
222. ‘High on a throne of royal state’. (Book 2, line 1). £125.
223. ‘…to redeem what hellish hate / So easily destroyed… ’. (Book 3, line 301). £125.
224. ‘Then crowned again, their golden harps they took… ’. (Book 3, line 365). £125.
225. ‘…I hear the tread of nimble feet… ’. (Book 4, line 866). £125.
MARX Enid (1902-1998)
226. ‘Wally Dogs’. 12/50. 1988 impression. Linocut touched with pastel. 14x20 inches. Signed. £395.
227. ‘Dried Flowers’. ‘No.4’. Linocut. Circa 1970. 20x14 inches. Signed. £300.
MAYO Dame Eileen (1906-1994)
228. ‘Water Carrier’. Circa 1935. Linocut printed in colours. £1500.
229. ‘Moon and Sunflower’. Circa 1985. Screenprint. Signed. £1500.
230. ‘White cat and poppies’. Screenprint. 10/10. April 1985. 17x11 inches. Signed. £1500.
MOSS Colin (1914-2005)
231. ‘Leda and the Swan’. Artist’s Proof. 12x16 inches. Signed. £100.
OSBORNE Malcolm R.A. P.R.E. (1880-1963)
232. ‘Albi, the goose fair’. Etching and aquatint. 11x14 inches. Signed. £325.
REDGRAVE Richard R.A. (1894-1888)
233. ‘Help at hand’. 1867. Proof printed by Frederick Goulding and signed in pencil by him. 7x11 inches. £150.
ROSENBERG Louis (1890-1983)
234. ‘Rue du Pont Vieux, Nice’. Circa 1925. 8x5 inches. Signed. £150.
ROTHENSTEIN Sir William N.E.A.C. (1872-1945)
235. The artist’s wife and small child. 1902. Proof. 4x3 inches. £225.
SICKERT Walter Richard R.A. N.E.A.C. (1860-1942)
236. ‘Mr Johnson’ (B145). The 1st state before any lettering. Red/brown ink. Circa 1911. Published 1915. 5.5x4
inches. £1100.
237. ‘In Memoriam, Harry Anderson, Eheu!’ (B207) 2nd state. 1922. Cumberland Market Press stamp. 6x4.5 inches. £1100.
SPENCER Noel (1900-1986)
238. Blackfriars Wharfs. Proof. Circa 1930. 7x9 inches. £275.
STRANG William R.A. (1859-1921)
239. ‘J. H. Christie, No.1’. (D.S.649). Engraving and drypoint. 16x10 inches. Signed. £175.
TAYLOR Eric R.E. (1909-1999)
240. ‘The Aspidistra’. 13x11 inches. Signed. £195.
URISHIBARA Yoshijiro (1888-1953)
241. ‘Dandellions’. Woodcut printed in colours. ‘No.76’. 16x11 inches. Signed. £425.
WOOD Wilfred (1888-1976)
242. Spanish hilltop town roofs. Woodcut printed in colours. 17/50. Circa 1925. 17x12 inches. Signed. £125.





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